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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7375AC it is the complementary color #8C8A53. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7375AC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7375AC shade: #7875A7, #8987BA, #9A99CD, #ABABE0 and #BCBDF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7375AC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7375AC shade: #7375AC, #626399, #515186, #403F73 and #2F2D60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7375AC shade: #7274AC, #7F72AC, #8F72AC, #9F72AC and #AC72A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7375AC shade: #7274AC and #7272AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7375AC shade matches the following richer shades: #7274AC, #5F63BE, #4D52D0, #3B41E2 and #2930F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7375AC shade: #7274AC, #84859A, #969588, #A8A676 and #BAB763

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7375AC shade: #7294AC, #7284AC, #7275AC, #7E72AC and #8E72AC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7375AC shade: #4B4D80, #5A5D9A, #7274AC, #8C8DBB and #A6A7CB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7375AC shade: #7375AC, #AC72A3 and #8CAC72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7375AC shade: #7375AC, #AC7275 and #75AC72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7375AC shade: #7375AC, #AC72A3, #ACA972 and #72AC7A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7375AC shade: #7375AC, #AC7292, #ACA972 and #72AC8C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 32 / 0 / 33

HEX #7375AC

RGB 115 117 172

HSL 237.89, 0.26%, 0.56%

LAB 51.09, 12.51, -29.53

 

Complementary color

CMYK 0 / 1 / 41 / 45

HEX #8C8A53

RGB 140 138 83

HSL 57.89, 0.26%, 0.44%

LAB 56.46, -7.86, 29.7

 

CMYK 28 / 30 / 0 / 35

HEX #7875A7

RGB 120 117 167

HSL 243.6, 0.22%, 0.56%

LAB 51.27, 12.69, -26.31

 

CMYK 26 / 27 / 0 / 27

HEX #8987BA

RGB 137 135 186

HSL 242.35, 0.27%, 0.63%

LAB 58.22, 12.16, -26.38

 

CMYK 25 / 25 / 0 / 20

HEX #9A99CD

RGB 154 153 205

HSL 241.15, 0.34%, 0.7%

LAB 65.01, 11.7, -26.5

 

CMYK 24 / 24 / 0 / 12

HEX #ABABE0

RGB 171 171 224

HSL 240, 0.46%, 0.77%

LAB 71.67, 11.28, -26.64

 

CMYK 23 / 22 / 0 / 5

HEX #BCBDF3

RGB 188 189 243

HSL 238.91, 0.7%, 0.85%

LAB 78.2, 10.9, -26.81

 

CMYK 33 / 32 / 0 / 33

HEX #7375AC

RGB 115 117 172

HSL 237.89, 0.26%, 0.56%

LAB 51.09, 12.51, -29.53

 

CMYK 36 / 35 / 0 / 40

HEX #626399

RGB 98 99 153

HSL 238.91, 0.22%, 0.49%

LAB 43.97, 13.18, -29.57

 

CMYK 40 / 40 / 0 / 47

HEX #515186

RGB 81 81 134

HSL 240, 0.25%, 0.42%

LAB 36.66, 13.98, -29.68

 

CMYK 44 / 45 / 0 / 55

HEX #403F73

RGB 64 63 115

HSL 241.15, 0.29%, 0.35%

LAB 29.11, 14.99, -29.88

 

CMYK 51 / 53 / 0 / 62

HEX #2F2D60

RGB 47 45 96

HSL 242.35, 0.36%, 0.28%

LAB 21.3, 16.29, -30.18

 

CMYK 34 / 33 / 0 / 33

HEX #7274AC

RGB 114 116 172

HSL 237.93, 0.26%, 0.56%

LAB 50.74, 12.81, -30.07

 

CMYK 26 / 34 / 0 / 33

HEX #7F72AC

RGB 127 114 172

HSL 253.45, 0.26%, 0.56%

LAB 51.3, 17.93, -29.13

 

