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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #731ECE it is the complementary color #8CE131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #731ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #731ECE shade: #781EC9, #8930DC, #9A42EF, #AB54FF and #BC66FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #731ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #731ECE shade: #731ECE, #620CBB, #5100A8, #400095 and #2F0082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #731ECE shade: #721DCD, #A21DCD, #CD1DC9, #CD1D9A and #CD1D6A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #731ECE shade: #721DCD, #431DCD and #1D1DCD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #731ECE shade matches the following richer shades: #721DCD and #720AE0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #731ECE shade: #721DCD, #7330BA, #7443A7, #745694 and #756981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #731ECE shade: #1D29CD, #411DCD, #6F1DCD, #9E1DCD and #CD1DCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #731ECE shade: #4A1385, #5E18A9, #721DCD, #8732E2 and #9C56E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #731ECE shade: #731ECE, #CD1D58 and #1DCD29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #731ECE shade: #731ECE, #CD6F1D and #1DCD6F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #731ECE shade: #731ECE, #CD1D58, #7BCD1D and #1DCD93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #731ECE shade: #731ECE, #CD1D23, #7BCD1D and #1DCDC7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 85 / 0 / 19

HEX #731ECE

RGB 115 30 206

HSL 268.98, 0.75%, 0.46%

LAB 36.04, 66.36, -73.47

 

Complementary color

CMYK 38 / 0 / 78 / 12

HEX #8CE131

RGB 140 225 49

HSL 88.98, 0.75%, 0.54%

LAB 81.65, -51.6, 71.41

 

CMYK 40 / 85 / 0 / 21

HEX #781EC9

RGB 120 30 201

HSL 271.58, 0.74%, 0.45%

LAB 36.25, 65.86, -70.19

 

CMYK 38 / 78 / 0 / 14

HEX #8930DC

RGB 137 48 220

HSL 271.05, 0.71%, 0.53%

LAB 42.15, 66.64, -71.41

 

CMYK 36 / 72 / 0 / 6

HEX #9A42EF

RGB 154 66 239

HSL 270.52, 0.84%, 0.6%

LAB 48.26, 66.66, -72.14

 

CMYK 33 / 67 / 0 / 0

HEX #AB54FF

RGB 171 84 255

HSL 270.53, 1%, 0.66%

LAB 54.26, 65.55, -71.24

 

CMYK 26 / 60 / 0 / 0

HEX #BC66FF

RGB 188 102 255

HSL 273.73, 1%, 0.7%

LAB 59.36, 60.63, -62.92

 

CMYK 44 / 85 / 0 / 19

HEX #731ECE

RGB 115 30 206

HSL 268.98, 0.75%, 0.46%

LAB 36.04, 66.36, -73.47

 

CMYK 48 / 94 / 0 / 27

HEX #620CBB

RGB 98 12 187

HSL 269.49, 0.88%, 0.39%

LAB 30.51, 64.43, -71.5

 

CMYK 52 / 100 / 0 / 34

HEX #5100A8

RGB 81 0 168

HSL 268.93, 1%, 0.33%

LAB 25.49, 60.77, -68.5

 

CMYK 57 / 100 / 0 / 42

HEX #400095

RGB 64 0 149

HSL 265.77, 1%, 0.29%

LAB 21.06, 55.11, -64.29

 

CMYK 64 / 100 / 0 / 49

HEX #2F0082

RGB 47 0 130

HSL 261.69, 1%, 0.25%

LAB 16.58, 49.39, -59.87

 

CMYK 44 / 86 / 0 / 20

HEX #721DCD

RGB 114 29 205

HSL 268.98, 0.75%, 0.46%

LAB 35.72, 66.3, -73.42

 

CMYK 21 / 86 / 0 / 20

HEX #A21DCD

RGB 162 29 205

HSL 285.34, 0.75%, 0.46%

LAB 42.71, 72.98, -61.7

 

CMYK 0 / 86 / 2 / 20

HEX #CD1DC9

RGB 205 29 201

HSL 301.36, 0.75%, 0.46%

LAB 49.59, 79.59, -47.96

 

CMYK 0 / 86 / 25 / 20

HEX #CD1D9A

RGB 205 29 154

HSL 317.39, 0.75%, 0.46%

LAB 47.22, 73.31, -24.02

 

CMYK 0 / 86 / 48 / 20

HEX #CD1D6A

RGB 205 29 106

HSL 333.75, 0.75%, 0.46%

LAB 45.49, 68.49, 2.68

 

CMYK 44 / 86 / 0 / 20

HEX #721DCD

RGB 114 29 205

HSL 268.98, 0.75%, 0.46%

LAB 35.72, 66.3, -73.42

 

CMYK 67 / 86 / 0 / 20

HEX #431DCD

RGB 67 29 205

HSL 252.95, 0.75%, 0.46%

LAB 30.59, 61.8, -82.06

 

CMYK 86 / 86 / 0 / 20

HEX #1D1DCD

RGB 29 29 205

HSL 240, 0.75%, 0.46%

LAB 28.24, 59.9, -86.03

 

CMYK 44 / 86 / 0 / 20

HEX #721DCD

RGB 114 29 205

HSL 268.98, 0.75%, 0.46%

LAB 35.72, 66.3, -73.42

 

CMYK 49 / 96 / 0 / 12

HEX #720AE0

RGB 114 10 224

HSL 269.16, 0.91%, 0.46%

LAB 36.32, 74.34, -83.39

 

CMYK 44 / 86 / 0 / 20

HEX #721DCD

RGB 114 29 205

HSL 268.98, 0.75%, 0.46%

LAB 35.72, 66.3, -73.42

 

