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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #736B30 it is the complementary color #8C94CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #736B30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #736B30 shade: #786B2B, #897D3E, #9A8F51, #ABA164 and #BCB377

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #736B30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #736B30 shade: #736B30, #62591D, #51470A, #403500 and #2F2300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #736B30 shade: #736B30, #735930, #734730, #733530 and #733030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #736B30 shade: #736B30, #697330, #577330, #457330 and #337330

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #736B30 shade matches the following richer shades: #736B30, #807523, #8D7F16 and #9B8909

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #736B30 shade: #736B30, #66613D, #59574B, #4B4D58 and #3E4365

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #736B30 shade: #734630, #735830, #736A30, #6A7330 and #587330

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #736B30 shade: #393518, #565024, #736B30, #90863C and #ADA148

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #736B30 shade: #736B30, #307335 and #4F3073

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #736B30 shade: #736B30, #30736A and #6A3073

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #736B30 shade: #736B30, #307335, #303973 and #73306F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #736B30 shade: #736B30, #307349, #303973 and #73305B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 58 / 55

HEX #736B30

RGB 115 107 48

HSL 52.84, 0.41%, 0.32%

LAB 44.76, -5.22, 33.66

 

Complementary color

CMYK 32 / 29 / 0 / 19

HEX #8C94CF

RGB 140 148 207

HSL 232.84, 0.41%, 0.68%

LAB 62.73, 10.9, -31.22

 

CMYK 0 / 11 / 64 / 53

HEX #786B2B

RGB 120 107 43

HSL 49.87, 0.47%, 0.32%

LAB 45.2, -3.29, 36.82

 

CMYK 0 / 9 / 55 / 46

HEX #897D3E

RGB 137 125 62

HSL 50.4, 0.38%, 0.39%

LAB 52.21, -4.15, 35.6

 

CMYK 0 / 7 / 47 / 40

HEX #9A8F51

RGB 154 143 81

HSL 50.96, 0.31%, 0.46%

LAB 59.08, -4.81, 34.31

 

CMYK 0 / 6 / 42 / 33

HEX #ABA164

RGB 171 161 100

HSL 51.55, 0.3%, 0.53%

LAB 65.8, -5.34, 33.03

 

CMYK 0 / 5 / 37 / 26

HEX #BCB377

RGB 188 179 119

HSL 52.17, 0.34%, 0.6%

LAB 72.4, -5.77, 31.81

 

CMYK 0 / 7 / 58 / 55

HEX #736B30

RGB 115 107 48

HSL 52.84, 0.41%, 0.32%

LAB 44.76, -5.22, 33.66

 

CMYK 0 / 9 / 70 / 62

HEX #62591D

RGB 98 89 29

HSL 52.17, 0.54%, 0.25%

LAB 37.54, -4.3, 34.75

 

CMYK 0 / 12 / 88 / 68

HEX #51470A

RGB 81 71 10

HSL 51.55, 0.78%, 0.18%

LAB 30.1, -2.99, 35

 

CMYK 0 / 17 / 100 / 75

HEX #403500

RGB 64 53 0

HSL 49.69, 1%, 0.13%

LAB 22.43, -1.1, 31.19

 

CMYK 0 / 26 / 100 / 82

HEX #2F2300

RGB 47 35 0

HSL 44.68, 1%, 0.09%

LAB 14.44, 1.42, 21.24

 

CMYK 0 / 7 / 58 / 55

HEX #736B30

RGB 115 107 48

HSL 52.84, 0.41%, 0.32%

LAB 44.76, -5.22, 33.66

 

CMYK 0 / 23 / 58 / 55

HEX #735930

RGB 115 89 48

HSL 36.72, 0.41%, 0.32%

LAB 39.59, 5.36, 27.57

 

CMYK 0 / 38 / 58 / 55

HEX #734730

RGB 115 71 48

HSL 20.6, 0.41%, 0.32%

LAB 34.73, 16.24, 21.59

 