CMYK 17 / 34 / 0 / 33

HEX #8F72AC

RGB 143 114 172

HSL 270, 0.26%, 0.56%

LAB 52.79, 22.97, -26.7

 

CMYK 8 / 34 / 0 / 33

HEX #9F72AC

RGB 159 114 172

HSL 286.55, 0.26%, 0.56%

LAB 54.43, 28.16, -24.02

 

CMYK 0 / 34 / 2 / 33

HEX #AC72A9

RGB 172 114 169

HSL 303.1, 0.26%, 0.56%

LAB 55.76, 31.87, -20.13

 

CMYK 34 / 33 / 0 / 33

HEX #7274AC

RGB 114 116 172

HSL 237.93, 0.26%, 0.56%

LAB 50.74, 12.81, -30.07

 

CMYK 34 / 34 / 0 / 33

HEX #7272AC

RGB 114 114 172

HSL 240, 0.26%, 0.56%

LAB 50.2, 14.01, -30.91

 

CMYK 34 / 33 / 0 / 33

HEX #7274AC

RGB 114 116 172

HSL 237.93, 0.26%, 0.56%

LAB 50.74, 12.81, -30.07

 

CMYK 50 / 48 / 0 / 25

HEX #5F63BE

RGB 95 99 190

HSL 237.47, 0.42%, 0.56%

LAB 45.74, 23.54, -48.53

 

CMYK 63 / 61 / 0 / 18

HEX #4D52D0

RGB 77 82 208

HSL 237.71, 0.58%, 0.56%

LAB 41.48, 36.49, -65.86

 

CMYK 74 / 71 / 0 / 11

HEX #3B41E2

RGB 59 65 226

HSL 237.84, 0.74%, 0.56%

LAB 38.2, 50.39, -81.6

 

CMYK 83 / 80 / 0 / 4

HEX #2930F5

RGB 41 48 245

HSL 237.94, 0.91%, 0.56%

LAB 36.32, 63.98, -95.5

 

CMYK 34 / 33 / 0 / 33

HEX #7274AC

RGB 114 116 172

HSL 237.93, 0.26%, 0.56%

LAB 50.74, 12.81, -30.07

 

CMYK 14 / 14 / 0 / 40

HEX #84859A

RGB 132 133 154

HSL 237.27, 0.1%, 0.56%

LAB 56.1, 4.08, -11.31

 

CMYK 0 / 1 / 9 / 41

HEX #969588

RGB 150 149 136

HSL 55.71, 0.06%, 0.56%

LAB 61.44, -2.03, 6.99

 

CMYK 0 / 1 / 30 / 34

HEX #A8A676

RGB 168 166 118

HSL 57.6, 0.22%, 0.56%

LAB 67.21, -7.03, 25.18

 

CMYK 0 / 2 / 47 / 27

HEX #BAB763

RGB 186 183 99

HSL 57.93, 0.39%, 0.56%

LAB 73.03, -10.82, 42.82

 

CMYK 34 / 14 / 0 / 33

HEX #7294AC

RGB 114 148 172

HSL 204.83, 0.26%, 0.56%

LAB 59.65, -5.82, -16.38

 

CMYK 34 / 23 / 0 / 33

HEX #7284AC

RGB 114 132 172

HSL 221.38, 0.26%, 0.56%

LAB 55.13, 3.32, -23.28

 

CMYK 34 / 32 / 0 / 33

HEX #7275AC

RGB 114 117 172

HSL 236.9, 0.26%, 0.56%

LAB 51.01, 12.21, -29.65

 

CMYK 27 / 34 / 0 / 33

HEX #7E72AC

RGB 126 114 172

HSL 252.41, 0.26%, 0.56%

LAB 51.21, 17.62, -29.27

 

CMYK 17 / 34 / 0 / 33

HEX #8E72AC

RGB 142 114 172

HSL 268.97, 0.26%, 0.56%

LAB 52.69, 22.65, -26.86

 

