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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #733DD2 it is the complementary color #8CC22D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #733DD2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #733DD2 shade: #783DCD, #894FE0, #9A61F3, #AB73FF and #BC85FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #733DD2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #733DD2 shade: #733DD2, #622BBF, #5119AC, #400799 and #2F0086

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #733DD2 shade: #733DD1, #9B3DD1, #C33DD1, #D13DB8 and #D13D90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #733DD2 shade: #733DD1, #4B3DD1 and #3D3DD1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #733DD2 shade matches the following richer shades: #733DD1, #6D29E5 and #6816F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #733DD2 shade: #733DD1, #7850BE, #7D64AB, #837797 and #888A84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #733DD2 shade: #3D58D1, #493DD1, #713DD1, #983DD1 and #C03DD1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #733DD2 shade: #4E2498, #5F2CBA, #733DD1, #8B5ED9 and #A380E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #733DD2 shade: #733DD2, #D13D80 and #44D13D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #733DD2 shade: #733DD2, #D1713D and #3DD171

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #733DD2 shade: #733DD2, #D13D80, #9DD13D and #3DD18F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #733DD2 shade: #733DD2, #D13D53, #9DD13D and #3DD1BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 71 / 0 / 18

HEX #733DD2

RGB 115 61 210

HSL 261.74, 0.62%, 0.53%

LAB 40.63, 55.13, -68.26

 

Complementary color

CMYK 28 / 0 / 77 / 24

HEX #8CC22D

RGB 140 194 45

HSL 81.74, 0.62%, 0.47%

LAB 72.46, -38.68, 64.03

 

CMYK 41 / 70 / 0 / 20

HEX #783DCD

RGB 120 61 205

HSL 264.58, 0.59%, 0.52%

LAB 40.8, 54.72, -65.08

 

CMYK 39 / 65 / 0 / 12

HEX #894FE0

RGB 137 79 224

HSL 264, 0.7%, 0.59%

LAB 47.36, 53.83, -65.22

 

CMYK 37 / 60 / 0 / 5

HEX #9A61F3

RGB 154 97 243

HSL 263.42, 0.86%, 0.67%

LAB 53.91, 52.83, -65.22

 

CMYK 33 / 55 / 0 / 0

HEX #AB73FF

RGB 171 115 255

HSL 264, 1%, 0.73%

LAB 60.01, 50.07, -61.96

 

CMYK 26 / 48 / 0 / 0

HEX #BC85FF

RGB 188 133 255

HSL 267.05, 1%, 0.76%

LAB 65.5, 44.57, -53.11

 

CMYK 45 / 71 / 0 / 18

HEX #733DD2

RGB 115 61 210

HSL 261.74, 0.62%, 0.53%

LAB 40.63, 55.13, -68.26

 

CMYK 49 / 77 / 0 / 25

HEX #622BBF

RGB 98 43 191

HSL 262.3, 0.63%, 0.46%

LAB 34.16, 55.81, -67.86

 

CMYK 53 / 85 / 0 / 33

HEX #5119AC

RGB 81 25 172

HSL 262.86, 0.75%, 0.39%

LAB 27.91, 55.78, -66.92

 

CMYK 58 / 95 / 0 / 40

HEX #400799

RGB 64 7 153

HSL 263.42, 0.91%, 0.31%

LAB 22.1, 54.37, -65.04

 

CMYK 65 / 100 / 0 / 47

HEX #2F0086

RGB 47 0 134

HSL 261.04, 1%, 0.26%

LAB 17.11, 50.39, -61.53

 

CMYK 45 / 71 / 0 / 18

HEX #733DD1

RGB 115 61 209

HSL 261.89, 0.62%, 0.53%

LAB 40.55, 54.87, -67.82

 

CMYK 26 / 71 / 0 / 18

HEX #9B3DD1

RGB 155 61 209

HSL 278.11, 0.62%, 0.53%

LAB 45.51, 62.31, -59.53

 

CMYK 7 / 71 / 0 / 18

HEX #C33DD1

RGB 195 61 209

HSL 294.32, 0.62%, 0.53%

LAB 51.32, 70.54, -49.9

 

CMYK 0 / 71 / 12 / 18

HEX #D13DB8

RGB 209 61 184

HSL 310.14, 0.62%, 0.53%

LAB 52.23, 69.7, -33.87

 

CMYK 0 / 71 / 31 / 18

HEX #D13D90

RGB 209 61 144

HSL 326.35, 0.62%, 0.53%

LAB 50.58, 64.44, -12.84

 

CMYK 45 / 71 / 0 / 18

HEX #733DD1

RGB 115 61 209

HSL 261.89, 0.62%, 0.53%

LAB 40.55, 54.87, -67.82

 

CMYK 64 / 71 / 0 / 18

HEX #4B3DD1

RGB 75 61 209

HSL 245.68, 0.62%, 0.53%

LAB 36.81, 48.89, -74.09

 

CMYK 71 / 71 / 0 / 18

HEX #3D3DD1

RGB 61 61 209

HSL 240, 0.62%, 0.53%

LAB 35.86, 47.3, -75.69

 

CMYK 45 / 71 / 0 / 18

HEX #733DD1

RGB 115 61 209

HSL 261.89, 0.62%, 0.53%

LAB 40.55, 54.87, -67.82

 

CMYK 52 / 82 / 0 / 10

HEX #6D29E5

RGB 109 41 229

HSL 261.7, 0.78%, 0.53%

LAB 38.72, 67.59, -82.32

 

CMYK 58 / 91 / 0 / 3

HEX #6816F8

RGB 104 22 248

HSL 261.77, 0.94%, 0.53%

LAB 38.37, 76.97, -93.67

 

