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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72FFEB00 it is the complementary color #8D001400. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72FFEB00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72FFEB00 shade: #77FFE600, #88FFF900, #99FFFF00, #AAFFFF00 and #BBFFFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72FFEB00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72FFEB00 shade: #72FFEB00, #61EDD800, #50DBC500, #3FC9B200 and #2EB79F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72FFEB00 shade: #70FFEB, #70FFC4, #70FF9E, #70FF77 and #90FF70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72FFEB00 shade: #70FFEB, #70EDFF, #70C6FF, #70A0FF and #7079FF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72FFEB00 shade matches the following richer shades: #70FFEB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72FFEB00 shade: #70FFEB, #7CF3E2, #87E8DA, #93DCD2 and #9ED1CA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72FFEB00 shade: #70FF9D, #70FFC4, #70FFEA, #70EEFF and #70C8FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72FFEB00 shade: #1EFFDF, #47FFE5, #70FFEB, #99FFF1 and #C3FFF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72FFEB00 shade: #72FFEB, #7770FF and #FFB070

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72FFEB00 shade: #72FFEB, #EA70FF and #FFEA70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72FFEB00 shade: #72FFEB, #7770FF, #FF7086 and #F8FF70

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72FFEB00 shade: #72FFEB, #A270FF, #FF7086 and #CDFF70

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #72FFEB00

RGBA 114 255 235 0

HSLA 171.49, 1%, 0.72%, 0

LABA 92.17, -42.91, -2.03, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #8D001400

RGBA 141 0 20 0

HSLA 351.49, 1%, 0.28%, 0

LABA 28.68, 51.9, 32.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #77FFE600

RGBA 119 255 230 0

HSLA 168.97, 1%, 0.73%, 0

LABA 92.2, -43.14, 0.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #88FFF900

RGBA 136 255 249 0

HSLA 176.97, 1%, 0.77%, 0

LABA 93.27, -35.03, -7.57, 0

 

CMYK 0 / 0 / 0 / 0

HEX #99FFFF00

RGBA 153 255 255 0

HSLA 180, 1%, 0.8%, 0

LABA 94.1, -29.71, -9.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #AAFFFF00

RGBA 170 255 255 0

HSLA 180, 1%, 0.83%, 0

LABA 94.86, -25.48, -8.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BBFFFF00

RGBA 187 255 255 0

HSLA 180, 1%, 0.87%, 0

LABA 95.71, -20.9, -6.81, 0

 

CMYK 0 / 0 / 0 / 0

HEX #72FFEB00

RGBA 114 255 235 0

HSLA 171.49, 1%, 0.72%, 0

LABA 92.17, -42.91, -2.03, 0

 

CMYK 0 / 0 / 0 / 0

HEX #61EDD800

RGBA 97 237 216 0

HSLA 171, 0.8%, 0.65%, 0

LABA 86.04, -42.74, -1.16, 0

 

CMYK 0 / 0 / 0 / 0

HEX #50DBC500

RGBA 80 219 197 0

HSLA 170.5, 0.66%, 0.59%, 0

LABA 79.84, -42.46, -0.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #3FC9B200

RGBA 63 201 178 0

HSLA 170, 0.56%, 0.52%, 0

LABA 73.57, -42.02, 0.78, 0

 

CMYK 0 / 0 / 0 / 0

HEX #2EB79F00

RGBA 46 183 159 0

HSLA 169.49, 0.6%, 0.45%, 0

LABA 67.24, -41.37, 1.91, 0

 

CMYK 56 / 0 / 8 / 0

HEX #70FFEB

RGB 112 255 235

HSL 171.61, 1%, 0.72%

LAB 92.12, -43.29, -2.12

 

CMYK 56 / 0 / 23 / 0

HEX #70FFC4

RGB 112 255 196

HSL 155.24, 1%, 0.72%

LAB 91.21, -52.12, 16.7

 

CMYK 56 / 0 / 38 / 0

HEX #70FF9E

RGB 112 255 158

HSL 139.3, 1%, 0.72%

LAB 90.52, -59.28, 34.98

 

CMYK 56 / 0 / 53 / 0

HEX #70FF77

RGB 112 255 119

HSL 122.94, 1%, 0.72%

LAB 90, -64.97, 52.95

 

CMYK 44 / 0 / 56 / 0

HEX #90FF70

RGB 144 255 112

HSL 106.57, 1%, 0.72%

LAB 91.06, -57.35, 57.62

 

CMYK 56 / 0 / 8 / 0

HEX #70FFEB

RGB 112 255 235

HSL 171.61, 1%, 0.72%

LAB 92.12, -43.29, -2.12

 

CMYK 56 / 7 / 0 / 0

HEX #70EDFF

RGB 112 237 255

HSL 187.55, 1%, 0.72%

LAB 87.6, -29.85, -19.26

 

CMYK 56 / 22 / 0 / 0

HEX #70C6FF

RGB 112 198 255

HSL 203.92, 1%, 0.72%

LAB 76.71, -10.13, -35.91

 

CMYK 56 / 37 / 0 / 0

HEX #70A0FF

RGB 112 160 255

HSL 219.86, 1%, 0.72%

LAB 66.37, 11.03, -52.1

 

CMYK 56 / 53 / 0 / 0

HEX #7079FF

RGB 112 121 255

HSL 236.22, 1%, 0.72%

LAB 56.43, 34.09, -67.99

 

CMYK 56 / 0 / 8 / 0

HEX #70FFEB

RGB 112 255 235

HSL 171.61, 1%, 0.72%

LAB 92.12, -43.29, -2.12

 

