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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #732CAF it is the complementary color #8CD350. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #732CAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #732CAF shade: #782CAA, #893EBD, #9A50D0, #AB62E3 and #BC74F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #732CAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #732CAF shade: #732CAF, #621A9C, #510889, #400076 and #2F0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #732CAF shade: #732CAF, #972CAF, #AF2CA5, #AF2C81 and #AF2C5E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #732CAF shade: #732CAF, #502CAF and #2C2CAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #732CAF shade matches the following richer shades: #732CAF, #751AC1 and #7608D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #732CAF shade: #732CAF, #723E9E, #704F8C, #6F617A and #6D7368

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #732CAF shade: #2C2CAF, #4F2CAF, #722CAF, #952CAF and #AF2CA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #732CAF shade: #481B6D, #5E248E, #732CAF, #8937CD and #9C58D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #732CAF shade: #732CAF, #AF2C4F and #2CAF3D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #732CAF shade: #732CAF, #AF722C and #2CAF72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #732CAF shade: #732CAF, #AF2C4F, #69AF2C and #2CAF8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #732CAF shade: #732CAF, #AF302C, #69AF2C and #2CABAF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 75 / 0 / 31

HEX #732CAF

RGB 115 44 175

HSL 272.52, 0.6%, 0.43%

LAB 35.09, 54.19, -56.79

 

Complementary color

CMYK 34 / 0 / 62 / 17

HEX #8CD350

RGB 140 211 80

HSL 92.52, 0.6%, 0.57%

LAB 77.72, -43.7, 56.28

 

CMYK 29 / 74 / 0 / 33

HEX #782CAA

RGB 120 44 170

HSL 276.19, 0.59%, 0.42%

LAB 35.39, 53.99, -53.27

 

CMYK 28 / 67 / 0 / 26

HEX #893EBD

RGB 137 62 189

HSL 275.43, 0.51%, 0.49%

LAB 41.9, 53.76, -53.87

 

CMYK 26 / 62 / 0 / 18

HEX #9A50D0

RGB 154 80 208

HSL 274.69, 0.58%, 0.56%

LAB 48.46, 53.17, -54.21

 

CMYK 25 / 57 / 0 / 11

HEX #AB62E3

RGB 171 98 227

HSL 273.95, 0.7%, 0.64%

LAB 55.01, 52.4, -54.4

 

CMYK 24 / 53 / 0 / 4

HEX #BC74F6

RGB 188 116 246

HSL 273.23, 0.88%, 0.71%

LAB 61.51, 51.56, -54.5

 

CMYK 34 / 75 / 0 / 31

HEX #732CAF

RGB 115 44 175

HSL 272.52, 0.6%, 0.43%

LAB 35.09, 54.19, -56.79

 

CMYK 37 / 83 / 0 / 39

HEX #621A9C

RGB 98 26 156

HSL 273.23, 0.71%, 0.36%

LAB 28.74, 53.81, -55.78

 

CMYK 41 / 94 / 0 / 46

HEX #510889

RGB 81 8 137

HSL 273.95, 0.89%, 0.28%

LAB 22.75, 52.03, -53.94

 

CMYK 46 / 100 / 0 / 54

HEX #400076

RGB 64 0 118

HSL 272.54, 1%, 0.23%

LAB 17.45, 47.85, -50.69

 

CMYK 53 / 100 / 0 / 61

HEX #2F0063

RGB 47 0 99

HSL 268.48, 1%, 0.19%

LAB 12.64, 41.69, -46.28

 

CMYK 34 / 75 / 0 / 31

HEX #732CAF

RGB 115 44 175

HSL 272.52, 0.6%, 0.43%

LAB 35.09, 54.19, -56.79

 

CMYK 14 / 75 / 0 / 31

HEX #972CAF

RGB 151 44 175

HSL 289.01, 0.6%, 0.43%

LAB 40.37, 61.21, -47.99

 

CMYK 0 / 75 / 6 / 31

HEX #AF2CA5

RGB 175 44 165

HSL 304.58, 0.6%, 0.43%

LAB 43.7, 64.61, -36.5

 

CMYK 0 / 75 / 26 / 31

HEX #AF2C81

RGB 175 44 129

HSL 321.07, 0.6%, 0.43%

LAB 42, 59.5, -17.35

 

CMYK 0 / 75 / 46 / 31

HEX #AF2C5E

RGB 175 44 94

HSL 337.1, 0.6%, 0.43%

LAB 40.77, 55.63, 2.62

 

CMYK 34 / 75 / 0 / 31

HEX #732CAF

RGB 115 44 175

HSL 272.52, 0.6%, 0.43%

LAB 35.09, 54.19, -56.79

 

CMYK 54 / 75 / 0 / 31

HEX #502CAF

RGB 80 44 175

HSL 256.49, 0.6%, 0.43%

LAB 30.88, 48.38, -63.83

 

CMYK 75 / 75 / 0 / 31

HEX #2C2CAF

RGB 44 44 175

HSL 240, 0.6%, 0.43%

LAB 27.93, 44.11, -68.79

 

CMYK 34 / 75 / 0 / 31

HEX #732CAF

RGB 115 44 175

HSL 272.52, 0.6%, 0.43%

LAB 35.09, 54.19, -56.79

 

CMYK 39 / 87 / 0 / 24

HEX #751AC1

RGB 117 26 193

HSL 272.69, 0.76%, 0.43%

LAB 34.74, 64.81, -67.99

 

CMYK 44 / 96 / 0 / 17

HEX #7608D3

RGB 118 8 211

HSL 272.51, 0.93%, 0.43%

LAB 35.46, 72.17, -77.32

 

CMYK 34 / 75 / 0 / 31

HEX #732CAF

RGB 115 44 175

HSL 272.52, 0.6%, 0.43%

LAB 35.09, 54.19, -56.79

 

