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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73D812 it is the complementary color #8C27ED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73D812. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73D812 shade: #78D80D, #89EA20, #9AFC33, #ABFF46 and #BCFF59

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73D812. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73D812 shade: #73D812, #62C600, #51B400, #40A200 and #2F9000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73D812 shade: #73D912, #A9D912, #D9D312, #D99D12 and #D96812

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73D812 shade: #73D912, #3DD912, #12D91B, #12D951 and #12D987

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73D812 shade matches the following richer shades: #73D912

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73D812 shade: #73D912, #74C625, #74B338, #74A04B and #758D5E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73D812 shade: #D9D212, #AAD912, #75D912, #40D912 and #12D918

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73D812 shade: #4B8D0B, #5FB30F, #73D912, #88ED26 and #9DF14D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73D812 shade: #73D812, #12D99D and #D912C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73D812 shade: #73D812, #1275D9 and #D91275

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73D812 shade: #73D812, #12D99D, #7512D9 and #D9124D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73D812 shade: #73D812, #12D9D9, #7512D9 and #D91212

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 92 / 15

HEX #73D812

RGB 115 216 18

HSL 90.61, 0.85%, 0.46%

LAB 77.76, -57.25, 74.24

 

Complementary color

CMYK 41 / 84 / 0 / 7

HEX #8C27ED

RGB 140 39 237

HSL 270.61, 0.85%, 0.54%

LAB 42.97, 73.78, -79.72

 

CMYK 44 / 0 / 94 / 15

HEX #78D80D

RGB 120 216 13

HSL 88.37, 0.89%, 0.45%

LAB 77.95, -55.79, 75.09

 

CMYK 41 / 0 / 86 / 8

HEX #89EA20

RGB 137 234 32

HSL 88.81, 0.83%, 0.52%

LAB 84.11, -56.79, 77.61

 

CMYK 39 / 0 / 80 / 1

HEX #9AFC33

RGB 154 252 51

HSL 89.25, 0.97%, 0.59%

LAB 90.2, -57.55, 78.95

 

CMYK 33 / 0 / 73 / 0

HEX #ABFF46

RGB 171 255 70

HSL 87.24, 1%, 0.64%

LAB 91.96, -52.11, 75.31

 

CMYK 26 / 0 / 65 / 0

HEX #BCFF59

RGB 188 255 89

HSL 84.22, 1%, 0.67%

LAB 92.98, -44.93, 69.86

 

CMYK 47 / 0 / 92 / 15

HEX #73D812

RGB 115 216 18

HSL 90.61, 0.85%, 0.46%

LAB 77.76, -57.25, 74.24

 

CMYK 51 / 0 / 100 / 22

HEX #62C600

RGB 98 198 0

HSL 90.3, 1%, 0.39%

LAB 71.54, -56, 70.94

 

CMYK 55 / 0 / 100 / 29

HEX #51B400

RGB 81 180 0

HSL 93, 1%, 0.35%

LAB 65.27, -54.34, 65.75

 

CMYK 60 / 0 / 100 / 36

HEX #40A200

RGB 64 162 0

HSL 96.3, 1%, 0.32%

LAB 58.91, -52.48, 60.49

 

CMYK 67 / 0 / 100 / 44

HEX #2F9000

RGB 47 144 0

HSL 100.42, 1%, 0.28%

LAB 52.45, -50.33, 55.17

 

CMYK 47 / 0 / 92 / 15

HEX #73D912

RGB 115 217 18

HSL 90.75, 0.85%, 0.46%

LAB 78.06, -57.62, 74.48

 

CMYK 22 / 0 / 92 / 15

HEX #A9D912

RGB 169 217 18

HSL 74.47, 0.85%, 0.46%

LAB 80.8, -38.57, 77.84

 

CMYK 0 / 3 / 92 / 15

HEX #D9D312

RGB 217 211 18

HSL 58.19, 0.85%, 0.46%

LAB 82.58, -15.95, 80.71

 

CMYK 0 / 28 / 92 / 15

HEX #D99D12

RGB 217 157 18

HSL 41.91, 0.85%, 0.46%

LAB 68.69, 12.09, 70.19

 

CMYK 0 / 52 / 92 / 15

HEX #D96812

RGB 217 104 18

HSL 25.93, 0.85%, 0.46%

LAB 56.78, 40.1, 61.5

 

CMYK 47 / 0 / 92 / 15

HEX #73D912

RGB 115 217 18

HSL 90.75, 0.85%, 0.46%

LAB 78.06, -57.62, 74.48

 

CMYK 72 / 0 / 92 / 15

HEX #3DD912

RGB 61 217 18

HSL 107.04, 0.85%, 0.46%

LAB 76.47, -70.53, 72.52

 

CMYK 92 / 0 / 88 / 15

HEX #12D91B

RGB 18 217 27

HSL 122.71, 0.85%, 0.46%

LAB 75.97, -74.94, 70.41

 

CMYK 92 / 0 / 63 / 15

HEX #12D951

RGB 18 217 81

HSL 138.99, 0.85%, 0.46%

LAB 76.28, -70.93, 53.34

 

CMYK 92 / 0 / 38 / 15

HEX #12D987

RGB 18 217 135

HSL 155.28, 0.85%, 0.46%

LAB 76.98, -62.51, 28.3

 

CMYK 47 / 0 / 92 / 15

HEX #73D912

RGB 115 217 18

HSL 90.75, 0.85%, 0.46%

LAB 78.06, -57.62, 74.48

 

CMYK 47 / 0 / 92 / 15

HEX #73D912

RGB 115 217 18

HSL 90.75, 0.85%, 0.46%

LAB 78.06, -57.62, 74.48

 

