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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #730FD6 it is the complementary color #8CF029. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #730FD6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #730FD6 shade: #780FD1, #8921E4, #9A33F7, #AB45FF and #BC57FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #730FD6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #730FD6 shade: #730FD6, #6200C3, #5100B0, #40009D and #2F008A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #730FD6 shade: #730ED6, #A90ED6, #D60ECE, #D60E98 and #D60E62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #730FD6 shade: #730ED6, #3D0ED6 and #0E0ED6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #730FD6 shade matches the following richer shades: #730ED6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #730FD6 shade: #730ED6, #7321C4, #7334B1, #72469E and #72598C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #730FD6 shade: #0E15D6, #3D0ED6, #720ED6, #A70ED6 and #D60ECF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #730FD6 shade: #490989, #5E0CB0, #730ED6, #871FEF and #9C45F2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #730FD6 shade: #730FD6, #D60E4A and #0ED622

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #730FD6 shade: #730FD6, #D6720E and #0ED672

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #730FD6 shade: #730FD6, #D60E4A, #72D60E and #0ED69A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #730FD6 shade: #730FD6, #D60E0E, #72D60E and #0ED6D6

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 93 / 0 / 16

HEX #730FD6

RGB 115 15 214

HSL 270.15, 0.87%, 0.45%

LAB 35.68, 71.54, -78.7

 

Complementary color

CMYK 42 / 0 / 83 / 6

HEX #8CF029

RGB 140 240 41

HSL 90.15, 0.87%, 0.55%

LAB 86.03, -57.83, 77.44

 

CMYK 43 / 93 / 0 / 18

HEX #780FD1

RGB 120 15 209

HSL 272.47, 0.87%, 0.44%

LAB 35.86, 70.96, -75.47

 

CMYK 40 / 86 / 0 / 11

HEX #8921E4

RGB 137 33 228

HSL 272, 0.78%, 0.51%

LAB 41.23, 73.1, -77.49

 

CMYK 38 / 79 / 0 / 3

HEX #9A33F7

RGB 154 51 247

HSL 271.53, 0.92%, 0.58%

LAB 46.91, 74.1, -78.83

 

CMYK 33 / 73 / 0 / 0

HEX #AB45FF

RGB 171 69 255

HSL 272.9, 1%, 0.64%

LAB 51.99, 71.94, -74.92

 

CMYK 26 / 66 / 0 / 0

HEX #BC57FF

RGB 188 87 255

HSL 276.07, 1%, 0.67%

LAB 56.81, 67.6, -67.01

 

CMYK 46 / 93 / 0 / 16

HEX #730FD6

RGB 115 15 214

HSL 270.15, 0.87%, 0.45%

LAB 35.68, 71.54, -78.7

 

CMYK 50 / 100 / 0 / 24

HEX #6200C3

RGB 98 0 195

HSL 270.15, 1%, 0.38%

LAB 30.73, 68.11, -75.87

 

CMYK 54 / 100 / 0 / 31

HEX #5100B0

RGB 81 0 176

HSL 267.61, 1%, 0.35%

LAB 26.4, 62.58, -71.81

 

CMYK 59 / 100 / 0 / 38

HEX #40009D

RGB 64 0 157

HSL 264.46, 1%, 0.31%

LAB 22.03, 57, -67.6

 

CMYK 66 / 100 / 0 / 46

HEX #2F008A

RGB 47 0 138

HSL 260.43, 1%, 0.27%

LAB 17.64, 51.38, -63.16

 

CMYK 46 / 93 / 0 / 16

HEX #730ED6

RGB 115 14 214

HSL 270.3, 0.88%, 0.45%

LAB 35.62, 71.7, -78.79

 

CMYK 21 / 93 / 0 / 16

HEX #A90ED6

RGB 169 14 214

HSL 286.5, 0.88%, 0.45%

LAB 43.66, 78.12, -65.31

 

CMYK 0 / 93 / 4 / 16

HEX #D60ECE

RGB 214 14 206

HSL 302.4, 0.88%, 0.45%

LAB 50.76, 83.86, -48.87

 

CMYK 0 / 93 / 29 / 16

HEX #D60E98

RGB 214 14 152

HSL 318.6, 0.88%, 0.45%

LAB 48.1, 77.07, -21.32

 

CMYK 0 / 93 / 54 / 16

HEX #D60E62

RGB 214 14 98

HSL 334.8, 0.88%, 0.45%

LAB 46.3, 72.25, 9.04

 

CMYK 46 / 93 / 0 / 16

HEX #730ED6

RGB 115 14 214

HSL 270.3, 0.88%, 0.45%

LAB 35.62, 71.7, -78.79

 

CMYK 71 / 93 / 0 / 16

HEX #3D0ED6

RGB 61 14 214

HSL 254.1, 0.88%, 0.45%

LAB 29.82, 67.95, -88.59

 

CMYK 93 / 93 / 0 / 16

HEX #0E0ED6

RGB 14 14 214

HSL 240, 0.88%, 0.45%

LAB 27.47, 66.73, -92.57

 

CMYK 46 / 93 / 0 / 16

HEX #730ED6

RGB 115 14 214

HSL 270.3, 0.88%, 0.45%

LAB 35.62, 71.7, -78.79

 

CMYK 46 / 93 / 0 / 16

HEX #730ED6

RGB 115 14 214

HSL 270.3, 0.88%, 0.45%

LAB 35.62, 71.7, -78.79

 

