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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #736CD7CE it is the complementary color #8C9328CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #736CD7CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #736CD7CE shade: #786CD2CE, #897EE5CE, #9A90F8CE, #ABA2FFCE and #BCB4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #736CD7CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #736CD7CE shade: #736CD7CE, #625AC4CE, #5148B1CE, #40369ECE and #2F248BCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #736CD7CE shade: #726BD6, #8F6BD6, #AC6BD6, #C96BD6 and #D66BC7

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #736CD7CE shade: #726BD6 and #6B6BD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #736CD7CE shade matches the following richer shades: #726BD6, #655CE6 and #574CF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #736CD7CE shade: #726BD6, #7F7AC7, #8C89B8, #9A99A9 and #A7A899

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #736CD7CE shade: #6B9FD6, #6B82D6, #706BD6, #8D6BD6 and #AA6BD6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #736CD7CE shade: #3C33BB, #534ACE, #726BD6, #918BDF and #B0ACE8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #736CD7CE shade: #736CD7, #D66BBC and #91D66B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #736CD7CE shade: #736CD7, #D6706B and #6BD670

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #736CD7CE shade: #736CD7, #D66BBC, #D1D66B and #6BD686

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #736CD7CE shade: #736CD7, #D66B9B, #D1D66B and #6BD6A6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 40 / 0 / 13

HEX #736CD7CE

RGBA 115 108 215 0.81

HSLA 243.93, 0.57%, 0.63%, 0.81

LABA 51.01, 30.23, -54.33, 0.81

 

Complementary color

CMYK 4 / 0 / 59 / 34

HEX #8C9328CE

RGBA 140 147 40 0.81

HSLA 63.93, 0.57%, 0.37%, 0.81

LABA 58.6, -16.27, 52.51, 0.81

 

CMYK 35 / 39 / 0 / 14

HEX #786CD2CE

RGBA 120 108 210 0.81

HSLA 247.06, 0.53%, 0.62%, 0.81

LABA 51.12, 29.94, -51.29, 0.81

 

CMYK 33 / 36 / 0 / 8

HEX #897EE5CE

RGBA 137 126 229 0.81

HSLA 246.41, 0.66%, 0.7%, 0.81

LABA 57.94, 28.84, -51.05, 0.81

 

CMYK 31 / 34 / 0 / 2

HEX #9A90F8CE

RGBA 154 144 248 0.81

HSLA 245.77, 0.88%, 0.77%, 0.81

LABA 64.64, 27.87, -50.84, 0.81

 

CMYK 27 / 30 / 0 / 0

HEX #ABA2FFCE

RGBA 171 162 255 0.81

HSLA 245.81, 1%, 0.82%, 0.81

LABA 70.68, 23.92, -45.06, 0.81

 

CMYK 21 / 24 / 0 / 0

HEX #BCB4FFCE

RGBA 188 180 255 0.81

HSLA 246.4, 1%, 0.85%, 0.81

LABA 76.41, 18.62, -36.02, 0.81

 

CMYK 38 / 40 / 0 / 13

HEX #736CD7CE

RGBA 115 108 215 0.81

HSLA 243.93, 0.57%, 0.63%, 0.81

LABA 51.01, 30.23, -54.33, 0.81

 

CMYK 41 / 44 / 0 / 19

HEX #625AC4CE

RGBA 98 90 196 0.81

HSLA 244.53, 0.47%, 0.56%, 0.81

LABA 44.08, 31.61, -54.65, 0.81

 

CMYK 44 / 48 / 0 / 25

HEX #5148B1CE

RGBA 81 72 177 0.81

HSLA 245.14, 0.42%, 0.49%, 0.81

LABA 37.04, 33.21, -54.97, 0.81

 

CMYK 48 / 53 / 0 / 31

HEX #40369ECE

RGBA 64 54 158 0.81

HSLA 245.77, 0.49%, 0.42%, 0.81

LABA 29.9, 35.03, -55.25, 0.81

 

