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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #73285E it is the complementary color #8CD7A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #73285E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #73285E shade: #782859, #893A6C, #9A4C7F, #AB5E92 and #BC70A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #73285E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #73285E shade: #73285E, #62164B, #510438, #400025 and #2F0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #73285E shade: #71285D, #712849, #712835 and #712828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #73285E shade: #71285D, #712870, #5E2871, #4A2871 and #372871

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #73285E shade matches the following richer shades: #71285D, #7E1B62, #8A0F68 and #96036D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #73285E shade: #71285D, #653457, #584152, #4C4D4C and #405947

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #73285E shade: #5E2871, #712871, #71285E, #71284A and #712836

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #73285E shade: #34122B, #531D44, #71285D, #903376 and #AE3D8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #73285E shade: #73285E, #714A28 and #287167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #73285E shade: #73285E, #5E7128 and #285E71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #73285E shade: #73285E, #714A28, #28713B and #284F71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #73285E shade: #73285E, #716028, #28713B and #283971

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 18 / 55

HEX #73285E

RGB 115 40 94

HSL 316.8, 0.48%, 0.3%

LAB 29.34, 39.43, -15.6

 

Complementary color

CMYK 35 / 0 / 25 / 16

HEX #8CD7A1

RGB 140 215 161

HSL 136.8, 0.48%, 0.7%

LAB 80.04, -34.49, 19.44

 

CMYK 0 / 67 / 26 / 53

HEX #782859

RGB 120 40 89

HSL 323.25, 0.5%, 0.31%

LAB 29.99, 40.21, -11.27

 

CMYK 0 / 58 / 21 / 46

HEX #893A6C

RGB 137 58 108

HSL 322.03, 0.41%, 0.38%

LAB 36.79, 39.83, -12.82

 

CMYK 0 / 51 / 18 / 40

HEX #9A4C7F

RGB 154 76 127

HSL 320.77, 0.34%, 0.45%

LAB 43.61, 39.16, -13.97

 

CMYK 0 / 45 / 15 / 33

HEX #AB5E92

RGB 171 94 146

HSL 319.48, 0.31%, 0.52%

LAB 50.38, 38.39, -14.88

 

CMYK 0 / 40 / 12 / 26

HEX #BC70A5

RGB 188 112 165

HSL 318.16, 0.36%, 0.59%

LAB 57.07, 37.61, -15.64

 

CMYK 0 / 65 / 18 / 55

HEX #73285E

RGB 115 40 94

HSL 316.8, 0.48%, 0.3%

LAB 29.34, 39.43, -15.6

 

CMYK 0 / 78 / 23 / 62

HEX #62164B

RGB 98 22 75

HSL 318.16, 0.63%, 0.24%

LAB 22.58, 39.16, -13.68

 

CMYK 0 / 95 / 31 / 68

HEX #510438

RGB 81 4 56

HSL 319.48, 0.91%, 0.17%

LAB 16.11, 37.65, -10.74

 

CMYK 0 / 100 / 42 / 75

HEX #400025

RGB 64 0 37

HSL 325.31, 1%, 0.13%

LAB 10.73, 32.45, -5.4

 

CMYK 0 / 100 / 62 / 82

HEX #2F0012

RGB 47 0 18

HSL 337.02, 1%, 0.09%

LAB 5.85, 24.81, 1.08

 

CMYK 0 / 65 / 18 / 56

HEX #71285D

RGB 113 40 93

HSL 316.44, 0.48%, 0.3%

LAB 28.95, 38.65, -15.58

 

CMYK 0 / 65 / 35 / 56

HEX #712849

RGB 113 40 73

HSL 332.88, 0.48%, 0.3%

LAB 28.14, 35.7, -3.65

 

CMYK 0 / 65 / 53 / 56

HEX #712835

RGB 113 40 53

HSL 349.32, 0.48%, 0.3%

LAB 27.53, 33.4, 8.82

 

CMYK 0 / 65 / 65 / 56

HEX #712828

RGB 113 40 40

HSL 0, 0.48%, 0.3%

LAB 27.25, 32.28, 17.05

 

CMYK 0 / 65 / 18 / 56

HEX #71285D

RGB 113 40 93

HSL 316.44, 0.48%, 0.3%

LAB 28.95, 38.65, -15.58

 

CMYK 0 / 65 / 1 / 56

HEX #712870

RGB 113 40 112

HSL 300.82, 0.48%, 0.3%

LAB 29.91, 41.99, -26.33

 

CMYK 17 / 65 / 0 / 56

HEX #5E2871

RGB 94 40 113

HSL 284.38, 0.48%, 0.3%

LAB 26.99, 37.03, -31.78

 

CMYK 35 / 65 / 0 / 56

HEX #4A2871

RGB 74 40 113

HSL 267.95, 0.48%, 0.3%

LAB 24.21, 31.81, -36.39

 

CMYK 51 / 65 / 0 / 56

HEX #372871

RGB 55 40 113

HSL 252.33, 0.48%, 0.3%

LAB 22.02, 27.31, -40.03

 

CMYK 0 / 65 / 18 / 56

HEX #71285D

RGB 113 40 93

HSL 316.44, 0.48%, 0.3%

LAB 28.95, 38.65, -15.58

 

CMYK 0 / 79 / 22 / 51

HEX #7E1B62

RGB 126 27 98

HSL 316.97, 0.65%, 0.3%

LAB 29.67, 48.3, -17.53

 

CMYK 0 / 89 / 25 / 46

HEX #8A0F68

RGB 138 15 104

HSL 316.59, 0.8%, 0.3%

LAB 31.22, 55.08, -18.82

 

CMYK 0 / 98 / 27 / 41

HEX #96036D

RGB 150 3 109

HSL 316.73, 0.96%, 0.3%

LAB 33.25, 60.12, -18.69

 

