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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #731C92 it is the complementary color #8CE36D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #731C92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #731C92 shade: #781C8D, #892EA0, #9A40B3, #AB52C6 and #BC64D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #731C92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #731C92 shade: #731C92, #620A7F, #51006C, #400059 and #2F0046

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #731C92 shade: #731C92, #921C91, #921C71, #921C51 and #921C31

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #731C92 shade: #731C92, #531C92, #331C92 and #1C1C92

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #731C92 shade matches the following richer shades: #731C92 and #790EA0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #731C92 shade: #731C92, #6C2A84, #653876, #5F4668 and #58545A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #731C92 shade: #331C92, #531C92, #721C92, #921C92 and #921C72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #731C92 shade: #3C0F4C, #57156F, #731C92, #8E22B4 and #A92AD6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #731C92 shade: #731C92, #921C24 and #1C9243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #731C92 shade: #731C92, #92721C and #1C9272

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #731C92 shade: #731C92, #921C24, #3B921C and #1C928A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #731C92 shade: #731C92, #92371C, #3B921C and #1C7692

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 81 / 0 / 43

HEX #731C92

RGB 115 28 146

HSL 284.24, 0.68%, 0.34%

LAB 30.76, 53.88, -46.24

 

Complementary color

CMYK 38 / 0 / 52 / 11

HEX #8CE36D

RGB 140 227 109

HSL 104.24, 0.68%, 0.66%

LAB 82.71, -47.54, 49.04

 

CMYK 15 / 80 / 0 / 45

HEX #781C8D

RGB 120 28 141

HSL 288.85, 0.67%, 0.33%

LAB 31.22, 53.86, -42.37

 

CMYK 14 / 71 / 0 / 37

HEX #892EA0

RGB 137 46 160

HSL 287.89, 0.55%, 0.4%

LAB 37.5, 54.59, -43.74

 

CMYK 14 / 64 / 0 / 30

HEX #9A40B3

RGB 154 64 179

HSL 286.96, 0.47%, 0.48%

LAB 43.93, 54.58, -44.62

 

CMYK 14 / 59 / 0 / 22

HEX #AB52C6

RGB 171 82 198

HSL 286.03, 0.5%, 0.55%

LAB 50.42, 54.17, -45.22

 

CMYK 13 / 54 / 0 / 15

HEX #BC64D9

RGB 188 100 217

HSL 285.13, 0.61%, 0.62%

LAB 56.9, 53.56, -45.64

 

CMYK 21 / 81 / 0 / 43

HEX #731C92

RGB 115 28 146

HSL 284.24, 0.68%, 0.34%

LAB 30.76, 53.88, -46.24

 

CMYK 23 / 92 / 0 / 50

HEX #620A7F

RGB 98 10 127

HSL 285.13, 0.85%, 0.27%

LAB 24.78, 51.9, -44.21

 

CMYK 25 / 100 / 0 / 58

HEX #51006C

RGB 81 0 108

HSL 285, 1%, 0.21%

LAB 19.36, 47.78, -40.96

 

CMYK 28 / 100 / 0 / 65

HEX #400059

RGB 64 0 89

HSL 283.15, 1%, 0.17%

LAB 14.46, 41.4, -36.47

 

CMYK 33 / 100 / 0 / 73

HEX #2F0046

RGB 47 0 70

HSL 280.29, 1%, 0.14%

LAB 9.37, 34.79, -31.83

 

CMYK 21 / 81 / 0 / 43

HEX #731C92

RGB 115 28 146

HSL 284.24, 0.68%, 0.34%

LAB 30.76, 53.88, -46.24

 

CMYK 0 / 81 / 1 / 43

HEX #921C91

RGB 146 28 145

HSL 300.51, 0.68%, 0.34%

LAB 35.96, 59.84, -37

 

CMYK 0 / 81 / 23 / 43

HEX #921C71

RGB 146 28 113

HSL 316.78, 0.68%, 0.34%

LAB 34.26, 55.06, -19.73

 

CMYK 0 / 81 / 45 / 43

HEX #921C51

RGB 146 28 81

HSL 333.05, 0.68%, 0.34%

LAB 33, 51.31, -1.05

 

CMYK 0 / 81 / 66 / 43

HEX #921C31

RGB 146 28 49

HSL 349.32, 0.68%, 0.34%

LAB 32.18, 48.79, 18.8

 

CMYK 21 / 81 / 0 / 43

HEX #731C92

RGB 115 28 146

HSL 284.24, 0.68%, 0.34%

LAB 30.76, 53.88, -46.24

 

CMYK 43 / 81 / 0 / 43

HEX #531C92

RGB 83 28 146

HSL 267.97, 0.68%, 0.34%

LAB 26, 48.32, -54.21

 

CMYK 65 / 81 / 0 / 43

HEX #331C92

RGB 51 28 146

HSL 251.69, 0.68%, 0.34%

LAB 22.34, 44.03, -60.36

 

CMYK 81 / 81 / 0 / 43

HEX #1C1C92

RGB 28 28 146

HSL 240, 0.68%, 0.34%

LAB 20.65, 42.04, -63.21

 

CMYK 21 / 81 / 0 / 43

HEX #731C92

RGB 115 28 146

HSL 284.24, 0.68%, 0.34%

LAB 30.76, 53.88, -46.24

 

CMYK 24 / 91 / 0 / 37

HEX #790EA0

RGB 121 14 160

HSL 283.97, 0.84%, 0.34%

LAB 31.62, 61.22, -53.37

 

CMYK 21 / 81 / 0 / 43

HEX #731C92

RGB 115 28 146

HSL 284.24, 0.68%, 0.34%

LAB 30.76, 53.88, -46.24

 

