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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #737120 it is the complementary color #8C8EDF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #737120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #737120 shade: #78711B, #89832E, #9A9541, #ABA754 and #BCB967

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #737120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #737120 shade: #737120, #625F0D, #514D00, #403B00 and #2F2900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #737120 shade: #737121, #735B21, #734521, #732E21 and #732121

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #737120 shade: #737121, #5F7321, #497321, #327321 and #217325

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #737120 shade matches the following richer shades: #737121, #7F7D15 and #8B8809

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #737120 shade: #737121, #67662D, #5B5B38, #4F4F44 and #444450

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #737120 shade: #734421, #735B21, #737121, #607321 and #4A7321

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #737120 shade: #33320E, #535217, #737121, #94912A and #B4B133

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #737120 shade: #737120, #21732E and #4F2173

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #737120 shade: #737120, #217371 and #712173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #737120 shade: #737120, #21732E, #212373 and #732166

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #737120 shade: #737120, #217347, #212373 and #73214D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 72 / 55

HEX #737120

RGB 115 113 32

HSL 58.55, 0.56%, 0.29%

LAB 46.39, -9.76, 42.95

 

Complementary color

CMYK 37 / 36 / 0 / 13

HEX #8C8EDF

RGB 140 142 223

HSL 238.55, 0.56%, 0.71%

LAB 61.87, 18.62, -41.48

 

CMYK 0 / 6 / 78 / 53

HEX #78711B

RGB 120 113 27

HSL 55.48, 0.63%, 0.29%

LAB 46.82, -7.67, 45.5

 

CMYK 0 / 4 / 66 / 46

HEX #89832E

RGB 137 131 46

HSL 56.04, 0.5%, 0.36%

LAB 53.76, -8.71, 45.09

 

CMYK 0 / 3 / 58 / 40

HEX #9A9541

RGB 154 149 65

HSL 56.63, 0.41%, 0.43%

LAB 60.56, -9.51, 44.14

 

CMYK 0 / 2 / 51 / 33

HEX #ABA754

RGB 171 167 84

HSL 57.24, 0.34%, 0.5%

LAB 67.23, -10.14, 42.99

 

CMYK 0 / 2 / 45 / 26

HEX #BCB967

RGB 188 185 103

HSL 57.88, 0.39%, 0.57%

LAB 73.78, -10.64, 41.79

 

CMYK 0 / 2 / 72 / 55

HEX #737120

RGB 115 113 32

HSL 58.55, 0.56%, 0.29%

LAB 46.39, -9.76, 42.95

 

CMYK 0 / 3 / 87 / 62

HEX #625F0D

RGB 98 95 13

HSL 57.88, 0.77%, 0.22%

LAB 39.26, -8.6, 42.66

 

CMYK 0 / 5 / 100 / 68

HEX #514D00

RGB 81 77 0

HSL 57.04, 1%, 0.16%

LAB 31.94, -7.02, 40.17

 

CMYK 0 / 8 / 100 / 75

HEX #403B00

RGB 64 59 0

HSL 55.31, 1%, 0.13%

LAB 24.38, -4.92, 33.16

 

CMYK 0 / 13 / 100 / 82

HEX #2F2900

RGB 47 41 0

HSL 52.34, 1%, 0.09%

LAB 16.46, -2.66, 23.81

 

CMYK 0 / 2 / 71 / 55

HEX #737121

RGB 115 113 33

HSL 58.54, 0.55%, 0.29%

LAB 46.4, -9.7, 42.54

 

CMYK 0 / 21 / 71 / 55

HEX #735B21

RGB 115 91 33

HSL 42.44, 0.55%, 0.29%

LAB 39.98, 3.02, 35.95

 

CMYK 0 / 40 / 71 / 55

HEX #734521

RGB 115 69 33

HSL 26.34, 0.55%, 0.29%

LAB 34.01, 16.28, 29.48

 

CMYK 0 / 60 / 71 / 55

HEX #732E21

RGB 115 46 33

HSL 9.51, 0.55%, 0.29%

LAB 28.67, 29.5, 23.36

 

CMYK 0 / 71 / 71 / 55

HEX #732121

RGB 115 33 33

HSL 0, 0.55%, 0.29%

LAB 26.28, 35.86, 20.5

 

CMYK 0 / 2 / 71 / 55

HEX #737121

RGB 115 113 33

HSL 58.54, 0.55%, 0.29%

LAB 46.4, -9.7, 42.54

 

CMYK 17 / 0 / 71 / 55

HEX #5F7321

RGB 95 115 33

HSL 74.63, 0.55%, 0.29%

LAB 45.36, -19.93, 40.96

 

CMYK 37 / 0 / 71 / 55

HEX #497321

RGB 73 115 33

HSL 90.73, 0.55%, 0.29%

LAB 43.93, -29.13, 39.03

 

CMYK 57 / 0 / 71 / 55

HEX #327321

RGB 50 115 33

HSL 107.56, 0.55%, 0.29%

LAB 42.84, -37.07, 37.55

 

CMYK 71 / 0 / 68 / 55

HEX #217325

RGB 33 115 37

HSL 122.93, 0.55%, 0.29%

LAB 42.34, -40.95, 35.04

 

CMYK 0 / 2 / 71 / 55

HEX #737121

RGB 115 113 33

HSL 58.54, 0.55%, 0.29%

LAB 46.4, -9.7, 42.54

 

CMYK 0 / 2 / 83 / 50

HEX #7F7D15

RGB 127 125 21

HSL 58.87, 0.72%, 0.29%

LAB 50.96, -11.27, 51.45

 

CMYK 0 / 2 / 94 / 45

HEX #8B8809

RGB 139 136 9

HSL 58.62, 0.88%, 0.29%

LAB 55.19, -11.96, 58.01

 

