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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #730479 it is the complementary color #8CFB86. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #730479. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #730479 shade: #780474, #891687, #9A289A, #AB3AAD and #BC4CC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #730479. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #730479 shade: #730479, #620066, #510053, #400040 and #2F002D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #730479 shade: #76047C, #7C0462, #7C0441, #7C0421 and #7C0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #730479 shade: #76047C, #55047C, #35047C, #15047C and #04047C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #730479 shade matches the following richer shades: #76047C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #730479 shade: #76047C, #6C0E71, #631867, #5A235D and #502D52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #730479 shade: #34047C, #54047C, #74047C, #7C0464 and #7C0444

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #730479 shade: #29012C, #4F0354, #76047C, #9C05A4 and #C206CC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #730479 shade: #730479, #7C1404 and #047C44

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #730479 shade: #730479, #7C7404 and #047C74

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #730479 shade: #730479, #7C1404, #0C7C04 and #046C7C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #730479 shade: #730479, #7C3804, #0C7C04 and #04487C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 97 / 0 / 53

HEX #730479

RGB 115 4 121

HSL 296.92, 0.94%, 0.25%

LAB 27.05, 54.84, -36.58

 

Complementary color

CMYK 44 / 0 / 47 / 2

HEX #8CFB86

RGB 140 251 134

HSL 116.92, 0.94%, 0.75%

LAB 89.99, -54.28, 46.18

 

CMYK 0 / 97 / 3 / 53

HEX #780474

RGB 120 4 116

HSL 302.07, 0.94%, 0.24%

LAB 27.68, 54.93, -32.33

 

CMYK 0 / 84 / 1 / 46

HEX #891687

RGB 137 22 135

HSL 301.04, 0.72%, 0.31%

LAB 33.22, 57.89, -35.28

 

CMYK 0 / 74 / 0 / 40

HEX #9A289A

RGB 154 40 154

HSL 300, 0.59%, 0.38%

LAB 39.11, 59.46, -37.39

 

CMYK 1 / 66 / 0 / 32

HEX #AB3AAD

RGB 171 58 173

HSL 298.96, 0.5%, 0.45%

LAB 45.22, 60.06, -38.88

 

CMYK 2 / 60 / 0 / 25

HEX #BC4CC0

RGB 188 76 192

HSL 297.93, 0.48%, 0.53%

LAB 51.46, 60.08, -39.96

 

CMYK 5 / 97 / 0 / 53

HEX #730479

RGB 115 4 121

HSL 296.92, 0.94%, 0.25%

LAB 27.05, 54.84, -36.58

 

CMYK 4 / 100 / 0 / 60

HEX #620066

RGB 98 0 102

HSL 297.65, 1%, 0.2%

LAB 22.15, 49.42, -32.37

 

CMYK 2 / 100 / 0 / 67

HEX #510053

RGB 81 0 83

HSL 298.55, 1%, 0.16%

LAB 17.34, 43.08, -27.6

 

CMYK 0 / 100 / 0 / 75

HEX #400040

RGB 64 0 64

HSL 300, 1%, 0.13%

LAB 12.35, 36.5, -22.6

 

CMYK 0 / 100 / 4 / 82

HEX #2F002D

RGB 47 0 45

HSL 302.55, 1%, 0.09%

LAB 7.17, 29.49, -17.27

 

CMYK 5 / 97 / 0 / 51

HEX #76047C

RGB 118 4 124

HSL 297, 0.94%, 0.25%

LAB 27.83, 55.87, -37.21

 

CMYK 0 / 97 / 21 / 51

HEX #7C0462

RGB 124 4 98

HSL 313, 0.94%, 0.25%

LAB 27.45, 53.1, -21.02

 

CMYK 0 / 97 / 48 / 51

HEX #7C0441

RGB 124 4 65

HSL 329.5, 0.94%, 0.25%

LAB 26.02, 49.36, -1.16

 

CMYK 0 / 97 / 73 / 51

HEX #7C0421

RGB 124 4 33

HSL 345.5, 0.94%, 0.25%

LAB 25.2, 47.13, 19.63

 

CMYK 0 / 97 / 97 / 51

HEX #7C0404

RGB 124 4 4

HSL 0, 0.94%, 0.25%

LAB 24.89, 46.26, 35.5

 

CMYK 5 / 97 / 0 / 51

HEX #76047C

RGB 118 4 124

HSL 297, 0.94%, 0.25%

LAB 27.83, 55.87, -37.21

 

CMYK 31 / 97 / 0 / 51

HEX #55047C

RGB 85 4 124

HSL 280.5, 0.94%, 0.25%

LAB 21.85, 50.63, -47.18

 

CMYK 57 / 97 / 0 / 51

HEX #35047C

RGB 53 4 124

HSL 264.5, 0.94%, 0.25%

LAB 16.98, 47.03, -55.36

 

CMYK 83 / 97 / 0 / 51

HEX #15047C

RGB 21 4 124

HSL 248.5, 0.94%, 0.25%

LAB 13.84, 45.18, -60.69

 

CMYK 97 / 97 / 0 / 51

HEX #04047C

RGB 4 4 124

HSL 240, 0.94%, 0.25%

LAB 13.03, 44.79, -62.05

 

CMYK 5 / 97 / 0 / 51

HEX #76047C

RGB 118 4 124

HSL 297, 0.94%, 0.25%

LAB 27.83, 55.87, -37.21

 

CMYK 5 / 97 / 0 / 51

HEX #76047C

RGB 118 4 124

HSL 297, 0.94%, 0.25%

LAB 27.83, 55.87, -37.21

 

