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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73593C it is the complementary color #8CA6C3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73593C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73593C shade: #785937, #896B4A, #9A7D5D, #AB8F70 and #BCA183

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73593C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73593C shade: #73593C, #624729, #513516, #402303 and #2F1100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73593C shade: #72583C, #724A3C and #723C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73593C shade: #72583C, #72673C, #6E723C, #5F723C and #51723C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73593C shade matches the following richer shades: #72583C, #80592E, #8E5A20, #9C5A12 and #AA5B04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73593C shade: #72583C, #64574A, #565758, #475666 and #395574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73593C shade: #723C3D, #72493C, #72583C, #72663C and #6F723C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73593C shade: #3C2E1F, #57432E, #72583C, #8D6D4A and #A78259

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73593C shade: #73593C, #4B723C and #423C72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73593C shade: #73593C, #3C7258 and #583C72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73593C shade: #73593C, #4B723C, #3C5672 and #623C72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73593C shade: #73593C, #3C723D, #3C5672 and #723C71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 48 / 55

HEX #73593C

RGB 115 89 60

HSL 31.64, 0.31%, 0.34%

LAB 39.77, 6.59, 20.84

 

Complementary color

CMYK 28 / 15 / 0 / 24

HEX #8CA6C3

RGB 140 166 195

HSL 211.64, 0.31%, 0.66%

LAB 67.12, -2.28, -17.81

 

CMYK 0 / 26 / 54 / 53

HEX #785937

RGB 120 89 55

HSL 31.38, 0.37%, 0.34%

LAB 40.27, 8.35, 24.52

 

CMYK 0 / 22 / 46 / 46

HEX #896B4A

RGB 137 107 74

HSL 31.43, 0.3%, 0.41%

LAB 47.4, 7.38, 23.03

 

CMYK 0 / 19 / 40 / 40

HEX #9A7D5D

RGB 154 125 93

HSL 31.48, 0.25%, 0.48%

LAB 54.37, 6.59, 21.67

 

CMYK 0 / 16 / 35 / 33

HEX #AB8F70

RGB 171 143 112

HSL 31.53, 0.26%, 0.55%

LAB 61.2, 5.95, 20.44

 

CMYK 0 / 14 / 30 / 26

HEX #BCA183

RGB 188 161 131

HSL 31.58, 0.3%, 0.63%

LAB 67.89, 5.4, 19.31

 

CMYK 0 / 23 / 48 / 55

HEX #73593C

RGB 115 89 60

HSL 31.64, 0.31%, 0.34%

LAB 39.77, 6.59, 20.84

 

CMYK 0 / 28 / 58 / 62

HEX #624729

RGB 98 71 41

HSL 31.58, 0.41%, 0.27%

LAB 32.4, 7.64, 22.41

 

CMYK 0 / 35 / 73 / 68

HEX #513516

RGB 81 53 22

HSL 31.53, 0.57%, 0.2%

LAB 24.81, 9.07, 24.12

 

CMYK 0 / 45 / 95 / 75

HEX #402303

RGB 64 35 3

HSL 31.48, 0.91%, 0.13%

LAB 16.98, 10.99, 23.76

 

CMYK 0 / 64 / 100 / 82

HEX #2F1100

RGB 47 17 0

HSL 21.7, 1%, 0.09%

LAB 9.03, 13.85, 13.84

 

CMYK 0 / 23 / 47 / 55

HEX #72583C

RGB 114 88 60

HSL 31.11, 0.31%, 0.34%

LAB 39.38, 6.74, 20.31

 

CMYK 0 / 35 / 47 / 55

HEX #724A3C

RGB 114 74 60

HSL 15.56, 0.31%, 0.34%

LAB 35.6, 15.23, 15.32

 

CMYK 0 / 47 / 47 / 55

HEX #723C3C

RGB 114 60 60

HSL 0, 0.31%, 0.34%

LAB 32.11, 23.6, 10.59

 

