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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72F820 it is the complementary color #8D07DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72F820. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72F820 shade: #77F81B, #88FF2E, #99FF41, #AAFF54 and #BBFF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72F820. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72F820 shade: #72F820, #61E60D, #50D400, #3FC200 and #2EB000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72F820 shade: #72F820, #ACF820, #E7F820, #F8CF20 and #F89520

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72F820 shade: #72F820, #38F820, #20F843, #20F87D and #20F8B7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72F820 shade matches the following richer shades: #72F820

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72F820 shade: #72F820, #77E633, #7BD346, #80C058 and #84AE6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72F820 shade: #E6F820, #ADF820, #73F820, #3AF820 and #20F841

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72F820 shade: #4DC006, #5DE807, #72F820, #8CF948 and #A5FB70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72F820 shade: #72F820, #20F8D1 and #F820C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72F820 shade: #72F820, #2073F8 and #F82073

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72F820 shade: #72F820, #20F8D1, #A520F8 and #F82048

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72F820 shade: #72F820, #20DFF8, #A520F8 and #F83A20

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 0 / 87 / 3

HEX #72F820

RGB 114 248 32

HSL 97.22, 0.94%, 0.55%

LAB 87.4, -68.6, 80.07

 

Complementary color

CMYK 37 / 97 / 0 / 13

HEX #8D07DF

RGB 141 7 223

HSL 277.22, 0.94%, 0.45%

LAB 39.82, 77.09, -76.93

 

CMYK 52 / 0 / 89 / 3

HEX #77F81B

RGB 119 248 27

HSL 95.02, 0.94%, 0.54%

LAB 87.55, -67.41, 81.11

 

CMYK 47 / 0 / 82 / 0

HEX #88FF2E

RGB 136 255 46

HSL 94.16, 1%, 0.59%

LAB 90.3, -64.47, 80

 

CMYK 40 / 0 / 75 / 0

HEX #99FF41

RGB 153 255 65

HSL 92.21, 1%, 0.63%

LAB 91.09, -58.35, 75.77

 

CMYK 33 / 0 / 67 / 0

HEX #AAFF54

RGB 170 255 84

HSL 89.82, 1%, 0.66%

LAB 92, -51.56, 70.43

 

CMYK 27 / 0 / 60 / 0

HEX #BBFF67

RGB 187 255 103

HSL 86.84, 1%, 0.7%

LAB 93.04, -44.21, 64.29

 

CMYK 54 / 0 / 87 / 3

HEX #72F820

RGB 114 248 32

HSL 97.22, 0.94%, 0.55%

LAB 87.4, -68.6, 80.07

 

CMYK 58 / 0 / 94 / 10

HEX #61E60D

RGB 97 230 13

HSL 96.77, 0.89%, 0.48%

LAB 81.38, -67.27, 77.53

 

CMYK 62 / 0 / 100 / 17

HEX #50D400

RGB 80 212 0

HSL 97.36, 1%, 0.42%

LAB 75.32, -65.55, 73.68

 

CMYK 68 / 0 / 100 / 24

HEX #3FC200

RGB 63 194 0

HSL 100.52, 1%, 0.38%

LAB 69.21, -63.39, 68.65

 

CMYK 74 / 0 / 100 / 31

HEX #2EB000

RGB 46 176 0

HSL 104.32, 1%, 0.35%

LAB 63.04, -60.9, 63.58

 

CMYK 54 / 0 / 87 / 3

HEX #72F820

RGB 114 248 32

HSL 97.22, 0.94%, 0.55%

LAB 87.4, -68.6, 80.07

 

CMYK 31 / 0 / 87 / 3

HEX #ACF820

RGB 172 248 32

HSL 81.11, 0.94%, 0.55%

LAB 89.86, -50.43, 83.15

 

CMYK 7 / 0 / 87 / 3

HEX #E7F820

RGB 231 248 32

HSL 64.72, 0.94%, 0.55%

LAB 93.55, -27.69, 87.68

 

CMYK 0 / 17 / 87 / 3

HEX #F8CF20

RGB 248 207 32

HSL 48.61, 0.94%, 0.55%

LAB 84.32, -0.46, 80.9

 

CMYK 0 / 40 / 87 / 3

HEX #F89520

RGB 248 149 32

HSL 32.5, 0.94%, 0.55%

LAB 70.56, 29.75, 70.03

 

CMYK 54 / 0 / 87 / 3

HEX #72F820

RGB 114 248 32

HSL 97.22, 0.94%, 0.55%

LAB 87.4, -68.6, 80.07

 

CMYK 77 / 0 / 87 / 3

HEX #38F820

RGB 56 248 32

HSL 113.33, 0.94%, 0.55%

LAB 86.05, -79.91, 78.38

 

CMYK 87 / 0 / 73 / 3

HEX #20F843

RGB 32 248 67

HSL 129.72, 0.94%, 0.55%

LAB 85.93, -80.37, 69

 

CMYK 87 / 0 / 50 / 3

HEX #20F87D

RGB 32 248 125

HSL 145.83, 0.94%, 0.55%

LAB 86.47, -73.76, 45.5

 

CMYK 87 / 0 / 26 / 3

HEX #20F8B7

RGB 32 248 183

HSL 161.94, 0.94%, 0.55%

LAB 87.42, -62.79, 17.85

 

CMYK 54 / 0 / 87 / 3

HEX #72F820

RGB 114 248 32

HSL 97.22, 0.94%, 0.55%

LAB 87.4, -68.6, 80.07

 

CMYK 54 / 0 / 87 / 3

HEX #72F820

RGB 114 248 32

HSL 97.22, 0.94%, 0.55%

LAB 87.4, -68.6, 80.07

 

