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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72FC81 it is the complementary color #8D037E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72FC81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72FC81 shade: #77FC7C, #88FF8F, #99FFA2, #AAFFB5 and #BBFFC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72FC81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72FC81 shade: #72FC81, #61EA6E, #50D85B, #3FC648 and #2EB435

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72FC81 shade: #73FC82, #89FC73, #AEFC73, #D3FC73 and #F8FC73

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72FC81 shade: #73FC82, #73FCA7, #73FCCC, #73FCF1 and #73E2FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72FC81 shade matches the following richer shades: #73FC82

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72FC81 shade: #73FC82, #7FF18B, #8AE594, #96D99D and #A1CEA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72FC81 shade: #AEFC73, #8AFC73, #73FC81, #73FCA5 and #73FCCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72FC81 shade: #22FA3A, #4BFB5E, #73FC82, #9BFDA6 and #C4FECA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72FC81 shade: #72FC81, #73D3FC and #FC739C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72FC81 shade: #72FC81, #8173FC and #FC8173

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72FC81 shade: #72FC81, #73D3FC, #FC73EE and #FC9C73

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72FC81 shade: #72FC81, #73AAFC, #FC73EE and #FCC573

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 0 / 49 / 1

HEX #72FC81

RGB 114 252 129

HSL 126.52, 0.96%, 0.72%

LAB 89.29, -62.1, 47.47

 

Complementary color

CMYK 0 / 98 / 11 / 45

HEX #8D037E

RGB 141 3 126

HSL 306.52, 0.96%, 0.28%

LAB 32.33, 60.55, -31.02

 

CMYK 53 / 0 / 51 / 1

HEX #77FC7C

RGB 119 252 124

HSL 122.26, 0.96%, 0.73%

LAB 89.39, -61.55, 49.97

 

CMYK 47 / 0 / 44 / 0

HEX #88FF8F

RGB 136 255 143

HSL 123.53, 1%, 0.77%

LAB 91.12, -55.75, 43.25

 

CMYK 40 / 0 / 36 / 0

HEX #99FFA2

RGB 153 255 162

HSL 125.29, 1%, 0.8%

LAB 92.09, -48.18, 35.34

 

CMYK 33 / 0 / 29 / 0

HEX #AAFFB5

RGB 170 255 181

HSL 127.76, 1%, 0.83%

LAB 93.19, -40.12, 27.43

 

CMYK 27 / 0 / 22 / 0

HEX #BBFFC8

RGB 187 255 200

HSL 131.47, 1%, 0.87%

LAB 94.42, -31.68, 19.61

 

CMYK 55 / 0 / 49 / 1

HEX #72FC81

RGB 114 252 129

HSL 126.52, 0.96%, 0.72%

LAB 89.29, -62.1, 47.47

 

CMYK 59 / 0 / 53 / 8

HEX #61EA6E

RGB 97 234 110

HSL 125.69, 0.77%, 0.65%

LAB 83.19, -61.89, 48.77

 

CMYK 63 / 0 / 58 / 15

HEX #50D85B

RGB 80 216 91

HSL 124.85, 0.64%, 0.58%

LAB 77.02, -61.47, 50.05

 

CMYK 68 / 0 / 64 / 22

HEX #3FC648

RGB 63 198 72

HSL 124, 0.54%, 0.51%

LAB 70.81, -60.75, 51.22

 

CMYK 74 / 0 / 71 / 29

HEX #2EB435

RGB 46 180 53

HSL 123.13, 0.59%, 0.44%

LAB 64.55, -59.58, 52.15

 

CMYK 54 / 0 / 48 / 1

HEX #73FC82

RGB 115 252 130

HSL 126.57, 0.96%, 0.72%

LAB 89.34, -61.73, 47.06

 

CMYK 46 / 0 / 54 / 1

HEX #89FC73

RGB 137 252 115

HSL 110.36, 0.96%, 0.72%

LAB 89.94, -57.86, 54.9

 

