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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73A2EB it is the complementary color #8C5D14. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73A2EB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73A2EB shade: #78A2E6, #89B4F9, #9AC6FF, #ABD8FF and #BCEAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73A2EB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73A2EB shade: #73A2EB, #6290D8, #517EC5, #406CB2 and #2F5A9F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73A2EB shade: #75A3EB, #7583EB, #8675EB, #A675EB and #C675EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73A2EB shade: #75A3EB, #7583EB and #7575EB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73A2EB shade matches the following richer shades: #75A3EB and #68A0F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73A2EB shade: #75A3EB, #81A6DE, #8EA9D2, #9BABC5 and #A8AEB8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73A2EB shade: #75E3EB, #75C4EB, #75A4EB, #7584EB and #8475EB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73A2EB shade: #2C73E1, #518BE6, #75A3EB, #99BBF0 and #BDD3F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73A2EB shade: #73A2EB, #D475EB and #D4EB75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73A2EB shade: #73A2EB, #EB75A4 and #A4EB75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73A2EB shade: #73A2EB, #D475EB, #EBBC75 and #8CEB75

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73A2EB shade: #73A2EB, #EB75DF, #EBBC75 and #75EB81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 31 / 0 / 8

HEX #73A2EB

RGB 115 162 235

HSL 216.5, 0.75%, 0.69%

LAB 66.12, 4.35, -41.55

 

Complementary color

CMYK 0 / 34 / 86 / 45

HEX #8C5D14

RGB 140 93 20

HSL 36.5, 0.75%, 0.31%

LAB 43.44, 13.12, 45.82

 

CMYK 48 / 30 / 0 / 10

HEX #78A2E6

RGB 120 162 230

HSL 217.09, 0.69%, 0.69%

LAB 66.17, 4.02, -38.71

 

CMYK 45 / 28 / 0 / 2

HEX #89B4F9

RGB 137 180 249

HSL 216.96, 0.9%, 0.76%

LAB 72.76, 3.43, -38.72

 

CMYK 40 / 22 / 0 / 0

HEX #9AC6FF

RGB 154 198 255

HSL 213.86, 1%, 0.8%

LAB 78.74, -0.55, -32.61

 

CMYK 33 / 15 / 0 / 0

HEX #ABD8FF

RGB 171 216 255

HSL 207.86, 1%, 0.84%

LAB 84.48, -5.61, -23.74

 

CMYK 26 / 8 / 0 / 0

HEX #BCEAFF

RGB 188 234 255

HSL 198.81, 1%, 0.87%

LAB 90.21, -10.14, -14.99

 

CMYK 51 / 31 / 0 / 8

HEX #73A2EB

RGB 115 162 235

HSL 216.5, 0.75%, 0.69%

LAB 66.12, 4.35, -41.55

 

CMYK 55 / 33 / 0 / 15

HEX #6290D8

RGB 98 144 216

HSL 216.61, 0.6%, 0.62%

LAB 59.44, 5.17, -41.59

 

CMYK 59 / 36 / 0 / 23

HEX #517EC5

RGB 81 126 197

HSL 216.72, 0.5%, 0.55%

LAB 52.62, 6.16, -41.66

 

CMYK 64 / 39 / 0 / 30

HEX #406CB2

RGB 64 108 178

HSL 216.84, 0.47%, 0.47%

LAB 45.67, 7.41, -41.75

 

CMYK 70 / 43 / 0 / 38

HEX #2F5A9F

RGB 47 90 159

HSL 216.96, 0.54%, 0.4%

LAB 38.59, 9.02, -41.88

 

CMYK 50 / 31 / 0 / 8

HEX #75A3EB

RGB 117 163 235

HSL 216.61, 0.75%, 0.69%

LAB 66.5, 4.23, -40.95

 

CMYK 50 / 44 / 0 / 8

HEX #7583EB

RGB 117 131 235

HSL 232.88, 0.75%, 0.69%

LAB 58.05, 22.94, -54.3

 

CMYK 43 / 50 / 0 / 8

HEX #8675EB

RGB 134 117 235

HSL 248.64, 0.75%, 0.69%

LAB 55.88, 35.06, -57.7

 

CMYK 29 / 50 / 0 / 8

HEX #A675EB

RGB 166 117 235

HSL 264.92, 0.75%, 0.69%

LAB 58.81, 42.88, -52.84

 

CMYK 16 / 50 / 0 / 8

HEX #C675EB

RGB 198 117 235

HSL 281.19, 0.75%, 0.69%

LAB 62.28, 51.27, -47.13

 

CMYK 50 / 31 / 0 / 8

HEX #75A3EB

RGB 117 163 235

HSL 216.61, 0.75%, 0.69%

LAB 66.5, 4.23, -40.95

 

CMYK 50 / 44 / 0 / 8

HEX #7583EB

RGB 117 131 235

HSL 232.88, 0.75%, 0.69%

LAB 58.05, 22.94, -54.3

 

CMYK 50 / 50 / 0 / 8

HEX #7575EB

RGB 117 117 235

HSL 240, 0.75%, 0.69%

LAB 54.56, 31.29, -59.89

 

CMYK 50 / 31 / 0 / 8

HEX #75A3EB

RGB 117 163 235

HSL 216.61, 0.75%, 0.69%

LAB 66.5, 4.23, -40.95

 

CMYK 58 / 35 / 0 / 3

HEX #68A0F8

RGB 104 160 248

HSL 216.67, 0.91%, 0.69%

LAB 65.64, 7.24, -49.46

 

CMYK 50 / 31 / 0 / 8

HEX #75A3EB

RGB 117 163 235

HSL 216.61, 0.75%, 0.69%

LAB 66.5, 4.23, -40.95

 

