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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72F8B2 it is the complementary color #8D074D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72F8B2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72F8B2 shade: #77F8AD, #88FFC0, #99FFD3, #AAFFE6 and #BBFFF9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72F8B2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72F8B2 shade: #72F8B2, #61E69F, #50D48C, #3FC279 and #2EB066

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72F8B2 shade: #72F8B2, #72F88E, #7AF872, #9EF872 and #C3F872

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72F8B2 shade: #72F8B2, #72F8D6, #72F6F8, #72D2F8 and #72ADF8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72F8B2 shade matches the following richer shades: #72F8B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72F8B2 shade: #72F8B2, #7EECB3, #8AE0B3, #96D4B4 and #A2C8B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72F8B2 shade: #7BF872, #72F88D, #72F8B1, #72F8D4 and #72F8F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72F8B2 shade: #23F587, #4AF69D, #72F8B2, #99FAC8 and #C1FCDD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72F8B2 shade: #72F8B2, #729FF8 and #F87B72

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72F8B2 shade: #72F8B2, #B172F8 and #F8B172

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72F8B2 shade: #72F8B2, #729FF8, #F872BA and #F8CB72

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72F8B2 shade: #72F8B2, #7276F8, #F872BA and #F8F472

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 28 / 3

HEX #72F8B2

RGB 114 248 178

HSL 148.66, 0.91%, 0.71%

LAB 88.89, -52.44, 22.7

 

Complementary color

CMYK 0 / 95 / 45 / 45

HEX #8D074D

RGB 141 7 77

HSL 328.66, 0.91%, 0.29%

LAB 30.28, 54.11, -2.53

 

CMYK 52 / 0 / 30 / 3

HEX #77F8AD

RGB 119 248 173

HSL 145.12, 0.9%, 0.72%

LAB 88.96, -52.25, 25.37

 

CMYK 47 / 0 / 25 / 0

HEX #88FFC0

RGB 136 255 192

HSL 148.24, 1%, 0.77%

LAB 91.94, -47.51, 19.88

 

CMYK 40 / 0 / 17 / 0

HEX #99FFD3

RGB 153 255 211

HSL 154.12, 1%, 0.8%

LAB 93.01, -39.41, 11.75

 

CMYK 33 / 0 / 10 / 0

HEX #AAFFE6

RGB 170 255 230

HSL 162.35, 1%, 0.83%

LAB 94.22, -30.93, 3.8

 

CMYK 27 / 0 / 2 / 0

HEX #BBFFF9

RGB 187 255 249

HSL 174.71, 1%, 0.87%

LAB 95.55, -22.18, -3.96

 

CMYK 54 / 0 / 28 / 3

HEX #72F8B2

RGB 114 248 178

HSL 148.66, 0.91%, 0.71%

LAB 88.89, -52.44, 22.7

 

CMYK 58 / 0 / 31 / 10

HEX #61E69F

RGB 97 230 159

HSL 147.97, 0.73%, 0.64%

LAB 82.72, -52.44, 23.91

 

CMYK 62 / 0 / 34 / 17

HEX #50D48C

RGB 80 212 140

HSL 147.27, 0.61%, 0.57%

LAB 76.49, -52.33, 25.22

 

CMYK 68 / 0 / 38 / 24

HEX #3FC279

RGB 63 194 121

HSL 146.56, 0.52%, 0.5%

LAB 70.19, -52.04, 26.63

 

CMYK 74 / 0 / 42 / 31

HEX #2EB066

RGB 46 176 102

HSL 145.85, 0.59%, 0.44%

LAB 63.83, -51.48, 28.16

 

CMYK 54 / 0 / 28 / 3

HEX #72F8B2

RGB 114 248 178

HSL 148.66, 0.91%, 0.71%

LAB 88.89, -52.44, 22.7

 

