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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #731E77 it is the complementary color #8CE188. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #731E77. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #731E77 shade: #781E72, #893085, #9A4298, #AB54AB and #BC66BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #731E77. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #731E77 shade: #731E77, #620C64, #510051, #40003E and #2F002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #731E77 shade: #721E76, #761E62, #761E4A, #761E33 and #761E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #731E77 shade: #721E76, #5A1E76, #421E76, #2B1E76 and #1E1E76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #731E77 shade matches the following richer shades: #721E76, #7D1282 and #88068E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #731E77 shade: #721E76, #672A6A, #5D365E, #524152 and #474D46

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #731E77 shade: #431E76, #5A1E76, #721E76, #761E63 and #761E4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #731E77 shade: #330D34, #521555, #721E76, #922697 and #B22EB8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #731E77 shade: #731E77, #762B1E and #1E764E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #731E77 shade: #731E77, #76721E and #1E7672

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #731E77 shade: #731E77, #762B1E, #22761E and #1E6976

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #731E77 shade: #731E77, #76461E, #22761E and #1E4E76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 75 / 0 / 53

HEX #731E77

RGB 115 30 119

HSL 297.3, 0.6%, 0.29%

LAB 29.17, 47.95, -31.92

 

Complementary color

CMYK 38 / 0 / 40 / 12

HEX #8CE188

RGB 140 225 136

HSL 117.3, 0.6%, 0.71%

LAB 82.49, -43.12, 35.62

 

CMYK 0 / 75 / 5 / 53

HEX #781E72

RGB 120 30 114

HSL 304, 0.6%, 0.29%

LAB 29.75, 48.26, -27.77

 

CMYK 0 / 65 / 3 / 46

HEX #893085

RGB 137 48 133

HSL 302.7, 0.48%, 0.36%

LAB 36.23, 48.69, -29.29

 

CMYK 0 / 57 / 1 / 40

HEX #9A4298

RGB 154 66 152

HSL 301.36, 0.4%, 0.43%

LAB 42.81, 48.49, -30.34

 

CMYK 0 / 51 / 0 / 33

HEX #AB54AB

RGB 171 84 171

HSL 300, 0.34%, 0.5%

LAB 49.42, 47.97, -31.1

 

CMYK 1 / 46 / 0 / 25

HEX #BC66BE

RGB 188 102 190

HSL 298.64, 0.4%, 0.57%

LAB 56, 47.3, -31.69

 

CMYK 3 / 75 / 0 / 53

HEX #731E77

RGB 115 30 119

HSL 297.3, 0.6%, 0.29%

LAB 29.17, 47.95, -31.92

 

CMYK 2 / 88 / 0 / 61

HEX #620C64

RGB 98 12 100

HSL 298.64, 0.79%, 0.22%

LAB 22.93, 46.36, -29.8

 

CMYK 0 / 100 / 0 / 68

HEX #510051

RGB 81 0 81

HSL 300, 1%, 0.16%

LAB 17.2, 42.74, -26.46

 

CMYK 0 / 100 / 3 / 75

HEX #40003E

RGB 64 0 62

HSL 301.88, 1%, 0.13%

LAB 12.21, 36.15, -21.41

 

CMYK 0 / 100 / 9 / 82

HEX #2F002B

RGB 47 0 43

HSL 305.11, 1%, 0.09%

LAB 7.03, 29.08, -15.98

 

CMYK 3 / 75 / 0 / 54

HEX #721E76

RGB 114 30 118

HSL 297.27, 0.59%, 0.29%

LAB 28.94, 47.53, -31.67

 

CMYK 0 / 75 / 17 / 54

HEX #761E62

RGB 118 30 98

HSL 313.64, 0.59%, 0.29%

LAB 28.54, 45.14, -19.39

 

CMYK 0 / 75 / 37 / 54

HEX #761E4A

RGB 118 30 74

HSL 330, 0.59%, 0.29%

LAB 27.5, 41.82, -5.17

 

