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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #731DBB it is the complementary color #8CE244. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #731DBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #731DBB shade: #781DB6, #892FC9, #9A41DC, #AB53EF and #BC65FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #731DBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #731DBB shade: #731DBB, #620BA8, #510095, #400082 and #2F006F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #731DBB shade: #721DB9, #9C1DB9, #B91DAC, #B91D82 and #B91D58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #731DBB shade: #721DB9, #481DB9, #1E1DB9 and #1D1DB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #731DBB shade matches the following richer shades: #721DB9 and #740CCB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #731DBB shade: #721DB9, #702EA8, #6F4097, #6D5185 and #6C6274

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #731DBB shade: #1D1DB9, #471DB9, #701DB9, #9A1DB9 and #B91DAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #731DBB shade: #461272, #5C1796, #721DB9, #8823DD and #9B47E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #731DBB shade: #731DBB, #B91D47 and #1DB932

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #731DBB shade: #731DBB, #B9701D and #1DB970

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #731DBB shade: #731DBB, #B91D47, #66B91D and #1DB990

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #731DBB shade: #731DBB, #B9221D, #66B91D and #1DB4B9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 84 / 0 / 27

HEX #731DBB

RGB 115 29 187

HSL 272.66, 0.73%, 0.42%

LAB 34.21, 62.37, -65.33

 

Complementary color

CMYK 38 / 0 / 70 / 11

HEX #8CE244

RGB 140 226 68

HSL 92.66, 0.73%, 0.58%

LAB 82.05, -50.9, 65.6

 

CMYK 34 / 84 / 0 / 29

HEX #781DB6

RGB 120 29 182

HSL 275.69, 0.73%, 0.41%

LAB 34.5, 61.99, -61.88

 

CMYK 32 / 77 / 0 / 21

HEX #892FC9

RGB 137 47 201

HSL 275.06, 0.62%, 0.49%

LAB 40.52, 62.79, -63.11

 

CMYK 30 / 70 / 0 / 14

HEX #9A41DC

RGB 154 65 220

HSL 274.45, 0.69%, 0.56%

LAB 46.73, 62.82, -63.86

 

CMYK 28 / 65 / 0 / 6

HEX #AB53EF

RGB 171 83 239

HSL 273.85, 0.83%, 0.63%

LAB 53.03, 62.42, -64.31

 

CMYK 26 / 60 / 0 / 0

HEX #BC65FF

RGB 188 101 255

HSL 273.9, 1%, 0.7%

LAB 59.18, 61.11, -63.21

 

CMYK 39 / 84 / 0 / 27

HEX #731DBB

RGB 115 29 187

HSL 272.66, 0.73%, 0.42%

LAB 34.21, 62.37, -65.33

 

CMYK 42 / 93 / 0 / 34

HEX #620BA8

RGB 98 11 168

HSL 273.25, 0.88%, 0.35%

LAB 28.55, 60.38, -63.38

 

CMYK 46 / 100 / 0 / 42

HEX #510095

RGB 81 0 149

HSL 272.62, 1%, 0.29%

LAB 23.4, 56.51, -60.34

 

CMYK 51 / 100 / 0 / 49

HEX #400082

RGB 64 0 130

HSL 269.54, 1%, 0.25%

LAB 18.81, 50.63, -56.12

 

CMYK 58 / 100 / 0 / 56

HEX #2F006F

RGB 47 0 111

HSL 265.41, 1%, 0.22%

LAB 14.13, 44.65, -51.72

 

CMYK 38 / 84 / 0 / 27

HEX #721DB9

RGB 114 29 185

HSL 272.69, 0.73%, 0.42%

LAB 33.9, 61.78, -64.67

 

CMYK 16 / 84 / 0 / 27

HEX #9C1DB9

RGB 156 29 185

HSL 288.85, 0.73%, 0.42%

LAB 40.33, 68.37, -53.93

 

CMYK 0 / 84 / 7 / 27

HEX #B91DAC

RGB 185 29 172

HSL 305, 0.73%, 0.42%

LAB 44.48, 71.59, -39.32

 

CMYK 0 / 84 / 30 / 27

HEX #B91D82

RGB 185 29 130

HSL 321.15, 0.73%, 0.42%

LAB 42.47, 66.09, -17.09

 

CMYK 0 / 84 / 52 / 27

HEX #B91D58

RGB 185 29 88

HSL 337.31, 0.73%, 0.42%

LAB 41.05, 62.04, 7.07

 

CMYK 38 / 84 / 0 / 27

HEX #721DB9

RGB 114 29 185

HSL 272.69, 0.73%, 0.42%

LAB 33.9, 61.78, -64.67

 

CMYK 61 / 84 / 0 / 27

HEX #481DB9

RGB 72 29 185

HSL 256.54, 0.73%, 0.42%

LAB 28.8, 56.83, -73.25

 

CMYK 84 / 84 / 0 / 27

HEX #1E1DB9

RGB 30 29 185

HSL 240.38, 0.73%, 0.42%

LAB 25.74, 54.02, -78.42

 

CMYK 84 / 84 / 0 / 27

HEX #1D1DB9

RGB 29 29 185

HSL 240, 0.73%, 0.42%

LAB 25.69, 53.98, -78.5

 

CMYK 38 / 84 / 0 / 27

HEX #721DB9

RGB 114 29 185

HSL 272.69, 0.73%, 0.42%

LAB 33.9, 61.78, -64.67

 

CMYK 43 / 94 / 0 / 20

HEX #740CCB

RGB 116 12 203

HSL 272.67, 0.89%, 0.42%

LAB 34.58, 69.74, -74.13

 

