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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #732EAF it is the complementary color #8CD150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #732EAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #732EAF shade: #782EAA, #8940BD, #9A52D0, #AB64E3 and #BC76F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #732EAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #732EAF shade: #732EAF, #621C9C, #510A89, #400076 and #2F0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #732EAF shade: #722EAD, #942EAD, #AD2EA4, #AD2E82 and #AD2E5F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #732EAF shade: #722EAD, #502EAD and #2E2EAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #732EAF shade matches the following richer shades: #722EAD, #731CBF and #750BD1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #732EAF shade: #722EAD, #71409C, #70528A, #6E6378 and #6D7566

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #732EAF shade: #2E2EAD, #502EAD, #722EAD, #942EAD and #AD2EA5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #732EAF shade: #471D6C, #5D258D, #722EAD, #873ACB and #9B5BD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #732EAF shade: #732EAF, #AD2E50 and #2EAD3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #732EAF shade: #732EAF, #AD722E and #2EAD72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #732EAF shade: #732EAF, #AD2E50, #69AD2E and #2EAD8B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #732EAF shade: #732EAF, #AD322E, #69AD2E and #2EA9AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 74 / 0 / 31

HEX #732EAF

RGB 115 46 175

HSL 272.09, 0.58%, 0.43%

LAB 35.39, 53.33, -56.3

 

Complementary color

CMYK 33 / 0 / 62 / 18

HEX #8CD150

RGB 140 209 80

HSL 92.09, 0.58%, 0.57%

LAB 77.13, -42.84, 55.63

 

CMYK 29 / 73 / 0 / 33

HEX #782EAA

RGB 120 46 170

HSL 275.81, 0.57%, 0.42%

LAB 35.69, 53.14, -52.78

 

CMYK 28 / 66 / 0 / 26

HEX #8940BD

RGB 137 64 189

HSL 275.04, 0.49%, 0.5%

LAB 42.25, 52.81, -53.32

 

CMYK 26 / 61 / 0 / 18

HEX #9A52D0

RGB 154 82 208

HSL 274.29, 0.57%, 0.57%

LAB 48.83, 52.16, -53.62

 

CMYK 25 / 56 / 0 / 11

HEX #AB64E3

RGB 171 100 227

HSL 273.54, 0.69%, 0.64%

LAB 55.4, 51.37, -53.78

 

CMYK 24 / 52 / 0 / 4

HEX #BC76F6

RGB 188 118 246

HSL 272.81, 0.88%, 0.71%

LAB 61.91, 50.52, -53.87

 

CMYK 34 / 74 / 0 / 31

HEX #732EAF

RGB 115 46 175

HSL 272.09, 0.58%, 0.43%

LAB 35.39, 53.33, -56.3

 

CMYK 37 / 82 / 0 / 39

HEX #621C9C

RGB 98 28 156

HSL 272.81, 0.7%, 0.36%

LAB 28.97, 53.11, -55.4

 

CMYK 41 / 93 / 0 / 46

HEX #510A89

RGB 81 10 137

HSL 273.54, 0.86%, 0.29%

LAB 22.9, 51.59, -53.69

 

CMYK 46 / 100 / 0 / 54

HEX #400076

RGB 64 0 118

HSL 272.54, 1%, 0.23%

LAB 17.45, 47.85, -50.69

 

CMYK 53 / 100 / 0 / 61

HEX #2F0063

RGB 47 0 99

HSL 268.48, 1%, 0.19%

LAB 12.64, 41.69, -46.28

 

CMYK 34 / 73 / 0 / 32

HEX #722EAD

RGB 114 46 173

HSL 272.13, 0.58%, 0.43%

LAB 35.1, 52.67, -55.58

 

CMYK 14 / 73 / 0 / 32

HEX #942EAD

RGB 148 46 173

HSL 288.19, 0.58%, 0.43%

LAB 40.03, 59.49, -47.38

 

CMYK 0 / 73 / 5 / 32

HEX #AD2EA4

RGB 173 46 164

HSL 304.25, 0.58%, 0.43%

LAB 43.53, 63.37, -36.18

 

CMYK 0 / 73 / 25 / 32

HEX #AD2E82

RGB 173 46 130

HSL 320.31, 0.58%, 0.43%

LAB 41.92, 58.44, -18.11

 

CMYK 0 / 73 / 45 / 32

HEX #AD2E5F

RGB 173 46 95

HSL 336.85, 0.58%, 0.43%

LAB 40.68, 54.46, 1.81

 

CMYK 34 / 73 / 0 / 32

HEX #722EAD

RGB 114 46 173

HSL 272.13, 0.58%, 0.43%

LAB 35.1, 52.67, -55.58

 

CMYK 54 / 73 / 0 / 32

HEX #502EAD

RGB 80 46 173

HSL 256.06, 0.58%, 0.43%

LAB 31.06, 46.79, -62.34

 

CMYK 73 / 73 / 0 / 32

HEX #2E2EAD

RGB 46 46 173

HSL 240, 0.58%, 0.43%

LAB 28.25, 42.48, -67.06

 

CMYK 34 / 73 / 0 / 32

HEX #722EAD

RGB 114 46 173

HSL 272.13, 0.58%, 0.43%

LAB 35.1, 52.67, -55.58

 

CMYK 40 / 85 / 0 / 25

HEX #731CBF

RGB 115 28 191

HSL 272.02, 0.74%, 0.43%

LAB 34.47, 63.55, -67.27

 

CMYK 44 / 95 / 0 / 18

HEX #750BD1

RGB 117 11 209

HSL 272.12, 0.9%, 0.43%

LAB 35.25, 71.26, -76.5

 

