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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72F7FE it is the complementary color #8D0801. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72F7FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72F7FE shade: #77F7F9, #88FFFF, #99FFFF, #AAFFFF and #BBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72F7FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72F7FE shade: #72F7FE, #61E5EB, #50D3D8, #3FC1C5 and #2EAFB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72F7FE shade: #71F7FE, #71D1FE, #71ABFE, #7185FE and #8371FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72F7FE shade: #71F7FE, #71D1FE, #71ABFE, #7185FE and #7171FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72F7FE shade matches the following richer shades: #71F7FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72F7FE shade: #71F7FE, #7CEDF3, #88E2E7, #94D8DC and #9FCED0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72F7FE shade: #71FEBA, #71FEE0, #71F7FE, #71D2FE and #71ACFE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72F7FE shade: #1FF3FE, #48F5FE, #71F7FE, #9AF9FE and #C3FCFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72F7FE shade: #72F7FE, #9471FE and #FECD71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72F7FE shade: #72F7FE, #FE71F7 and #F7FE71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72F7FE shade: #72F7FE, #9471FE, #FE7871 and #DBFE71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72F7FE shade: #72F7FE, #BF71FE, #FE7871 and #B1FE71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 3 / 0 / 0

HEX #72F7FE

RGB 114 247 254

HSL 183, 0.99%, 0.72%

LAB 90.44, -34.47, -14.46

 

Complementary color

CMYK 0 / 94 / 99 / 45

HEX #8D0801

RGB 141 8 1

HSL 3, 0.99%, 0.28%

LAB 29, 50.26, 41.82

 

CMYK 52 / 1 / 0 / 2

HEX #77F7F9

RGB 119 247 249

HSL 180.92, 0.92%, 0.72%

LAB 90.45, -34.82, -11.83

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 33 / 0 / 0 / 0

HEX #AAFFFF

RGB 170 255 255

HSL 180, 1%, 0.83%

LAB 94.86, -25.48, -8.16

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 55 / 3 / 0 / 0

HEX #72F7FE

RGB 114 247 254

HSL 183, 0.99%, 0.72%

LAB 90.44, -34.47, -14.46

 

CMYK 59 / 3 / 0 / 8

HEX #61E5EB

RGB 97 229 235

HSL 182.61, 0.78%, 0.65%

LAB 84.27, -34.16, -13.8

 

CMYK 63 / 2 / 0 / 15

HEX #50D3D8

RGB 80 211 216

HSL 182.21, 0.64%, 0.58%

LAB 78.02, -33.74, -13.09

 

CMYK 68 / 2 / 0 / 23

HEX #3FC1C5

RGB 63 193 197

HSL 181.79, 0.54%, 0.51%

LAB 71.71, -33.15, -12.31

 

CMYK 74 / 2 / 0 / 30

HEX #2EAFB2

RGB 46 175 178

HSL 181.36, 0.59%, 0.44%

LAB 65.32, -32.35, -11.45

 

CMYK 56 / 3 / 0 / 0

HEX #71F7FE

RGB 113 247 254

HSL 182.98, 0.99%, 0.72%

LAB 90.41, -34.65, -14.51

 

CMYK 56 / 18 / 0 / 0

HEX #71D1FE

RGB 113 209 254

HSL 199.15, 0.99%, 0.72%

LAB 79.77, -16, -30.66

 

CMYK 56 / 33 / 0 / 0

HEX #71ABFE

RGB 113 171 254

HSL 215.32, 0.99%, 0.72%

LAB 69.32, 4.61, -46.9

 

CMYK 56 / 48 / 0 / 0

HEX #7185FE

RGB 113 133 254

HSL 231.49, 0.99%, 0.72%

LAB 59.38, 26.81, -62.69

 

CMYK 48 / 56 / 0 / 0

HEX #8371FE

RGB 131 113 254

HSL 247.66, 0.99%, 0.72%

LAB 55.88, 42.15, -68.26

 

CMYK 56 / 3 / 0 / 0

HEX #71F7FE

RGB 113 247 254

HSL 182.98, 0.99%, 0.72%

LAB 90.41, -34.65, -14.51

 

CMYK 56 / 18 / 0 / 0

HEX #71D1FE

RGB 113 209 254

HSL 199.15, 0.99%, 0.72%

LAB 79.77, -16, -30.66

 

CMYK 56 / 33 / 0 / 0

HEX #71ABFE

RGB 113 171 254

HSL 215.32, 0.99%, 0.72%

LAB 69.32, 4.61, -46.9

 

CMYK 56 / 48 / 0 / 0

HEX #7185FE

RGB 113 133 254

HSL 231.49, 0.99%, 0.72%

LAB 59.38, 26.81, -62.69

 

CMYK 56 / 56 / 0 / 0

HEX #7171FE

RGB 113 113 254

HSL 240, 0.99%, 0.72%

LAB 54.53, 38.7, -70.5

 

CMYK 56 / 3 / 0 / 0

HEX #71F7FE

RGB 113 247 254

HSL 182.98, 0.99%, 0.72%

LAB 90.41, -34.65, -14.51

 

CMYK 56 / 3 / 0 / 0

HEX #71F7FE

RGB 113 247 254

HSL 182.98, 0.99%, 0.72%

LAB 90.41, -34.65, -14.51

 

CMYK 49 / 2 / 0 / 5

HEX #7CEDF3

RGB 124 237 243

HSL 183.03, 0.83%, 0.72%

LAB 87.64, -30.65, -12.87

 