CMYK 41 / 40 / 0 / 50

HEX #4B4D80

RGB 75 77 128

HSL 237.74, 0.26%, 0.4%

LAB 34.73, 13, -29.07

 

CMYK 42 / 40 / 0 / 40

HEX #5A5D9A

RGB 90 93 154

HSL 237.19, 0.26%, 0.48%

LAB 41.74, 14.93, -33.71

 

CMYK 34 / 33 / 0 / 33

HEX #7274AC

RGB 114 116 172

HSL 237.93, 0.26%, 0.56%

LAB 50.74, 12.81, -30.07

 

CMYK 25 / 25 / 0 / 27

HEX #8C8DBB

RGB 140 141 187

HSL 238.72, 0.26%, 0.64%

LAB 60.08, 9.87, -24.06

 

CMYK 18 / 18 / 0 / 20

HEX #A6A7CB

RGB 166 167 203

HSL 238.38, 0.26%, 0.72%

LAB 69.51, 7.13, -18.43

 

CMYK 33 / 32 / 0 / 33

HEX #7375AC

RGB 115 117 172

HSL 237.89, 0.26%, 0.56%

LAB 51.09, 12.51, -29.53

 

CMYK 0 / 34 / 5 / 33

HEX #AC72A3

RGB 172 114 163

HSL 309.31, 0.26%, 0.56%

LAB 55.53, 30.74, -17

 

CMYK 19 / 0 / 34 / 33

HEX #8CAC72

RGB 140 172 114

HSL 93.1, 0.26%, 0.56%

LAB 66.75, -21.59, 26.35

 

CMYK 33 / 32 / 0 / 33

HEX #7375AC

RGB 115 117 172

HSL 237.89, 0.26%, 0.56%

LAB 51.09, 12.51, -29.53

 

CMYK 0 / 34 / 32 / 33

HEX #AC7275

RGB 172 114 117

HSL 356.9, 0.26%, 0.56%

LAB 54.12, 23.33, 7.76

 

CMYK 32 / 0 / 34 / 33

HEX #75AC72

RGB 117 172 114

HSL 116.9, 0.26%, 0.56%

LAB 65.36, -29.79, 24.26

 

CMYK 33 / 32 / 0 / 33

HEX #7375AC

RGB 115 117 172

HSL 237.89, 0.26%, 0.56%

LAB 51.09, 12.51, -29.53

 

CMYK 0 / 34 / 5 / 33

HEX #AC72A3

RGB 172 114 163

HSL 309.31, 0.26%, 0.56%

LAB 55.53, 30.74, -17

 

CMYK 0 / 2 / 34 / 33

HEX #ACA972

RGB 172 169 114

HSL 56.9, 0.26%, 0.56%

LAB 68.29, -7.54, 28.82

 

CMYK 34 / 0 / 29 / 33

HEX #72AC7A

RGB 114 172 122

HSL 128.28, 0.26%, 0.56%

LAB 65.35, -29.41, 19.88

 

CMYK 33 / 32 / 0 / 33

HEX #7375AC

RGB 115 117 172

HSL 237.89, 0.26%, 0.56%

LAB 51.09, 12.51, -29.53

 

CMYK 0 / 34 / 15 / 33

HEX #AC7292

RGB 172 114 146

HSL 326.9, 0.26%, 0.56%

LAB 54.95, 27.74, -7.99

 

CMYK 0 / 2 / 34 / 33

HEX #ACA972

RGB 172 169 114

HSL 56.9, 0.26%, 0.56%

LAB 68.29, -7.54, 28.82

 

CMYK 34 / 0 / 19 / 33

HEX #72AC8C

RGB 114 172 140

HSL 146.9, 0.26%, 0.56%

LAB 65.73, -25.95, 10.53

 

Description

Color code: HEX #7375AC | qconv.com Color code: HEX #7375AC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 117 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 117 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 32 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 32% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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