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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72F5DF it is the complementary color #8D0A20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72F5DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72F5DF shade: #77F5DA, #88FFED, #99FFFF, #AAFFFF and #BBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72F5DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72F5DF shade: #72F5DF, #61E3CC, #50D1B9, #3FBFA6 and #2EAD93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72F5DF shade: #70F5DF, #70F5BB, #70F597, #70F573 and #91F570

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72F5DF shade: #70F5DF, #70E8F5, #70C4F5, #70A0F5 and #707CF5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72F5DF shade matches the following richer shades: #70F5DF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72F5DF shade: #70F5DF, #7CE9D6, #89DCCE, #95D0C6 and #A1C4BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72F5DF shade: #70F596, #70F5B9, #70F5DD, #70EAF5 and #70C6F5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72F5DF shade: #23F0CD, #49F2D6, #70F5DF, #97F8E7 and #BDFAF0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72F5DF shade: #72F5DF, #7270F5 and #F5A770

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72F5DF shade: #72F5DF, #DD70F5 and #F5DD70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72F5DF shade: #72F5DF, #7270F5, #F57088 and #F3F570

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72F5DF shade: #72F5DF, #9A70F5, #F57088 and #CBF570

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 9 / 4

HEX #72F5DF

RGB 114 245 223

HSL 169.92, 0.87%, 0.7%

LAB 89.02, -41.37, -0.41

 

Complementary color

CMYK 0 / 93 / 77 / 45

HEX #8D0A20

RGB 141 10 32

HSL 349.92, 0.87%, 0.3%

LAB 29.37, 50.68, 26.14

 

CMYK 51 / 0 / 11 / 4

HEX #77F5DA

RGB 119 245 218

HSL 167.14, 0.86%, 0.71%

LAB 89.06, -41.52, 2.27

 

CMYK 47 / 0 / 7 / 0

HEX #88FFED

RGB 136 255 237

HSL 170.92, 1%, 0.77%

LAB 92.96, -37.88, -1.83

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 33 / 0 / 0 / 0

HEX #AAFFFF

RGB 170 255 255

HSL 180, 1%, 0.83%

LAB 94.86, -25.48, -8.16

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 53 / 0 / 9 / 4

HEX #72F5DF

RGB 114 245 223

HSL 169.92, 0.87%, 0.7%

LAB 89.02, -41.37, -0.41

 

CMYK 57 / 0 / 10 / 11

HEX #61E3CC

RGB 97 227 204

HSL 169.38, 0.7%, 0.64%

LAB 82.83, -41.26, 0.47

 

CMYK 62 / 0 / 11 / 18

HEX #50D1B9

RGB 80 209 185

HSL 168.84, 0.58%, 0.57%

LAB 76.56, -41.06, 1.41

 

CMYK 67 / 0 / 13 / 25

HEX #3FBFA6

RGB 63 191 166

HSL 168.28, 0.5%, 0.5%

LAB 70.23, -40.71, 2.44

 

CMYK 73 / 0 / 15 / 32

HEX #2EAD93

RGB 46 173 147

HSL 167.72, 0.58%, 0.43%

LAB 63.81, -40.15, 3.59

 

CMYK 54 / 0 / 9 / 4

HEX #70F5DF

RGB 112 245 223

HSL 170.08, 0.87%, 0.7%

LAB 88.96, -41.76, -0.51

 

CMYK 54 / 0 / 24 / 4

HEX #70F5BB

RGB 112 245 187

HSL 153.83, 0.87%, 0.7%

LAB 88.13, -49.83, 17.01

 

CMYK 54 / 0 / 38 / 4

HEX #70F597

RGB 112 245 151

HSL 137.59, 0.87%, 0.7%

LAB 87.48, -56.55, 34.44

 

CMYK 54 / 0 / 53 / 4

HEX #70F573

RGB 112 245 115

HSL 121.35, 0.87%, 0.7%

LAB 86.99, -61.79, 51.16

 

CMYK 41 / 0 / 54 / 4

HEX #91F570

RGB 145 245 112

HSL 105.11, 0.87%, 0.7%

LAB 88.21, -53.06, 54.28

 

CMYK 54 / 0 / 9 / 4

HEX #70F5DF

RGB 112 245 223

HSL 170.08, 0.87%, 0.7%

LAB 88.96, -41.76, -0.51

 

CMYK 54 / 5 / 0 / 4

HEX #70E8F5

RGB 112 232 245

HSL 185.86, 0.87%, 0.7%

LAB 85.88, -30.15, -16.6

 