CMYK 0 / 75 / 57 / 54

HEX #761E33

RGB 118 30 51

HSL 345.68, 0.59%, 0.29%

LAB 26.79, 39.45, 9.28

 

CMYK 0 / 75 / 75 / 54

HEX #761E1E

RGB 118 30 30

HSL 0, 0.59%, 0.29%

LAB 26.37, 38.02, 22.69

 

CMYK 3 / 75 / 0 / 54

HEX #721E76

RGB 114 30 118

HSL 297.27, 0.59%, 0.29%

LAB 28.94, 47.53, -31.67

 

CMYK 24 / 75 / 0 / 54

HEX #5A1E76

RGB 90 30 118

HSL 280.91, 0.59%, 0.29%

LAB 24.98, 42.02, -38.23

 

CMYK 44 / 75 / 0 / 54

HEX #421E76

RGB 66 30 118

HSL 264.55, 0.59%, 0.29%

LAB 21.56, 36.98, -43.94

 

CMYK 64 / 75 / 0 / 54

HEX #2B1E76

RGB 43 30 118

HSL 248.86, 0.59%, 0.29%

LAB 19.01, 33, -48.21

 

CMYK 75 / 75 / 0 / 54

HEX #1E1E76

RGB 30 30 118

HSL 240, 0.59%, 0.29%

LAB 17.98, 31.3, -49.95

 

CMYK 3 / 75 / 0 / 54

HEX #721E76

RGB 114 30 118

HSL 297.27, 0.59%, 0.29%

LAB 28.94, 47.53, -31.67

 

CMYK 4 / 86 / 0 / 49

HEX #7D1282

RGB 125 18 130

HSL 297.32, 0.76%, 0.29%

LAB 30.41, 55.59, -36.78

 

CMYK 4 / 96 / 0 / 44

HEX #88068E

RGB 136 6 142

HSL 297.35, 0.92%, 0.29%

LAB 32.52, 61.67, -40.76

 

CMYK 3 / 75 / 0 / 54

HEX #721E76

RGB 114 30 118

HSL 297.27, 0.59%, 0.29%

LAB 28.94, 47.53, -31.67

 

CMYK 3 / 60 / 0 / 58

HEX #672A6A

RGB 103 42 106

HSL 297.19, 0.43%, 0.29%

LAB 28.33, 37.02, -25.09

 

CMYK 1 / 43 / 0 / 63

HEX #5D365E

RGB 93 54 94

HSL 298.5, 0.27%, 0.29%

LAB 28.83, 24.53, -16.66

 

CMYK 0 / 21 / 0 / 68

HEX #524152

RGB 82 65 82

HSL 300, 0.12%, 0.29%

LAB 29.87, 10.79, -7.43

 

CMYK 8 / 0 / 9 / 70

HEX #474D46

RGB 71 77 70

HSL 111.43, 0.05%, 0.29%

LAB 32.01, -3.97, 3.32

 

CMYK 43 / 75 / 0 / 54

HEX #431E76

RGB 67 30 118

HSL 265.23, 0.59%, 0.29%

LAB 21.69, 37.17, -43.72

 

CMYK 24 / 75 / 0 / 54

HEX #5A1E76

RGB 90 30 118

HSL 280.91, 0.59%, 0.29%

LAB 24.98, 42.02, -38.23

 

CMYK 3 / 75 / 0 / 54

HEX #721E76

RGB 114 30 118

HSL 297.27, 0.59%, 0.29%

LAB 28.94, 47.53, -31.67

 

CMYK 0 / 75 / 16 / 54

HEX #761E63

RGB 118 30 99

HSL 312.95, 0.59%, 0.29%

LAB 28.59, 45.3, -19.96

 

CMYK 0 / 75 / 36 / 54

HEX #761E4B

RGB 118 30 75

HSL 329.32, 0.59%, 0.29%

LAB 27.54, 41.94, -5.78

 