CMYK 0 / 2 / 71 / 55

HEX #737121

RGB 115 113 33

HSL 58.54, 0.55%, 0.29%

LAB 46.4, -9.7, 42.54

 

CMYK 0 / 1 / 56 / 60

HEX #67662D

RGB 103 102 45

HSL 58.97, 0.39%, 0.29%

LAB 42.12, -8.19, 31.88

 

CMYK 0 / 0 / 38 / 64

HEX #5B5B38

RGB 91 91 56

HSL 60, 0.24%, 0.29%

LAB 37.83, -6.08, 20.21

 

CMYK 0 / 0 / 14 / 69

HEX #4F4F44

RGB 79 79 68

HSL 60, 0.07%, 0.29%

LAB 33.29, -2.24, 6.51

 

CMYK 15 / 15 / 0 / 69

HEX #444450

RGB 68 68 80

HSL 240, 0.08%, 0.29%

LAB 29.27, 2.85, -7.18

 

CMYK 0 / 41 / 71 / 55

HEX #734421

RGB 115 68 33

HSL 25.61, 0.55%, 0.29%

LAB 33.75, 16.88, 29.19

 

CMYK 0 / 21 / 71 / 55

HEX #735B21

RGB 115 91 33

HSL 42.44, 0.55%, 0.29%

LAB 39.98, 3.02, 35.95

 

CMYK 0 / 2 / 71 / 55

HEX #737121

RGB 115 113 33

HSL 58.54, 0.55%, 0.29%

LAB 46.4, -9.7, 42.54

 

CMYK 17 / 0 / 71 / 55

HEX #607321

RGB 96 115 33

HSL 73.9, 0.55%, 0.29%

LAB 45.44, -19.48, 41.06

 

CMYK 36 / 0 / 71 / 55

HEX #4A7321

RGB 74 115 33

HSL 90, 0.55%, 0.29%

LAB 43.98, -28.74, 39.1

 

CMYK 0 / 2 / 73 / 80

HEX #33320E

RGB 51 50 14

HSL 58.38, 0.57%, 0.13%

LAB 20.11, -5.28, 22.35

 

CMYK 0 / 1 / 72 / 67

HEX #535217

RGB 83 82 23

HSL 59, 0.57%, 0.21%

LAB 33.85, -7.91, 33.29

 

CMYK 0 / 2 / 71 / 55

HEX #737121

RGB 115 113 33

HSL 58.54, 0.55%, 0.29%

LAB 46.4, -9.7, 42.54

 

CMYK 0 / 2 / 72 / 42

HEX #94912A

RGB 148 145 42

HSL 58.3, 0.56%, 0.37%

LAB 58.71, -11.55, 52.08

 

CMYK 0 / 2 / 72 / 29

HEX #B4B133

RGB 180 177 51

HSL 58.6, 0.56%, 0.45%

LAB 70.45, -13.75, 61.07

 

CMYK 0 / 2 / 72 / 55

HEX #737120

RGB 115 113 32

HSL 58.55, 0.56%, 0.29%

LAB 46.39, -9.76, 42.95

 

CMYK 71 / 0 / 60 / 55

HEX #21732E

RGB 33 115 46

HSL 129.51, 0.55%, 0.29%

LAB 42.43, -39.81, 30.74

 

CMYK 31 / 71 / 0 / 55

HEX #4F2173

RGB 79 33 115

HSL 273.66, 0.55%, 0.29%

LAB 23.63, 37.38, -38.57

 

CMYK 0 / 2 / 72 / 55

HEX #737120

RGB 115 113 32

HSL 58.55, 0.56%, 0.29%

LAB 46.39, -9.76, 42.95

 

CMYK 71 / 0 / 2 / 55

HEX #217371

RGB 33 115 113

HSL 178.54, 0.55%, 0.29%

LAB 43.91, -24.27, -6

 

CMYK 2 / 71 / 0 / 55

HEX #712173

RGB 113 33 115

HSL 298.54, 0.55%, 0.29%

LAB 29, 45.57, -29.68

 

CMYK 0 / 2 / 72 / 55

HEX #737120

RGB 115 113 32

HSL 58.55, 0.56%, 0.29%

LAB 46.39, -9.76, 42.95

 

CMYK 71 / 0 / 60 / 55

HEX #21732E

RGB 33 115 46

HSL 129.51, 0.55%, 0.29%

LAB 42.43, -39.81, 30.74

 

CMYK 71 / 70 / 0 / 55

HEX #212373

RGB 33 35 115

HSL 238.54, 0.55%, 0.29%

LAB 19.07, 27.31, -46.22

 

CMYK 0 / 71 / 11 / 55

HEX #732166

RGB 115 33 102

HSL 309.51, 0.55%, 0.29%

LAB 28.62, 43.81, -21.9

 

CMYK 0 / 2 / 72 / 55

HEX #737120

RGB 115 113 32

HSL 58.55, 0.56%, 0.29%

LAB 46.39, -9.76, 42.95

 

CMYK 71 / 0 / 38 / 55

HEX #217347

RGB 33 115 71

HSL 147.8, 0.55%, 0.29%

LAB 42.82, -35.39, 17.44

 

CMYK 71 / 70 / 0 / 55

HEX #212373

RGB 33 35 115

HSL 238.54, 0.55%, 0.29%

LAB 19.07, 27.31, -46.22

 

CMYK 0 / 71 / 33 / 55

HEX #73214D

RGB 115 33 77

HSL 327.8, 0.55%, 0.29%

LAB 27.49, 40.06, -7.25

 

Description

Color code: HEX #737120 | qconv.com Color code: HEX #737120 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 113 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 113 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 72 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 72% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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