CMYK 54 / 60 / 0 / 37

HEX #2F248BCE

RGBA 47 36 139 0.81

HSLA 246.41, 0.59%, 0.34%, 0.81

LABA 22.76, 37.02, -55.32, 0.81

 

CMYK 47 / 50 / 0 / 16

HEX #726BD6

RGB 114 107 214

HSL 243.93, 0.57%, 0.63%

LAB 50.63, 30.31, -54.38

 

CMYK 33 / 50 / 0 / 16

HEX #8F6BD6

RGB 143 107 214

HSL 260.19, 0.57%, 0.63%

LAB 53.18, 37.35, -50.16

 

CMYK 20 / 50 / 0 / 16

HEX #AC6BD6

RGB 172 107 214

HSL 276.45, 0.57%, 0.63%

LAB 56.23, 45.02, -45.13

 

CMYK 6 / 50 / 0 / 16

HEX #C96BD6

RGB 201 107 214

HSL 292.71, 0.57%, 0.63%

LAB 59.7, 52.99, -39.43

 

CMYK 0 / 50 / 7 / 16

HEX #D66BC7

RGB 214 107 199

HSL 308.41, 0.57%, 0.63%

LAB 60.72, 54.01, -29.22

 

CMYK 47 / 50 / 0 / 16

HEX #726BD6

RGB 114 107 214

HSL 243.93, 0.57%, 0.63%

LAB 50.63, 30.31, -54.38

 

CMYK 50 / 50 / 0 / 16

HEX #6B6BD6

RGB 107 107 214

HSL 240, 0.57%, 0.63%

LAB 50.09, 28.75, -55.27

 

CMYK 47 / 50 / 0 / 16

HEX #726BD6

RGB 114 107 214

HSL 243.93, 0.57%, 0.63%

LAB 50.63, 30.31, -54.38

 

CMYK 56 / 60 / 0 / 10

HEX #655CE6

RGB 101 92 230

HSL 243.91, 0.73%, 0.63%

LAB 47.15, 41.52, -69.11

 

CMYK 64 / 69 / 0 / 4

HEX #574CF5

RGB 87 76 245

HSL 243.91, 0.89%, 0.63%

LAB 43.93, 53.26, -82.86

 

CMYK 47 / 50 / 0 / 16

HEX #726BD6

RGB 114 107 214

HSL 243.93, 0.57%, 0.63%

LAB 50.63, 30.31, -54.38

 

CMYK 36 / 39 / 0 / 22

HEX #7F7AC7

RGB 127 122 199

HSL 243.9, 0.41%, 0.63%

LAB 54.61, 20.31, -39.46

 

CMYK 24 / 26 / 0 / 28

HEX #8C89B8

RGB 140 137 184

HSL 243.83, 0.25%, 0.63%

LAB 58.91, 11.44, -24.16

 

CMYK 9 / 9 / 0 / 34

HEX #9A99A9

RGB 154 153 169

HSL 243.75, 0.09%, 0.63%

LAB 63.77, 3.57, -8.21

 

CMYK 1 / 0 / 9 / 34

HEX #A7A899

RGB 167 168 153

HSL 64, 0.08%, 0.63%

LAB 68.4, -3.09, 7.62

 

CMYK 50 / 26 / 0 / 16

HEX #6B9FD6

RGB 107 159 214

HSL 210.84, 0.57%, 0.63%

LAB 63.98, -2.06, -33.34

 

CMYK 50 / 39 / 0 / 16

HEX #6B82D6

RGB 107 130 214

HSL 227.1, 0.57%, 0.63%

LAB 56.03, 14.85, -45.8

 

CMYK 48 / 50 / 0 / 16

HEX #706BD6

RGB 112 107 214

HSL 242.8, 0.57%, 0.63%

LAB 50.47, 29.86, -54.64

 

CMYK 34 / 50 / 0 / 16

HEX #8D6BD6

RGB 141 107 214

HSL 259.07, 0.57%, 0.63%

LAB 52.99, 36.84, -50.48

 