CMYK 0 / 65 / 18 / 56

HEX #71285D

RGB 113 40 93

HSL 316.44, 0.48%, 0.3%

LAB 28.95, 38.65, -15.58

 

CMYK 0 / 49 / 14 / 60

HEX #653457

RGB 101 52 87

HSL 317.14, 0.32%, 0.3%

LAB 29.19, 27.19, -11.48

 

CMYK 0 / 26 / 7 / 65

HEX #584152

RGB 88 65 82

HSL 315.65, 0.15%, 0.3%

LAB 30.56, 13.19, -6.33

 

CMYK 1 / 0 / 1 / 70

HEX #4C4D4C

RGB 76 77 76

HSL 120, 0.01%, 0.3%

LAB 32.63, -0.62, 0.44

 

CMYK 28 / 0 / 20 / 65

HEX #405947

RGB 64 89 71

HSL 136.8, 0.16%, 0.3%

LAB 35.38, -13.65, 7.42

 

CMYK 17 / 65 / 0 / 56

HEX #5E2871

RGB 94 40 113

HSL 284.38, 0.48%, 0.3%

LAB 26.99, 37.03, -31.78

 

CMYK 0 / 65 / 0 / 56

HEX #712871

RGB 113 40 113

HSL 300, 0.48%, 0.3%

LAB 29.96, 42.18, -26.88

 

CMYK 0 / 65 / 17 / 56

HEX #71285E

RGB 113 40 94

HSL 315.62, 0.48%, 0.3%

LAB 29, 38.82, -16.16

 

CMYK 0 / 65 / 35 / 56

HEX #71284A

RGB 113 40 74

HSL 332.05, 0.48%, 0.3%

LAB 28.17, 35.83, -4.26

 

CMYK 0 / 65 / 52 / 56

HEX #712836

RGB 113 40 54

HSL 348.49, 0.48%, 0.3%

LAB 27.56, 33.49, 8.19

 

CMYK 0 / 65 / 17 / 80

HEX #34122B

RGB 52 18 43

HSL 315.88, 0.49%, 0.14%

LAB 11.53, 20.92, -8.87

 

CMYK 0 / 65 / 18 / 67

HEX #531D44

RGB 83 29 68

HSL 316.67, 0.48%, 0.22%

LAB 20.58, 30.31, -12.22

 

CMYK 0 / 65 / 18 / 56

HEX #71285D

RGB 113 40 93

HSL 316.44, 0.48%, 0.3%

LAB 28.95, 38.65, -15.58

 

CMYK 0 / 65 / 18 / 44

HEX #903376

RGB 144 51 118

HSL 316.77, 0.48%, 0.38%

LAB 37.12, 46.84, -18.48

 

CMYK 0 / 65 / 18 / 32

HEX #AE3D8F

RGB 174 61 143

HSL 316.46, 0.48%, 0.46%

LAB 44.69, 54.81, -21.76

 

CMYK 0 / 65 / 18 / 55

HEX #73285E

RGB 115 40 94

HSL 316.8, 0.48%, 0.3%

LAB 29.34, 39.43, -15.6

 

CMYK 0 / 35 / 65 / 56

HEX #714A28

RGB 113 74 40

HSL 27.95, 0.48%, 0.3%

LAB 35.13, 12.82, 26.74

 

CMYK 65 / 0 / 9 / 56

HEX #287167

RGB 40 113 103

HSL 171.78, 0.48%, 0.3%

LAB 43.12, -25.03, -1.13

 

CMYK 0 / 65 / 18 / 55

HEX #73285E

RGB 115 40 94

HSL 316.8, 0.48%, 0.3%

LAB 29.34, 39.43, -15.6

 

CMYK 17 / 0 / 65 / 56

HEX #5E7128

RGB 94 113 40

HSL 75.62, 0.48%, 0.3%

LAB 44.72, -18.78, 37.11

 

CMYK 65 / 17 / 0 / 56

HEX #285E71

RGB 40 94 113

HSL 195.62, 0.48%, 0.3%

LAB 37.2, -11.51, -16.11

 

CMYK 0 / 65 / 18 / 55

HEX #73285E

RGB 115 40 94

HSL 316.8, 0.48%, 0.3%

LAB 29.34, 39.43, -15.6

 

CMYK 0 / 35 / 65 / 56

HEX #714A28

RGB 113 74 40

HSL 27.95, 0.48%, 0.3%

LAB 35.13, 12.82, 26.74

 

CMYK 65 / 0 / 48 / 56

HEX #28713B

RGB 40 113 59

HSL 135.62, 0.48%, 0.3%

LAB 42.12, -35.39, 23.4

 

CMYK 65 / 30 / 0 / 56

HEX #284F71

RGB 40 79 113

HSL 207.95, 0.48%, 0.3%

LAB 32.34, -2.3, -23.65

 

CMYK 0 / 65 / 18 / 55

HEX #73285E

RGB 115 40 94

HSL 316.8, 0.48%, 0.3%

LAB 29.34, 39.43, -15.6

 

CMYK 0 / 15 / 65 / 56

HEX #716028

RGB 113 96 40

HSL 46.03, 0.48%, 0.3%

LAB 41.26, -0.42, 33.78

 

CMYK 65 / 0 / 48 / 56

HEX #28713B

RGB 40 113 59

HSL 135.62, 0.48%, 0.3%

LAB 42.12, -35.39, 23.4

 

CMYK 65 / 50 / 0 / 56

HEX #283971

RGB 40 57 113

HSL 226.03, 0.48%, 0.3%

LAB 25.47, 12.49, -34.53

 

Description

Color code: HEX #73285E | qconv.com Color code: HEX #73285E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 40 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 40 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 18 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 18% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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