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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7390D0 it is the complementary color #8C6F2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7390D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7390D0 shade: #7890CB, #89A2DE, #9AB4F1, #ABC6FF and #BCD8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7390D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7390D0 shade: #7390D0, #627EBD, #516CAA, #405A97 and #2F4884

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7390D0 shade: #718FD0, #7175D0, #8771D0, #A071D0 and #BA71D0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7390D0 shade: #718FD0, #7175D0 and #7171D0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7390D0 shade matches the following richer shades: #718FD0, #6289DF, #5383EE and #447EFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7390D0 shade: #718FD0, #8195C1, #909AB1, #9FA0A2 and #AFA693

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7390D0 shade: #71C2D0, #71A9D0, #718FD0, #7176D0 and #8671D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7390D0 shade: #3C61B3, #5376C6, #718FD0, #90A7DA and #AFC0E4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7390D0 shade: #7390D0, #C571D0 and #B5D071

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7390D0 shade: #7390D0, #D0718F and #8FD071

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7390D0 shade: #7390D0, #C571D0, #D0B271 and #7CD071

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7390D0 shade: #7390D0, #D071BF, #D0B271 and #71D083

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 31 / 0 / 18

HEX #7390D0

RGB 115 144 208

HSL 221.29, 0.5%, 0.63%

LAB 60.02, 6.71, -36.12

 

Complementary color

CMYK 0 / 21 / 66 / 45

HEX #8C6F2F

RGB 140 111 47

HSL 41.29, 0.5%, 0.37%

LAB 48.45, 3.99, 39.01

 

CMYK 41 / 29 / 0 / 20

HEX #7890CB

RGB 120 144 203

HSL 222.65, 0.44%, 0.63%

LAB 60.12, 6.57, -33.15

 

CMYK 38 / 27 / 0 / 13

HEX #89A2DE

RGB 137 162 222

HSL 222.35, 0.56%, 0.7%

LAB 66.85, 6.06, -33.17

 

CMYK 36 / 25 / 0 / 5

HEX #9AB4F1

RGB 154 180 241

HSL 222.07, 0.76%, 0.77%

LAB 73.46, 5.62, -33.23

 

CMYK 33 / 22 / 0 / 0

HEX #ABC6FF

RGB 171 198 255

HSL 220.71, 1%, 0.84%

LAB 79.77, 3.97, -30.94

 

CMYK 26 / 15 / 0 / 0

HEX #BCD8FF

RGB 188 216 255

HSL 214.93, 1%, 0.87%

LAB 85.52, -0.82, -22.07

 

CMYK 45 / 31 / 0 / 18

HEX #7390D0

RGB 115 144 208

HSL 221.29, 0.5%, 0.63%

LAB 60.02, 6.71, -36.12

 

CMYK 48 / 33 / 0 / 26

HEX #627EBD

RGB 98 126 189

HSL 221.54, 0.41%, 0.56%

LAB 53.16, 7.41, -36.17

 

CMYK 52 / 36 / 0 / 33

HEX #516CAA

RGB 81 108 170

HSL 221.8, 0.35%, 0.49%

LAB 46.15, 8.27, -36.28

 

CMYK 58 / 40 / 0 / 41

HEX #405A97

RGB 64 90 151

HSL 222.07, 0.4%, 0.42%

LAB 38.96, 9.36, -36.43

 

CMYK 64 / 45 / 0 / 48

HEX #2F4884

RGB 47 72 132

HSL 222.35, 0.47%, 0.35%

LAB 31.59, 10.79, -36.64

 

CMYK 46 / 31 / 0 / 18

HEX #718FD0

RGB 113 143 208

HSL 221.05, 0.5%, 0.63%

LAB 59.63, 6.79, -36.75

 

CMYK 46 / 44 / 0 / 18

HEX #7175D0

RGB 113 117 208

HSL 237.47, 0.5%, 0.63%

LAB 52.72, 22.26, -47.64

 