CMYK 31 / 0 / 54 / 1

HEX #AEFC73

RGB 174 252 115

HSL 94.16, 0.96%, 0.72%

LAB 91.62, -46.32, 57.3

 

CMYK 16 / 0 / 54 / 1

HEX #D3FC73

RGB 211 252 115

HSL 77.96, 0.96%, 0.72%

LAB 93.76, -33.1, 60.33

 

CMYK 2 / 0 / 54 / 1

HEX #F8FC73

RGB 248 252 115

HSL 61.75, 0.96%, 0.72%

LAB 96.33, -18.86, 63.96

 

CMYK 54 / 0 / 48 / 1

HEX #73FC82

RGB 115 252 130

HSL 126.57, 0.96%, 0.72%

LAB 89.34, -61.73, 47.06

 

CMYK 54 / 0 / 34 / 1

HEX #73FCA7

RGB 115 252 167

HSL 142.77, 0.96%, 0.72%

LAB 89.89, -55.88, 29.65

 

CMYK 54 / 0 / 19 / 1

HEX #73FCCC

RGB 115 252 204

HSL 158.98, 0.96%, 0.72%

LAB 90.61, -48.55, 11.75

 

CMYK 54 / 0 / 4 / 1

HEX #73FCF1

RGB 115 252 241

HSL 175.18, 0.96%, 0.72%

LAB 91.51, -39.91, -6.11

 

CMYK 54 / 10 / 0 / 1

HEX #73E2FC

RGB 115 226 252

HSL 191.39, 0.96%, 0.72%

LAB 84.52, -24.75, -22.34

 

CMYK 54 / 0 / 48 / 1

HEX #73FC82

RGB 115 252 130

HSL 126.57, 0.96%, 0.72%

LAB 89.34, -61.73, 47.06

 

CMYK 54 / 0 / 48 / 1

HEX #73FC82

RGB 115 252 130

HSL 126.57, 0.96%, 0.72%

LAB 89.34, -61.73, 47.06

 

CMYK 47 / 0 / 42 / 5

HEX #7FF18B

RGB 127 241 139

HSL 126.32, 0.8%, 0.72%

LAB 86.65, -53.12, 39.41

 

CMYK 40 / 0 / 35 / 10

HEX #8AE594

RGB 138 229 148

HSL 126.59, 0.64%, 0.72%

LAB 83.75, -43.61, 31.19

 

CMYK 31 / 0 / 28 / 15

HEX #96D99D

RGB 150 217 157

HSL 126.27, 0.47%, 0.72%

LAB 81.04, -33.03, 23

 

CMYK 22 / 0 / 19 / 19

HEX #A1CEA6

RGB 161 206 166

HSL 126.67, 0.31%, 0.72%

LAB 78.74, -22.58, 15.15

 

CMYK 31 / 0 / 54 / 1

HEX #AEFC73

RGB 174 252 115

HSL 94.16, 0.96%, 0.72%

LAB 91.62, -46.32, 57.3

 

CMYK 45 / 0 / 54 / 1

HEX #8AFC73

RGB 138 252 115

HSL 109.93, 0.96%, 0.72%

LAB 89.98, -57.58, 54.96

 

CMYK 54 / 0 / 49 / 1

HEX #73FC81

RGB 115 252 129

HSL 126.13, 0.96%, 0.72%

LAB 89.32, -61.86, 47.52

 

CMYK 54 / 0 / 35 / 1

HEX #73FCA5

RGB 115 252 165

HSL 141.9, 0.96%, 0.72%

LAB 89.85, -56.23, 30.61

 

CMYK 54 / 0 / 20 / 1

HEX #73FCCA

RGB 115 252 202

HSL 158.1, 0.96%, 0.72%

LAB 90.56, -48.98, 12.72

 

