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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73449E it is the complementary color #8CBB61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73449E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73449E shade: #784499, #8956AC, #9A68BF, #AB7AD2 and #BC8CE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73449E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73449E shade: #73449E, #62328B, #512078, #400E65 and #2F0052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73449E shade: #72439D, #8A439D, #9D4398, #9D437F and #9D4367

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73449E shade: #72439D, #5A439D and #43439D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73449E shade matches the following richer shades: #72439D, #7331AF, #741FC1 and #750DD4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73449E shade: #72439D, #71558B, #716879, #707A67 and #6F8C54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73449E shade: #43459D, #5A439D, #72439D, #8A439D and #9D4399

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73449E shade: #482B63, #5D3780, #72439D, #8754B6 and #9B71C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73449E shade: #73449E, #9D435D and #439D4E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73449E shade: #73449E, #9D7243 and #439D72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73449E shade: #73449E, #9D435D, #6F9D43 and #439D84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73449E shade: #73449E, #9D4543, #6F9D43 and #439C9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 57 / 0 / 38

HEX #73449E

RGB 115 68 158

HSL 271.33, 0.4%, 0.44%

LAB 38.28, 38.06, -41.45

 

Complementary color

CMYK 25 / 0 / 48 / 27

HEX #8CBB61

RGB 140 187 97

HSL 91.33, 0.4%, 0.56%

LAB 70.86, -31.16, 40.41

 

CMYK 22 / 56 / 0 / 40

HEX #784499

RGB 120 68 153

HSL 276.71, 0.38%, 0.43%

LAB 38.6, 38.2, -37.9

 

CMYK 20 / 50 / 0 / 33

HEX #8956AC

RGB 137 86 172

HSL 275.58, 0.34%, 0.51%

LAB 45.57, 37.32, -38.04

 

CMYK 19 / 46 / 0 / 25

HEX #9A68BF

RGB 154 104 191

HSL 274.48, 0.4%, 0.58%

LAB 52.43, 36.45, -38.14

 

CMYK 19 / 42 / 0 / 18

HEX #AB7AD2

RGB 171 122 210

HSL 273.41, 0.49%, 0.65%

LAB 59.19, 35.62, -38.22

 

CMYK 18 / 39 / 0 / 10

HEX #BC8CE5

RGB 188 140 229

HSL 272.36, 0.63%, 0.72%

LAB 65.83, 34.83, -38.3

 

CMYK 27 / 57 / 0 / 38

HEX #73449E

RGB 115 68 158

HSL 271.33, 0.4%, 0.44%

LAB 38.28, 38.06, -41.45

 

CMYK 29 / 64 / 0 / 45

HEX #62328B

RGB 98 50 139

HSL 272.36, 0.47%, 0.37%

LAB 31.21, 38.96, -41.32

 

CMYK 33 / 73 / 0 / 53

HEX #512078

RGB 81 32 120

HSL 273.41, 0.58%, 0.3%

LAB 24.12, 39.59, -40.96

 

CMYK 37 / 86 / 0 / 60

HEX #400E65

RGB 64 14 101

HSL 274.48, 0.76%, 0.23%

LAB 17.2, 39.39, -40.02

 

CMYK 43 / 100 / 0 / 68

HEX #2F0052

RGB 47 0 82

HSL 274.39, 1%, 0.16%

LAB 10.66, 37.57, -38.07

 

CMYK 27 / 57 / 0 / 38

HEX #72439D

RGB 114 67 157

HSL 271.33, 0.4%, 0.44%

LAB 37.89, 38.12, -41.49

 

CMYK 12 / 57 / 0 / 38

HEX #8A439D

RGB 138 67 157

HSL 287.33, 0.4%, 0.44%

LAB 40.98, 44.55, -36.38

 

CMYK 0 / 57 / 3 / 38

HEX #9D4398

RGB 157 67 152

HSL 303.33, 0.4%, 0.44%

LAB 43.43, 48.85, -29.33

 

CMYK 0 / 57 / 19 / 38

HEX #9D437F

RGB 157 67 127

HSL 320, 0.4%, 0.44%

LAB 42.33, 44.69, -15.88

 

CMYK 0 / 57 / 34 / 38

HEX #9D4367

RGB 157 67 103

HSL 336, 0.4%, 0.44%

LAB 41.47, 41.31, -2.36

 

CMYK 27 / 57 / 0 / 38

HEX #72439D

RGB 114 67 157

HSL 271.33, 0.4%, 0.44%

LAB 37.89, 38.12, -41.49

 

CMYK 43 / 57 / 0 / 38

HEX #5A439D

RGB 90 67 157

HSL 255.33, 0.4%, 0.44%

LAB 35.25, 32.08, -45.87

 

CMYK 57 / 57 / 0 / 38

HEX #43439D

RGB 67 67 157

HSL 240, 0.4%, 0.44%

LAB 33.23, 27.03, -49.23

 

CMYK 27 / 57 / 0 / 38

HEX #72439D

RGB 114 67 157

HSL 271.33, 0.4%, 0.44%

LAB 37.89, 38.12, -41.49

 

CMYK 34 / 72 / 0 / 31

HEX #7331AF

RGB 115 49 175

HSL 271.43, 0.56%, 0.44%

LAB 35.86, 51.99, -55.53

 

CMYK 40 / 84 / 0 / 24

HEX #741FC1

RGB 116 31 193

HSL 271.48, 0.72%, 0.44%

LAB 35.09, 63.25, -67.43

 

CMYK 45 / 94 / 0 / 17

HEX #750DD4

RGB 117 13 212

HSL 271.36, 0.88%, 0.44%

LAB 35.64, 71.61, -77.59

 

