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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73A819 it is the complementary color #8C57E6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73A819. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73A819 shade: #78A814, #89BA27, #9ACC3A, #ABDE4D and #BCF060

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73A819. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73A819 shade: #73A819, #629606, #518400, #407200 and #2F6000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73A819 shade: #73A919, #9AA919, #A99019, #A96A19 and #A94319

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73A819 shade: #73A919, #4DA919, #26A919, #19A933 and #19A95A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73A819 shade matches the following richer shades: #73A919 and #78B80A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73A819 shade: #73A919, #6F9929, #6B8939, #677A48 and #636A58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73A819 shade: #A99119, #9AA919, #74A919, #4EA919 and #28A919

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73A819 shade: #42610E, #5B8514, #73A919, #8CCD1F and #A1E134

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73A819 shade: #73A819, #19A96A and #A419A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73A819 shade: #73A819, #1974A9 and #A91974

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73A819 shade: #73A819, #19A96A, #4E19A9 and #A91957

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73A819 shade: #73A819, #19A995, #4E19A9 and #A9192C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 85 / 34

HEX #73A819

RGB 115 168 25

HSL 82.24, 0.74%, 0.38%

LAB 63.11, -37.54, 60.62

 

Complementary color

CMYK 39 / 62 / 0 / 10

HEX #8C57E6

RGB 140 87 230

HSL 262.24, 0.74%, 0.62%

LAB 49.62, 51.83, -64.93

 

CMYK 29 / 0 / 88 / 34

HEX #78A814

RGB 120 168 20

HSL 79.46, 0.79%, 0.37%

LAB 63.38, -35.76, 62.07

 

CMYK 26 / 0 / 79 / 27

HEX #89BA27

RGB 137 186 39

HSL 80, 0.65%, 0.44%

LAB 69.88, -36.54, 63.39

 

CMYK 25 / 0 / 72 / 20

HEX #9ACC3A

RGB 154 204 58

HSL 80.55, 0.59%, 0.51%

LAB 76.29, -37.11, 63.65

 

CMYK 23 / 0 / 65 / 13

HEX #ABDE4D

RGB 171 222 77

HSL 81.1, 0.69%, 0.59%

LAB 82.61, -37.52, 63.29

 

CMYK 22 / 0 / 60 / 6

HEX #BCF060

RGB 188 240 96

HSL 81.67, 0.83%, 0.66%

LAB 88.85, -37.82, 62.58

 

CMYK 32 / 0 / 85 / 34

HEX #73A819

RGB 115 168 25

HSL 82.24, 0.74%, 0.38%

LAB 63.11, -37.54, 60.62

 

CMYK 35 / 0 / 96 / 41

HEX #629606

RGB 98 150 6

HSL 81.67, 0.92%, 0.31%

LAB 56.51, -36.6, 58.28

 

CMYK 39 / 0 / 100 / 48

HEX #518400

RGB 81 132 0

HSL 83.18, 1%, 0.26%

LAB 49.8, -35.29, 53.66

 

CMYK 44 / 0 / 100 / 55

HEX #407200

RGB 64 114 0

HSL 86.32, 1%, 0.22%

LAB 42.95, -33.78, 47.96

 

CMYK 51 / 0 / 100 / 62

HEX #2F6000

RGB 47 96 0

HSL 90.63, 1%, 0.19%

LAB 35.93, -32.14, 42.13

 

CMYK 32 / 0 / 85 / 34

HEX #73A919

RGB 115 169 25

HSL 82.5, 0.74%, 0.38%

LAB 63.42, -37.98, 60.89

 

CMYK 9 / 0 / 85 / 34

HEX #9AA919

RGB 154 169 25

HSL 66.25, 0.74%, 0.38%

LAB 65.99, -21.96, 64.11

 

CMYK 0 / 15 / 85 / 34

HEX #A99019

RGB 169 144 25

HSL 49.58, 0.74%, 0.38%

LAB 60.29, -2.17, 59.86

 

CMYK 0 / 37 / 85 / 34

HEX #A96A19

RGB 169 106 25

HSL 33.75, 0.74%, 0.38%

LAB 50.47, 19.05, 51.57

 

CMYK 0 / 60 / 85 / 34

HEX #A94319

RGB 169 67 25

HSL 17.5, 0.74%, 0.38%

LAB 42.03, 39.87, 44.3

 

CMYK 32 / 0 / 85 / 34

HEX #73A919

RGB 115 169 25

HSL 82.5, 0.74%, 0.38%

LAB 63.42, -37.98, 60.89

 

CMYK 54 / 0 / 85 / 34

HEX #4DA919

RGB 77 169 25

HSL 98.33, 0.74%, 0.38%

LAB 61.67, -50.77, 58.68

 

CMYK 78 / 0 / 85 / 34

HEX #26A919

RGB 38 169 25

HSL 114.58, 0.74%, 0.38%

LAB 60.66, -59.24, 57.39

 

CMYK 85 / 0 / 70 / 34

HEX #19A933

RGB 25 169 51

HSL 130.83, 0.74%, 0.38%

LAB 60.62, -58.96, 48.71

 

CMYK 85 / 0 / 47 / 34

HEX #19A95A

RGB 25 169 90

HSL 147.08, 0.74%, 0.38%

LAB 61.06, -53.62, 30.81

 

CMYK 32 / 0 / 85 / 34

HEX #73A919

RGB 115 169 25

HSL 82.5, 0.74%, 0.38%

LAB 63.42, -37.98, 60.89

 

CMYK 35 / 0 / 95 / 28

HEX #78B80A

RGB 120 184 10

HSL 82.07, 0.9%, 0.38%

LAB 68.24, -42.99, 67.62

 