CMYK 48 / 0 / 78 / 10

HEX #77E633

RGB 119 230 51

HSL 97.21, 0.78%, 0.55%

LAB 82.25, -60.04, 71.07

 

CMYK 42 / 0 / 67 / 17

HEX #7BD346

RGB 123 211 70

HSL 97.45, 0.62%, 0.55%

LAB 76.83, -50.23, 59.17

 

CMYK 33 / 0 / 54 / 25

HEX #80C058

RGB 128 192 88

HSL 96.92, 0.45%, 0.55%

LAB 71.55, -38.79, 45.46

 

CMYK 24 / 0 / 39 / 32

HEX #84AE6B

RGB 132 174 107

HSL 97.61, 0.29%, 0.55%

LAB 66.7, -26.56, 29.92

 

CMYK 7 / 0 / 87 / 3

HEX #E6F820

RGB 230 248 32

HSL 65, 0.94%, 0.55%

LAB 93.48, -28.09, 87.59

 

CMYK 30 / 0 / 87 / 3

HEX #ADF820

RGB 173 248 32

HSL 80.83, 0.94%, 0.55%

LAB 89.92, -50.07, 83.21

 

CMYK 54 / 0 / 87 / 3

HEX #73F820

RGB 115 248 32

HSL 96.94, 0.94%, 0.55%

LAB 87.43, -68.33, 80.11

 

CMYK 77 / 0 / 87 / 3

HEX #3AF820

RGB 58 248 32

HSL 112.78, 0.94%, 0.55%

LAB 86.08, -79.65, 78.42

 

CMYK 87 / 0 / 74 / 3

HEX #20F841

RGB 32 248 65

HSL 129.17, 0.94%, 0.55%

LAB 85.92, -80.52, 69.65

 

CMYK 60 / 0 / 97 / 25

HEX #4DC006

RGB 77 192 6

HSL 97.1, 0.94%, 0.39%

LAB 68.96, -59.48, 67.92

 

CMYK 60 / 0 / 97 / 9

HEX #5DE807

RGB 93 232 7

HSL 97.07, 0.94%, 0.47%

LAB 81.87, -68.98, 78.41

 

CMYK 54 / 0 / 87 / 3

HEX #72F820

RGB 114 248 32

HSL 97.22, 0.94%, 0.55%

LAB 87.4, -68.6, 80.07

 

CMYK 44 / 0 / 71 / 2

HEX #8CF948

RGB 140 249 72

HSL 96.95, 0.94%, 0.63%

LAB 88.83, -59.67, 71.05

 

CMYK 34 / 0 / 55 / 2

HEX #A5FB70

RGB 165 251 112

HSL 97.12, 0.95%, 0.71%

LAB 90.85, -49.19, 57.62

 

CMYK 54 / 0 / 87 / 3

HEX #72F820

RGB 114 248 32

HSL 97.22, 0.94%, 0.55%

LAB 87.4, -68.6, 80.07

 

CMYK 87 / 0 / 16 / 3

HEX #20F8D1

RGB 32 248 209

HSL 169.17, 0.94%, 0.55%

LAB 87.99, -56.61, 5.2

 

CMYK 0 / 87 / 19 / 3

HEX #F820C9

RGB 248 32 201

HSL 313.06, 0.94%, 0.55%

LAB 57.28, 87.16, -35.32

 

CMYK 54 / 0 / 87 / 3

HEX #72F820

RGB 114 248 32

HSL 97.22, 0.94%, 0.55%

LAB 87.4, -68.6, 80.07

 

CMYK 87 / 54 / 0 / 3

HEX #2073F8

RGB 32 115 248

HSL 216.94, 0.94%, 0.55%

LAB 51.09, 25.39, -72.92

 

CMYK 0 / 87 / 54 / 3

HEX #F82073

RGB 248 32 115

HSL 336.94, 0.94%, 0.55%

LAB 54.27, 78.93, 10.82

 

CMYK 54 / 0 / 87 / 3

HEX #72F820

RGB 114 248 32

HSL 97.22, 0.94%, 0.55%

LAB 87.4, -68.6, 80.07

 

CMYK 87 / 0 / 16 / 3

HEX #20F8D1

RGB 32 248 209

HSL 169.17, 0.94%, 0.55%

LAB 87.99, -56.61, 5.2

 

CMYK 33 / 87 / 0 / 3

HEX #A520F8

RGB 165 32 248

HSL 276.94, 0.94%, 0.55%

LAB 46.72, 80.98, -79.64

 

CMYK 0 / 87 / 71 / 3

HEX #F82048

RGB 248 32 72

HSL 348.89, 0.94%, 0.55%

LAB 53.45, 76.59, 35.47

 

CMYK 54 / 0 / 87 / 3

HEX #72F820

RGB 114 248 32

HSL 97.22, 0.94%, 0.55%

LAB 87.4, -68.6, 80.07

 

CMYK 87 / 10 / 0 / 3

HEX #20DFF8

RGB 32 223 248

HSL 186.94, 0.94%, 0.55%

LAB 81.76, -34.81, -24.58

 

CMYK 33 / 87 / 0 / 3

HEX #A520F8

RGB 165 32 248

HSL 276.94, 0.94%, 0.55%

LAB 46.72, 80.98, -79.64

 

CMYK 0 / 77 / 87 / 3

HEX #F83A20

RGB 248 58 32

HSL 7.22, 0.94%, 0.55%

LAB 55.16, 69.47, 57.98

 

Description

Color code: HEX #72F820 | qconv.com Color code: HEX #72F820 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 248 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 248 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, none magenta, 87 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 0% 87% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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