CMYK 28 / 61 / 0 / 38

HEX #723E9E

RGB 114 62 158

HSL 272.5, 0.44%, 0.43%

LAB 36.91, 41.12, -43.65

 

CMYK 20 / 44 / 0 / 45

HEX #704F8C

RGB 112 79 140

HSL 272.46, 0.28%, 0.43%

LAB 39.46, 26.32, -28.73

 

CMYK 9 / 20 / 0 / 52

HEX #6F617A

RGB 111 97 122

HSL 273.6, 0.11%, 0.43%

LAB 43.26, 10.76, -11.95

 

CMYK 5 / 0 / 10 / 55

HEX #6D7368

RGB 109 115 104

HSL 92.73, 0.05%, 0.43%

LAB 47.64, -4.49, 5.3

 

CMYK 75 / 75 / 0 / 31

HEX #2C2CAF

RGB 44 44 175

HSL 240, 0.6%, 0.43%

LAB 27.93, 44.11, -68.79

 

CMYK 55 / 75 / 0 / 31

HEX #4F2CAF

RGB 79 44 175

HSL 256.03, 0.6%, 0.43%

LAB 30.78, 48.23, -64

 

CMYK 35 / 75 / 0 / 31

HEX #722CAF

RGB 114 44 175

HSL 272.06, 0.6%, 0.43%

LAB 34.95, 54.01, -57.01

 

CMYK 15 / 75 / 0 / 31

HEX #952CAF

RGB 149 44 175

HSL 288.09, 0.6%, 0.43%

LAB 40.06, 60.8, -48.5

 

CMYK 0 / 75 / 5 / 31

HEX #AF2CA7

RGB 175 44 167

HSL 303.66, 0.6%, 0.43%

LAB 43.81, 64.92, -37.52

 

CMYK 34 / 75 / 0 / 57

HEX #481B6D

RGB 72 27 109

HSL 272.93, 0.6%, 0.27%

LAB 21.08, 37.31, -38.88

 

CMYK 34 / 75 / 0 / 44

HEX #5E248E

RGB 94 36 142

HSL 272.83, 0.6%, 0.35%

LAB 28.37, 45.83, -47.81

 

CMYK 34 / 75 / 0 / 31

HEX #732CAF

RGB 115 44 175

HSL 272.52, 0.6%, 0.43%

LAB 35.09, 54.19, -56.79

 

CMYK 33 / 73 / 0 / 20

HEX #8937CD

RGB 137 55 205

HSL 272.8, 0.6%, 0.51%

LAB 41.94, 60.5, -63.13

 

CMYK 27 / 59 / 0 / 16

HEX #9C58D5

RGB 156 88 213

HSL 272.64, 0.6%, 0.59%

LAB 50.51, 50.72, -53.77

 

CMYK 34 / 75 / 0 / 31

HEX #732CAF

RGB 115 44 175

HSL 272.52, 0.6%, 0.43%

LAB 35.09, 54.19, -56.79

 

CMYK 0 / 75 / 55 / 31

HEX #AF2C4F

RGB 175 44 79

HSL 343.97, 0.6%, 0.43%

LAB 40.38, 54.35, 11.53

 

CMYK 75 / 0 / 65 / 31

HEX #2CAF3D

RGB 44 175 61

HSL 127.79, 0.6%, 0.43%

LAB 62.95, -57.45, 47.13

 

CMYK 34 / 75 / 0 / 31

HEX #732CAF

RGB 115 44 175

HSL 272.52, 0.6%, 0.43%

LAB 35.09, 54.19, -56.79

 

CMYK 0 / 35 / 75 / 31

HEX #AF722C

RGB 175 114 44

HSL 32.06, 0.6%, 0.43%

LAB 53.31, 17.94, 46.81

 

CMYK 75 / 0 / 35 / 31

HEX #2CAF72

RGB 44 175 114

HSL 152.06, 0.6%, 0.43%

LAB 63.68, -49.03, 21.55

 

CMYK 34 / 75 / 0 / 31

HEX #732CAF

RGB 115 44 175

HSL 272.52, 0.6%, 0.43%

LAB 35.09, 54.19, -56.79

 

CMYK 0 / 75 / 55 / 31

HEX #AF2C4F

RGB 175 44 79

HSL 343.97, 0.6%, 0.43%

LAB 40.38, 54.35, 11.53

 

CMYK 40 / 0 / 75 / 31

HEX #69AF2C

RGB 105 175 44

HSL 92.06, 0.6%, 0.43%

LAB 64.84, -43.27, 56.4

 

CMYK 75 / 0 / 20 / 31

HEX #2CAF8C

RGB 44 175 140

HSL 163.97, 0.6%, 0.43%

LAB 64.23, -43.07, 8.07

 

CMYK 34 / 75 / 0 / 31

HEX #732CAF

RGB 115 44 175

HSL 272.52, 0.6%, 0.43%

LAB 35.09, 54.19, -56.79

 

CMYK 0 / 73 / 75 / 31

HEX #AF302C

RGB 175 48 44

HSL 1.83, 0.6%, 0.43%

LAB 40.26, 50.82, 32.97

 

CMYK 40 / 0 / 75 / 31

HEX #69AF2C

RGB 105 175 44

HSL 92.06, 0.6%, 0.43%

LAB 64.84, -43.27, 56.4

 

CMYK 75 / 2 / 0 / 31

HEX #2CABAF

RGB 44 171 175

HSL 181.83, 0.6%, 0.43%

LAB 63.96, -31.57, -11.82

 

Description

Color code: HEX #732CAF | qconv.com Color code: HEX #732CAF | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 44 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 44 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 75 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 75% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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