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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #735E8C it is the complementary color #8CA173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #735E8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #735E8C shade: #785E87, #89709A, #9A82AD, #AB94C0 and #BCA6D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #735E8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #735E8C shade: #735E8C, #624C79, #513A66, #402853 and #2F1640

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #735E8C shade: #735E8D, #805E8D, #8D5E8D, #8D5E80 and #8D5E74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #735E8C shade: #735E8D, #675E8D and #5E5E8D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #735E8C shade matches the following richer shades: #735E8D, #724BA0, #7038B3, #6E25C6 and #6D12D9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #735E8C shade: #735E8D, #75717A, #778467, #789754 and #7AAA41

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #735E8C shade: #5E628D, #665E8D, #735E8D, #7F5E8D and #8C5E8D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #735E8C shade: #4B3D5B, #5F4D74, #735E8D, #8873A1 and #9D8BB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #735E8C shade: #735E8C, #8D5E6E and #5E8D60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #735E8C shade: #735E8C, #8D735E and #5E8D73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #735E8C shade: #735E8C, #8D5E6E, #788D5E and #5E8D7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #735E8C shade: #735E8C, #8D5E60, #788D5E and #5E8D8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 33 / 0 / 45

HEX #735E8C

RGB 115 94 140

HSL 267.39, 0.2%, 0.46%

LAB 43.57, 18.19, -22.31

 

Complementary color

CMYK 13 / 0 / 29 / 37

HEX #8CA173

RGB 140 161 115

HSL 87.39, 0.2%, 0.54%

LAB 63.59, -15.79, 21.58

 

CMYK 11 / 30 / 0 / 47

HEX #785E87

RGB 120 94 135

HSL 278.05, 0.18%, 0.45%

LAB 43.87, 18.72, -18.8

 

CMYK 11 / 27 / 0 / 40

HEX #89709A

RGB 137 112 154

HSL 275.71, 0.17%, 0.52%

LAB 50.97, 18.08, -19.06

 

CMYK 11 / 25 / 0 / 32

HEX #9A82AD

RGB 154 130 173

HSL 273.49, 0.21%, 0.59%

LAB 57.9, 17.51, -19.33

 

CMYK 11 / 23 / 0 / 25

HEX #AB94C0

RGB 171 148 192

HSL 271.36, 0.26%, 0.67%

LAB 64.68, 17, -19.62

 

CMYK 11 / 21 / 0 / 17

HEX #BCA6D3

RGB 188 166 211

HSL 269.33, 0.34%, 0.74%

LAB 71.33, 16.53, -19.91

 

CMYK 18 / 33 / 0 / 45

HEX #735E8C

RGB 115 94 140

HSL 267.39, 0.2%, 0.46%

LAB 43.57, 18.19, -22.31

 

CMYK 19 / 37 / 0 / 53

HEX #624C79

RGB 98 76 121

HSL 269.33, 0.23%, 0.39%

LAB 36.26, 18.92, -22.18

 

CMYK 21 / 43 / 0 / 60

HEX #513A66

RGB 81 58 102

HSL 271.36, 0.28%, 0.31%

LAB 28.73, 19.77, -22.09

 

CMYK 23 / 52 / 0 / 67

HEX #402853

RGB 64 40 83

HSL 273.49, 0.35%, 0.24%

LAB 20.95, 20.73, -22.02

 

CMYK 27 / 66 / 0 / 75

HEX #2F1640

RGB 47 22 64

HSL 275.71, 0.49%, 0.17%

LAB 12.91, 21.75, -21.88

 

CMYK 18 / 33 / 0 / 45

HEX #735E8D

RGB 115 94 141

HSL 266.81, 0.2%, 0.46%

LAB 43.61, 18.43, -22.84

 

CMYK 9 / 33 / 0 / 45

HEX #805E8D

RGB 128 94 141

HSL 283.4, 0.2%, 0.46%

LAB 44.97, 22.81, -20.64

 

