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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #730FF6 it is the complementary color #8CF009. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #730FF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #730FF6 shade: #780FF1, #8921FF, #9A33FF, #AB45FF and #BC57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #730FF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #730FF6 shade: #730FF6, #6200E3, #5100D0, #4000BD and #2F00AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #730FF6 shade: #720EF6, #B10EF6, #F00EF6, #F60EBE and #F60E7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #730FF6 shade: #720EF6, #340EF6 and #0E0EF6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #730FF6 shade matches the following richer shades: #720EF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #730FF6 shade: #720EF6, #7522E2, #7836CE, #7B4ABA and #7D5FA5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #730FF6 shade: #0E29F6, #310EF6, #6F0EF6, #AD0EF6 and #EB0EF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #730FF6 shade: #4E06AB, #6008D3, #720EF6, #8A36F8 and #A15DF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #730FF6 shade: #730FF6, #F60E67 and #0EF612

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #730FF6 shade: #730FF6, #F66F0E and #0EF66F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #730FF6 shade: #730FF6, #F60E67, #95F60E and #0EF69D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #730FF6 shade: #730FF6, #F60E21, #95F60E and #0EF6E3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 94 / 0 / 4

HEX #730FF6

RGB 115 15 246

HSL 265.97, 0.93%, 0.51%

LAB 38.97, 78.55, -91.51

 

Complementary color

CMYK 42 / 0 / 96 / 6

HEX #8CF009

RGB 140 240 9

HSL 85.97, 0.93%, 0.49%

LAB 85.96, -58.59, 82.22

 

CMYK 50 / 94 / 0 / 5

HEX #780FF1

RGB 120 15 241

HSL 267.88, 0.89%, 0.5%

LAB 39.05, 77.86, -88.54

 

CMYK 46 / 87 / 0 / 0

HEX #8921FF

RGB 137 33 255

HSL 268.11, 1%, 0.56%

LAB 43.69, 78.97, -88.67

 

CMYK 40 / 80 / 0 / 0

HEX #9A33FF

RGB 154 51 255

HSL 270.29, 1%, 0.6%

LAB 47.57, 75.85, -82.22

 

CMYK 33 / 73 / 0 / 0

HEX #AB45FF

RGB 171 69 255

HSL 272.9, 1%, 0.64%

LAB 51.99, 71.94, -74.92

 

CMYK 26 / 66 / 0 / 0

HEX #BC57FF

RGB 188 87 255

HSL 276.07, 1%, 0.67%

LAB 56.81, 67.6, -67.01

 

CMYK 53 / 94 / 0 / 4

HEX #730FF6

RGB 115 15 246

HSL 265.97, 0.93%, 0.51%

LAB 38.97, 78.55, -91.51

 

CMYK 57 / 100 / 0 / 11

HEX #6200E3

RGB 98 0 227

HSL 265.9, 1%, 0.45%

LAB 34.28, 75.13, -88.56

 

CMYK 61 / 100 / 0 / 18

HEX #5100D0

RGB 81 0 208

HSL 263.37, 1%, 0.41%

LAB 30.17, 69.88, -84.48

 

CMYK 66 / 100 / 0 / 26

HEX #4000BD

RGB 64 0 189

HSL 260.32, 1%, 0.37%

LAB 26.05, 64.6, -80.2

 

CMYK 72 / 100 / 0 / 33

HEX #2F00AA

RGB 47 0 170

HSL 256.59, 1%, 0.33%

LAB 21.97, 59.31, -75.67

 

CMYK 54 / 94 / 0 / 4

HEX #720EF6

RGB 114 14 246

HSL 265.86, 0.93%, 0.51%

LAB 38.8, 78.62, -91.79

 

CMYK 28 / 94 / 0 / 4

HEX #B10EF6

RGB 177 14 246

HSL 282.16, 0.93%, 0.51%

LAB 47.39, 84.91, -77.36

 

CMYK 2 / 94 / 0 / 4

HEX #F00EF6

RGB 240 14 246

HSL 298.45, 0.93%, 0.51%

LAB 57.55, 93.8, -60.42

 

CMYK 0 / 94 / 23 / 4

HEX #F60EBE

RGB 246 14 190

HSL 314.48, 0.93%, 0.51%

LAB 55.71, 87.57, -31.45

 

CMYK 0 / 94 / 48 / 4

HEX #F60E7F

RGB 246 14 127

HSL 330.78, 0.93%, 0.51%

LAB 53.43, 81.57, 2.34

 

CMYK 54 / 94 / 0 / 4

HEX #720EF6

RGB 114 14 246

HSL 265.86, 0.93%, 0.51%

LAB 38.8, 78.62, -91.79

 

CMYK 79 / 94 / 0 / 4

HEX #340EF6

RGB 52 14 246

HSL 249.83, 0.93%, 0.51%

LAB 33.35, 75.54, -101.02

 

CMYK 94 / 94 / 0 / 4

HEX #0E0EF6

RGB 14 14 246

HSL 240, 0.93%, 0.51%

LAB 31.95, 74.9, -103.39

 

CMYK 54 / 94 / 0 / 4

HEX #720EF6

RGB 114 14 246

HSL 265.86, 0.93%, 0.51%

LAB 38.8, 78.62, -91.79

 

CMYK 54 / 94 / 0 / 4

HEX #720EF6

RGB 114 14 246

HSL 265.86, 0.93%, 0.51%

LAB 38.8, 78.62, -91.79

 

CMYK 48 / 85 / 0 / 11

HEX #7522E2

RGB 117 34 226

HSL 265.94, 0.77%, 0.51%

LAB 38.58, 70.03, -80.8

 

