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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73ABF83F it is the complementary color #8C54073F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73ABF83F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73ABF83F shade: #78ABF33F, #89BDFF3F, #9ACFFF3F, #ABE1FF3F and #BCF3FF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73ABF83F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73ABF83F shade: #73ABF83F, #6299E53F, #5187D23F, #4075BF3F and #2F63AC3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73ABF83F shade: #72ABF8, #7287F8, #8272F8, #A672F8 and #CA72F8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73ABF83F shade: #72ABF8, #7287F8 and #7272F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73ABF83F shade matches the following richer shades: #72ABF8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73ABF83F shade: #72ABF8, #7EACEC, #8AAEE0, #96B0D4 and #A2B2C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73ABF83F shade: #72F3F8, #72D0F8, #72ACF8, #7289F8 and #8072F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73ABF83F shade: #247BF3, #4B93F6, #72ABF8, #9AC2FA and #C1DAFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73ABF83F shade: #73ABF8, #D972F8 and #E1F872

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73ABF83F shade: #73ABF8, #F872AC and #ACF872

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73ABF83F shade: #73ABF8, #D972F8, #F8BE72 and #92F872

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73ABF83F shade: #73ABF8, #F872EF, #F8BE72 and #72F87B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 8 / 0 / 1

HEX #73ABF83F

RGBA 115 171 248 0.25

HSLA 214.74, 0.9%, 0.71%, 0.25

LABA 69.15, 3.19, -43.91, 0.25

 

Complementary color

CMYK 0 / 10 / 24 / 11

HEX #8C54073F

RGBA 140 84 7 0.25

HSLA 34.74, 0.9%, 0.29%, 0.25

LABA 41.11, 18.06, 47.85, 0.25

 

CMYK 13 / 7 / 0 / 1

HEX #78ABF33F

RGBA 120 171 243 0.25

HSLA 215.12, 0.84%, 0.71%, 0.25

LABA 69.18, 2.77, -41.12, 0.25

 

CMYK 12 / 6 / 0 / 0

HEX #89BDFF3F

RGBA 137 189 255 0.25

HSLA 213.56, 1%, 0.77%, 0.25

LABA 75.41, 0.15, -37.83, 0.25

 

CMYK 10 / 5 / 0 / 0

HEX #9ACFFF3F

RGBA 154 207 255 0.25

HSLA 208.51, 1%, 0.8%, 0.25

LABA 81.14, -5.37, -28.93, 0.25

 

CMYK 8 / 3 / 0 / 0

HEX #ABE1FF3F

RGBA 171 225 255 0.25

HSLA 201.43, 1%, 0.84%, 0.25

LABA 86.86, -10.28, -20.12, 0.25

 

CMYK 7 / 1 / 0 / 0

HEX #BCF3FF3F

RGBA 188 243 255 0.25

HSLA 190.75, 1%, 0.87%, 0.25

LABA 92.58, -14.69, -11.45, 0.25

 

CMYK 13 / 8 / 0 / 1

HEX #73ABF83F

RGBA 115 171 248 0.25

HSLA 214.74, 0.9%, 0.71%, 0.25

LABA 69.15, 3.19, -43.91, 0.25

 

CMYK 14 / 8 / 0 / 3

HEX #6299E53F

RGBA 98 153 229 0.25

HSLA 214.81, 0.72%, 0.64%, 0.25

LABA 62.54, 4.05, -43.93, 0.25

 

CMYK 15 / 9 / 0 / 4

HEX #5187D23F

RGBA 81 135 210 0.25

HSLA 214.88, 0.59%, 0.57%, 0.25

LABA 55.82, 5.11, -43.98, 0.25

 

CMYK 17 / 10 / 0 / 6

HEX #4075BF3F

RGBA 64 117 191 0.25

HSLA 214.96, 0.5%, 0.5%, 0.25

LABA 48.98, 6.42, -44.04, 0.25

 