CMYK 41 / 0 / 81 / 22

HEX #74C625

RGB 116 198 37

HSL 90.56, 0.69%, 0.46%

LAB 72.39, -49.35, 65.83

 

CMYK 35 / 0 / 69 / 30

HEX #74B338

RGB 116 179 56

HSL 90.73, 0.52%, 0.46%

LAB 66.7, -40.28, 53.98

 

CMYK 28 / 0 / 53 / 37

HEX #74A04B

RGB 116 160 75

HSL 91.06, 0.36%, 0.46%

LAB 61.1, -29.85, 39.18

 

CMYK 17 / 0 / 33 / 45

HEX #758D5E

RGB 117 141 94

HSL 90.64, 0.2%, 0.46%

LAB 55.73, -17.42, 22.34

 

CMYK 0 / 3 / 92 / 15

HEX #D9D212

RGB 217 210 18

HSL 57.89, 0.85%, 0.46%

LAB 82.32, -15.45, 80.51

 

CMYK 22 / 0 / 92 / 15

HEX #AAD912

RGB 170 217 18

HSL 74.17, 0.85%, 0.46%

LAB 80.86, -38.17, 77.91

 

CMYK 46 / 0 / 92 / 15

HEX #75D912

RGB 117 217 18

HSL 90.15, 0.85%, 0.46%

LAB 78.14, -57.01, 74.58

 

CMYK 71 / 0 / 92 / 15

HEX #40D912

RGB 64 217 18

HSL 106.13, 0.85%, 0.46%

LAB 76.53, -70.02, 72.6

 

CMYK 92 / 0 / 89 / 15

HEX #12D918

RGB 18 217 24

HSL 121.81, 0.85%, 0.46%

LAB 75.96, -75.05, 70.94

 

CMYK 47 / 0 / 92 / 45

HEX #4B8D0B

RGB 75 141 11

HSL 90.46, 0.86%, 0.3%

LAB 52.48, -40.97, 53.7

 

CMYK 47 / 0 / 92 / 30

HEX #5FB30F

RGB 95 179 15

HSL 90.73, 0.85%, 0.38%

LAB 65.52, -49.47, 64.24

 

CMYK 47 / 0 / 92 / 15

HEX #73D912

RGB 115 217 18

HSL 90.75, 0.85%, 0.46%

LAB 78.06, -57.62, 74.48

 

CMYK 43 / 0 / 84 / 7

HEX #88ED26

RGB 136 237 38

HSL 90.45, 0.85%, 0.54%

LAB 84.97, -58.07, 77.11

 

CMYK 35 / 0 / 68 / 5

HEX #9DF14D

RGB 157 241 77

HSL 90.73, 0.85%, 0.62%

LAB 87.3, -50.7, 67.95

 

CMYK 47 / 0 / 92 / 15

HEX #73D812

RGB 115 216 18

HSL 90.61, 0.85%, 0.46%

LAB 77.76, -57.25, 74.24

 

CMYK 92 / 0 / 28 / 15

HEX #12D99D

RGB 18 217 157

HSL 161.91, 0.85%, 0.46%

LAB 77.39, -57.84, 17.39

 

CMYK 0 / 92 / 9 / 15

HEX #D912C5

RGB 217 18 197

HSL 306.03, 0.85%, 0.46%

LAB 50.94, 82.73, -43.37

 

CMYK 47 / 0 / 92 / 15

HEX #73D812

RGB 115 216 18

HSL 90.61, 0.85%, 0.46%

LAB 77.76, -57.25, 74.24

 

CMYK 92 / 46 / 0 / 15

HEX #1275D9

RGB 18 117 217

HSL 210.15, 0.85%, 0.46%

LAB 49.33, 11.46, -58.39

 

CMYK 0 / 92 / 46 / 15

HEX #D91275

RGB 217 18 117

HSL 330.15, 0.85%, 0.46%

LAB 47.58, 73.92, -0.79

 

CMYK 47 / 0 / 92 / 15

HEX #73D812

RGB 115 216 18

HSL 90.61, 0.85%, 0.46%

LAB 77.76, -57.25, 74.24

 

CMYK 92 / 0 / 28 / 15

HEX #12D99D

RGB 18 217 157

HSL 161.91, 0.85%, 0.46%

LAB 77.39, -57.84, 17.39

 

CMYK 46 / 92 / 0 / 15

HEX #7512D9

RGB 117 18 217

HSL 269.85, 0.85%, 0.46%

LAB 36.41, 71.86, -79.21

 

CMYK 0 / 92 / 65 / 15

HEX #D9124D

RGB 217 18 77

HSL 342.21, 0.85%, 0.46%

LAB 46.61, 71.23, 22.58

 

CMYK 47 / 0 / 92 / 15

HEX #73D812

RGB 115 216 18

HSL 90.61, 0.85%, 0.46%

LAB 77.76, -57.25, 74.24

 

CMYK 92 / 0 / 0 / 15

HEX #12D9D9

RGB 18 217 217

HSL 180, 0.85%, 0.46%

LAB 78.91, -42.07, -12.4

 

CMYK 46 / 92 / 0 / 15

HEX #7512D9

RGB 117 18 217

HSL 269.85, 0.85%, 0.46%

LAB 36.41, 71.86, -79.21

 

CMYK 0 / 92 / 92 / 15

HEX #D91212

RGB 217 18 18

HSL 0, 0.85%, 0.46%

LAB 45.94, 69.37, 54.15

 

Description

Color code: HEX #73D812 | qconv.com Color code: HEX #73D812 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 216 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 216 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 92 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 92% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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