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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72FF00 it is the complementary color #8D00FF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72FF00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #72FF00: #77FF00, #88FF0E, #99FF21, #AAFF34 and #BBFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72FF00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #72FF00: #72FF00, #61ED00, #50DB00, #3FC900 and #2EB700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 100 / 0

HEX #72FF00

RGB 114 255 0

HSL 93.18, 1%, 0.5%

LAB 89.44, -71.54, 85.25

 

Complementary color

CMYK 45 / 100 / 0 / 0

HEX #8D00FF

RGB 141 0 255

HSL 273.18, 1%, 0.5%

LAB 42.59, 84.21, -90.48

 

CMYK 53 / 0 / 100 / 0

HEX #77FF00

RGB 119 255 0

HSL 92, 1%, 0.5%

LAB 89.6, -70.24, 85.45

 

CMYK 47 / 0 / 95 / 0

HEX #88FF0E

RGB 136 255 14

HSL 89.63, 1%, 0.53%

LAB 90.22, -65.32, 85.14

 

CMYK 40 / 0 / 87 / 0

HEX #99FF21

RGB 153 255 33

HSL 87.57, 1%, 0.56%

LAB 90.96, -59.66, 83.52

 

CMYK 33 / 0 / 80 / 0

HEX #AAFF34

RGB 170 255 52

HSL 85.12, 1%, 0.6%

LAB 91.83, -53.33, 80.45

 

CMYK 27 / 0 / 72 / 0

HEX #BBFF47

RGB 187 255 71

HSL 82.17, 1%, 0.64%

LAB 92.81, -46.41, 76.1

 

CMYK 55 / 0 / 100 / 0

HEX #72FF00

RGB 114 255 0

HSL 93.18, 1%, 0.5%

LAB 89.44, -71.54, 85.25

 

CMYK 59 / 0 / 100 / 7

HEX #61ED00

RGB 97 237 0

HSL 95.44, 1%, 0.46%

LAB 83.5, -69.77, 80.35

 

CMYK 63 / 0 / 100 / 14

HEX #50DB00

RGB 80 219 0

HSL 98.08, 1%, 0.43%

LAB 77.5, -67.81, 75.4

 

CMYK 69 / 0 / 100 / 21

HEX #3FC900

RGB 63 201 0

HSL 101.19, 1%, 0.39%

LAB 71.44, -65.6, 70.42

 

CMYK 75 / 0 / 100 / 28

HEX #2EB700

RGB 46 183 0

HSL 104.92, 1%, 0.36%

LAB 65.32, -63.05, 65.4

 

CMYK 55 / 0 / 100 / 0

HEX #72FF00

RGB 114 255 0

HSL 93.18, 1%, 0.5%

LAB 89.44, -71.54, 85.25

 

CMYK 72 / 0 / 100 / 0

HEX #48FF00

RGB 72 255 0

HSL 103.06, 1%, 0.5%

LAB 88.4, -80.26, 83.99

 

CMYK 89 / 0 / 100 / 0

HEX #1DFF00

RGB 29 255 0

HSL 113.18, 1%, 0.5%

LAB 87.86, -85.03, 83.34

 

CMYK 100 / 0 / 95 / 0

HEX #00FF0C

RGB 0 255 12

HSL 122.82, 1%, 0.5%

LAB 87.75, -86.02, 82.28

 

CMYK 100 / 0 / 78 / 0

HEX #00FF37

RGB 0 255 55

HSL 132.94, 1%, 0.5%

LAB 87.87, -84.45, 74.54

 

CMYK 55 / 0 / 100 / 0

HEX #72FF00

RGB 114 255 0

HSL 93.18, 1%, 0.5%

LAB 89.44, -71.54, 85.25

 

CMYK 55 / 0 / 100 / 80

HEX #173300

RGB 23 51 0

HSL 92.94, 1%, 0.1%

LAB 18.14, -20.72, 25.4

 

CMYK 55 / 0 / 100 / 60

HEX #2E6600

RGB 46 102 0

HSL 92.94, 1%, 0.2%

LAB 37.99, -35, 43.73

 

CMYK 56 / 0 / 100 / 40

HEX #449900

RGB 68 153 0

HSL 93.33, 1%, 0.3%

LAB 56.1, -48.14, 58.33

 

CMYK 55 / 0 / 100 / 20

HEX #5BCC00

RGB 91 204 0

HSL 93.24, 1%, 0.4%

LAB 73.16, -60.13, 72.11

 

CMYK 55 / 0 / 100 / 0

HEX #72FF00

RGB 114 255 0

HSL 93.18, 1%, 0.5%

LAB 89.44, -71.54, 85.25

 

CMYK 100 / 0 / 25 / 0

HEX #00FFBF

RGB 0 255 191

HSL 164.94, 1%, 0.5%

LAB 89.52, -64.68, 16.67

 

CMYK 0 / 100 / 15 / 0

HEX #FF00D8

RGB 255 0 216

HSL 309.18, 1%, 0.5%

LAB 58.24, 93.17, -42.27

 

CMYK 55 / 0 / 100 / 0

HEX #72FF00

RGB 114 255 0

HSL 93.18, 1%, 0.5%

LAB 89.44, -71.54, 85.25

 

CMYK 100 / 55 / 0 / 0

HEX #0072FF

RGB 0 114 255

HSL 213.18, 1%, 0.5%

LAB 50.98, 27.6, -76.99

 

CMYK 0 / 100 / 55 / 0

HEX #FF0072

RGB 255 0 114

HSL 333.18, 1%, 0.5%

LAB 54.53, 83.6, 11.99

 

CMYK 55 / 0 / 100 / 0

HEX #72FF00

RGB 114 255 0

HSL 93.18, 1%, 0.5%

LAB 89.44, -71.54, 85.25

 

CMYK 100 / 0 / 25 / 0

HEX #00FFBF

RGB 0 255 191

HSL 164.94, 1%, 0.5%

LAB 89.52, -64.68, 16.67

 

CMYK 45 / 100 / 0 / 0

HEX #8C00FF

RGB 140 0 255

HSL 272.94, 1%, 0.5%

LAB 42.45, 84.13, -90.7

 

CMYK 0 / 100 / 75 / 0

HEX #FF003F

RGB 255 0 63

HSL 345.18, 1%, 0.5%

LAB 53.62, 81.16, 41.25

 

CMYK 55 / 0 / 100 / 0

HEX #72FF00

RGB 114 255 0

HSL 93.18, 1%, 0.5%

LAB 89.44, -71.54, 85.25

 

CMYK 100 / 5 / 0 / 0

HEX #00F2FF

RGB 0 242 255

HSL 183.06, 1%, 0.5%

LAB 87.35, -42.38, -19.8

 

CMYK 45 / 100 / 0 / 0

HEX #8C00FF

RGB 140 0 255

HSL 272.94, 1%, 0.5%

LAB 42.45, 84.13, -90.7

 

CMYK 0 / 95 / 100 / 0

HEX #FF0C00

RGB 255 12 0

HSL 2.82, 1%, 0.5%

LAB 53.52, 79.29, 67.32

 

Description

Color code: HEX #72FF00 | qconv.com Color code: HEX #72FF00 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 255 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 255 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 100 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 100% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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