CMYK 18 / 11 / 0 / 8

HEX #2F63AC3F

RGBA 47 99 172 0.25

HSLA 215.04, 0.57%, 0.43%, 0.25

LABA 42.01, 8.1, -44.12, 0.25

 

CMYK 54 / 31 / 0 / 3

HEX #72ABF8

RGB 114 171 248

HSL 214.48, 0.91%, 0.71%

LAB 69.1, 2.98, -43.99

 

CMYK 54 / 46 / 0 / 3

HEX #7287F8

RGB 114 135 248

HSL 230.6, 0.91%, 0.71%

LAB 59.6, 23.94, -59.03

 

CMYK 48 / 54 / 0 / 3

HEX #8272F8

RGB 130 114 248

HSL 247.16, 0.91%, 0.71%

LAB 55.64, 39.63, -65.32

 

CMYK 33 / 54 / 0 / 3

HEX #A672F8

RGB 166 114 248

HSL 263.28, 0.91%, 0.71%

LAB 58.9, 47.71, -59.92

 

CMYK 19 / 54 / 0 / 3

HEX #CA72F8

RGB 202 114 248

HSL 279.4, 0.91%, 0.71%

LAB 62.82, 56.55, -53.44

 

CMYK 54 / 31 / 0 / 3

HEX #72ABF8

RGB 114 171 248

HSL 214.48, 0.91%, 0.71%

LAB 69.1, 2.98, -43.99

 

CMYK 54 / 46 / 0 / 3

HEX #7287F8

RGB 114 135 248

HSL 230.6, 0.91%, 0.71%

LAB 59.6, 23.94, -59.03

 

CMYK 54 / 54 / 0 / 3

HEX #7272F8

RGB 114 114 248

HSL 240, 0.91%, 0.71%

LAB 54.44, 36.44, -67.33

 

CMYK 54 / 31 / 0 / 3

HEX #72ABF8

RGB 114 171 248

HSL 214.48, 0.91%, 0.71%

LAB 69.1, 2.98, -43.99

 

CMYK 54 / 31 / 0 / 3

HEX #72ABF8

RGB 114 171 248

HSL 214.48, 0.91%, 0.71%

LAB 69.1, 2.98, -43.99

 

CMYK 47 / 27 / 0 / 7

HEX #7EACEC

RGB 126 172 236

HSL 214.91, 0.74%, 0.71%

LAB 69.47, 1.55, -36.83

 

CMYK 38 / 22 / 0 / 12

HEX #8AAEE0

RGB 138 174 224

HSL 214.88, 0.58%, 0.71%

LAB 70.22, 0.15, -29.06

 

CMYK 29 / 17 / 0 / 17

HEX #96B0D4

RGB 150 176 212

HSL 214.84, 0.42%, 0.71%

LAB 71.07, -0.65, -21.12

 

CMYK 19 / 11 / 0 / 22

HEX #A2B2C8

RGB 162 178 200

HSL 214.74, 0.26%, 0.71%

LAB 72.02, -0.86, -13.02

HEX #A2B2C8

CMYK 54 / 2 / 0 / 3

HEX #72F3F8

RGB 114 243 248

HSL 182.24, 0.91%, 0.71%

LAB 89.14, -34.18, -13.28

 

CMYK 54 / 16 / 0 / 3

HEX #72D0F8

RGB 114 208 248

HSL 197.91, 0.91%, 0.71%

LAB 79.31, -17.01, -28.16

 

CMYK 54 / 31 / 0 / 3

HEX #72ACF8

RGB 114 172 248

HSL 214.03, 0.91%, 0.71%

LAB 69.37, 2.41, -43.56

 

CMYK 54 / 45 / 0 / 3

HEX #7289F8

RGB 114 137 248

HSL 229.7, 0.91%, 0.71%

LAB 60.11, 22.75, -58.21

 

CMYK 48 / 54 / 0 / 3

HEX #8072F8

RGB 128 114 248

HSL 246.27, 0.91%, 0.71%

LAB 55.48, 39.22, -65.59

 