CMYK 0 / 23 / 47 / 55

HEX #72583C

RGB 114 88 60

HSL 31.11, 0.31%, 0.34%

LAB 39.38, 6.74, 20.31

 

CMYK 0 / 10 / 47 / 55

HEX #72673C

RGB 114 103 60

HSL 47.78, 0.31%, 0.34%

LAB 43.66, -2.17, 25.77

 

CMYK 4 / 0 / 47 / 55

HEX #6E723C

RGB 110 114 60

HSL 64.44, 0.31%, 0.34%

LAB 46.55, -10.25, 29.27

 

CMYK 17 / 0 / 47 / 55

HEX #5F723C

RGB 95 114 60

HSL 81.11, 0.31%, 0.34%

LAB 45.35, -16.77, 27.52

 

CMYK 29 / 0 / 47 / 55

HEX #51723C

RGB 81 114 60

HSL 96.67, 0.31%, 0.34%

LAB 44.39, -22.49, 26.12

 

CMYK 0 / 23 / 47 / 55

HEX #72583C

RGB 114 88 60

HSL 31.11, 0.31%, 0.34%

LAB 39.38, 6.74, 20.31

 

CMYK 0 / 30 / 64 / 50

HEX #80592E

RGB 128 89 46

HSL 31.46, 0.47%, 0.34%

LAB 41.11, 11.25, 30.86

 

CMYK 0 / 37 / 77 / 44

HEX #8E5A20

RGB 142 90 32

HSL 31.64, 0.63%, 0.34%

LAB 43.01, 16.26, 40.59

 

CMYK 0 / 42 / 88 / 39

HEX #9C5A12

RGB 156 90 18

HSL 31.3, 0.79%, 0.34%

LAB 44.83, 22.1, 48.54

 

CMYK 0 / 46 / 98 / 33

HEX #AA5B04

RGB 170 91 4

HSL 31.45, 0.95%, 0.34%

LAB 47.02, 27.42, 54.7

 

CMYK 0 / 23 / 47 / 55

HEX #72583C

RGB 114 88 60

HSL 31.11, 0.31%, 0.34%

LAB 39.38, 6.74, 20.31

 

CMYK 0 / 13 / 26 / 61

HEX #64574A

RGB 100 87 74

HSL 30, 0.15%, 0.34%

LAB 37.88, 3.02, 9.51

 

CMYK 2 / 1 / 0 / 65

HEX #565758

RGB 86 87 88

HSL 210, 0.01%, 0.34%

LAB 36.93, -0.18, -0.72

 

CMYK 30 / 16 / 0 / 60

HEX #475666

RGB 71 86 102

HSL 210.97, 0.18%, 0.34%

LAB 35.9, -1.64, -11.13

 

CMYK 51 / 27 / 0 / 55

HEX #395574

RGB 57 85 116

HSL 211.53, 0.34%, 0.34%

LAB 35.26, -1.01, -20.9

 

CMYK 0 / 47 / 46 / 55

HEX #723C3D

RGB 114 60 61

HSL 358.89, 0.31%, 0.34%

LAB 32.14, 23.72, 9.98

 

CMYK 0 / 36 / 47 / 55

HEX #72493C

RGB 114 73 60

HSL 14.44, 0.31%, 0.34%

LAB 35.34, 15.83, 14.97

 

CMYK 0 / 23 / 47 / 55

HEX #72583C

RGB 114 88 60

HSL 31.11, 0.31%, 0.34%

LAB 39.38, 6.74, 20.31

 

CMYK 0 / 11 / 47 / 55

HEX #72663C

RGB 114 102 60

HSL 46.67, 0.31%, 0.34%

LAB 43.37, -1.59, 25.4

 

CMYK 3 / 0 / 47 / 55

HEX #6F723C

RGB 111 114 60

HSL 63.33, 0.31%, 0.34%

LAB 46.63, -9.81, 29.39

 