CMYK 86 / 0 / 77 / 2

HEX #22FA3A

RGB 34 250 58

HSL 126.67, 0.96%, 0.56%

LAB 86.51, -81.41, 72.43

 

CMYK 70 / 0 / 63 / 2

HEX #4BFB5E

RGB 75 251 94

HSL 126.48, 0.96%, 0.64%

LAB 87.63, -73.81, 60.83

 

CMYK 54 / 0 / 48 / 1

HEX #73FC82

RGB 115 252 130

HSL 126.57, 0.96%, 0.72%

LAB 89.34, -61.73, 47.06

 

CMYK 39 / 0 / 34 / 1

HEX #9BFDA6

RGB 155 253 166

HSL 126.73, 0.96%, 0.8%

LAB 91.67, -46.13, 32.81

 

CMYK 23 / 0 / 20 / 0

HEX #C4FECA

RGB 196 254 202

HSL 126.21, 0.97%, 0.88%

LAB 94.69, -28.02, 19.04

 

CMYK 55 / 0 / 49 / 1

HEX #72FC81

RGB 114 252 129

HSL 126.52, 0.96%, 0.72%

LAB 89.29, -62.1, 47.47

 

CMYK 54 / 16 / 0 / 1

HEX #73D3FC

RGB 115 211 252

HSL 197.96, 0.96%, 0.72%

LAB 80.33, -17.21, -28.73

 

CMYK 0 / 54 / 38 / 1

HEX #FC739C

RGB 252 115 156

HSL 342.04, 0.96%, 0.72%

LAB 66.03, 56.1, 3.74

 

CMYK 55 / 0 / 49 / 1

HEX #72FC81

RGB 114 252 129

HSL 126.52, 0.96%, 0.72%

LAB 89.29, -62.1, 47.47

 

CMYK 49 / 54 / 0 / 1

HEX #8173FC

RGB 129 115 252

HSL 246.13, 0.96%, 0.72%

LAB 56.04, 40.01, -66.89

 

CMYK 0 / 49 / 54 / 1

HEX #FC8173

RGB 252 129 115

HSL 6.13, 0.96%, 0.72%

LAB 67.75, 45.55, 29.23

 

CMYK 55 / 0 / 49 / 1

HEX #72FC81

RGB 114 252 129

HSL 126.52, 0.96%, 0.72%

LAB 89.29, -62.1, 47.47

 

CMYK 54 / 16 / 0 / 1

HEX #73D3FC

RGB 115 211 252

HSL 197.96, 0.96%, 0.72%

LAB 80.33, -17.21, -28.73

 

CMYK 0 / 54 / 6 / 1

HEX #FC73EE

RGB 252 115 238

HSL 306.13, 0.96%, 0.72%

LAB 68.85, 67.24, -38.01

 

CMYK 0 / 38 / 54 / 1

HEX #FC9C73

RGB 252 156 115

HSL 17.96, 0.96%, 0.72%

LAB 73.36, 31.82, 36.46

 

CMYK 55 / 0 / 49 / 1

HEX #72FC81

RGB 114 252 129

HSL 126.52, 0.96%, 0.72%

LAB 89.29, -62.1, 47.47

 

CMYK 54 / 33 / 0 / 1

HEX #73AAFC

RGB 115 170 252

HSL 215.91, 0.96%, 0.72%

LAB 69.06, 4.97, -46.22

 

CMYK 0 / 54 / 6 / 1

HEX #FC73EE

RGB 252 115 238

HSL 306.13, 0.96%, 0.72%

LAB 68.85, 67.24, -38.01

 

CMYK 0 / 22 / 54 / 1

HEX #FCC573

RGB 252 197 115

HSL 35.91, 0.96%, 0.72%

LAB 82.84, 10.38, 48.23

 

Description

Color code: HEX #72FC81 | qconv.com Color code: HEX #72FC81 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 252 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 252 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, none magenta, 49 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 0% 49% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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