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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73D628 it is the complementary color #8C29D7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73D628. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73D628 shade: #78D623, #89E836, #9AFA49, #ABFF5C and #BCFF6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73D628. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73D628 shade: #73D628, #62C415, #51B202, #40A000 and #2F8E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73D628 shade: #73D728, #A3D728, #D2D728, #D7AD28 and #D77E28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73D628 shade: #73D728, #44D728, #28D73B, #28D76A and #28D799

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73D628 shade matches the following richer shades: #73D728 and #71EC13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73D628 shade: #73D728, #76C33C, #79AE51, #7C9A65 and #7F857A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73D628 shade: #D2D728, #A3D728, #74D728, #45D728 and #28D739

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73D628 shade: #4E921B, #61B521, #73D728, #8ADE4A and #A1E46D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73D628 shade: #73D628, #28D7AE and #D728BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73D628 shade: #73D628, #2874D7 and #D72874

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73D628 shade: #73D628, #28D7AE, #8B28D7 and #D72851

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73D628 shade: #73D628, #28CCD7, #8B28D7 and #D73328

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 81 / 16

HEX #73D628

RGB 115 214 40

HSL 94.14, 0.69%, 0.5%

LAB 77.22, -55.78, 69.4

 

Complementary color

CMYK 35 / 81 / 0 / 16

HEX #8C29D7

RGB 140 41 215

HSL 274.14, 0.69%, 0.5%

LAB 41.32, 68.39, -69.88

 

CMYK 44 / 0 / 84 / 16

HEX #78D623

RGB 120 214 35

HSL 91.51, 0.72%, 0.49%

LAB 77.4, -54.43, 70.88

 

CMYK 41 / 0 / 77 / 9

HEX #89E836

RGB 137 232 54

HSL 92.02, 0.79%, 0.56%

LAB 83.6, -55.11, 71.73

 

CMYK 38 / 0 / 71 / 2

HEX #9AFA49

RGB 154 250 73

HSL 92.54, 0.95%, 0.63%

LAB 89.73, -55.6, 71.82

 

CMYK 33 / 0 / 64 / 0

HEX #ABFF5C

RGB 171 255 92

HSL 90.92, 1%, 0.68%

LAB 92.11, -50.63, 67.49

 

CMYK 26 / 0 / 56 / 0

HEX #BCFF6F

RGB 188 255 111

HSL 87.92, 1%, 0.72%

LAB 93.17, -43.16, 61.04

 

CMYK 46 / 0 / 81 / 16

HEX #73D628

RGB 115 214 40

HSL 94.14, 0.69%, 0.5%

LAB 77.22, -55.78, 69.4

 

CMYK 50 / 0 / 89 / 23

HEX #62C415

RGB 98 196 21

HSL 93.6, 0.81%, 0.43%

LAB 70.96, -54.85, 67.84

 

CMYK 54 / 0 / 99 / 30

HEX #51B202

RGB 81 178 2

HSL 93.07, 0.98%, 0.35%

LAB 64.64, -53.57, 65

 

CMYK 60 / 0 / 100 / 37

HEX #40A000

RGB 64 160 0

HSL 96, 1%, 0.31%

LAB 58.26, -51.77, 59.98

 

CMYK 67 / 0 / 100 / 44

HEX #2F8E00

RGB 47 142 0

HSL 100.14, 1%, 0.28%

LAB 51.78, -49.65, 54.64

 

CMYK 47 / 0 / 81 / 16

HEX #73D728

RGB 115 215 40

HSL 94.29, 0.69%, 0.5%

LAB 77.52, -56.16, 69.68

 

CMYK 24 / 0 / 81 / 16

HEX #A3D728

RGB 163 215 40

HSL 77.83, 0.69%, 0.5%

LAB 79.92, -39.42, 72.73

 

CMYK 2 / 0 / 81 / 16

HEX #D2D728

RGB 210 215 40

HSL 61.71, 0.69%, 0.5%

LAB 83.16, -20.4, 76.8

 

CMYK 0 / 20 / 81 / 16

HEX #D7AD28

RGB 215 173 40

HSL 45.6, 0.69%, 0.5%

LAB 72.55, 3.18, 67.84

 

CMYK 0 / 41 / 81 / 16

HEX #D77E28

RGB 215 126 40

HSL 29.49, 0.69%, 0.5%

LAB 61.24, 28.39, 57.85

 

CMYK 47 / 0 / 81 / 16

HEX #73D728

RGB 115 215 40

HSL 94.29, 0.69%, 0.5%

LAB 77.52, -56.16, 69.68

 

CMYK 68 / 0 / 81 / 16

HEX #44D728

RGB 68 215 40

HSL 110.4, 0.69%, 0.5%

LAB 76.06, -67.85, 67.8

 

CMYK 81 / 0 / 73 / 16

HEX #28D73B

RGB 40 215 59

HSL 126.51, 0.69%, 0.5%

LAB 75.68, -70.74, 61.39

 

CMYK 81 / 0 / 51 / 16

HEX #28D76A

RGB 40 215 106

HSL 142.63, 0.69%, 0.5%

LAB 76.13, -65.29, 41.76

 

CMYK 81 / 0 / 29 / 16

HEX #28D799

RGB 40 215 153

HSL 158.74, 0.69%, 0.5%

LAB 76.89, -56.5, 18.83

 

CMYK 47 / 0 / 81 / 16

HEX #73D728

RGB 115 215 40

HSL 94.29, 0.69%, 0.5%

LAB 77.52, -56.16, 69.68

 

CMYK 52 / 0 / 92 / 7

HEX #71EC13

RGB 113 236 19

HSL 94.01, 0.85%, 0.5%

LAB 83.73, -65.04, 78.98

 