CMYK 2 / 75 / 0 / 80

HEX #330D34

RGB 51 13 52

HSL 298.46, 0.6%, 0.13%

LAB 10.85, 25.23, -16.54

 

CMYK 4 / 75 / 0 / 67

HEX #521555

RGB 82 21 85

HSL 297.19, 0.6%, 0.21%

LAB 19.99, 36.95, -24.71

 

CMYK 3 / 75 / 0 / 54

HEX #721E76

RGB 114 30 118

HSL 297.27, 0.59%, 0.29%

LAB 28.94, 47.53, -31.67

 

CMYK 3 / 75 / 0 / 41

HEX #922697

RGB 146 38 151

HSL 297.35, 0.6%, 0.37%

LAB 37.36, 57.85, -38.44

 

CMYK 3 / 75 / 0 / 28

HEX #B22EB8

RGB 178 46 184

HSL 297.39, 0.6%, 0.45%

LAB 45.47, 67.7, -44.89

 

CMYK 3 / 75 / 0 / 53

HEX #731E77

RGB 115 30 119

HSL 297.3, 0.6%, 0.29%

LAB 29.17, 47.95, -31.92

 

CMYK 0 / 64 / 75 / 54

HEX #762B1E

RGB 118 43 30

HSL 8.86, 0.59%, 0.29%

LAB 28.57, 32.08, 25.23

 

CMYK 75 / 0 / 34 / 54

HEX #1E764E

RGB 30 118 78

HSL 152.73, 0.59%, 0.29%

LAB 43.92, -35.66, 14.84

 

CMYK 3 / 75 / 0 / 53

HEX #731E77

RGB 115 30 119

HSL 297.3, 0.6%, 0.29%

LAB 29.17, 47.95, -31.92

 

CMYK 0 / 3 / 75 / 54

HEX #76721E

RGB 118 114 30

HSL 57.27, 0.59%, 0.29%

LAB 46.95, -9.02, 44.4

 

CMYK 75 / 0 / 3 / 54

HEX #1E7672

RGB 30 118 114

HSL 177.27, 0.59%, 0.29%

LAB 44.87, -25.92, -5.18

 

CMYK 3 / 75 / 0 / 53

HEX #731E77

RGB 115 30 119

HSL 297.3, 0.6%, 0.29%

LAB 29.17, 47.95, -31.92

 

CMYK 0 / 64 / 75 / 54

HEX #762B1E

RGB 118 43 30

HSL 8.86, 0.59%, 0.29%

LAB 28.57, 32.08, 25.23

 

CMYK 71 / 0 / 75 / 54

HEX #22761E

RGB 34 118 30

HSL 117.27, 0.59%, 0.29%

LAB 43.35, -42.57, 39.19

 

CMYK 75 / 11 / 0 / 54

HEX #1E6976

RGB 30 105 118

HSL 188.86, 0.59%, 0.29%

LAB 40.71, -17.78, -13.84

 

CMYK 3 / 75 / 0 / 53

HEX #731E77

RGB 115 30 119

HSL 297.3, 0.6%, 0.29%

LAB 29.17, 47.95, -31.92

 

CMYK 0 / 41 / 75 / 54

HEX #76461E

RGB 118 70 30

HSL 27.27, 0.59%, 0.29%

LAB 34.65, 16.89, 31.93

 

CMYK 71 / 0 / 75 / 54

HEX #22761E

RGB 34 118 30

HSL 117.27, 0.59%, 0.29%

LAB 43.35, -42.57, 39.19

 

CMYK 75 / 34 / 0 / 54

HEX #1E4E76

RGB 30 78 118

HSL 207.27, 0.59%, 0.29%

LAB 31.88, -1.6, -27.52

 

Description

Color code: HEX #731E77 | qconv.com Color code: HEX #731E77 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 30 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 30 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 75 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 75% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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