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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #730E76 it is the complementary color #8CF189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #730E76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #730E76 shade: #780E71, #892084, #9A3297, #AB44AA and #BC56BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #730E76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #730E76 shade: #730E76, #620063, #510050, #40003D and #2F002A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #730E76 shade: #740E77, #770E5D, #770E41, #770E25 and #770E0E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #730E76 shade: #740E77, #570E77, #3B0E77, #1F0E77 and #0E0E77

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #730E76 shade matches the following richer shades: #740E77 and #7E0381

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #730E76 shade: #740E77, #6A196C, #5F2361, #552E56 and #4B394C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #730E76 shade: #3B0E77, #570E77, #730E77, #770E5E and #770E42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #730E76 shade: #2C052D, #500A52, #740E77, #98129C and #BC17C1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #730E76 shade: #730E76, #771F0E and #0E7749

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #730E76 shade: #730E76, #77730E and #0E7773

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #730E76 shade: #730E76, #771F0E, #11770E and #0E6577

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #730E76 shade: #730E76, #773F0E, #11770E and #0E4677

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 88 / 0 / 54

HEX #730E76

RGB 115 14 118

HSL 298.27, 0.79%, 0.26%

LAB 27.48, 52.47, -33.98

 

Complementary color

CMYK 42 / 0 / 43 / 5

HEX #8CF189

RGB 140 241 137

HSL 118.27, 0.79%, 0.74%

LAB 87.14, -49.78, 41.13

 

CMYK 0 / 88 / 6 / 53

HEX #780E71

RGB 120 14 113

HSL 303.96, 0.79%, 0.26%

LAB 28.11, 52.66, -29.73

 

CMYK 0 / 77 / 4 / 46

HEX #892084

RGB 137 32 132

HSL 302.86, 0.62%, 0.33%

LAB 34.02, 54.59, -32.15

 

CMYK 0 / 68 / 2 / 40

HEX #9A3297

RGB 154 50 151

HSL 301.73, 0.51%, 0.4%

LAB 40.22, 55.32, -33.81

 

CMYK 0 / 60 / 1 / 33

HEX #AB44AA

RGB 171 68 170

HSL 300.58, 0.43%, 0.47%

LAB 46.57, 55.36, -34.98

 

CMYK 1 / 54 / 0 / 26

HEX #BC56BD

RGB 188 86 189

HSL 299.42, 0.44%, 0.54%

LAB 52.97, 55.02, -35.84

 

CMYK 3 / 88 / 0 / 54

HEX #730E76

RGB 115 14 118

HSL 298.27, 0.79%, 0.26%

LAB 27.48, 52.47, -33.98

 

CMYK 1 / 100 / 0 / 61

HEX #620063

RGB 98 0 99

HSL 299.39, 1%, 0.19%

LAB 21.94, 48.92, -30.74

 

CMYK 0 / 100 / 1 / 68

HEX #510050

RGB 81 0 80

HSL 300.74, 1%, 0.16%

LAB 17.12, 42.57, -25.89

 

CMYK 0 / 100 / 5 / 75

HEX #40003D

RGB 64 0 61

HSL 302.81, 1%, 0.13%

LAB 12.14, 35.98, -20.81

 

CMYK 0 / 100 / 11 / 82

HEX #2F002A

RGB 47 0 42

HSL 306.38, 1%, 0.09%

LAB 6.97, 28.88, -15.33

 

CMYK 3 / 88 / 0 / 53

HEX #740E77

RGB 116 14 119

HSL 298.29, 0.79%, 0.26%

LAB 27.73, 52.84, -34.21

 

CMYK 0 / 88 / 22 / 53

HEX #770E5D

RGB 119 14 93

HSL 314.86, 0.79%, 0.26%

LAB 26.81, 49.46, -18.81

 

CMYK 0 / 88 / 45 / 53

HEX #770E41

RGB 119 14 65

HSL 330.86, 0.79%, 0.26%

LAB 25.62, 46.12, -1.88

 

CMYK 0 / 88 / 69 / 53

HEX #770E25

RGB 119 14 37

HSL 346.86, 0.79%, 0.26%

LAB 24.86, 43.91, 16.25

 

CMYK 0 / 88 / 88 / 53

HEX #770E0E

RGB 119 14 14

HSL 0, 0.79%, 0.26%

LAB 24.54, 42.96, 30.49

 

CMYK 3 / 88 / 0 / 53

HEX #740E77

RGB 116 14 119

HSL 298.29, 0.79%, 0.26%

LAB 27.73, 52.84, -34.21

 

CMYK 27 / 88 / 0 / 53

HEX #570E77

RGB 87 14 119

HSL 281.71, 0.79%, 0.26%

LAB 22.56, 47.47, -42.82

 

CMYK 50 / 88 / 0 / 53

HEX #3B0E77

RGB 59 14 119

HSL 265.71, 0.79%, 0.26%

LAB 18.26, 43.24, -50.03

 

CMYK 74 / 88 / 0 / 53

HEX #1F0E77

RGB 31 14 119

HSL 249.71, 0.79%, 0.26%

LAB 15.15, 40.38, -55.26

 

CMYK 88 / 88 / 0 / 53

HEX #0E0E77

RGB 14 14 119

HSL 240, 0.79%, 0.26%

LAB 14.06, 39.42, -57.12

 

CMYK 3 / 88 / 0 / 53

HEX #740E77

RGB 116 14 119

HSL 298.29, 0.79%, 0.26%

LAB 27.73, 52.84, -34.21

 

CMYK 2 / 98 / 0 / 49

HEX #7E0381

RGB 126 3 129

HSL 298.57, 0.95%, 0.26%

LAB 29.63, 58.27, -37.4

 