CMYK 34 / 73 / 0 / 32

HEX #722EAD

RGB 114 46 173

HSL 272.13, 0.58%, 0.43%

LAB 35.1, 52.67, -55.58

 

CMYK 28 / 59 / 0 / 39

HEX #71409C

RGB 113 64 156

HSL 271.96, 0.42%, 0.43%

LAB 37.07, 39.28, -42.19

 

CMYK 19 / 41 / 0 / 46

HEX #70528A

RGB 112 82 138

HSL 272.14, 0.25%, 0.43%

LAB 40.1, 24.02, -26.51

 

CMYK 8 / 18 / 0 / 53

HEX #6E6378

RGB 110 99 120

HSL 271.43, 0.1%, 0.43%

LAB 43.65, 8.73, -10.17

 

CMYK 7 / 0 / 13 / 54

HEX #6D7566

RGB 109 117 102

HSL 92, 0.07%, 0.43%

LAB 48.18, -6.02, 7.25

 

CMYK 73 / 73 / 0 / 32

HEX #2E2EAD

RGB 46 46 173

HSL 240, 0.58%, 0.43%

LAB 28.25, 42.48, -67.06

 

CMYK 54 / 73 / 0 / 32

HEX #502EAD

RGB 80 46 173

HSL 256.06, 0.58%, 0.43%

LAB 31.06, 46.79, -62.34

 

CMYK 34 / 73 / 0 / 32

HEX #722EAD

RGB 114 46 173

HSL 272.13, 0.58%, 0.43%

LAB 35.1, 52.67, -55.58

 

CMYK 14 / 73 / 0 / 32

HEX #942EAD

RGB 148 46 173

HSL 288.19, 0.58%, 0.43%

LAB 40.03, 59.49, -47.38

 

CMYK 0 / 73 / 5 / 32

HEX #AD2EA5

RGB 173 46 165

HSL 303.78, 0.58%, 0.43%

LAB 43.59, 63.52, -36.7

 

CMYK 34 / 73 / 0 / 58

HEX #471D6C

RGB 71 29 108

HSL 271.9, 0.58%, 0.27%

LAB 21.21, 35.83, -38.03

 

CMYK 34 / 74 / 0 / 45

HEX #5D258D

RGB 93 37 141

HSL 272.31, 0.58%, 0.35%

LAB 28.31, 44.92, -47.28

 

CMYK 34 / 73 / 0 / 32

HEX #722EAD

RGB 114 46 173

HSL 272.13, 0.58%, 0.43%

LAB 35.1, 52.67, -55.58

 

CMYK 33 / 71 / 0 / 20

HEX #873ACB

RGB 135 58 203

HSL 271.86, 0.58%, 0.51%

LAB 41.98, 58.39, -61.91

 

CMYK 27 / 57 / 0 / 17

HEX #9B5BD3

RGB 155 91 211

HSL 272, 0.58%, 0.59%

LAB 50.87, 48.45, -52.07

 

CMYK 34 / 74 / 0 / 31

HEX #732EAF

RGB 115 46 175

HSL 272.09, 0.58%, 0.43%

LAB 35.39, 53.33, -56.3

 

CMYK 0 / 73 / 54 / 32

HEX #AD2E50

RGB 173 46 80

HSL 343.94, 0.58%, 0.43%

LAB 40.27, 53.13, 10.7

 

CMYK 73 / 0 / 64 / 32

HEX #2EAD3F

RGB 46 173 63

HSL 128.03, 0.58%, 0.43%

LAB 62.36, -56.23, 45.6

 

CMYK 34 / 74 / 0 / 31

HEX #732EAF

RGB 115 46 175

HSL 272.09, 0.58%, 0.43%

LAB 35.39, 53.33, -56.3

 

CMYK 0 / 34 / 73 / 32

HEX #AD722E

RGB 173 114 46

HSL 32.13, 0.58%, 0.43%

LAB 53.08, 17.16, 45.57

 

CMYK 73 / 0 / 34 / 32

HEX #2EAD72

RGB 46 173 114

HSL 152.13, 0.58%, 0.43%

LAB 63.08, -47.96, 20.74

 

CMYK 34 / 74 / 0 / 31

HEX #732EAF

RGB 115 46 175

HSL 272.09, 0.58%, 0.43%

LAB 35.39, 53.33, -56.3

 

CMYK 0 / 73 / 54 / 32

HEX #AD2E50

RGB 173 46 80

HSL 343.94, 0.58%, 0.43%

LAB 40.27, 53.13, 10.7

 

CMYK 39 / 0 / 73 / 32

HEX #69AD2E

RGB 105 173 46

HSL 92.13, 0.58%, 0.43%

LAB 64.23, -42.3, 55.09

 

CMYK 73 / 0 / 20 / 32

HEX #2EAD8B

RGB 46 173 139

HSL 163.94, 0.58%, 0.43%

LAB 63.62, -42.2, 7.75

 

CMYK 34 / 74 / 0 / 31

HEX #732EAF

RGB 115 46 175

HSL 272.09, 0.58%, 0.43%

LAB 35.39, 53.33, -56.3

 

CMYK 0 / 71 / 73 / 32

HEX #AD322E

RGB 173 50 46

HSL 1.89, 0.58%, 0.43%

LAB 40.18, 49.5, 31.61

 

CMYK 39 / 0 / 73 / 32

HEX #69AD2E

RGB 105 173 46

HSL 92.13, 0.58%, 0.43%

LAB 64.23, -42.3, 55.09

 

CMYK 73 / 2 / 0 / 32

HEX #2EA9AD

RGB 46 169 173

HSL 181.89, 0.58%, 0.43%

LAB 63.32, -30.97, -11.66

 

Description

Color code: HEX #732EAF | qconv.com Color code: HEX #732EAF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 46 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 46 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 74 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 74% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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