CMYK 38 / 84 / 0 / 27

HEX #721DB9

RGB 114 29 185

HSL 272.69, 0.73%, 0.42%

LAB 33.9, 61.78, -64.67

 

CMYK 33 / 73 / 0 / 34

HEX #702EA8

RGB 112 46 168

HSL 272.46, 0.57%, 0.42%

LAB 34.45, 51.1, -53.65

 

CMYK 26 / 58 / 0 / 41

HEX #6F4097

RGB 111 64 151

HSL 272.41, 0.4%, 0.42%

LAB 36.52, 37.52, -40.07

 

CMYK 18 / 39 / 0 / 48

HEX #6D5185

RGB 109 81 133

HSL 272.31, 0.24%, 0.42%

LAB 39.29, 22.44, -24.76

 

CMYK 7 / 16 / 0 / 55

HEX #6C6274

RGB 108 98 116

HSL 273.33, 0.08%, 0.42%

LAB 43.04, 7.7, -8.67

 

CMYK 84 / 84 / 0 / 27

HEX #1D1DB9

RGB 29 29 185

HSL 240, 0.73%, 0.42%

LAB 25.69, 53.98, -78.5

 

CMYK 62 / 84 / 0 / 27

HEX #471DB9

RGB 71 29 185

HSL 256.15, 0.73%, 0.42%

LAB 28.7, 56.73, -73.42

 

CMYK 39 / 84 / 0 / 27

HEX #701DB9

RGB 112 29 185

HSL 271.92, 0.73%, 0.42%

LAB 33.62, 61.5, -65.14

 

CMYK 17 / 84 / 0 / 27

HEX #9A1DB9

RGB 154 29 185

HSL 288.08, 0.73%, 0.42%

LAB 40, 68.02, -54.47

 

CMYK 0 / 84 / 5 / 27

HEX #B91DAF

RGB 185 29 175

HSL 303.85, 0.73%, 0.42%

LAB 44.64, 72.03, -40.83

 

CMYK 39 / 84 / 0 / 55

HEX #461272

RGB 70 18 114

HSL 272.5, 0.73%, 0.26%

LAB 19.84, 42.13, -44.15

 

CMYK 39 / 85 / 0 / 41

HEX #5C1796

RGB 92 23 150

HSL 272.6, 0.73%, 0.34%

LAB 26.99, 52.5, -55

 

CMYK 38 / 84 / 0 / 27

HEX #721DB9

RGB 114 29 185

HSL 272.69, 0.73%, 0.42%

LAB 33.9, 61.78, -64.67

 

CMYK 38 / 84 / 0 / 13

HEX #8823DD

RGB 136 35 221

HSL 272.58, 0.73%, 0.5%

LAB 40.67, 70.93, -74.42

 

CMYK 31 / 69 / 0 / 11

HEX #9B47E2

RGB 155 71 226

HSL 272.52, 0.73%, 0.58%

LAB 48.22, 61.73, -64.86

 

CMYK 39 / 84 / 0 / 27

HEX #731DBB

RGB 115 29 187

HSL 272.66, 0.73%, 0.42%

LAB 34.21, 62.37, -65.33

 

CMYK 0 / 84 / 62 / 27

HEX #B91D47

RGB 185 29 71

HSL 343.85, 0.73%, 0.42%

LAB 40.65, 60.86, 17.28

 

CMYK 84 / 0 / 73 / 27

HEX #1DB932

RGB 29 185 50

HSL 128.08, 0.73%, 0.42%

LAB 65.9, -63.59, 54.6

 

CMYK 39 / 84 / 0 / 27

HEX #731DBB

RGB 115 29 187

HSL 272.66, 0.73%, 0.42%

LAB 34.21, 62.37, -65.33

 

CMYK 0 / 39 / 84 / 27

HEX #B9701D

RGB 185 112 29

HSL 31.92, 0.73%, 0.42%

LAB 54.02, 22.87, 54.04

 

CMYK 84 / 0 / 39 / 27

HEX #1DB970

RGB 29 185 112

HSL 151.92, 0.73%, 0.42%

LAB 66.62, -54.9, 26.51

 

CMYK 39 / 84 / 0 / 27

HEX #731DBB

RGB 115 29 187

HSL 272.66, 0.73%, 0.42%

LAB 34.21, 62.37, -65.33

 

CMYK 0 / 84 / 62 / 27

HEX #B91D47

RGB 185 29 71

HSL 343.85, 0.73%, 0.42%

LAB 40.65, 60.86, 17.28

 

CMYK 45 / 0 / 84 / 27

HEX #66B91D

RGB 102 185 29

HSL 91.92, 0.73%, 0.42%

LAB 67.73, -49.11, 63.46

 

CMYK 84 / 0 / 22 / 27

HEX #1DB990

RGB 29 185 144

HSL 164.23, 0.73%, 0.42%

LAB 67.26, -47.79, 10.14

 

CMYK 39 / 84 / 0 / 27

HEX #731DBB

RGB 115 29 187

HSL 272.66, 0.73%, 0.42%

LAB 34.21, 62.37, -65.33

 

CMYK 0 / 82 / 84 / 27

HEX #B9221D

RGB 185 34 29

HSL 1.92, 0.73%, 0.42%

LAB 40.49, 57.84, 42.15

 

CMYK 45 / 0 / 84 / 27

HEX #66B91D

RGB 102 185 29

HSL 91.92, 0.73%, 0.42%

LAB 67.73, -49.11, 63.46

 

CMYK 84 / 3 / 0 / 27

HEX #1DB4B9

RGB 29 180 185

HSL 181.92, 0.73%, 0.42%

LAB 66.83, -34.18, -13.1

 

Description

Color code: HEX #731DBB | qconv.com Color code: HEX #731DBB | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 29 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 29 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, 84 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 84% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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