CMYK 47 / 0 / 81 / 16

HEX #73D728

RGB 115 215 40

HSL 94.29, 0.69%, 0.5%

LAB 77.52, -56.16, 69.68

 

CMYK 39 / 0 / 69 / 24

HEX #76C33C

RGB 118 195 60

HSL 94.22, 0.53%, 0.5%

LAB 71.7, -46.09, 57.63

 

CMYK 30 / 0 / 53 / 32

HEX #79AE51

RGB 121 174 81

HSL 94.19, 0.36%, 0.5%

LAB 65.7, -33.9, 41.78

 

CMYK 19 / 0 / 34 / 40

HEX #7C9A65

RGB 124 154 101

HSL 93.96, 0.21%, 0.5%

LAB 60.19, -20.41, 24.5

 

CMYK 5 / 0 / 8 / 48

HEX #7F857A

RGB 127 133 122

HSL 92.73, 0.04%, 0.5%

LAB 54.75, -4.38, 5.16

 

CMYK 2 / 0 / 81 / 16

HEX #D2D728

RGB 210 215 40

HSL 61.71, 0.69%, 0.5%

LAB 83.16, -20.4, 76.8

 

CMYK 24 / 0 / 81 / 16

HEX #A3D728

RGB 163 215 40

HSL 77.83, 0.69%, 0.5%

LAB 79.92, -39.42, 72.73

 

CMYK 46 / 0 / 81 / 16

HEX #74D728

RGB 116 215 40

HSL 93.94, 0.69%, 0.5%

LAB 77.56, -55.85, 69.73

 

CMYK 68 / 0 / 81 / 16

HEX #45D728

RGB 69 215 40

HSL 110.06, 0.69%, 0.5%

LAB 76.08, -67.66, 67.83

 

CMYK 81 / 0 / 73 / 16

HEX #28D739

RGB 40 215 57

HSL 125.83, 0.69%, 0.5%

LAB 75.67, -70.9, 62.08

 

CMYK 47 / 0 / 82 / 43

HEX #4E921B

RGB 78 146 27

HSL 94.29, 0.69%, 0.34%

LAB 54.3, -41.37, 51.47

 

CMYK 46 / 0 / 82 / 29

HEX #61B521

RGB 97 181 33

HSL 94.05, 0.69%, 0.42%

LAB 66.29, -48.97, 61.06

 

CMYK 47 / 0 / 81 / 16

HEX #73D728

RGB 115 215 40

HSL 94.29, 0.69%, 0.5%

LAB 77.52, -56.16, 69.68

 

CMYK 38 / 0 / 67 / 13

HEX #8ADE4A

RGB 138 222 74

HSL 94.05, 0.69%, 0.58%

LAB 80.82, -49.49, 62.03

 

CMYK 29 / 0 / 52 / 11

HEX #A1E46D

RGB 161 228 109

HSL 93.78, 0.69%, 0.66%

LAB 84.05, -40.98, 50.91

 

CMYK 46 / 0 / 81 / 16

HEX #73D628

RGB 115 214 40

HSL 94.14, 0.69%, 0.5%

LAB 77.22, -55.78, 69.4

 

CMYK 81 / 0 / 19 / 16

HEX #28D7AE

RGB 40 215 174

HSL 165.94, 0.69%, 0.5%

LAB 77.35, -51.59, 8.33

 

CMYK 0 / 81 / 13 / 16

HEX #D728BA

RGB 215 40 186

HSL 309.94, 0.69%, 0.5%

LAB 51.28, 77.2, -36.47

 

CMYK 46 / 0 / 81 / 16

HEX #73D628

RGB 115 214 40

HSL 94.14, 0.69%, 0.5%

LAB 77.22, -55.78, 69.4

 

CMYK 81 / 46 / 0 / 16

HEX #2874D7

RGB 40 116 215

HSL 213.94, 0.69%, 0.5%

LAB 49.31, 12.81, -57.26

 

CMYK 0 / 81 / 46 / 16

HEX #D72874

RGB 215 40 116

HSL 333.94, 0.69%, 0.5%

LAB 48.54, 69.4, 1.18

 

CMYK 46 / 0 / 81 / 16

HEX #73D628

RGB 115 214 40

HSL 94.14, 0.69%, 0.5%

LAB 77.22, -55.78, 69.4

 

CMYK 81 / 0 / 19 / 16

HEX #28D7AE

RGB 40 215 174

HSL 165.94, 0.69%, 0.5%

LAB 77.35, -51.59, 8.33

 

CMYK 35 / 81 / 0 / 16

HEX #8B28D7

RGB 139 40 215

HSL 273.94, 0.69%, 0.5%

LAB 41.08, 68.56, -70.29

 

CMYK 0 / 81 / 62 / 16

HEX #D72851

RGB 215 40 81

HSL 345.94, 0.69%, 0.5%

LAB 47.7, 66.88, 21.48

 

CMYK 46 / 0 / 81 / 16

HEX #73D628

RGB 115 214 40

HSL 94.14, 0.69%, 0.5%

LAB 77.22, -55.78, 69.4

 

CMYK 81 / 5 / 0 / 16

HEX #28CCD7

RGB 40 204 215

HSL 183.77, 0.69%, 0.5%

LAB 75.17, -35.49, -16.92

 

CMYK 35 / 81 / 0 / 16

HEX #8B28D7

RGB 139 40 215

HSL 273.94, 0.69%, 0.5%

LAB 41.08, 68.56, -70.29

 

CMYK 0 / 76 / 81 / 16

HEX #D73328

RGB 215 51 40

HSL 3.77, 0.69%, 0.5%

LAB 48.22, 62.07, 45.81

 

Description

Color code: HEX #73D628 | qconv.com Color code: HEX #73D628 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 214 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 214 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 81 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 81% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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