CMYK 0 / 23 / 48 / 76

HEX #3C2E1F

RGB 60 46 31

HSL 31.03, 0.32%, 0.18%

LAB 20.1, 3.95, 12.1

 

CMYK 0 / 23 / 47 / 66

HEX #57432E

RGB 87 67 46

HSL 30.73, 0.31%, 0.26%

LAB 30, 5.44, 16.03

 

CMYK 0 / 23 / 47 / 55

HEX #72583C

RGB 114 88 60

HSL 31.11, 0.31%, 0.34%

LAB 39.38, 6.74, 20.31

 

CMYK 0 / 23 / 48 / 45

HEX #8D6D4A

RGB 141 109 74

HSL 31.34, 0.31%, 0.42%

LAB 48.38, 7.97, 24.38

 

CMYK 0 / 22 / 47 / 35

HEX #A78259

RGB 167 130 89

HSL 31.54, 0.31%, 0.5%

LAB 56.98, 8.85, 27.59

 

CMYK 0 / 23 / 48 / 55

HEX #73593C

RGB 115 89 60

HSL 31.64, 0.31%, 0.34%

LAB 39.77, 6.59, 20.84

 

CMYK 34 / 0 / 47 / 55

HEX #4B723C

RGB 75 114 60

HSL 103.33, 0.31%, 0.34%

LAB 44.03, -24.8, 25.58

 

CMYK 42 / 47 / 0 / 55

HEX #423C72

RGB 66 60 114

HSL 246.67, 0.31%, 0.34%

LAB 28.39, 17.23, -30.38

 

CMYK 0 / 23 / 48 / 55

HEX #73593C

RGB 115 89 60

HSL 31.64, 0.31%, 0.34%

LAB 39.77, 6.59, 20.84

 

CMYK 47 / 0 / 23 / 55

HEX #3C7258

RGB 60 114 88

HSL 151.11, 0.31%, 0.34%

LAB 43.8, -24.56, 8.93

 

CMYK 23 / 47 / 0 / 55

HEX #583C72

RGB 88 60 114

HSL 271.11, 0.31%, 0.34%

LAB 30.69, 23.89, -26.6

 

CMYK 0 / 23 / 48 / 55

HEX #73593C

RGB 115 89 60

HSL 31.64, 0.31%, 0.34%

LAB 39.77, 6.59, 20.84

 

CMYK 34 / 0 / 47 / 55

HEX #4B723C

RGB 75 114 60

HSL 103.33, 0.31%, 0.34%

LAB 44.03, -24.8, 25.58

 

CMYK 47 / 25 / 0 / 55

HEX #3C5672

RGB 60 86 114

HSL 211.11, 0.31%, 0.34%

LAB 35.66, -1.47, -19.03

 

CMYK 14 / 47 / 0 / 55

HEX #623C72

RGB 98 60 114

HSL 282.22, 0.31%, 0.34%

LAB 31.91, 27.09, -24.61

 

CMYK 0 / 23 / 48 / 55

HEX #73593C

RGB 115 89 60

HSL 31.64, 0.31%, 0.34%

LAB 39.77, 6.59, 20.84

 

CMYK 47 / 0 / 46 / 55

HEX #3C723D

RGB 60 114 61

HSL 121.11, 0.31%, 0.34%

LAB 43.26, -29.89, 23.89

 

CMYK 47 / 25 / 0 / 55

HEX #3C5672

RGB 60 86 114

HSL 211.11, 0.31%, 0.34%

LAB 35.66, -1.47, -19.03

 

CMYK 0 / 47 / 1 / 55

HEX #723C71

RGB 114 60 113

HSL 301.11, 0.31%, 0.34%

LAB 33.99, 32.1, -20.57

 

Description

Color code: HEX #73593C | qconv.com Color code: HEX #73593C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 89 green and 60 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 89 60 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 48 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 48% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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