CMYK 85 / 49 / 0 / 5

HEX #247BF3

RGB 36 123 243

HSL 214.78, 0.9%, 0.55%

LAB 52.96, 18.72, -67.1

 

CMYK 70 / 40 / 0 / 4

HEX #4B93F6

RGB 75 147 246

HSL 214.74, 0.9%, 0.63%

LAB 60.8, 9.3, -56.13

 

CMYK 54 / 31 / 0 / 3

HEX #72ABF8

RGB 114 171 248

HSL 214.48, 0.91%, 0.71%

LAB 69.1, 2.98, -43.99

 

CMYK 38 / 22 / 0 / 2

HEX #9AC2FA

RGB 154 194 250

HSL 215, 0.91%, 0.79%

LAB 77.49, 0.3, -31.85

 

CMYK 23 / 13 / 0 / 1

HEX #C1DAFC

RGB 193 218 252

HSL 214.58, 0.91%, 0.87%

LAB 86.26, -1.09, -19.33

 

CMYK 54 / 31 / 0 / 3

HEX #73ABF8

RGB 115 171 248

HSL 214.74, 0.9%, 0.71%

LAB 69.15, 3.19, -43.91

 

CMYK 13 / 54 / 0 / 3

HEX #D972F8

RGB 217 114 248

HSL 286.12, 0.91%, 0.71%

LAB 64.61, 60.35, -50.47

 

CMYK 9 / 0 / 54 / 3

HEX #E1F872

RGB 225 248 114

HSL 70.3, 0.91%, 0.71%

LAB 93.61, -26, 60.84

 

CMYK 54 / 31 / 0 / 3

HEX #73ABF8

RGB 115 171 248

HSL 214.74, 0.9%, 0.71%

LAB 69.15, 3.19, -43.91

 

CMYK 0 / 54 / 31 / 3

HEX #F872AC

RGB 248 114 172

HSL 334.03, 0.91%, 0.71%

LAB 65.73, 57.13, -5.86

 

CMYK 31 / 0 / 54 / 3

HEX #ACF872

RGB 172 248 114

HSL 94.03, 0.91%, 0.71%

LAB 90.38, -45.38, 56.26

 

CMYK 54 / 31 / 0 / 3

HEX #73ABF8

RGB 115 171 248

HSL 214.74, 0.9%, 0.71%

LAB 69.15, 3.19, -43.91

 

CMYK 13 / 54 / 0 / 3

HEX #D972F8

RGB 217 114 248

HSL 286.12, 0.91%, 0.71%

LAB 64.61, 60.35, -50.47

 

CMYK 0 / 23 / 54 / 3

HEX #F8BE72

RGB 248 190 114

HSL 34.03, 0.91%, 0.71%

LAB 80.74, 12.33, 46.07

 

CMYK 41 / 0 / 54 / 3

HEX #92F872

RGB 146 248 114

HSL 105.67, 0.91%, 0.71%

LAB 89.14, -53.75, 54.49

 

CMYK 54 / 31 / 0 / 3

HEX #73ABF8

RGB 115 171 248

HSL 214.74, 0.9%, 0.71%

LAB 69.15, 3.19, -43.91

 

CMYK 0 / 54 / 4 / 3

HEX #F872EF

RGB 248 114 239

HSL 304.03, 0.91%, 0.71%

LAB 68.18, 66.79, -39.63

 

CMYK 0 / 23 / 54 / 3

HEX #F8BE72

RGB 248 190 114

HSL 34.03, 0.91%, 0.71%

LAB 80.74, 12.33, 46.07

 

CMYK 54 / 0 / 50 / 3

HEX #72F87B

RGB 114 248 123

HSL 124.03, 0.91%, 0.71%

LAB 88.04, -61.41, 48.74

 

Description

Color code: HEX #73ABF83F | qconv.com Color code: HEX #73ABF83F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 171 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 171 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 8 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 8% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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