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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #736A20 it is the complementary color #8C95DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #736A20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #736A20 shade: #786A1B, #897C2E, #9A8E41, #ABA054 and #BCB267

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #736A20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #736A20 shade: #736A20, #62580D, #514600, #403400 and #2F2200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #736A20 shade: #736A20, #735420, #733D20, #732720 and #732020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #736A20 shade: #736A20, #667320, #4F7320, #397320 and #237320

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #736A20 shade matches the following richer shades: #736A20, #7F7314 and #8B7D08

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #736A20 shade: #736A20, #67612C, #5B5738, #4F4E44 and #434450

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #736A20 shade: #733D20, #735320, #736920, #667320 and #507320

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #736A20 shade: #322F0E, #534C17, #736A20, #938829 and #B3A532

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #736A20 shade: #736A20, #207327 and #482073

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #736A20 shade: #736A20, #207369 and #692073

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #736A20 shade: #736A20, #207327, #202A73 and #73206C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #736A20 shade: #736A20, #207340, #202A73 and #732053

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 72 / 55

HEX #736A20

RGB 115 106 32

HSL 53.49, 0.56%, 0.29%

LAB 44.31, -5.81, 40.88

 

Complementary color

CMYK 37 / 33 / 0 / 13

HEX #8C95DF

RGB 140 149 223

HSL 233.49, 0.56%, 0.71%

LAB 63.67, 14.57, -38.66

 

CMYK 0 / 12 / 78 / 53

HEX #786A1B

RGB 120 106 27

HSL 50.97, 0.63%, 0.29%

LAB 44.77, -3.7, 43.57

 

CMYK 0 / 9 / 66 / 46

HEX #897C2E

RGB 137 124 46

HSL 51.43, 0.5%, 0.36%

LAB 51.76, -4.84, 42.97

 

CMYK 0 / 8 / 58 / 40

HEX #9A8E41

RGB 154 142 65

HSL 51.91, 0.41%, 0.43%

LAB 58.6, -5.73, 41.91

 

CMYK 0 / 6 / 51 / 33

HEX #ABA054

RGB 171 160 84

HSL 52.41, 0.34%, 0.5%

LAB 65.31, -6.43, 40.7

 

CMYK 0 / 5 / 45 / 26

HEX #BCB267

RGB 188 178 103

HSL 52.94, 0.39%, 0.57%

LAB 71.9, -7, 39.46

 

CMYK 0 / 8 / 72 / 55

HEX #736A20

RGB 115 106 32

HSL 53.49, 0.56%, 0.29%

LAB 44.31, -5.81, 40.88

 

CMYK 0 / 10 / 87 / 62

HEX #62580D

RGB 98 88 13

HSL 52.94, 0.77%, 0.22%

LAB 37.12, -4.52, 40.82

 

CMYK 0 / 14 / 100 / 68

HEX #514600

RGB 81 70 0

HSL 51.85, 1%, 0.16%

LAB 29.74, -2.77, 38.56

 

CMYK 0 / 19 / 100 / 75

HEX #403400

RGB 64 52 0

HSL 48.75, 1%, 0.13%

LAB 22.11, -0.46, 30.85

 

CMYK 0 / 28 / 100 / 82

HEX #2F2200

RGB 47 34 0

HSL 43.4, 1%, 0.09%

LAB 14.11, 2.11, 20.81

 

CMYK 0 / 8 / 72 / 55

HEX #736A20

RGB 115 106 32

HSL 53.49, 0.56%, 0.29%

LAB 44.31, -5.81, 40.88

 

CMYK 0 / 27 / 72 / 55

HEX #735420

RGB 115 84 32

HSL 37.59, 0.56%, 0.29%

LAB 38, 7.15, 34.35

 

CMYK 0 / 47 / 72 / 55

HEX #733D20

RGB 115 61 32

HSL 20.96, 0.56%, 0.29%

LAB 32, 20.98, 27.8

 

CMYK 0 / 66 / 72 / 55

HEX #732720

RGB 115 39 32

HSL 5.06, 0.56%, 0.29%

LAB 27.3, 33.01, 22.36

 

CMYK 0 / 72 / 72 / 55

HEX #732020

RGB 115 32 32

HSL 0, 0.56%, 0.29%

LAB 26.1, 36.23, 20.94

 

CMYK 0 / 8 / 72 / 55

HEX #736A20

RGB 115 106 32

HSL 53.49, 0.56%, 0.29%

LAB 44.31, -5.81, 40.88

 

CMYK 11 / 0 / 72 / 55

HEX #667320

RGB 102 115 32

HSL 69.4, 0.56%, 0.29%

LAB 45.89, -16.85, 42.09

 

CMYK 31 / 0 / 72 / 55

HEX #4F7320

RGB 79 115 32

HSL 86.02, 0.56%, 0.29%

LAB 44.27, -26.82, 39.92

 

CMYK 50 / 0 / 72 / 55

HEX #397320

RGB 57 115 32

HSL 101.93, 0.56%, 0.29%

LAB 43.12, -34.97, 38.36

 

CMYK 70 / 0 / 72 / 55

HEX #237320

RGB 35 115 32

HSL 117.83, 0.56%, 0.29%

LAB 42.34, -41.05, 37.31

 

CMYK 0 / 8 / 72 / 55

HEX #736A20

RGB 115 106 32

HSL 53.49, 0.56%, 0.29%

LAB 44.31, -5.81, 40.88

 

CMYK 0 / 9 / 84 / 50

HEX #7F7314

RGB 127 115 20

HSL 53.27, 0.73%, 0.29%

LAB 48.04, -5.77, 49.22

 

CMYK 0 / 10 / 94 / 45

HEX #8B7D08

RGB 139 125 8

HSL 53.59, 0.89%, 0.29%

LAB 52.03, -5.98, 55.75

 