CMYK 0 / 33 / 0 / 45

HEX #8D5E8D

RGB 141 94 141

HSL 300, 0.2%, 0.46%

LAB 46.43, 27.27, -18.26

 

CMYK 0 / 33 / 9 / 45

HEX #8D5E80

RGB 141 94 128

HSL 316.6, 0.2%, 0.46%

LAB 45.94, 24.76, -11.21

 

CMYK 0 / 33 / 18 / 45

HEX #8D5E74

RGB 141 94 116

HSL 331.91, 0.2%, 0.46%

LAB 45.54, 22.63, -4.57

 

CMYK 18 / 33 / 0 / 45

HEX #735E8D

RGB 115 94 141

HSL 266.81, 0.2%, 0.46%

LAB 43.61, 18.43, -22.84

 

CMYK 27 / 33 / 0 / 45

HEX #675E8D

RGB 103 94 141

HSL 251.49, 0.2%, 0.46%

LAB 42.48, 14.51, -24.69

 

CMYK 33 / 33 / 0 / 45

HEX #5E5E8D

RGB 94 94 141

HSL 240, 0.2%, 0.46%

LAB 41.7, 11.69, -25.96

 

CMYK 18 / 33 / 0 / 45

HEX #735E8D

RGB 115 94 141

HSL 266.81, 0.2%, 0.46%

LAB 43.61, 18.43, -22.84

 

CMYK 29 / 53 / 0 / 37

HEX #724BA0

RGB 114 75 160

HSL 267.53, 0.36%, 0.46%

LAB 39.83, 34.29, -40.19

 

CMYK 37 / 69 / 0 / 30

HEX #7038B3

RGB 112 56 179

HSL 267.32, 0.52%, 0.46%

LAB 36.98, 49.04, -56.1

 

CMYK 44 / 81 / 0 / 22

HEX #6E25C6

RGB 110 37 198

HSL 267.2, 0.69%, 0.46%

LAB 35.43, 61.6, -69.83

 

CMYK 50 / 92 / 0 / 15

HEX #6D12D9

RGB 109 18 217

HSL 267.44, 0.85%, 0.46%

LAB 35.39, 71.1, -80.94

 

CMYK 18 / 33 / 0 / 45

HEX #735E8D

RGB 115 94 141

HSL 266.81, 0.2%, 0.46%

LAB 43.61, 18.43, -22.84

 

CMYK 4 / 7 / 0 / 52

HEX #75717A

RGB 117 113 122

HSL 266.67, 0.04%, 0.46%

LAB 48.26, 3.38, -4.42

 

CMYK 10 / 0 / 22 / 48

HEX #778467

RGB 119 132 103

HSL 86.9, 0.12%, 0.46%

LAB 53.39, -10.33, 14.1

 

CMYK 21 / 0 / 44 / 41

HEX #789754

RGB 120 151 84

HSL 87.76, 0.29%, 0.46%

LAB 58.76, -22.8, 31.75

 

CMYK 28 / 0 / 62 / 33

HEX #7AAA41

RGB 122 170 65

HSL 87.43, 0.45%, 0.46%

LAB 64.38, -33.28, 47.77

 

CMYK 33 / 30 / 0 / 45

HEX #5E628D

RGB 94 98 141

HSL 234.89, 0.2%, 0.46%

LAB 42.82, 9.2, -24.22

 

CMYK 28 / 33 / 0 / 45

HEX #665E8D

RGB 102 94 141

HSL 250.21, 0.2%, 0.46%

LAB 42.39, 14.19, -24.84

 

CMYK 18 / 33 / 0 / 45

HEX #735E8D

RGB 115 94 141

HSL 266.81, 0.2%, 0.46%

LAB 43.61, 18.43, -22.84

 

CMYK 10 / 33 / 0 / 45

HEX #7F5E8D

RGB 127 94 141

HSL 282.13, 0.2%, 0.46%

LAB 44.86, 22.47, -20.82

 

CMYK 1 / 33 / 0 / 45

HEX #8C5E8D

RGB 140 94 141

HSL 298.72, 0.2%, 0.46%

LAB 46.32, 26.92, -18.45

 