CMYK 32 / 0 / 85 / 34

HEX #73A919

RGB 115 169 25

HSL 82.5, 0.74%, 0.38%

LAB 63.42, -37.98, 60.89

 

CMYK 27 / 0 / 73 / 40

HEX #6F9929

RGB 111 153 41

HSL 82.5, 0.58%, 0.38%

LAB 58.34, -31.47, 51.18

 

CMYK 22 / 0 / 58 / 46

HEX #6B8939

RGB 107 137 57

HSL 82.5, 0.41%, 0.38%

LAB 53.29, -24.05, 38.76

 

CMYK 16 / 0 / 41 / 52

HEX #677A48

RGB 103 122 72

HSL 82.8, 0.26%, 0.38%

LAB 48.6, -16.14, 25.1

 

CMYK 7 / 0 / 17 / 58

HEX #636A58

RGB 99 106 88

HSL 83.33, 0.09%, 0.38%

LAB 43.75, -6.28, 9.21

 

CMYK 0 / 14 / 85 / 34

HEX #A99119

RGB 169 145 25

HSL 50, 0.74%, 0.38%

LAB 60.57, -2.71, 60.08

 

CMYK 9 / 0 / 85 / 34

HEX #9AA919

RGB 154 169 25

HSL 66.25, 0.74%, 0.38%

LAB 65.99, -21.96, 64.11

 

CMYK 31 / 0 / 85 / 34

HEX #74A919

RGB 116 169 25

HSL 82.08, 0.74%, 0.38%

LAB 63.47, -37.6, 60.96

 

CMYK 54 / 0 / 85 / 34

HEX #4EA919

RGB 78 169 25

HSL 97.92, 0.74%, 0.38%

LAB 61.71, -50.48, 58.73

 

CMYK 76 / 0 / 85 / 34

HEX #28A919

RGB 40 169 25

HSL 113.75, 0.74%, 0.38%

LAB 60.69, -58.94, 57.43

 

CMYK 32 / 0 / 86 / 62

HEX #42610E

RGB 66 97 14

HSL 82.41, 0.75%, 0.22%

LAB 37.37, -24.53, 39.71

 

CMYK 32 / 0 / 85 / 48

HEX #5B8514

RGB 91 133 20

HSL 82.3, 0.74%, 0.3%

LAB 50.75, -31.22, 50.52

 

CMYK 32 / 0 / 85 / 34

HEX #73A919

RGB 115 169 25

HSL 82.5, 0.74%, 0.38%

LAB 63.42, -37.98, 60.89

 

CMYK 32 / 0 / 85 / 20

HEX #8CCD1F

RGB 140 205 31

HSL 82.41, 0.74%, 0.46%

LAB 75.66, -44.04, 70.64

 

CMYK 28 / 0 / 77 / 12

HEX #A1E134

RGB 161 225 52

HSL 82.2, 0.74%, 0.54%

LAB 82.74, -44.03, 71.94

 

CMYK 32 / 0 / 85 / 34

HEX #73A819

RGB 115 168 25

HSL 82.24, 0.74%, 0.38%

LAB 63.11, -37.54, 60.62

 

CMYK 85 / 0 / 37 / 34

HEX #19A96A

RGB 25 169 106

HSL 153.75, 0.74%, 0.38%

LAB 61.33, -50.55, 22.66

 

CMYK 3 / 85 / 0 / 34

HEX #A419A9

RGB 164 25 169

HSL 297.92, 0.74%, 0.38%

LAB 40.33, 67.95, -44.36

 

CMYK 32 / 0 / 85 / 34

HEX #73A819

RGB 115 168 25

HSL 82.24, 0.74%, 0.38%

LAB 63.11, -37.54, 60.62

 

CMYK 85 / 31 / 0 / 34

HEX #1974A9

RGB 25 116 169

HSL 202.08, 0.74%, 0.38%

LAB 46.39, -6.1, -35.44

 

CMYK 0 / 85 / 31 / 34

HEX #A91974

RGB 169 25 116

HSL 322.08, 0.74%, 0.38%

LAB 38.54, 61.64, -14.68

 

CMYK 32 / 0 / 85 / 34

HEX #73A819

RGB 115 168 25

HSL 82.24, 0.74%, 0.38%

LAB 63.11, -37.54, 60.62

 

CMYK 85 / 0 / 37 / 34

HEX #19A96A

RGB 25 169 106

HSL 153.75, 0.74%, 0.38%

LAB 61.33, -50.55, 22.66

 

CMYK 54 / 85 / 0 / 34

HEX #4E19A9

RGB 78 25 169

HSL 262.08, 0.74%, 0.38%

LAB 27.24, 54.68, -66.23

 

CMYK 0 / 85 / 49 / 34

HEX #A91957

RGB 169 25 87

HSL 334.17, 0.74%, 0.38%

LAB 37.51, 58.73, 2.21

 

CMYK 32 / 0 / 85 / 34

HEX #73A819

RGB 115 168 25

HSL 82.24, 0.74%, 0.38%

LAB 63.11, -37.54, 60.62

 

CMYK 85 / 0 / 12 / 34

HEX #19A995

RGB 25 169 149

HSL 171.67, 0.74%, 0.38%

LAB 62.3, -40.03, 0.23

 

CMYK 54 / 85 / 0 / 34

HEX #4E19A9

RGB 78 25 169

HSL 262.08, 0.74%, 0.38%

LAB 27.24, 54.68, -66.23

 

CMYK 0 / 85 / 74 / 34

HEX #A9192C

RGB 169 25 44

HSL 352.08, 0.74%, 0.38%

LAB 36.58, 55.99, 28.45

 

Description

Color code: HEX #73A819 | qconv.com Color code: HEX #73A819 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 168 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 168 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 85 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 85% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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