CMYK 41 / 2 / 0 / 9

HEX #88E2E7

RGB 136 226 231

HSL 183.16, 0.66%, 0.72%

LAB 84.69, -25.65, -10.91

 

CMYK 33 / 2 / 0 / 14

HEX #94D8DC

RGB 148 216 220

HSL 183.33, 0.51%, 0.72%

LAB 82.15, -20.28, -8.8

 

CMYK 24 / 1 / 0 / 18

HEX #9FCED0

RGB 159 206 208

HSL 182.45, 0.34%, 0.72%

LAB 79.65, -14.8, -6.02

 

CMYK 56 / 0 / 27 / 0

HEX #71FEBA

RGB 113 254 186

HSL 151.06, 0.99%, 0.72%

LAB 90.75, -53.53, 21.18

 

CMYK 56 / 0 / 12 / 0

HEX #71FEE0

RGB 113 254 224

HSL 167.23, 0.99%, 0.72%

LAB 91.58, -45.29, 2.8

 

CMYK 56 / 3 / 0 / 0

HEX #71F7FE

RGB 113 247 254

HSL 182.98, 0.99%, 0.72%

LAB 90.41, -34.65, -14.51

 

CMYK 56 / 17 / 0 / 0

HEX #71D2FE

RGB 113 210 254

HSL 198.72, 0.99%, 0.72%

LAB 80.04, -16.51, -30.23

 

CMYK 56 / 32 / 0 / 0

HEX #71ACFE

RGB 113 172 254

HSL 214.89, 0.99%, 0.72%

LAB 69.59, 4.05, -46.47

 

CMYK 88 / 4 / 0 / 0

HEX #1FF3FE

RGB 31 243 254

HSL 182.96, 0.99%, 0.56%

LAB 87.75, -42.22, -18.66

 

CMYK 72 / 4 / 0 / 0

HEX #48F5FE

RGB 72 245 254

HSL 182.97, 0.99%, 0.64%

LAB 88.85, -39.82, -16.96

 

CMYK 56 / 3 / 0 / 0

HEX #71F7FE

RGB 113 247 254

HSL 182.98, 0.99%, 0.72%

LAB 90.41, -34.65, -14.51

 

CMYK 39 / 2 / 0 / 0

HEX #9AF9FE

RGB 154 249 254

HSL 183, 0.98%, 0.8%

LAB 92.48, -26.85, -11.27

 

CMYK 24 / 1 / 0 / 0

HEX #C3FCFF

RGB 195 252 255

HSL 183, 1%, 0.88%

LAB 95.35, -17.16, -7.3

 

CMYK 55 / 3 / 0 / 0

HEX #72F7FE

RGB 114 247 254

HSL 183, 0.99%, 0.72%

LAB 90.44, -34.47, -14.46

 

CMYK 42 / 56 / 0 / 0

HEX #9471FE

RGB 148 113 254

HSL 254.89, 0.99%, 0.72%

LAB 57.33, 45.71, -65.84

 

CMYK 0 / 19 / 56 / 0

HEX #FECD71

RGB 254 205 113

HSL 39.15, 0.99%, 0.72%

LAB 84.96, 6.89, 51.79

 

CMYK 55 / 3 / 0 / 0

HEX #72F7FE

RGB 114 247 254

HSL 183, 0.99%, 0.72%

LAB 90.44, -34.47, -14.46

 

CMYK 0 / 56 / 3 / 0

HEX #FE71F7

RGB 254 113 247

HSL 302.98, 0.99%, 0.72%

LAB 69.18, 70.09, -42.41

 

CMYK 3 / 0 / 56 / 0

HEX #F7FE71

RGB 247 254 113

HSL 62.98, 0.99%, 0.72%

LAB 96.76, -20.36, 65.28

 

CMYK 55 / 3 / 0 / 0

HEX #72F7FE

RGB 114 247 254

HSL 183, 0.99%, 0.72%

LAB 90.44, -34.47, -14.46

 

CMYK 42 / 56 / 0 / 0

HEX #9471FE

RGB 148 113 254

HSL 254.89, 0.99%, 0.72%

LAB 57.33, 45.71, -65.84

 

CMYK 0 / 53 / 56 / 0

HEX #FE7871

RGB 254 120 113

HSL 2.98, 0.99%, 0.72%

LAB 66.29, 50.47, 28.47

 

CMYK 14 / 0 / 56 / 0

HEX #DBFE71

RGB 219 254 113

HSL 74.89, 0.99%, 0.72%

LAB 94.8, -31.18, 62.53

 

CMYK 55 / 3 / 0 / 0

HEX #72F7FE

RGB 114 247 254

HSL 183, 0.99%, 0.72%

LAB 90.44, -34.47, -14.46

 

CMYK 25 / 56 / 0 / 0

HEX #BF71FE

RGB 191 113 254

HSL 273.19, 0.99%, 0.72%

LAB 61.69, 55.63, -58.61

 

CMYK 0 / 53 / 56 / 0

HEX #FE7871

RGB 254 120 113

HSL 2.98, 0.99%, 0.72%

LAB 66.29, 50.47, 28.47

 

CMYK 30 / 0 / 56 / 0

HEX #B1FE71

RGB 177 254 113

HSL 92.77, 0.99%, 0.72%

LAB 92.32, -46.35, 59.03

 

Description

Color code: HEX #72F7FE | qconv.com Color code: HEX #72F7FE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 247 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 247 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 3 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 3% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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