CMYK 4 / 88 / 0 / 56

HEX #6C0E71

RGB 108 14 113

HSL 296.97, 0.78%, 0.25%

LAB 25.85, 50.21, -33.47

 

CMYK 4 / 77 / 0 / 60

HEX #631867

RGB 99 24 103

HSL 296.96, 0.62%, 0.25%

LAB 24.59, 43.42, -29.1

 

CMYK 3 / 62 / 0 / 64

HEX #5A235D

RGB 90 35 93

HSL 296.9, 0.45%, 0.25%

LAB 24.21, 34.17, -23.25

 

CMYK 2 / 45 / 0 / 68

HEX #502D52

RGB 80 45 82

HSL 296.76, 0.29%, 0.25%

LAB 24.29, 22.82, -15.96

 

CMYK 58 / 97 / 0 / 51

HEX #34047C

RGB 52 4 124

HSL 264, 0.94%, 0.25%

LAB 16.86, 46.94, -55.58

 

CMYK 32 / 97 / 0 / 51

HEX #54047C

RGB 84 4 124

HSL 280, 0.94%, 0.25%

LAB 21.68, 50.49, -47.47

 

CMYK 6 / 97 / 0 / 51

HEX #74047C

RGB 116 4 124

HSL 296, 0.94%, 0.25%

LAB 27.45, 55.52, -37.84

 

CMYK 0 / 97 / 19 / 51

HEX #7C0464

RGB 124 4 100

HSL 312, 0.94%, 0.25%

LAB 27.55, 53.37, -22.16

 

CMYK 0 / 97 / 45 / 51

HEX #7C0444

RGB 124 4 68

HSL 328, 0.94%, 0.25%

LAB 26.13, 49.64, -3.04

 

CMYK 7 / 98 / 0 / 83

HEX #29012C

RGB 41 1 44

HSL 295.81, 0.96%, 0.09%

LAB 6.1, 26.73, -18.29

 

CMYK 6 / 96 / 0 / 67

HEX #4F0354

RGB 79 3 84

HSL 296.3, 0.93%, 0.17%

LAB 17.31, 41.98, -28.34

 

CMYK 5 / 97 / 0 / 51

HEX #76047C

RGB 118 4 124

HSL 297, 0.94%, 0.25%

LAB 27.83, 55.87, -37.21

 

CMYK 5 / 97 / 0 / 36

HEX #9C05A4

RGB 156 5 164

HSL 296.98, 0.94%, 0.33%

LAB 37.58, 68.72, -45.84

 

CMYK 5 / 97 / 0 / 20

HEX #C206CC

RGB 194 6 204

HSL 296.97, 0.94%, 0.41%

LAB 46.92, 80.96, -54.07

 

CMYK 5 / 97 / 0 / 53

HEX #730479

RGB 115 4 121

HSL 296.92, 0.94%, 0.25%

LAB 27.05, 54.84, -36.58

 

CMYK 0 / 84 / 97 / 51

HEX #7C1404

RGB 124 20 4

HSL 8, 0.94%, 0.25%

LAB 26.14, 42.69, 36.66

 

CMYK 97 / 0 / 45 / 51

HEX #047C44

RGB 4 124 68

HSL 152, 0.94%, 0.25%

LAB 45.44, -42.99, 22.52

 

CMYK 5 / 97 / 0 / 53

HEX #730479

RGB 115 4 121

HSL 296.92, 0.94%, 0.25%

LAB 27.05, 54.84, -36.58

 

CMYK 0 / 6 / 97 / 51

HEX #7C7404

RGB 124 116 4

HSL 56, 0.94%, 0.25%

LAB 47.99, -8.16, 52.83

 

CMYK 97 / 0 / 6 / 51

HEX #047C74

RGB 4 124 116

HSL 176, 0.94%, 0.25%

LAB 46.58, -30.52, -3.87

 

CMYK 5 / 97 / 0 / 53

HEX #730479

RGB 115 4 121

HSL 296.92, 0.94%, 0.25%

LAB 27.05, 54.84, -36.58

 

CMYK 0 / 84 / 97 / 51

HEX #7C1404

RGB 124 20 4

HSL 8, 0.94%, 0.25%

LAB 26.14, 42.69, 36.66

 

CMYK 90 / 0 / 97 / 51

HEX #0C7C04

RGB 12 124 4

HSL 116, 0.94%, 0.25%

LAB 44.94, -49.37, 48.04

 

CMYK 97 / 13 / 0 / 51

HEX #046C7C

RGB 4 108 124

HSL 188, 0.94%, 0.25%

LAB 41.54, -19.7, -16.25

 

CMYK 5 / 97 / 0 / 53

HEX #730479

RGB 115 4 121

HSL 296.92, 0.94%, 0.25%

LAB 27.05, 54.84, -36.58

 

CMYK 0 / 55 / 97 / 51

HEX #7C3804

RGB 124 56 4

HSL 26, 0.94%, 0.25%

LAB 32.08, 26.79, 41.36

 

CMYK 90 / 0 / 97 / 51

HEX #0C7C04

RGB 12 124 4

HSL 116, 0.94%, 0.25%

LAB 44.94, -49.37, 48.04

 

CMYK 97 / 42 / 0 / 51

HEX #04487C

RGB 4 72 124

HSL 206, 0.94%, 0.25%

LAB 29.7, 2.15, -34.76

 

Description

Color code: HEX #730479 | qconv.com Color code: HEX #730479 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 4 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 4 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, 97 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 97% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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