CMYK 35 / 46 / 0 / 18

HEX #8771D0

RGB 135 113 208

HSL 253.89, 0.5%, 0.63%

LAB 53.51, 30.22, -46.27

 

CMYK 23 / 46 / 0 / 18

HEX #A071D0

RGB 160 113 208

HSL 269.68, 0.5%, 0.63%

LAB 55.93, 37.04, -42.29

 

CMYK 11 / 46 / 0 / 18

HEX #BA71D0

RGB 186 113 208

HSL 286.11, 0.5%, 0.63%

LAB 58.79, 44.47, -37.59

 

CMYK 46 / 31 / 0 / 18

HEX #718FD0

RGB 113 143 208

HSL 221.05, 0.5%, 0.63%

LAB 59.63, 6.79, -36.75

 

CMYK 46 / 44 / 0 / 18

HEX #7175D0

RGB 113 117 208

HSL 237.47, 0.5%, 0.63%

LAB 52.72, 22.26, -47.64

 

CMYK 46 / 46 / 0 / 18

HEX #7171D0

RGB 113 113 208

HSL 240, 0.5%, 0.63%

LAB 51.7, 24.68, -49.27

 

CMYK 46 / 31 / 0 / 18

HEX #718FD0

RGB 113 143 208

HSL 221.05, 0.5%, 0.63%

LAB 59.63, 6.79, -36.75

 

CMYK 56 / 39 / 0 / 13

HEX #6289DF

RGB 98 137 223

HSL 221.28, 0.66%, 0.63%

LAB 57.86, 11.54, -47.98

 

CMYK 65 / 45 / 0 / 7

HEX #5383EE

RGB 83 131 238

HSL 221.42, 0.82%, 0.63%

LAB 56.33, 17.38, -58.82

 

CMYK 73 / 50 / 0 / 0

HEX #447EFE

RGB 68 126 254

HSL 221.29, 0.99%, 0.63%

LAB 55.39, 23.94, -69.23

 

CMYK 46 / 31 / 0 / 18

HEX #718FD0

RGB 113 143 208

HSL 221.05, 0.5%, 0.63%

LAB 59.63, 6.79, -36.75

 

CMYK 33 / 23 / 0 / 24

HEX #8195C1

RGB 129 149 193

HSL 221.25, 0.34%, 0.63%

LAB 61.66, 3.49, -25.08

 

CMYK 19 / 13 / 0 / 31

HEX #909AB1

RGB 144 154 177

HSL 221.82, 0.17%, 0.63%

LAB 63.52, 1.39, -13.16

 

CMYK 2 / 1 / 0 / 36

HEX #9FA0A2

RGB 159 160 162

HSL 220, 0.02%, 0.63%

LAB 65.84, 0.03, -1.17

 

CMYK 0 / 5 / 16 / 31

HEX #AFA693

RGB 175 166 147

HSL 40.71, 0.15%, 0.63%

LAB 68.38, -0.02, 11

 

CMYK 46 / 7 / 0 / 18

HEX #71C2D0

RGB 113 194 208

HSL 188.84, 0.5%, 0.63%

LAB 73.96, -21.1, -14.75

 

CMYK 46 / 19 / 0 / 18

HEX #71A9D0

RGB 113 169 208

HSL 204.63, 0.5%, 0.63%

LAB 66.86, -7.92, -25.55

 

CMYK 46 / 31 / 0 / 18

HEX #718FD0

RGB 113 143 208

HSL 221.05, 0.5%, 0.63%

LAB 59.63, 6.79, -36.75

 

CMYK 46 / 43 / 0 / 18

HEX #7176D0

RGB 113 118 208

HSL 236.84, 0.5%, 0.63%

LAB 52.97, 21.66, -47.24

 

CMYK 36 / 46 / 0 / 18

HEX #8671D0

RGB 134 113 208

HSL 253.26, 0.5%, 0.63%

LAB 53.42, 29.95, -46.42

 