CMYK 3 / 88 / 0 / 53

HEX #740E77

RGB 116 14 119

HSL 298.29, 0.79%, 0.26%

LAB 27.73, 52.84, -34.21

 

CMYK 2 / 77 / 0 / 58

HEX #6A196C

RGB 106 25 108

HSL 298.55, 0.62%, 0.26%

LAB 26.28, 45.64, -29.58

 

CMYK 2 / 64 / 0 / 62

HEX #5F2361

RGB 95 35 97

HSL 298.06, 0.47%, 0.26%

LAB 25.25, 36.43, -24.18

 

CMYK 1 / 47 / 0 / 66

HEX #552E56

RGB 85 46 86

HSL 298.5, 0.3%, 0.26%

LAB 25.43, 24.85, -16.79

 

CMYK 1 / 25 / 0 / 70

HEX #4B394C

RGB 75 57 76

HSL 296.84, 0.14%, 0.26%

LAB 26.57, 11.85, -8.55

 

CMYK 50 / 88 / 0 / 53

HEX #3B0E77

RGB 59 14 119

HSL 265.71, 0.79%, 0.26%

LAB 18.26, 43.24, -50.03

 

CMYK 27 / 88 / 0 / 53

HEX #570E77

RGB 87 14 119

HSL 281.71, 0.79%, 0.26%

LAB 22.56, 47.47, -42.82

 

CMYK 3 / 88 / 0 / 53

HEX #730E77

RGB 115 14 119

HSL 297.71, 0.79%, 0.26%

LAB 27.55, 52.64, -34.52

 

CMYK 0 / 88 / 21 / 53

HEX #770E5E

RGB 119 14 94

HSL 314.29, 0.79%, 0.26%

LAB 26.86, 49.6, -19.39

 

CMYK 0 / 88 / 45 / 53

HEX #770E42

RGB 119 14 66

HSL 330.29, 0.79%, 0.26%

LAB 25.65, 46.22, -2.51

 

CMYK 2 / 89 / 0 / 82

HEX #2C052D

RGB 44 5 45

HSL 298.5, 0.8%, 0.1%

LAB 7.53, 25.83, -16.74

 

CMYK 2 / 88 / 0 / 68

HEX #500A52

RGB 80 10 82

HSL 298.33, 0.78%, 0.18%

LAB 18.06, 39.77, -25.77

 

CMYK 3 / 88 / 0 / 53

HEX #740E77

RGB 116 14 119

HSL 298.29, 0.79%, 0.26%

LAB 27.73, 52.84, -34.21

 

CMYK 3 / 88 / 0 / 39

HEX #98129C

RGB 152 18 156

HSL 298.26, 0.79%, 0.34%

LAB 36.95, 64.99, -42.07

 

CMYK 3 / 88 / 0 / 24

HEX #BC17C1

RGB 188 23 193

HSL 298.24, 0.79%, 0.42%

LAB 45.84, 76.38, -49.46

 

CMYK 3 / 88 / 0 / 54

HEX #730E76

RGB 115 14 118

HSL 298.27, 0.79%, 0.26%

LAB 27.48, 52.47, -33.98

 

CMYK 0 / 74 / 88 / 53

HEX #771F0E

RGB 119 31 14

HSL 9.71, 0.79%, 0.26%

LAB 26.54, 37.34, 32.37

 

CMYK 88 / 0 / 39 / 53

HEX #0E7749

RGB 14 119 73

HSL 153.71, 0.79%, 0.26%

LAB 43.9, -39.24, 17.66

 

CMYK 3 / 88 / 0 / 54

HEX #730E76

RGB 115 14 118

HSL 298.27, 0.79%, 0.26%

LAB 27.48, 52.47, -33.98

 

CMYK 0 / 3 / 88 / 53

HEX #77730E

RGB 119 115 14

HSL 57.71, 0.79%, 0.26%

LAB 47.26, -9.75, 49.91

 

CMYK 88 / 0 / 3 / 53

HEX #0E7773

RGB 14 119 115

HSL 177.71, 0.79%, 0.26%

LAB 44.98, -27.79, -5.65

 

CMYK 3 / 88 / 0 / 54

HEX #730E76

RGB 115 14 118

HSL 298.27, 0.79%, 0.26%

LAB 27.48, 52.47, -33.98

 

CMYK 0 / 74 / 88 / 53

HEX #771F0E

RGB 119 31 14

HSL 9.71, 0.79%, 0.26%

LAB 26.54, 37.34, 32.37

 

CMYK 86 / 0 / 88 / 53

HEX #11770E

RGB 17 119 14

HSL 118.29, 0.79%, 0.26%

LAB 43.28, -46.85, 44.41

 

CMYK 88 / 15 / 0 / 53

HEX #0E6577

RGB 14 101 119

HSL 190.29, 0.79%, 0.26%

LAB 39.13, -17, -16.9

 

CMYK 3 / 88 / 0 / 54

HEX #730E76

RGB 115 14 118

HSL 298.27, 0.79%, 0.26%

LAB 27.48, 52.47, -33.98

 

CMYK 0 / 47 / 88 / 53

HEX #773F0E

RGB 119 63 14

HSL 28, 0.79%, 0.26%

LAB 32.94, 20.81, 37.9

 

CMYK 86 / 0 / 88 / 53

HEX #11770E

RGB 17 119 14

HSL 118.29, 0.79%, 0.26%

LAB 43.28, -46.85, 44.41

 

CMYK 88 / 41 / 0 / 53

HEX #0E4677

RGB 14 70 119

HSL 208, 0.79%, 0.26%

LAB 28.92, 2.12, -32.88

 

Description

Color code: HEX #730E76 | qconv.com Color code: HEX #730E76 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 14 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 14 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 88 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 88% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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