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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #737DFACE it is the complementary color #8C8205CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #737DFACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #737DFACE shade: #787DF5CE, #898FFFCE, #9AA1FFCE, #ABB3FFCE and #BCC5FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #737DFACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #737DFACE shade: #737DFACE, #626BE7CE, #5159D4CE, #4047C1CE and #2F35AECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #737DFACE shade: #757FFA, #8F75FA, #B375FA, #D775FA and #FA75F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #737DFACE shade: #757FFA and #7575FA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #737DFACE shade matches the following richer shades: #757FFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #737DFACE shade: #757FFA, #8189EE, #8C93E3, #989DD7 and #A3A6CC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #737DFACE shade: #75C7FA, #75A4FA, #7580FA, #8E75FA and #B175FA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #737DFACE shade: #2635F7, #4D5AF9, #757FFA, #9DA4FB and #C5C9FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #737DFACE shade: #737DFA, #FA75EB and #B5FA75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #737DFACE shade: #737DFA, #FA7580 and #80FA75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #737DFACE shade: #737DFA, #FA75EB, #FAEF75 and #75FA85

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #737DFACE shade: #737DFA, #FA75C3, #FAEF75 and #75FAAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 41 / 0 / 2

HEX #737DFACE

RGBA 115 125 250 0.81

HSLA 235.56, 0.93%, 0.72%, 0.81

LABA 57.28, 30.72, -63.84, 0.81

 

Complementary color

CMYK 0 / 6 / 78 / 37

HEX #8C8205CE

RGBA 140 130 5 0.81

HSLA 55.56, 0.93%, 0.28%, 0.81

LABA 53.55, -8.32, 57.48, 0.81

 

CMYK 41 / 40 / 0 / 3

HEX #787DF5CE

RGBA 120 125 245 0.81

HSLA 237.6, 0.86%, 0.72%, 0.81

LABA 57.32, 30.2, -61, 0.81

 

CMYK 37 / 36 / 0 / 0

HEX #898FFFCE

RGBA 137 143 255 0.81

HSLA 236.95, 1%, 0.77%, 0.81

LABA 63.49, 26.31, -56.57, 0.81

 

CMYK 32 / 30 / 0 / 0

HEX #9AA1FFCE

RGBA 154 161 255 0.81

HSLA 235.84, 1%, 0.8%, 0.81

LABA 69.17, 20.04, -47.51, 0.81

 

CMYK 27 / 24 / 0 / 0

HEX #ABB3FFCE

RGBA 171 179 255 0.81

HSLA 234.29, 1%, 0.84%, 0.81

LABA 74.9, 14.4, -38.46, 0.81

 

CMYK 21 / 18 / 0 / 0

HEX #BCC5FFCE

RGBA 188 197 255 0.81

HSLA 231.94, 1%, 0.87%, 0.81

LABA 80.65, 9.33, -29.48, 0.81

 

CMYK 44 / 41 / 0 / 2

HEX #737DFACE

RGBA 115 125 250 0.81

HSLA 235.56, 0.93%, 0.72%, 0.81

LABA 57.28, 30.72, -63.84, 0.81

 

CMYK 47 / 43 / 0 / 8

HEX #626BE7CE

RGBA 98 107 231 0.81

HSLA 235.94, 0.73%, 0.65%, 0.81

LABA 50.55, 32.31, -64.17, 0.81

 

CMYK 50 / 47 / 0 / 14

HEX #5159D4CE

RGBA 81 89 212 0.81

HSLA 236.34, 0.6%, 0.57%, 0.81

LABA 43.72, 34.15, -64.5, 0.81

 

CMYK 54 / 51 / 0 / 20

HEX #4047C1CE

RGBA 64 71 193 0.81

HSLA 236.74, 0.51%, 0.5%, 0.81

LABA 36.83, 36.3, -64.78, 0.81

 

CMYK 59 / 56 / 0 / 26

HEX #2F35AECE

RGBA 47 53 174 0.81

HSLA 237.17, 0.57%, 0.43%, 0.81

LABA 29.93, 38.75, -64.9, 0.81

 

CMYK 53 / 49 / 0 / 2

HEX #757FFA

RGB 117 127 250

HSL 235.49, 0.93%, 0.72%

LAB 57.91, 29.93, -62.84

 

CMYK 43 / 53 / 0 / 2

HEX #8F75FA

RGB 143 117 250

HSL 251.73, 0.93%, 0.72%

LAB 57.53, 41.27, -63.34

 

CMYK 28 / 53 / 0 / 2

HEX #B375FA

RGB 179 117 250

HSL 267.97, 0.93%, 0.72%

LAB 60.97, 49.72, -57.64

 

CMYK 14 / 53 / 0 / 2

HEX #D775FA

RGB 215 117 250

HSL 284.21, 0.93%, 0.72%

LAB 65.02, 58.77, -50.95

 

CMYK 0 / 53 / 0 / 2

HEX #FA75F9

RGB 250 117 249

HSL 300.45, 0.93%, 0.72%

LAB 69.39, 67.63, -43.22

 

CMYK 53 / 49 / 0 / 2

HEX #757FFA

RGB 117 127 250

HSL 235.49, 0.93%, 0.72%

LAB 57.91, 29.93, -62.84

 

CMYK 53 / 53 / 0 / 2

HEX #7575FA

RGB 117 117 250

HSL 240, 0.93%, 0.72%

LAB 55.49, 35.86, -66.73

 

CMYK 53 / 49 / 0 / 2

HEX #757FFA

RGB 117 127 250

HSL 235.49, 0.93%, 0.72%

LAB 57.91, 29.93, -62.84

 

CMYK 53 / 49 / 0 / 2

HEX #757FFA

RGB 117 127 250

HSL 235.49, 0.93%, 0.72%

LAB 57.91, 29.93, -62.84

 