CMYK 0 / 8 / 72 / 55

HEX #736A20

RGB 115 106 32

HSL 53.49, 0.56%, 0.29%

LAB 44.31, -5.81, 40.88

 

CMYK 0 / 6 / 57 / 60

HEX #67612C

RGB 103 97 44

HSL 53.9, 0.4%, 0.29%

LAB 40.6, -5.4, 30.65

 

CMYK 0 / 4 / 38 / 64

HEX #5B5738

RGB 91 87 56

HSL 53.14, 0.24%, 0.29%

LAB 36.6, -3.71, 18.62

 

CMYK 0 / 1 / 14 / 69

HEX #4F4E44

RGB 79 78 68

HSL 54.55, 0.07%, 0.29%

LAB 32.98, -1.62, 6.07

 

CMYK 16 / 15 / 0 / 69

HEX #434450

RGB 67 68 80

HSL 235.38, 0.09%, 0.29%

LAB 29.18, 2.46, -7.33

 

CMYK 0 / 47 / 72 / 55

HEX #733D20

RGB 115 61 32

HSL 20.96, 0.56%, 0.29%

LAB 32, 20.98, 27.8

 

CMYK 0 / 28 / 72 / 55

HEX #735320

RGB 115 83 32

HSL 36.87, 0.56%, 0.29%

LAB 37.73, 7.75, 34.06

 

CMYK 0 / 9 / 72 / 55

HEX #736920

RGB 115 105 32

HSL 52.77, 0.56%, 0.29%

LAB 44.02, -5.24, 40.58

 

CMYK 11 / 0 / 72 / 55

HEX #667320

RGB 102 115 32

HSL 69.4, 0.56%, 0.29%

LAB 45.89, -16.85, 42.09

 

CMYK 30 / 0 / 72 / 55

HEX #507320

RGB 80 115 32

HSL 85.3, 0.56%, 0.29%

LAB 44.33, -26.41, 40.01

 

CMYK 0 / 6 / 72 / 80

HEX #322F0E

RGB 50 47 14

HSL 55, 0.56%, 0.13%

LAB 18.98, -3.87, 21.03

 

CMYK 0 / 8 / 72 / 67

HEX #534C17

RGB 83 76 23

HSL 53, 0.57%, 0.21%

LAB 31.97, -4.33, 31.35

 

CMYK 0 / 8 / 72 / 55

HEX #736A20

RGB 115 106 32

HSL 53.49, 0.56%, 0.29%

LAB 44.31, -5.81, 40.88

 

CMYK 0 / 7 / 72 / 42

HEX #938829

RGB 147 136 41

HSL 53.77, 0.56%, 0.37%

LAB 56.06, -7.2, 49.84

 

CMYK 0 / 8 / 72 / 30

HEX #B3A532

RGB 179 165 50

HSL 53.49, 0.56%, 0.45%

LAB 67.07, -7.99, 58.13

 

CMYK 0 / 8 / 72 / 55

HEX #736A20

RGB 115 106 32

HSL 53.49, 0.56%, 0.29%

LAB 44.31, -5.81, 40.88

 

CMYK 72 / 0 / 66 / 55

HEX #207327

RGB 32 115 39

HSL 125.06, 0.56%, 0.29%

LAB 42.33, -40.92, 34.08

 

CMYK 37 / 72 / 0 / 55

HEX #482073

RGB 72 32 115

HSL 268.92, 0.56%, 0.29%

LAB 22.47, 36.34, -40.49

 

CMYK 0 / 8 / 72 / 55

HEX #736A20

RGB 115 106 32

HSL 53.49, 0.56%, 0.29%

LAB 44.31, -5.81, 40.88

 

CMYK 72 / 0 / 9 / 55

HEX #207369

RGB 32 115 105

HSL 172.77, 0.56%, 0.29%

LAB 43.64, -26.85, -1.6

 

CMYK 9 / 72 / 0 / 55

HEX #692073

RGB 105 32 115

HSL 292.77, 0.56%, 0.29%

LAB 27.5, 44.02, -32.14

 

CMYK 0 / 8 / 72 / 55

HEX #736A20

RGB 115 106 32

HSL 53.49, 0.56%, 0.29%

LAB 44.31, -5.81, 40.88

 

CMYK 72 / 0 / 66 / 55

HEX #207327

RGB 32 115 39

HSL 125.06, 0.56%, 0.29%

LAB 42.33, -40.92, 34.08

 

CMYK 72 / 63 / 0 / 55

HEX #202A73

RGB 32 42 115

HSL 232.77, 0.56%, 0.29%

LAB 20.83, 22.37, -43.34

 

CMYK 0 / 72 / 6 / 55

HEX #73206C

RGB 115 32 108

HSL 305.06, 0.56%, 0.29%

LAB 28.8, 45.23, -25.49

 

CMYK 0 / 8 / 72 / 55

HEX #736A20

RGB 115 106 32

HSL 53.49, 0.56%, 0.29%

LAB 44.31, -5.81, 40.88

 

CMYK 72 / 0 / 44 / 55

HEX #207340

RGB 32 115 64

HSL 143.13, 0.56%, 0.29%

LAB 42.67, -36.99, 21.25

 

CMYK 72 / 63 / 0 / 55

HEX #202A73

RGB 32 42 115

HSL 232.77, 0.56%, 0.29%

LAB 20.83, 22.37, -43.34

 

CMYK 0 / 72 / 28 / 55

HEX #732053

RGB 115 32 83

HSL 323.13, 0.56%, 0.29%

LAB 27.58, 41.3, -11.09

 

Description

Color code: HEX #736A20 | qconv.com Color code: HEX #736A20 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 106 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 106 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 72 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 72% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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