CMYK 42 / 74 / 0 / 19

HEX #7836CE

RGB 120 54 206

HSL 266.05, 0.61%, 0.51%

LAB 39.73, 58.2, -67.4

 

CMYK 34 / 60 / 0 / 27

HEX #7B4ABA

RGB 123 74 186

HSL 266.25, 0.45%, 0.51%

LAB 42.24, 43.78, -51.67

 

CMYK 24 / 42 / 0 / 35

HEX #7D5FA5

RGB 125 95 165

HSL 265.71, 0.28%, 0.51%

LAB 45.99, 26.9, -33.34

 

CMYK 94 / 83 / 0 / 4

HEX #0E29F6

RGB 14 41 246

HSL 233.02, 0.93%, 0.51%

LAB 34.67, 66.64, -98.85

 

CMYK 80 / 94 / 0 / 4

HEX #310EF6

RGB 49 14 246

HSL 249.05, 0.93%, 0.51%

LAB 33.18, 75.46, -101.3

 

CMYK 55 / 94 / 0 / 4

HEX #6F0EF6

RGB 111 14 246

HSL 265.09, 0.93%, 0.51%

LAB 38.46, 78.4, -92.37

 

CMYK 30 / 94 / 0 / 4

HEX #AD0EF6

RGB 173 14 246

HSL 281.12, 0.93%, 0.51%

LAB 46.78, 84.42, -78.38

 

CMYK 4 / 94 / 0 / 4

HEX #EB0EF6

RGB 235 14 246

HSL 297.16, 0.93%, 0.51%

LAB 56.71, 93.02, -61.81

 

CMYK 54 / 96 / 0 / 33

HEX #4E06AB

RGB 78 6 171

HSL 266.18, 0.93%, 0.35%

LAB 25.83, 60.04, -69.76

 

CMYK 55 / 96 / 0 / 17

HEX #6008D3

RGB 96 8 211

HSL 266.01, 0.93%, 0.43%

LAB 32.62, 70.3, -82.09

 

CMYK 54 / 94 / 0 / 4

HEX #720EF6

RGB 114 14 246

HSL 265.86, 0.93%, 0.51%

LAB 38.8, 78.62, -91.79

 

CMYK 44 / 78 / 0 / 3

HEX #8A36F8

RGB 138 54 248

HSL 265.98, 0.93%, 0.59%

LAB 45.39, 71.02, -81.97

 

CMYK 35 / 63 / 0 / 2

HEX #A15DF9

RGB 161 93 249

HSL 266.15, 0.93%, 0.67%

LAB 54.29, 57.84, -67.92

 

CMYK 53 / 94 / 0 / 4

HEX #730FF6

RGB 115 15 246

HSL 265.97, 0.93%, 0.51%

LAB 38.97, 78.55, -91.51

 

CMYK 0 / 94 / 58 / 4

HEX #F60E67

RGB 246 14 103

HSL 336.98, 0.93%, 0.51%

LAB 52.82, 79.94, 16.01

 

CMYK 94 / 0 / 93 / 4

HEX #0EF612

RGB 14 246 18

HSL 121.03, 0.93%, 0.51%

LAB 85.02, -83.14, 79.45

 

CMYK 53 / 94 / 0 / 4

HEX #730FF6

RGB 115 15 246

HSL 265.97, 0.93%, 0.51%

LAB 38.97, 78.55, -91.51

 

CMYK 0 / 55 / 94 / 4

HEX #F66F0E

RGB 246 111 14

HSL 25.09, 0.93%, 0.51%

LAB 62.5, 47.74, 68.36

 

CMYK 94 / 0 / 55 / 4

HEX #0EF66F

RGB 14 246 111

HSL 145.09, 0.93%, 0.51%

LAB 85.58, -76.06, 50.9

 

CMYK 53 / 94 / 0 / 4

HEX #730FF6

RGB 115 15 246

HSL 265.97, 0.93%, 0.51%

LAB 38.97, 78.55, -91.51

 

CMYK 0 / 94 / 58 / 4

HEX #F60E67

RGB 246 14 103

HSL 336.98, 0.93%, 0.51%

LAB 52.82, 79.94, 16.01

 

CMYK 39 / 0 / 94 / 4

HEX #95F60E

RGB 149 246 14

HSL 85.09, 0.93%, 0.51%

LAB 88.13, -57.9, 83.69

 

CMYK 94 / 0 / 36 / 4

HEX #0EF69D

RGB 14 246 157

HSL 156.98, 0.93%, 0.51%

LAB 86.23, -68.38, 29.47

 

CMYK 53 / 94 / 0 / 4

HEX #730FF6

RGB 115 15 246

HSL 265.97, 0.93%, 0.51%

LAB 38.97, 78.55, -91.51

 

CMYK 0 / 94 / 87 / 4

HEX #F60E21

RGB 246 14 33

HSL 355.09, 0.93%, 0.51%

LAB 51.86, 77.27, 54.78

 

CMYK 39 / 0 / 94 / 4

HEX #95F60E

RGB 149 246 14

HSL 85.09, 0.93%, 0.51%

LAB 88.13, -57.9, 83.69

 

CMYK 94 / 0 / 8 / 4

HEX #0EF6E3

RGB 14 246 227

HSL 175.09, 0.93%, 0.51%

LAB 87.75, -51.81, -4.55

 

Description

Color code: HEX #730FF6 | qconv.com Color code: HEX #730FF6 | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 15 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 15 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 94 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 94% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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