CMYK 54 / 0 / 43 / 3

HEX #72F88E

RGB 114 248 142

HSL 132.54, 0.91%, 0.71%

LAB 88.29, -58.7, 39.96

 

CMYK 51 / 0 / 54 / 3

HEX #7AF872

RGB 122 248 114

HSL 116.42, 0.91%, 0.71%

LAB 88.2, -60.52, 53.15

 

CMYK 36 / 0 / 54 / 3

HEX #9EF872

RGB 158 248 114

HSL 100.3, 0.91%, 0.71%

LAB 89.68, -50.01, 55.27

 

CMYK 21 / 0 / 54 / 3

HEX #C3F872

RGB 195 248 114

HSL 83.73, 0.91%, 0.71%

LAB 91.66, -37.28, 58.09

 

CMYK 54 / 0 / 28 / 3

HEX #72F8B2

RGB 114 248 178

HSL 148.66, 0.91%, 0.71%

LAB 88.89, -52.44, 22.7

 

CMYK 54 / 0 / 14 / 3

HEX #72F8D6

RGB 114 248 214

HSL 164.78, 0.91%, 0.71%

LAB 89.66, -44.8, 5.2

 

CMYK 54 / 1 / 0 / 3

HEX #72F6F8

RGB 114 246 248

HSL 180.9, 0.91%, 0.71%

LAB 89.98, -35.57, -12.02

 

CMYK 54 / 15 / 0 / 3

HEX #72D2F8

RGB 114 210 248

HSL 197.01, 0.91%, 0.71%

LAB 79.87, -18.04, -27.3

 

CMYK 54 / 30 / 0 / 3

HEX #72ADF8

RGB 114 173 248

HSL 213.58, 0.91%, 0.71%

LAB 69.64, 1.85, -43.14

 

CMYK 54 / 0 / 28 / 3

HEX #72F8B2

RGB 114 248 178

HSL 148.66, 0.91%, 0.71%

LAB 88.89, -52.44, 22.7

 

CMYK 54 / 0 / 28 / 3

HEX #72F8B2

RGB 114 248 178

HSL 148.66, 0.91%, 0.71%

LAB 88.89, -52.44, 22.7

 

CMYK 47 / 0 / 24 / 7

HEX #7EECB3

RGB 126 236 179

HSL 148.91, 0.74%, 0.71%

LAB 85.85, -44.35, 18.03

 

CMYK 38 / 0 / 20 / 12

HEX #8AE0B3

RGB 138 224 179

HSL 148.6, 0.58%, 0.71%

LAB 82.9, -35.79, 13.96

 

CMYK 29 / 0 / 15 / 17

HEX #96D4B4

RGB 150 212 180

HSL 149.03, 0.42%, 0.71%

LAB 80.1, -26.4, 9.55

 

CMYK 19 / 0 / 10 / 22

HEX #A2C8B4

RGB 162 200 180

HSL 148.42, 0.26%, 0.71%

LAB 77.45, -16.62, 5.84

 

CMYK 50 / 0 / 54 / 3

HEX #7BF872

RGB 123 248 114

HSL 115.97, 0.91%, 0.71%

LAB 88.24, -60.26, 53.2

 

CMYK 54 / 0 / 43 / 3

HEX #72F88D

RGB 114 248 141

HSL 132.09, 0.91%, 0.71%

LAB 88.27, -58.85, 40.43

 

CMYK 54 / 0 / 29 / 3

HEX #72F8B1

RGB 114 248 177

HSL 148.21, 0.91%, 0.71%

LAB 88.87, -52.63, 23.18

 

CMYK 54 / 0 / 15 / 3

HEX #72F8D4

RGB 114 248 212

HSL 163.88, 0.91%, 0.71%

LAB 89.61, -45.26, 6.17

 

CMYK 54 / 0 / 0 / 3

HEX #72F8F8

RGB 114 248 248

HSL 180, 0.91%, 0.71%

LAB 90.55, -36.5, -11.18

 