CMYK 41 / 83 / 0 / 23

HEX #7321C4

RGB 115 33 196

HSL 270.18, 0.71%, 0.45%

LAB 35.44, 63.16, -68.63

 

CMYK 35 / 71 / 0 / 31

HEX #7334B1

RGB 115 52 177

HSL 270.24, 0.55%, 0.45%

LAB 36.51, 51.09, -55.67

 

CMYK 28 / 56 / 0 / 38

HEX #72469E

RGB 114 70 158

HSL 270, 0.39%, 0.45%

LAB 38.6, 36.67, -40.96

 

CMYK 19 / 36 / 0 / 45

HEX #72598C

RGB 114 89 140

HSL 269.41, 0.22%, 0.45%

LAB 42.18, 20.9, -24.47

 

CMYK 93 / 90 / 0 / 16

HEX #0E15D6

RGB 14 21 214

HSL 237.9, 0.88%, 0.45%

LAB 28.07, 64.89, -91.56

 

CMYK 71 / 93 / 0 / 16

HEX #3D0ED6

RGB 61 14 214

HSL 254.1, 0.88%, 0.45%

LAB 29.82, 67.95, -88.59

 

CMYK 47 / 93 / 0 / 16

HEX #720ED6

RGB 114 14 214

HSL 270, 0.88%, 0.45%

LAB 35.49, 71.6, -79.01

 

CMYK 22 / 93 / 0 / 16

HEX #A70ED6

RGB 167 14 214

HSL 285.9, 0.88%, 0.45%

LAB 43.34, 77.84, -65.85

 

CMYK 0 / 93 / 3 / 16

HEX #D60ECF

RGB 214 14 207

HSL 302.1, 0.88%, 0.45%

LAB 50.82, 84, -49.36

 

CMYK 47 / 93 / 0 / 46

HEX #490989

RGB 73 9 137

HSL 270, 0.88%, 0.29%

LAB 21.65, 50.86, -55.8

 

CMYK 47 / 93 / 0 / 31

HEX #5E0CB0

RGB 94 12 176

HSL 270, 0.87%, 0.37%

LAB 28.84, 61.55, -67.72

 

CMYK 46 / 93 / 0 / 16

HEX #730ED6

RGB 115 14 214

HSL 270.3, 0.88%, 0.45%

LAB 35.62, 71.7, -78.79

 

CMYK 44 / 87 / 0 / 6

HEX #871FEF

RGB 135 31 239

HSL 270, 0.87%, 0.53%

LAB 41.79, 75.75, -82.83

 

CMYK 36 / 71 / 0 / 5

HEX #9C45F2

RGB 156 69 242

HSL 270.17, 0.87%, 0.61%

LAB 49.17, 66.43, -72.33

 

CMYK 46 / 93 / 0 / 16

HEX #730FD6

RGB 115 15 214

HSL 270.15, 0.87%, 0.45%

LAB 35.68, 71.54, -78.7

 

CMYK 0 / 93 / 65 / 16

HEX #D60E4A

RGB 214 14 74

HSL 342, 0.88%, 0.45%

LAB 45.78, 70.81, 23.24

 

CMYK 93 / 0 / 84 / 16

HEX #0ED622

RGB 14 214 34

HSL 126, 0.88%, 0.45%

LAB 75.02, -74.03, 68.08

 

CMYK 46 / 93 / 0 / 16

HEX #730FD6

RGB 115 15 214

HSL 270.15, 0.87%, 0.45%

LAB 35.68, 71.54, -78.7

 

CMYK 0 / 47 / 93 / 16

HEX #D6720E

RGB 214 114 14

HSL 30, 0.88%, 0.45%

LAB 58.38, 33.74, 63.34

 

CMYK 93 / 0 / 47 / 16

HEX #0ED672

RGB 14 214 114

HSL 150, 0.88%, 0.45%

LAB 75.7, -65.5, 37.26

 

CMYK 46 / 93 / 0 / 16

HEX #730FD6

RGB 115 15 214

HSL 270.15, 0.87%, 0.45%

LAB 35.68, 71.54, -78.7

 

CMYK 0 / 93 / 65 / 16

HEX #D60E4A

RGB 214 14 74

HSL 342, 0.88%, 0.45%

LAB 45.78, 70.81, 23.24

 

CMYK 47 / 0 / 93 / 16

HEX #72D60E

RGB 114 214 14

HSL 90, 0.88%, 0.45%

LAB 77.1, -56.89, 74.19

 

CMYK 93 / 0 / 28 / 16

HEX #0ED69A

RGB 14 214 154

HSL 162, 0.88%, 0.45%

LAB 76.39, -57.56, 17.57

 

CMYK 46 / 93 / 0 / 16

HEX #730FD6

RGB 115 15 214

HSL 270.15, 0.87%, 0.45%

LAB 35.68, 71.54, -78.7

 

CMYK 0 / 93 / 93 / 16

HEX #D60E0E

RGB 214 14 14

HSL 0, 0.88%, 0.45%

LAB 45.14, 69.03, 54.77

 

CMYK 47 / 0 / 93 / 16

HEX #72D60E

RGB 114 214 14

HSL 90, 0.88%, 0.45%

LAB 77.1, -56.89, 74.19

 

CMYK 93 / 0 / 0 / 16

HEX #0ED6D6

RGB 14 214 214

HSL 180, 0.88%, 0.45%

LAB 77.9, -41.76, -12.3

 

Description

Color code: HEX #730FD6 | qconv.com Color code: HEX #730FD6 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 15 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 15 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, 93 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 93% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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