CMYK 42 / 25 / 0 / 13

HEX #81A6DE

RGB 129 166 222

HSL 216.13, 0.58%, 0.69%

LAB 67.44, 1.7, -32.3

 

CMYK 32 / 20 / 0 / 18

HEX #8EA9D2

RGB 142 169 210

HSL 216.18, 0.43%, 0.69%

LAB 68.59, 0.39, -23.85

 

CMYK 21 / 13 / 0 / 23

HEX #9BABC5

RGB 155 171 197

HSL 217.14, 0.27%, 0.69%

LAB 69.56, 0.07, -15.13

 

CMYK 9 / 5 / 0 / 28

HEX #A8AEB8

RGB 168 174 184

HSL 217.5, 0.1%, 0.69%

LAB 70.91, -0.12, -5.84

 

CMYK 50 / 3 / 0 / 8

HEX #75E3EB

RGB 117 227 235

HSL 184.07, 0.75%, 0.69%

LAB 84.34, -29.4, -13.63

 

CMYK 50 / 17 / 0 / 8

HEX #75C4EB

RGB 117 196 235

HSL 199.83, 0.75%, 0.69%

LAB 75.61, -13.83, -26.84

 

CMYK 50 / 30 / 0 / 8

HEX #75A4EB

RGB 117 164 235

HSL 216.1, 0.75%, 0.69%

LAB 66.77, 3.67, -40.52

 

CMYK 50 / 44 / 0 / 8

HEX #7584EB

RGB 117 132 235

HSL 232.37, 0.75%, 0.69%

LAB 58.3, 22.35, -53.89

 

CMYK 44 / 50 / 0 / 8

HEX #8475EB

RGB 132 117 235

HSL 247.63, 0.75%, 0.69%

LAB 55.71, 34.6, -57.97

 

CMYK 80 / 49 / 0 / 12

HEX #2C73E1

RGB 44 115 225

HSL 216.46, 0.75%, 0.53%

LAB 49.78, 17.59, -62.16

 

CMYK 65 / 40 / 0 / 10

HEX #518BE6

RGB 81 139 230

HSL 216.64, 0.75%, 0.61%

LAB 57.97, 9.48, -51.77

 

CMYK 50 / 31 / 0 / 8

HEX #75A3EB

RGB 117 163 235

HSL 216.61, 0.75%, 0.69%

LAB 66.5, 4.23, -40.95

 

CMYK 36 / 22 / 0 / 6

HEX #99BBF0

RGB 153 187 240

HSL 216.55, 0.74%, 0.77%

LAB 75.2, 1.24, -30

 

CMYK 23 / 14 / 0 / 4

HEX #BDD3F6

RGB 189 211 246

HSL 216.84, 0.76%, 0.85%

LAB 84, 0.06, -19.6

 

CMYK 51 / 31 / 0 / 8

HEX #73A2EB

RGB 115 162 235

HSL 216.5, 0.75%, 0.69%

LAB 66.12, 4.35, -41.55

 

CMYK 10 / 50 / 0 / 8

HEX #D475EB

RGB 212 117 235

HSL 288.31, 0.75%, 0.69%

LAB 63.93, 55.04, -44.41

 

CMYK 10 / 0 / 50 / 8

HEX #D4EB75

RGB 212 235 117

HSL 71.69, 0.75%, 0.69%

LAB 89.25, -24.58, 54.16

 

CMYK 51 / 31 / 0 / 8

HEX #73A2EB

RGB 115 162 235

HSL 216.5, 0.75%, 0.69%

LAB 66.12, 4.35, -41.55

 

CMYK 0 / 50 / 30 / 8

HEX #EB75A4

RGB 235 117 164

HSL 336.1, 0.75%, 0.69%

LAB 64.21, 50.54, -3.75

 

CMYK 30 / 0 / 50 / 8

HEX #A4EB75

RGB 164 235 117

HSL 96.1, 0.75%, 0.69%

LAB 86.3, -42.15, 49.92

 

CMYK 51 / 31 / 0 / 8

HEX #73A2EB

RGB 115 162 235

HSL 216.5, 0.75%, 0.69%

LAB 66.12, 4.35, -41.55

 

CMYK 10 / 50 / 0 / 8

HEX #D475EB

RGB 212 117 235

HSL 288.31, 0.75%, 0.69%

LAB 63.93, 55.04, -44.41

 

CMYK 0 / 20 / 50 / 8

HEX #EBBC75

RGB 235 188 117

HSL 36.1, 0.75%, 0.69%

LAB 78.99, 8.36, 42.12

 

CMYK 40 / 0 / 50 / 8

HEX #8CEB75

RGB 140 235 117

HSL 108.31, 0.75%, 0.69%

LAB 85.14, -49.93, 48.23

 

CMYK 51 / 31 / 0 / 8

HEX #73A2EB

RGB 115 162 235

HSL 216.5, 0.75%, 0.69%

LAB 66.12, 4.35, -41.55

 

CMYK 0 / 50 / 5 / 8

HEX #EB75DF

RGB 235 117 223

HSL 306.1, 0.75%, 0.69%

LAB 66.3, 59.23, -33.84

 

CMYK 0 / 20 / 50 / 8

HEX #EBBC75

RGB 235 188 117

HSL 36.1, 0.75%, 0.69%

LAB 78.99, 8.36, 42.12

 

CMYK 50 / 0 / 45 / 8

HEX #75EB81

RGB 117 235 129

HSL 126.1, 0.75%, 0.69%

LAB 84.37, -54.83, 41.32

 

Description

Color code: HEX #73A2EB | qconv.com Color code: HEX #73A2EB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 162 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 162 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, 31 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 31% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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