CMYK 86 / 0 / 45 / 4

HEX #23F587

RGB 35 245 135

HSL 148.57, 0.91%, 0.55%

LAB 85.71, -70.98, 39.75

 

CMYK 70 / 0 / 36 / 4

HEX #4AF69D

RGB 74 246 157

HSL 148.95, 0.91%, 0.63%

LAB 86.9, -63.1, 30.49

 

CMYK 54 / 0 / 28 / 3

HEX #72F8B2

RGB 114 248 178

HSL 148.66, 0.91%, 0.71%

LAB 88.89, -52.44, 22.7

 

CMYK 39 / 0 / 20 / 2

HEX #99FAC8

RGB 153 250 200

HSL 149.07, 0.91%, 0.79%

LAB 91.38, -39.34, 15.1

 

CMYK 23 / 0 / 12 / 1

HEX #C1FCDD

RGB 193 252 221

HSL 148.47, 0.91%, 0.87%

LAB 94.39, -24.59, 8.84

 

CMYK 54 / 0 / 28 / 3

HEX #72F8B2

RGB 114 248 178

HSL 148.66, 0.91%, 0.71%

LAB 88.89, -52.44, 22.7

 

CMYK 54 / 36 / 0 / 3

HEX #729FF8

RGB 114 159 248

HSL 219.85, 0.91%, 0.71%

LAB 65.87, 9.83, -49.07

 

CMYK 0 / 50 / 54 / 3

HEX #F87B72

RGB 248 123 114

HSL 4.03, 0.91%, 0.71%

LAB 66.01, 46.97, 27.39

 

CMYK 54 / 0 / 28 / 3

HEX #72F8B2

RGB 114 248 178

HSL 148.66, 0.91%, 0.71%

LAB 88.89, -52.44, 22.7

 

CMYK 29 / 54 / 0 / 3

HEX #B172F8

RGB 177 114 248

HSL 268.21, 0.91%, 0.71%

LAB 60.03, 50.35, -58.04

 

CMYK 0 / 29 / 54 / 3

HEX #F8B172

RGB 248 177 114

HSL 28.21, 0.91%, 0.71%

LAB 77.65, 19.15, 42.27

 

CMYK 54 / 0 / 28 / 3

HEX #72F8B2

RGB 114 248 178

HSL 148.66, 0.91%, 0.71%

LAB 88.89, -52.44, 22.7

 

CMYK 54 / 36 / 0 / 3

HEX #729FF8

RGB 114 159 248

HSL 219.85, 0.91%, 0.71%

LAB 65.87, 9.83, -49.07

 

CMYK 0 / 54 / 25 / 3

HEX #F872BA

RGB 248 114 186

HSL 327.76, 0.91%, 0.71%

LAB 66.16, 58.91, -13.14

 

CMYK 0 / 18 / 54 / 3

HEX #F8CB72

RGB 248 203 114

HSL 39.85, 0.91%, 0.71%

LAB 83.9, 5.57, 49.91

 

CMYK 54 / 0 / 28 / 3

HEX #72F8B2

RGB 114 248 178

HSL 148.66, 0.91%, 0.71%

LAB 88.89, -52.44, 22.7

 

CMYK 54 / 52 / 0 / 3

HEX #7276F8

RGB 114 118 248

HSL 238.21, 0.91%, 0.71%

LAB 55.39, 34.07, -65.79

 

CMYK 0 / 54 / 25 / 3

HEX #F872BA

RGB 248 114 186

HSL 327.76, 0.91%, 0.71%

LAB 66.16, 58.91, -13.14

 

CMYK 0 / 2 / 54 / 3

HEX #F8F472

RGB 248 244 114

HSL 58.21, 0.91%, 0.71%

LAB 94.26, -15.07, 62.03

 

Description

Color code: HEX #72F8B2 | qconv.com Color code: HEX #72F8B2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 248 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 248 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 28 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 28% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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