CMYK 56 / 0 / 8 / 0

HEX #70FFEB

RGB 112 255 235

HSL 171.61, 1%, 0.72%

LAB 92.12, -43.29, -2.12

 

CMYK 49 / 0 / 7 / 5

HEX #7CF3E2

RGB 124 243 226

HSL 171.43, 0.83%, 0.72%

LAB 88.86, -37.66, -2.16

 

CMYK 42 / 0 / 6 / 9

HEX #87E8DA

RGB 135 232 218

HSL 171.34, 0.68%, 0.72%

LAB 85.97, -31.89, -2.17

 

CMYK 33 / 0 / 5 / 14

HEX #93DCD2

RGB 147 220 210

HSL 171.78, 0.51%, 0.72%

LAB 82.94, -24.83, -2.32

 

CMYK 24 / 0 / 3 / 18

HEX #9ED1CA

RGB 158 209 202

HSL 171.76, 0.36%, 0.72%

LAB 80.26, -17.94, -1.92

 

CMYK 56 / 0 / 38 / 0

HEX #70FF9D

RGB 112 255 157

HSL 138.88, 1%, 0.72%

LAB 90.5, -59.45, 35.45

 

CMYK 56 / 0 / 23 / 0

HEX #70FFC4

RGB 112 255 196

HSL 155.24, 1%, 0.72%

LAB 91.21, -52.12, 16.7

 

CMYK 56 / 0 / 8 / 0

HEX #70FFEA

RGB 112 255 234

HSL 171.19, 1%, 0.72%

LAB 92.09, -43.53, -1.64

 

CMYK 56 / 7 / 0 / 0

HEX #70EEFF

RGB 112 238 255

HSL 187.13, 1%, 0.72%

LAB 87.88, -30.32, -18.84

 

CMYK 56 / 22 / 0 / 0

HEX #70C8FF

RGB 112 200 255

HSL 203.08, 1%, 0.72%

LAB 77.26, -11.19, -35.05

 

CMYK 88 / 0 / 13 / 0

HEX #1EFFDF

RGB 30 255 223

HSL 171.47, 1%, 0.56%

LAB 90.38, -55.94, 1.39

 

CMYK 72 / 0 / 10 / 0

HEX #47FFE5

RGB 71 255 229

HSL 171.52, 1%, 0.64%

LAB 91.02, -51.02, -0.73

 

CMYK 56 / 0 / 8 / 0

HEX #70FFEB

RGB 112 255 235

HSL 171.61, 1%, 0.72%

LAB 92.12, -43.29, -2.12

 

CMYK 40 / 0 / 5 / 0

HEX #99FFF1

RGB 153 255 241

HSL 171.76, 1%, 0.8%

LAB 93.73, -32.97, -2.69

 

CMYK 24 / 0 / 4 / 0

HEX #C3FFF6

RGB 195 255 246

HSL 171, 1%, 0.88%

LAB 95.9, -20.51, -1.84

 

CMYK 55 / 0 / 8 / 0

HEX #72FFEB

RGB 114 255 235

HSL 171.49, 1%, 0.72%

LAB 92.17, -42.91, -2.03

 

CMYK 53 / 56 / 0 / 0

HEX #7770FF

RGB 119 112 255

HSL 242.94, 1%, 0.72%

LAB 54.79, 40.69, -70.61

 

CMYK 0 / 31 / 56 / 0

HEX #FFB070

RGB 255 176 112

HSL 26.85, 1%, 0.72%

LAB 78.16, 22.33, 44.09

 

CMYK 55 / 0 / 8 / 0

HEX #72FFEB

RGB 114 255 235

HSL 171.49, 1%, 0.72%

LAB 92.17, -42.91, -2.03

 

CMYK 8 / 56 / 0 / 0

HEX #EA70FF

RGB 234 112 255

HSL 291.19, 1%, 0.72%

LAB 66.75, 66.87, -50.8

 

CMYK 0 / 8 / 56 / 0

HEX #FFEA70

RGB 255 234 112

HSL 51.19, 1%, 0.72%

LAB 92.25, -7.49, 60.78

 

CMYK 55 / 0 / 8 / 0

HEX #72FFEB

RGB 114 255 235

HSL 171.49, 1%, 0.72%

LAB 92.17, -42.91, -2.03

 

CMYK 53 / 56 / 0 / 0

HEX #7770FF

RGB 119 112 255

HSL 242.94, 1%, 0.72%

LAB 54.79, 40.69, -70.61

 

CMYK 0 / 56 / 47 / 0

HEX #FF7086

RGB 255 112 134

HSL 350.77, 1%, 0.72%

LAB 65.41, 56.28, 15.46

 

CMYK 3 / 0 / 56 / 0

HEX #F8FF70

RGB 248 255 112

HSL 62.94, 1%, 0.72%

LAB 97.08, -20.52, 66.1

 

CMYK 55 / 0 / 8 / 0

HEX #72FFEB

RGB 114 255 235

HSL 171.49, 1%, 0.72%

LAB 92.17, -42.91, -2.03

 

CMYK 36 / 56 / 0 / 0

HEX #A270FF

RGB 162 112 255

HSL 260.98, 1%, 0.72%

LAB 58.5, 49.62, -64.44

 

CMYK 0 / 56 / 47 / 0

HEX #FF7086

RGB 255 112 134

HSL 350.77, 1%, 0.72%

LAB 65.41, 56.28, 15.46

 

CMYK 20 / 0 / 56 / 0

HEX #CDFF70

RGB 205 255 112

HSL 80.98, 1%, 0.72%

LAB 94.17, -36.94, 62.01

 

Description

Color code: HEX #72FFEB00 | qconv.com Color code: HEX #72FFEB00 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 255 green and 235 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 255 235 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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