CMYK 0 / 54 / 58 / 55

HEX #733530

RGB 115 53 48

HSL 4.48, 0.41%, 0.32%

LAB 30.41, 26.81, 16.04

 

CMYK 0 / 58 / 58 / 55

HEX #733030

RGB 115 48 48

HSL 0, 0.41%, 0.32%

LAB 29.34, 29.56, 14.63

 

CMYK 0 / 7 / 58 / 55

HEX #736B30

RGB 115 107 48

HSL 52.84, 0.41%, 0.32%

LAB 44.76, -5.22, 33.66

 

CMYK 9 / 0 / 58 / 55

HEX #697330

RGB 105 115 48

HSL 68.96, 0.41%, 0.32%

LAB 46.28, -14.26, 35.17

 

CMYK 24 / 0 / 58 / 55

HEX #577330

RGB 87 115 48

HSL 85.07, 0.41%, 0.32%

LAB 44.94, -22.05, 33.28

 

CMYK 40 / 0 / 58 / 55

HEX #457330

RGB 69 115 48

HSL 101.19, 0.41%, 0.32%

LAB 43.86, -29.12, 31.74

 

CMYK 56 / 0 / 58 / 55

HEX #337330

RGB 51 115 48

HSL 117.31, 0.41%, 0.32%

LAB 43.03, -35.05, 30.56

 

CMYK 0 / 7 / 58 / 55

HEX #736B30

RGB 115 107 48

HSL 52.84, 0.41%, 0.32%

LAB 44.76, -5.22, 33.66

 

CMYK 0 / 9 / 73 / 50

HEX #807523

RGB 128 117 35

HSL 52.9, 0.57%, 0.32%

LAB 48.8, -5.75, 44.5

 

CMYK 0 / 10 / 84 / 45

HEX #8D7F16

RGB 141 127 22

HSL 52.94, 0.73%, 0.32%

LAB 52.84, -5.82, 53.29

 

CMYK 0 / 12 / 94 / 39

HEX #9B8909

RGB 155 137 9

HSL 52.6, 0.89%, 0.32%

LAB 56.96, -5.11, 60.01

 

CMYK 0 / 7 / 58 / 55

HEX #736B30

RGB 115 107 48

HSL 52.84, 0.41%, 0.32%

LAB 44.76, -5.22, 33.66

 

CMYK 0 / 5 / 40 / 60

HEX #66613D

RGB 102 97 61

HSL 52.68, 0.25%, 0.32%

LAB 40.75, -3.98, 21.25

 

CMYK 0 / 2 / 16 / 65

HEX #59574B

RGB 89 87 75

HSL 51.43, 0.09%, 0.32%

LAB 36.83, -1.55, 7.27

 

CMYK 15 / 13 / 0 / 65

HEX #4B4D58

RGB 75 77 88

HSL 230.77, 0.08%, 0.32%

LAB 32.94, 1.77, -6.74

 

CMYK 39 / 34 / 0 / 60

HEX #3E4365

RGB 62 67 101

HSL 232.31, 0.24%, 0.32%

LAB 29.36, 7.3, -20.61

 

CMYK 0 / 39 / 58 / 55

HEX #734630

RGB 115 70 48

HSL 19.7, 0.41%, 0.32%

LAB 34.47, 16.85, 21.27

 

CMYK 0 / 23 / 58 / 55

HEX #735830

RGB 115 88 48

HSL 35.82, 0.41%, 0.32%

LAB 39.31, 5.96, 27.23

 

CMYK 0 / 8 / 58 / 55

HEX #736A30

RGB 115 106 48

HSL 51.94, 0.41%, 0.32%

LAB 44.47, -4.64, 33.32

 

CMYK 8 / 0 / 58 / 55

HEX #6A7330

RGB 106 115 48

HSL 68.06, 0.41%, 0.32%

LAB 46.36, -13.81, 35.28

 