CMYK 46 / 42 / 0 / 7

HEX #8189EE

RGB 129 137 238

HSL 235.6, 0.76%, 0.72%

LAB 60.54, 23.02, -51.95

 

CMYK 38 / 35 / 0 / 11

HEX #8C93E3

RGB 140 147 227

HSL 235.17, 0.61%, 0.72%

LAB 63.33, 16.82, -41.4

 

CMYK 29 / 27 / 0 / 16

HEX #989DD7

RGB 152 157 215

HSL 235.24, 0.44%, 0.72%

LAB 66.29, 11.29, -30.09

 

CMYK 20 / 19 / 0 / 20

HEX #A3A6CC

RGB 163 166 204

HSL 235.61, 0.29%, 0.72%

LAB 69.05, 6.96, -19.7

 

CMYK 53 / 20 / 0 / 2

HEX #75C7FA

RGB 117 199 250

HSL 203.01, 0.93%, 0.72%

LAB 77, -11.12, -32.77

 

CMYK 53 / 34 / 0 / 2

HEX #75A4FA

RGB 117 164 250

HSL 218.8, 0.93%, 0.72%

LAB 67.45, 8.2, -47.65

 

CMYK 53 / 49 / 0 / 2

HEX #7580FA

RGB 117 128 250

HSL 235.04, 0.93%, 0.72%

LAB 58.15, 29.33, -62.44

 

CMYK 43 / 53 / 0 / 2

HEX #8E75FA

RGB 142 117 250

HSL 251.28, 0.93%, 0.72%

LAB 57.44, 41.05, -63.48

 

CMYK 29 / 53 / 0 / 2

HEX #B175FA

RGB 177 117 250

HSL 267.07, 0.93%, 0.72%

LAB 60.76, 49.23, -57.99

 

CMYK 85 / 79 / 0 / 3

HEX #2635F7

RGB 38 53 247

HSL 235.69, 0.93%, 0.56%

LAB 37.25, 62.11, -95.1

 

CMYK 69 / 64 / 0 / 2

HEX #4D5AF9

RGB 77 90 249

HSL 235.47, 0.93%, 0.64%

LAB 46.62, 45.31, -80.71

 

CMYK 53 / 49 / 0 / 2

HEX #757FFA

RGB 117 127 250

HSL 235.49, 0.93%, 0.72%

LAB 57.91, 29.93, -62.84

 

CMYK 37 / 35 / 0 / 2

HEX #9DA4FB

RGB 157 164 251

HSL 235.53, 0.92%, 0.8%

LAB 69.95, 18.03, -44.09

 

CMYK 22 / 21 / 0 / 1

HEX #C5C9FD

RGB 197 201 253

HSL 235.71, 0.93%, 0.88%

LAB 82.24, 9.36, -25.94

 

CMYK 54 / 50 / 0 / 2

HEX #737DFA

RGB 115 125 250

HSL 235.56, 0.93%, 0.72%

LAB 57.28, 30.72, -63.84

 

CMYK 0 / 53 / 6 / 2

HEX #FA75EB

RGB 250 117 235

HSL 306.77, 0.93%, 0.72%

LAB 68.78, 65.32, -36.47

 

CMYK 28 / 0 / 53 / 2

HEX #B5FA75

RGB 181 250 117

HSL 91.13, 0.93%, 0.72%

LAB 91.45, -42.86, 56.29

 

CMYK 54 / 50 / 0 / 2

HEX #737DFA

RGB 115 125 250

HSL 235.56, 0.93%, 0.72%

LAB 57.28, 30.72, -63.84

 

CMYK 0 / 53 / 49 / 2

HEX #FA7580

RGB 250 117 128

HSL 355.04, 0.93%, 0.72%

LAB 65.44, 51.73, 18.8

 

CMYK 49 / 0 / 53 / 2

HEX #80FA75

RGB 128 250 117

HSL 115.04, 0.93%, 0.72%

LAB 89.04, -59.34, 52.84

 

CMYK 54 / 50 / 0 / 2

HEX #737DFA

RGB 115 125 250

HSL 235.56, 0.93%, 0.72%

LAB 57.28, 30.72, -63.84

 

CMYK 0 / 53 / 6 / 2

HEX #FA75EB

RGB 250 117 235

HSL 306.77, 0.93%, 0.72%

LAB 68.78, 65.32, -36.47

 

CMYK 0 / 4 / 53 / 2

HEX #FAEF75

RGB 250 239 117

HSL 55.04, 0.93%, 0.72%

LAB 93.16, -11.59, 59.47

 

CMYK 53 / 0 / 47 / 2

HEX #75FA85

RGB 117 250 133

HSL 127.22, 0.93%, 0.72%

LAB 88.85, -60.07, 45.05

 

CMYK 54 / 50 / 0 / 2

HEX #737DFA

RGB 115 125 250

HSL 235.56, 0.93%, 0.72%

LAB 57.28, 30.72, -63.84

 

CMYK 0 / 53 / 22 / 2

HEX #FA75C3

RGB 250 117 195

HSL 324.81, 0.93%, 0.72%

LAB 67.27, 59.35, -16.52

 

CMYK 0 / 4 / 53 / 2

HEX #FAEF75

RGB 250 239 117

HSL 55.04, 0.93%, 0.72%

LAB 93.16, -11.59, 59.47

 

CMYK 53 / 0 / 31 / 2

HEX #75FAAD

RGB 117 250 173

HSL 145.26, 0.93%, 0.72%

LAB 89.47, -53.53, 26.06

 

Description

Color code: HEX #737DFACE | qconv.com Color code: HEX #737DFACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 125 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 125 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 41 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 41% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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