CMYK 27 / 57 / 0 / 38

HEX #72439D

RGB 114 67 157

HSL 271.33, 0.4%, 0.44%

LAB 37.89, 38.12, -41.49

 

CMYK 19 / 39 / 0 / 45

HEX #71558B

RGB 113 85 139

HSL 271.11, 0.24%, 0.44%

LAB 41.01, 22.76, -25.69

 

CMYK 7 / 14 / 0 / 53

HEX #716879

RGB 113 104 121

HSL 271.76, 0.08%, 0.44%

LAB 45.35, 7.04, -8.19

 

CMYK 8 / 0 / 16 / 52

HEX #707A67

RGB 112 122 103

HSL 91.58, 0.08%, 0.44%

LAB 49.91, -7.5, 9.15

 

CMYK 21 / 0 / 40 / 45

HEX #6F8C54

RGB 111 140 84

HSL 91.07, 0.25%, 0.44%

LAB 54.84, -20.72, 26.63

 

CMYK 57 / 56 / 0 / 38

HEX #43459D

RGB 67 69 157

HSL 238.67, 0.4%, 0.44%

LAB 33.74, 25.74, -48.4

 

CMYK 43 / 57 / 0 / 38

HEX #5A439D

RGB 90 67 157

HSL 255.33, 0.4%, 0.44%

LAB 35.25, 32.08, -45.87

 

CMYK 27 / 57 / 0 / 38

HEX #72439D

RGB 114 67 157

HSL 271.33, 0.4%, 0.44%

LAB 37.89, 38.12, -41.49

 

CMYK 12 / 57 / 0 / 38

HEX #8A439D

RGB 138 67 157

HSL 287.33, 0.4%, 0.44%

LAB 40.98, 44.55, -36.38

 

CMYK 0 / 57 / 3 / 38

HEX #9D4399

RGB 157 67 153

HSL 302.67, 0.4%, 0.44%

LAB 43.48, 49.03, -29.86

 

CMYK 27 / 57 / 0 / 61

HEX #482B63

RGB 72 43 99

HSL 271.07, 0.39%, 0.28%

LAB 23.69, 25.63, -28.17

 

CMYK 27 / 57 / 0 / 50

HEX #5D3780

RGB 93 55 128

HSL 271.23, 0.4%, 0.36%

LAB 30.92, 32.03, -34.99

 

CMYK 27 / 57 / 0 / 38

HEX #72439D

RGB 114 67 157

HSL 271.33, 0.4%, 0.44%

LAB 37.89, 38.12, -41.49

 

CMYK 26 / 54 / 0 / 29

HEX #8754B6

RGB 135 84 182

HSL 271.22, 0.4%, 0.52%

LAB 45.45, 40.26, -44.1

 

CMYK 20 / 42 / 0 / 24

HEX #9B71C2

RGB 155 113 194

HSL 271.11, 0.4%, 0.6%

LAB 54.73, 32.33, -36.23

 

CMYK 27 / 57 / 0 / 38

HEX #73449E

RGB 115 68 158

HSL 271.33, 0.4%, 0.44%

LAB 38.28, 38.06, -41.45

 

CMYK 0 / 57 / 41 / 38

HEX #9D435D

RGB 157 67 93

HSL 342.67, 0.4%, 0.44%

LAB 41.17, 40.1, 3.42

 

CMYK 57 / 0 / 50 / 38

HEX #439D4E

RGB 67 157 78

HSL 127.33, 0.4%, 0.44%

LAB 57.9, -43.93, 33.24

 

CMYK 27 / 57 / 0 / 38

HEX #73449E

RGB 115 68 158

HSL 271.33, 0.4%, 0.44%

LAB 38.28, 38.06, -41.45

 

CMYK 0 / 27 / 57 / 38

HEX #9D7243

RGB 157 114 67

HSL 31.33, 0.4%, 0.44%

LAB 51.39, 11.48, 32.45

 

CMYK 57 / 0 / 27 / 38

HEX #439D72

RGB 67 157 114

HSL 151.33, 0.4%, 0.44%

LAB 58.53, -37.29, 14.58

 

CMYK 27 / 57 / 0 / 38

HEX #73449E

RGB 115 68 158

HSL 271.33, 0.4%, 0.44%

LAB 38.28, 38.06, -41.45

 

CMYK 0 / 57 / 41 / 38

HEX #9D435D

RGB 157 67 93

HSL 342.67, 0.4%, 0.44%

LAB 41.17, 40.1, 3.42

 

CMYK 29 / 0 / 57 / 38

HEX #6F9D43

RGB 111 157 67

HSL 90.67, 0.4%, 0.44%

LAB 59.8, -31.18, 41.48

 

CMYK 57 / 0 / 16 / 38

HEX #439D84

RGB 67 157 132

HSL 163.33, 0.4%, 0.44%

LAB 58.95, -33.1, 5.05

 

CMYK 27 / 57 / 0 / 38

HEX #73449E

RGB 115 68 158

HSL 271.33, 0.4%, 0.44%

LAB 38.28, 38.06, -41.45

 

CMYK 0 / 56 / 57 / 38

HEX #9D4543

RGB 157 69 67

HSL 1.33, 0.4%, 0.44%

LAB 40.94, 36.52, 19.24

 

CMYK 29 / 0 / 57 / 38

HEX #6F9D43

RGB 111 157 67

HSL 90.67, 0.4%, 0.44%

LAB 59.8, -31.18, 41.48

 

CMYK 57 / 1 / 0 / 38

HEX #439C9D

RGB 67 156 157

HSL 180.67, 0.4%, 0.44%

LAB 59.35, -25.95, -8.54

 

Description

Color code: HEX #73449E | qconv.com Color code: HEX #73449E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 68 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 68 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 57 magenta, none yellow and 38 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 57% 0% 38% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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