CMYK 21 / 50 / 0 / 16

HEX #AA6BD6

RGB 170 107 214

HSL 275.33, 0.57%, 0.63%

LAB 56, 44.48, -45.5

 

CMYK 68 / 73 / 0 / 27

HEX #3C33BB

RGB 60 51 187

HSL 243.97, 0.57%, 0.47%

LAB 31.62, 45.71, -69.82

 

CMYK 60 / 64 / 0 / 19

HEX #534ACE

RGB 83 74 206

HSL 244.09, 0.57%, 0.55%

LAB 39.9, 41.61, -67.26

 

CMYK 47 / 50 / 0 / 16

HEX #726BD6

RGB 114 107 214

HSL 243.93, 0.57%, 0.63%

LAB 50.63, 30.31, -54.38

 

CMYK 35 / 38 / 0 / 13

HEX #918BDF

RGB 145 139 223

HSL 244.29, 0.57%, 0.71%

LAB 61.49, 21.71, -42.05

 

CMYK 24 / 26 / 0 / 9

HEX #B0ACE8

RGB 176 172 232

HSL 244, 0.57%, 0.79%

LAB 72.6, 14.1, -29.54

 

CMYK 47 / 50 / 0 / 16

HEX #736CD7

RGB 115 108 215

HSL 243.93, 0.57%, 0.63%

LAB 51.01, 30.23, -54.33

 

CMYK 0 / 50 / 12 / 16

HEX #D66BBC

RGB 214 107 188

HSL 314.58, 0.57%, 0.63%

LAB 60.29, 52.22, -23.64

 

CMYK 32 / 0 / 50 / 16

HEX #91D66B

RGB 145 214 107

HSL 98.69, 0.57%, 0.63%

LAB 79.14, -40.54, 45.73

 

CMYK 47 / 50 / 0 / 16

HEX #736CD7

RGB 115 108 215

HSL 243.93, 0.57%, 0.63%

LAB 51.01, 30.23, -54.33

 

CMYK 0 / 48 / 50 / 16

HEX #D6706B

RGB 214 112 107

HSL 2.8, 0.57%, 0.63%

LAB 58.92, 39.41, 21.06

 

CMYK 50 / 0 / 48 / 16

HEX #6BD670

RGB 107 214 112

HSL 122.8, 0.57%, 0.63%

LAB 77.51, -51.53, 40.92

 

CMYK 47 / 50 / 0 / 16

HEX #736CD7

RGB 115 108 215

HSL 243.93, 0.57%, 0.63%

LAB 51.01, 30.23, -54.33

 

CMYK 0 / 50 / 12 / 16

HEX #D66BBC

RGB 214 107 188

HSL 314.58, 0.57%, 0.63%

LAB 60.29, 52.22, -23.64

 

CMYK 2 / 0 / 50 / 16

HEX #D1D66B

RGB 209 214 107

HSL 62.8, 0.57%, 0.63%

LAB 83.29, -16.44, 51.7

 

CMYK 50 / 0 / 37 / 16

HEX #6BD686

RGB 107 214 134

HSL 135.14, 0.57%, 0.63%

LAB 77.84, -48.11, 30.28

 

CMYK 47 / 50 / 0 / 16

HEX #736CD7

RGB 115 108 215

HSL 243.93, 0.57%, 0.63%

LAB 51.01, 30.23, -54.33

 

CMYK 0 / 50 / 28 / 16

HEX #D66B9B

RGB 214 107 155

HSL 333.08, 0.57%, 0.63%

LAB 59.14, 47.37, -6.41

 

CMYK 2 / 0 / 50 / 16

HEX #D1D66B

RGB 209 214 107

HSL 62.8, 0.57%, 0.63%

LAB 83.29, -16.44, 51.7

 

CMYK 50 / 0 / 22 / 16

HEX #6BD6A6

RGB 107 214 166

HSL 153.08, 0.57%, 0.63%

LAB 78.45, -42.03, 14.37

 

Description

Color code: HEX #736CD7CE | qconv.com Color code: HEX #736CD7CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 108 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 108 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 40 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 40% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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