CMYK 18 / 68 / 0 / 48

HEX #6C2A84

RGB 108 42 132

HSL 284, 0.52%, 0.34%

LAB 30.66, 43.82, -37.78

 

CMYK 14 / 53 / 0 / 54

HEX #653876

RGB 101 56 118

HSL 283.55, 0.36%, 0.34%

LAB 31.59, 31.33, -27.6

 

CMYK 9 / 33 / 0 / 59

HEX #5F4668

RGB 95 70 104

HSL 284.12, 0.2%, 0.34%

LAB 33.59, 17.54, -15.71

 

CMYK 2 / 7 / 0 / 65

HEX #58545A

RGB 88 84 90

HSL 280, 0.03%, 0.34%

LAB 36.28, 2.9, -2.91

 

CMYK 65 / 81 / 0 / 43

HEX #331C92

RGB 51 28 146

HSL 251.69, 0.68%, 0.34%

LAB 22.34, 44.03, -60.36

 

CMYK 43 / 81 / 0 / 43

HEX #531C92

RGB 83 28 146

HSL 267.97, 0.68%, 0.34%

LAB 26, 48.32, -54.21

 

CMYK 22 / 81 / 0 / 43

HEX #721C92

RGB 114 28 146

HSL 283.73, 0.68%, 0.34%

LAB 30.6, 53.7, -46.51

 

CMYK 0 / 81 / 0 / 43

HEX #921C92

RGB 146 28 146

HSL 300, 0.68%, 0.34%

LAB 36.02, 60.01, -37.52

 

CMYK 0 / 81 / 22 / 43

HEX #921C72

RGB 146 28 114

HSL 316.27, 0.68%, 0.34%

LAB 34.31, 55.19, -20.29

 

CMYK 21 / 80 / 0 / 70

HEX #3C0F4C

RGB 60 15 76

HSL 284.26, 0.67%, 0.18%

LAB 14.54, 32.13, -27.52

 

CMYK 22 / 81 / 0 / 56

HEX #57156F

RGB 87 21 111

HSL 284, 0.68%, 0.26%

LAB 22.69, 43.49, -37.46

 

CMYK 21 / 81 / 0 / 43

HEX #731C92

RGB 115 28 146

HSL 284.24, 0.68%, 0.34%

LAB 30.76, 53.88, -46.24

 

CMYK 21 / 81 / 0 / 29

HEX #8E22B4

RGB 142 34 180

HSL 284.38, 0.68%, 0.42%

LAB 38.18, 63.68, -54.55

 

CMYK 21 / 80 / 0 / 16

HEX #A92AD6

RGB 169 42 214

HSL 284.3, 0.68%, 0.5%

LAB 45.56, 72.53, -62.23

 

CMYK 21 / 81 / 0 / 43

HEX #731C92

RGB 115 28 146

HSL 284.24, 0.68%, 0.34%

LAB 30.76, 53.88, -46.24

 

CMYK 0 / 81 / 75 / 43

HEX #921C24

RGB 146 28 36

HSL 355.93, 0.68%, 0.34%

LAB 31.96, 48.12, 26.85

 

CMYK 81 / 0 / 54 / 43

HEX #1C9243

RGB 28 146 67

HSL 139.83, 0.68%, 0.34%

LAB 53.18, -48.96, 32.86

 

CMYK 21 / 81 / 0 / 43

HEX #731C92

RGB 115 28 146

HSL 284.24, 0.68%, 0.34%

LAB 30.76, 53.88, -46.24

 

CMYK 0 / 22 / 81 / 43

HEX #92721C

RGB 146 114 28

HSL 43.73, 0.68%, 0.34%

LAB 49.77, 4.06, 48.83

 

CMYK 81 / 0 / 22 / 43

HEX #1C9272

RGB 28 146 114

HSL 163.73, 0.68%, 0.34%

LAB 54.05, -39.17, 8.15

 

CMYK 21 / 81 / 0 / 43

HEX #731C92

RGB 115 28 146

HSL 284.24, 0.68%, 0.34%

LAB 30.76, 53.88, -46.24

 

CMYK 0 / 81 / 75 / 43

HEX #921C24

RGB 146 28 36

HSL 355.93, 0.68%, 0.34%

LAB 31.96, 48.12, 26.85

 

CMYK 60 / 0 / 81 / 43

HEX #3B921C

RGB 59 146 28

HSL 104.24, 0.68%, 0.34%

LAB 53.57, -47.02, 50.22

 

CMYK 81 / 0 / 5 / 43

HEX #1C928A

RGB 28 146 138

HSL 175.93, 0.68%, 0.34%

LAB 54.7, -32.48, -4.69

 

CMYK 21 / 81 / 0 / 43

HEX #731C92

RGB 115 28 146

HSL 284.24, 0.68%, 0.34%

LAB 30.76, 53.88, -46.24

 

CMYK 0 / 62 / 81 / 43

HEX #92371C

RGB 146 55 28

HSL 13.73, 0.68%, 0.34%

LAB 35.84, 36.96, 35.63

 

CMYK 60 / 0 / 81 / 43

HEX #3B921C

RGB 59 146 28

HSL 104.24, 0.68%, 0.34%

LAB 53.57, -47.02, 50.22

 

CMYK 81 / 19 / 0 / 43

HEX #1C7692

RGB 28 118 146

HSL 194.24, 0.68%, 0.34%

LAB 46.01, -15.46, -22.5

 

Description

Color code: HEX #731C92 | qconv.com Color code: HEX #731C92 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 28 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 28 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 81 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 81% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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