CMYK 45 / 71 / 0 / 18

HEX #733DD1

RGB 115 61 209

HSL 261.89, 0.62%, 0.53%

LAB 40.55, 54.87, -67.82

 

CMYK 37 / 58 / 0 / 25

HEX #7850BE

RGB 120 80 190

HSL 261.82, 0.46%, 0.53%

LAB 43.43, 40.77, -52.1

 

CMYK 27 / 42 / 0 / 33

HEX #7D64AB

RGB 125 100 171

HSL 261.13, 0.3%, 0.53%

LAB 47.51, 25.43, -34.47

 

CMYK 13 / 21 / 0 / 41

HEX #837797

RGB 131 119 151

HSL 262.5, 0.13%, 0.53%

LAB 52.12, 11.22, -15.59

 

CMYK 1 / 0 / 4 / 46

HEX #888A84

RGB 136 138 132

HSL 80, 0.02%, 0.53%

LAB 57.15, -1.9, 2.94

 

CMYK 71 / 58 / 0 / 18

HEX #3D58D1

RGB 61 88 209

HSL 229.05, 0.62%, 0.53%

LAB 42.12, 30.79, -65.44

 

CMYK 65 / 71 / 0 / 18

HEX #493DD1

RGB 73 61 209

HSL 244.86, 0.62%, 0.53%

LAB 36.66, 48.65, -74.33

 

CMYK 46 / 71 / 0 / 18

HEX #713DD1

RGB 113 61 209

HSL 261.08, 0.62%, 0.53%

LAB 40.33, 54.53, -68.18

 

CMYK 27 / 71 / 0 / 18

HEX #983DD1

RGB 152 61 209

HSL 276.89, 0.62%, 0.53%

LAB 45.1, 61.72, -60.21

 

CMYK 8 / 71 / 0 / 18

HEX #C03DD1

RGB 192 61 209

HSL 293.11, 0.62%, 0.53%

LAB 50.86, 69.91, -50.65

 

CMYK 49 / 76 / 0 / 40

HEX #4E2498

RGB 78 36 152

HSL 261.72, 0.62%, 0.37%

LAB 27.15, 45.55, -56.03

 

CMYK 49 / 76 / 0 / 27

HEX #5F2CBA

RGB 95 44 186

HSL 261.55, 0.62%, 0.45%

LAB 33.52, 53.62, -65.98

 

CMYK 45 / 71 / 0 / 18

HEX #733DD1

RGB 115 61 209

HSL 261.89, 0.62%, 0.53%

LAB 40.55, 54.87, -67.82

 

CMYK 36 / 57 / 0 / 15

HEX #8B5ED9

RGB 139 94 217

HSL 261.95, 0.62%, 0.61%

LAB 50.1, 44.47, -56.8

 

CMYK 28 / 43 / 0 / 12

HEX #A380E1

RGB 163 128 225

HSL 261.65, 0.62%, 0.69%

LAB 60.48, 33.48, -44.65

 

CMYK 45 / 71 / 0 / 18

HEX #733DD2

RGB 115 61 210

HSL 261.74, 0.62%, 0.53%

LAB 40.63, 55.13, -68.26

 

CMYK 0 / 71 / 39 / 18

HEX #D13D80

RGB 209 61 128

HSL 332.84, 0.62%, 0.53%

LAB 50.04, 62.67, -4.04

 

CMYK 67 / 0 / 71 / 18

HEX #44D13D

RGB 68 209 61

HSL 117.16, 0.62%, 0.53%

LAB 74.3, -64.52, 59.4

 

CMYK 45 / 71 / 0 / 18

HEX #733DD2

RGB 115 61 210

HSL 261.74, 0.62%, 0.53%

LAB 40.63, 55.13, -68.26

 

CMYK 0 / 46 / 71 / 18

HEX #D1713D

RGB 209 113 61

HSL 21.08, 0.62%, 0.53%

LAB 57.75, 33.67, 44.69

 

CMYK 71 / 0 / 46 / 18

HEX #3DD171

RGB 61 209 113

HSL 141.08, 0.62%, 0.53%

LAB 74.69, -59.38, 36.59

 

CMYK 45 / 71 / 0 / 18

HEX #733DD2

RGB 115 61 210

HSL 261.74, 0.62%, 0.53%

LAB 40.63, 55.13, -68.26

 

CMYK 0 / 71 / 39 / 18

HEX #D13D80

RGB 209 61 128

HSL 332.84, 0.62%, 0.53%

LAB 50.04, 62.67, -4.04

 

CMYK 25 / 0 / 71 / 18

HEX #9DD13D

RGB 157 209 61

HSL 81.08, 0.62%, 0.53%

LAB 77.94, -38.03, 64.28

 

CMYK 71 / 0 / 32 / 18

HEX #3DD18F

RGB 61 209 143

HSL 153.24, 0.62%, 0.53%

LAB 75.19, -53.82, 21.8

 

CMYK 45 / 71 / 0 / 18

HEX #733DD2

RGB 115 61 210

HSL 261.74, 0.62%, 0.53%

LAB 40.63, 55.13, -68.26

 

CMYK 0 / 71 / 60 / 18

HEX #D13D53

RGB 209 61 83

HSL 351.08, 0.62%, 0.53%

LAB 48.91, 58.86, 21.64

 

CMYK 25 / 0 / 71 / 18

HEX #9DD13D

RGB 157 209 61

HSL 81.08, 0.62%, 0.53%

LAB 77.94, -38.03, 64.28

 

CMYK 71 / 0 / 11 / 18

HEX #3DD1BB

RGB 61 209 187

HSL 171.08, 0.62%, 0.53%

LAB 76.18, -43.46, -0.28

 

Description

Color code: HEX #733DD2 | qconv.com Color code: HEX #733DD2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 61 green and 210 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 61 210 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 71 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 71% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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