CMYK 23 / 0 / 58 / 55

HEX #587330

RGB 88 115 48

HSL 84.18, 0.41%, 0.32%

LAB 45.01, -21.64, 33.37

 

CMYK 0 / 7 / 58 / 78

HEX #393518

RGB 57 53 24

HSL 52.73, 0.41%, 0.16%

LAB 21.88, -3.09, 18.77

 

CMYK 0 / 7 / 58 / 66

HEX #565024

RGB 86 80 36

HSL 52.8, 0.41%, 0.24%

LAB 33.65, -4.2, 26.49

 

CMYK 0 / 7 / 58 / 55

HEX #736B30

RGB 115 107 48

HSL 52.84, 0.41%, 0.32%

LAB 44.76, -5.22, 33.66

 

CMYK 0 / 7 / 58 / 44

HEX #90863C

RGB 144 134 60

HSL 52.86, 0.41%, 0.4%

LAB 55.39, -6.18, 40.46

 

CMYK 0 / 7 / 58 / 32

HEX #ADA148

RGB 173 161 72

HSL 52.87, 0.41%, 0.48%

LAB 65.63, -7.11, 46.98

 

CMYK 0 / 7 / 58 / 55

HEX #736B30

RGB 115 107 48

HSL 52.84, 0.41%, 0.32%

LAB 44.76, -5.22, 33.66

 

CMYK 58 / 0 / 54 / 55

HEX #307335

RGB 48 115 53

HSL 124.48, 0.41%, 0.32%

LAB 42.98, -35.19, 27.83

 

CMYK 31 / 58 / 0 / 55

HEX #4F3073

RGB 79 48 115

HSL 267.76, 0.41%, 0.32%

LAB 26.77, 28.9, -33.52

 

CMYK 0 / 7 / 58 / 55

HEX #736B30

RGB 115 107 48

HSL 52.84, 0.41%, 0.32%

LAB 44.76, -5.22, 33.66

 

CMYK 58 / 0 / 8 / 55

HEX #30736A

RGB 48 115 106

HSL 171.94, 0.41%, 0.32%

LAB 44.13, -23.54, -1.42

 

CMYK 8 / 58 / 0 / 55

HEX #6A3073

RGB 106 48 115

HSL 291.94, 0.41%, 0.32%

LAB 30.44, 36.63, -27.47

 

CMYK 0 / 7 / 58 / 55

HEX #736B30

RGB 115 107 48

HSL 52.84, 0.41%, 0.32%

LAB 44.76, -5.22, 33.66

 

CMYK 58 / 0 / 54 / 55

HEX #307335

RGB 48 115 53

HSL 124.48, 0.41%, 0.32%

LAB 42.98, -35.19, 27.83

 

CMYK 58 / 50 / 0 / 55

HEX #303973

RGB 48 57 115

HSL 231.94, 0.41%, 0.32%

LAB 26.14, 14.97, -34.71

 

CMYK 0 / 58 / 3 / 55

HEX #73306F

RGB 115 48 111

HSL 303.58, 0.41%, 0.32%

LAB 31.59, 38.49, -23.02

 

CMYK 0 / 7 / 58 / 55

HEX #736B30

RGB 115 107 48

HSL 52.84, 0.41%, 0.32%

LAB 44.76, -5.22, 33.66

 

CMYK 58 / 0 / 37 / 55

HEX #307349

RGB 48 115 73

HSL 142.39, 0.41%, 0.32%

LAB 43.32, -31.62, 17.02

 

CMYK 58 / 50 / 0 / 55

HEX #303973

RGB 48 57 115

HSL 231.94, 0.41%, 0.32%

LAB 26.14, 14.97, -34.71

 

CMYK 0 / 58 / 21 / 55

HEX #73305B

RGB 115 48 91

HSL 321.49, 0.41%, 0.32%

LAB 30.67, 34.98, -11.61

 

Description

Color code: HEX #736B30 | qconv.com Color code: HEX #736B30 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 107 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 107 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 58 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 58% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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