CMYK 18 / 33 / 0 / 64

HEX #4B3D5B

RGB 75 61 91

HSL 268, 0.2%, 0.3%

LAB 28.35, 12.87, -15.64

 

CMYK 18 / 34 / 0 / 55

HEX #5F4D74

RGB 95 77 116

HSL 267.69, 0.2%, 0.38%

LAB 35.99, 16.02, -19.53

 

CMYK 18 / 33 / 0 / 45

HEX #735E8D

RGB 115 94 141

HSL 266.81, 0.2%, 0.46%

LAB 43.61, 18.43, -22.84

 

CMYK 16 / 29 / 0 / 37

HEX #8873A1

RGB 136 115 161

HSL 267.39, 0.2%, 0.54%

LAB 51.92, 17.56, -21.7

 

CMYK 12 / 22 / 0 / 30

HEX #9D8BB2

RGB 157 139 178

HSL 267.69, 0.2%, 0.62%

LAB 60.65, 14.44, -17.97

 

CMYK 18 / 33 / 0 / 45

HEX #735E8C

RGB 115 94 140

HSL 267.39, 0.2%, 0.46%

LAB 43.57, 18.19, -22.31

 

CMYK 0 / 33 / 22 / 45

HEX #8D5E6E

RGB 141 94 110

HSL 339.57, 0.2%, 0.46%

LAB 45.35, 21.63, -1.21

 

CMYK 33 / 0 / 32 / 45

HEX #5E8D60

RGB 94 141 96

HSL 122.55, 0.2%, 0.46%

LAB 54.32, -25.57, 19.08

 

CMYK 18 / 33 / 0 / 45

HEX #735E8C

RGB 115 94 140

HSL 267.39, 0.2%, 0.46%

LAB 43.57, 18.19, -22.31

 

CMYK 0 / 18 / 33 / 45

HEX #8D735E

RGB 141 115 94

HSL 26.81, 0.2%, 0.46%

LAB 50.37, 6.96, 15.46

 

CMYK 33 / 0 / 18 / 45

HEX #5E8D73

RGB 94 141 115

HSL 146.81, 0.2%, 0.46%

LAB 54.73, -21.85, 8.85

 

CMYK 18 / 33 / 0 / 45

HEX #735E8C

RGB 115 94 140

HSL 267.39, 0.2%, 0.46%

LAB 43.57, 18.19, -22.31

 

CMYK 0 / 33 / 22 / 45

HEX #8D5E6E

RGB 141 94 110

HSL 339.57, 0.2%, 0.46%

LAB 45.35, 21.63, -1.21

 

CMYK 15 / 0 / 33 / 45

HEX #788D5E

RGB 120 141 94

HSL 86.81, 0.2%, 0.46%

LAB 55.94, -16.24, 22.66

 

CMYK 33 / 0 / 12 / 45

HEX #5E8D7C

RGB 94 141 124

HSL 158.3, 0.2%, 0.46%

LAB 54.95, -19.88, 4.01

 

CMYK 18 / 33 / 0 / 45

HEX #735E8C

RGB 115 94 140

HSL 267.39, 0.2%, 0.46%

LAB 43.57, 18.19, -22.31

 

CMYK 0 / 33 / 32 / 45

HEX #8D5E60

RGB 141 94 96

HSL 357.45, 0.2%, 0.46%

LAB 44.96, 19.5, 6.71

 

CMYK 15 / 0 / 33 / 45

HEX #788D5E

RGB 120 141 94

HSL 86.81, 0.2%, 0.46%

LAB 55.94, -16.24, 22.66

 

CMYK 33 / 0 / 2 / 45

HEX #5E8D8A

RGB 94 141 138

HSL 176.17, 0.2%, 0.46%

LAB 55.34, -16.56, -3.49

 

Description

Color code: HEX #735E8C | qconv.com Color code: HEX #735E8C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 94 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 94 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 33 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 33% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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