CMYK 66 / 46 / 0 / 30

HEX #3C61B3

RGB 60 97 179

HSL 221.34, 0.5%, 0.47%

LAB 42.41, 14.02, -47.56

 

CMYK 58 / 40 / 0 / 22

HEX #5376C6

RGB 83 118 198

HSL 221.74, 0.5%, 0.55%

LAB 50.54, 11.77, -45.52

 

CMYK 46 / 31 / 0 / 18

HEX #718FD0

RGB 113 143 208

HSL 221.05, 0.5%, 0.63%

LAB 59.63, 6.79, -36.75

 

CMYK 34 / 23 / 0 / 15

HEX #90A7DA

RGB 144 167 218

HSL 221.35, 0.5%, 0.71%

LAB 68.48, 4.12, -28.41

 

CMYK 23 / 16 / 0 / 11

HEX #AFC0E4

RGB 175 192 228

HSL 220.75, 0.5%, 0.79%

LAB 77.53, 1.92, -19.85

 

CMYK 45 / 31 / 0 / 18

HEX #7390D0

RGB 115 144 208

HSL 221.29, 0.5%, 0.63%

LAB 60.02, 6.71, -36.12

 

CMYK 5 / 46 / 0 / 18

HEX #C571D0

RGB 197 113 208

HSL 293.05, 0.5%, 0.63%

LAB 60.1, 47.66, -35.45

 

CMYK 13 / 0 / 46 / 18

HEX #B5D071

RGB 181 208 113

HSL 77.05, 0.5%, 0.63%

LAB 79.69, -23.92, 43.99

 

CMYK 45 / 31 / 0 / 18

HEX #7390D0

RGB 115 144 208

HSL 221.29, 0.5%, 0.63%

LAB 60.02, 6.71, -36.12

 

CMYK 0 / 46 / 31 / 18

HEX #D0718F

RGB 208 113 143

HSL 341.05, 0.5%, 0.63%

LAB 59.16, 40.7, 0.48

 

CMYK 31 / 0 / 46 / 18

HEX #8FD071

RGB 143 208 113

HSL 101.05, 0.5%, 0.63%

LAB 77.37, -37.81, 40.59

 

CMYK 45 / 31 / 0 / 18

HEX #7390D0

RGB 115 144 208

HSL 221.29, 0.5%, 0.63%

LAB 60.02, 6.71, -36.12

 

CMYK 5 / 46 / 0 / 18

HEX #C571D0

RGB 197 113 208

HSL 293.05, 0.5%, 0.63%

LAB 60.1, 47.66, -35.45

 

CMYK 0 / 14 / 46 / 18

HEX #D0B271

RGB 208 178 113

HSL 41.05, 0.5%, 0.63%

LAB 73.83, 2.24, 37.13

 

CMYK 40 / 0 / 46 / 18

HEX #7CD071

RGB 124 208 113

HSL 113.05, 0.5%, 0.63%

LAB 76.43, -43.99, 39.22

 

CMYK 45 / 31 / 0 / 18

HEX #7390D0

RGB 115 144 208

HSL 221.29, 0.5%, 0.63%

LAB 60.02, 6.71, -36.12

 

CMYK 0 / 46 / 8 / 18

HEX #D071BF

RGB 208 113 191

HSL 310.74, 0.5%, 0.63%

LAB 60.77, 47.89, -24.68

 

CMYK 0 / 14 / 46 / 18

HEX #D0B271

RGB 208 178 113

HSL 41.05, 0.5%, 0.63%

LAB 73.83, 2.24, 37.13

 

CMYK 46 / 0 / 37 / 18

HEX #71D083

RGB 113 208 131

HSL 131.37, 0.5%, 0.63%

LAB 76.23, -44.48, 29.73

 

Description

Color code: HEX #7390D0 | qconv.com Color code: HEX #7390D0 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 144 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 144 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 31 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 31% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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