CMYK 38 / 74 / 0 / 27

HEX #7330BA

RGB 115 48 186

HSL 269.13, 0.59%, 0.46%

LAB 36.56, 55.09, -60.9

 

CMYK 31 / 60 / 0 / 35

HEX #7443A7

RGB 116 67 167

HSL 269.4, 0.43%, 0.46%

LAB 38.76, 41.12, -46.08

 

CMYK 22 / 42 / 0 / 42

HEX #745694

RGB 116 86 148

HSL 269.03, 0.26%, 0.46%

LAB 42.01, 25.31, -29.53

 

CMYK 9 / 19 / 0 / 49

HEX #756981

RGB 117 105 129

HSL 270, 0.1%, 0.46%

LAB 46.27, 9.67, -11.56

 

CMYK 86 / 80 / 0 / 20

HEX #1D29CD

RGB 29 41 205

HSL 235.91, 0.75%, 0.46%

LAB 30.05, 54.56, -83.03

 

CMYK 68 / 86 / 0 / 20

HEX #411DCD

RGB 65 29 205

HSL 252.27, 0.75%, 0.46%

LAB 30.42, 61.66, -82.34

 

CMYK 46 / 86 / 0 / 20

HEX #6F1DCD

RGB 111 29 205

HSL 267.95, 0.75%, 0.46%

LAB 35.33, 65.94, -74.07

 

CMYK 23 / 86 / 0 / 20

HEX #9E1DCD

RGB 158 29 205

HSL 283.98, 0.75%, 0.46%

LAB 42.09, 72.36, -62.75

 

CMYK 0 / 86 / 0 / 20

HEX #CD1DCD

RGB 205 29 205

HSL 300, 0.75%, 0.46%

LAB 49.82, 80.19, -49.9

 

CMYK 44 / 86 / 0 / 48

HEX #4A1385

RGB 74 19 133

HSL 268.95, 0.75%, 0.3%

LAB 22.36, 47.12, -52.12

 

CMYK 44 / 86 / 0 / 34

HEX #5E18A9

RGB 94 24 169

HSL 268.97, 0.75%, 0.38%

LAB 29.15, 56.93, -63.01

 

CMYK 44 / 86 / 0 / 20

HEX #721DCD

RGB 114 29 205

HSL 268.98, 0.75%, 0.46%

LAB 35.72, 66.3, -73.42

 

CMYK 40 / 78 / 0 / 11

HEX #8732E2

RGB 135 50 226

HSL 268.98, 0.75%, 0.54%

LAB 42.65, 66.97, -74.04

 

CMYK 32 / 63 / 0 / 9

HEX #9C56E7

RGB 156 86 231

HSL 268.97, 0.75%, 0.62%

LAB 51.26, 55.96, -62.76

 

CMYK 44 / 85 / 0 / 19

HEX #731ECE

RGB 115 30 206

HSL 268.98, 0.75%, 0.46%

LAB 36.04, 66.36, -73.47

 

CMYK 0 / 86 / 57 / 20

HEX #CD1D58

RGB 205 29 88

HSL 339.89, 0.75%, 0.46%

LAB 45.03, 67.15, 13.22

 

CMYK 86 / 0 / 80 / 20

HEX #1DCD29

RGB 29 205 41

HSL 124.09, 0.75%, 0.46%

LAB 72.28, -70.15, 63.8

 

CMYK 44 / 85 / 0 / 19

HEX #731ECE

RGB 115 30 206

HSL 268.98, 0.75%, 0.46%

LAB 36.04, 66.36, -73.47

 

CMYK 0 / 46 / 86 / 20

HEX #CD6F1D

RGB 205 111 29

HSL 27.95, 0.75%, 0.46%

LAB 56.52, 31.88, 57.24

 

CMYK 86 / 0 / 46 / 20

HEX #1DCD6F

RGB 29 205 111

HSL 147.95, 0.75%, 0.46%

LAB 72.94, -62.12, 35.26

 

CMYK 44 / 85 / 0 / 19

HEX #731ECE

RGB 115 30 206

HSL 268.98, 0.75%, 0.46%

LAB 36.04, 66.36, -73.47

 

CMYK 0 / 86 / 57 / 20

HEX #CD1D58

RGB 205 29 88

HSL 339.89, 0.75%, 0.46%

LAB 45.03, 67.15, 13.22

 

CMYK 40 / 0 / 86 / 20

HEX #7BCD1D

RGB 123 205 29

HSL 87.95, 0.75%, 0.46%

LAB 74.8, -50.12, 69.99

 

CMYK 86 / 0 / 28 / 20

HEX #1DCD93

RGB 29 205 147

HSL 160.23, 0.75%, 0.46%

LAB 73.57, -54.94, 17.38

 

CMYK 44 / 85 / 0 / 19

HEX #731ECE

RGB 115 30 206

HSL 268.98, 0.75%, 0.46%

LAB 36.04, 66.36, -73.47

 

CMYK 0 / 86 / 83 / 20

HEX #CD1D23

RGB 205 29 35

HSL 357.95, 0.75%, 0.46%

LAB 44.2, 64.74, 43.92

 

CMYK 40 / 0 / 86 / 20

HEX #7BCD1D

RGB 123 205 29

HSL 87.95, 0.75%, 0.46%

LAB 74.8, -50.12, 69.99

 

CMYK 86 / 0 / 3 / 20

HEX #1DCDC7

RGB 29 205 199

HSL 177.95, 0.75%, 0.46%

LAB 74.85, -41.45, -8.75

 

Description

Color code: HEX #731ECE | qconv.com Color code: HEX #731ECE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 30 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 30 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 85 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 85% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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