CMYK 54 / 20 / 0 / 4

HEX #70C4F5

RGB 112 196 245

HSL 202.11, 0.87%, 0.7%

LAB 75.77, -12.02, -32

 

CMYK 54 / 35 / 0 / 4

HEX #70A0F5

RGB 112 160 245

HSL 218.35, 0.87%, 0.7%

LAB 65.89, 7.91, -47.41

 

CMYK 54 / 49 / 0 / 4

HEX #707CF5

RGB 112 124 245

HSL 234.59, 0.87%, 0.7%

LAB 56.54, 29.17, -62.29

 

CMYK 54 / 0 / 9 / 4

HEX #70F5DF

RGB 112 245 223

HSL 170.08, 0.87%, 0.7%

LAB 88.96, -41.76, -0.51

 

CMYK 54 / 0 / 9 / 4

HEX #70F5DF

RGB 112 245 223

HSL 170.08, 0.87%, 0.7%

LAB 88.96, -41.76, -0.51

 

CMYK 47 / 0 / 8 / 9

HEX #7CE9D6

RGB 124 233 214

HSL 169.54, 0.71%, 0.7%

LAB 85.71, -35.91, -0.49

 

CMYK 38 / 0 / 6 / 14

HEX #89DCCE

RGB 137 220 206

HSL 169.88, 0.54%, 0.7%

LAB 82.36, -28.43, -1.1

 

CMYK 28 / 0 / 5 / 18

HEX #95D0C6

RGB 149 208 198

HSL 169.83, 0.39%, 0.7%

LAB 79.37, -20.98, -1.13

 

CMYK 18 / 0 / 3 / 23

HEX #A1C4BE

RGB 161 196 190

HSL 169.71, 0.23%, 0.7%

LAB 76.54, -12.89, -0.89

 

CMYK 54 / 0 / 39 / 4

HEX #70F596

RGB 112 245 150

HSL 137.14, 0.87%, 0.7%

LAB 87.46, -56.72, 34.92

 

CMYK 54 / 0 / 24 / 4

HEX #70F5B9

RGB 112 245 185

HSL 152.93, 0.87%, 0.7%

LAB 88.09, -50.24, 17.98

 

CMYK 54 / 0 / 10 / 4

HEX #70F5DD

RGB 112 245 221

HSL 169.17, 0.87%, 0.7%

LAB 88.91, -42.24, 0.46

 

CMYK 54 / 4 / 0 / 4

HEX #70EAF5

RGB 112 234 245

HSL 184.96, 0.87%, 0.7%

LAB 86.45, -31.11, -15.75

 

CMYK 54 / 19 / 0 / 4

HEX #70C6F5

RGB 112 198 245

HSL 201.2, 0.87%, 0.7%

LAB 76.33, -13.07, -31.14

 

CMYK 85 / 0 / 15 / 6

HEX #23F0CD

RGB 35 240 205

HSL 169.76, 0.87%, 0.54%

LAB 85.55, -54.24, 3.75

 

CMYK 70 / 0 / 12 / 5

HEX #49F2D6

RGB 73 242 214

HSL 170.06, 0.87%, 0.62%

LAB 86.89, -49.11, 1.05

 

CMYK 54 / 0 / 9 / 4

HEX #70F5DF

RGB 112 245 223

HSL 170.08, 0.87%, 0.7%

LAB 88.96, -41.76, -0.51

 

CMYK 39 / 0 / 7 / 3

HEX #97F8E7

RGB 151 248 231

HSL 169.48, 0.87%, 0.78%

LAB 91.45, -32.45, -0.85

 

CMYK 24 / 0 / 4 / 2

HEX #BDFAF0

RGB 189 250 240

HSL 170.16, 0.86%, 0.86%

LAB 94.09, -21.07, -1.43

 

CMYK 53 / 0 / 9 / 4

HEX #72F5DF

RGB 114 245 223

HSL 169.92, 0.87%, 0.7%

LAB 89.02, -41.37, -0.41

 

CMYK 53 / 54 / 0 / 4

HEX #7270F5

RGB 114 112 245

HSL 240.9, 0.87%, 0.7%

LAB 53.77, 36.71, -66.74

 

CMYK 0 / 32 / 54 / 4

HEX #F5A770

RGB 245 167 112

HSL 24.81, 0.87%, 0.7%

LAB 74.96, 23.05, 39.89

 

CMYK 53 / 0 / 9 / 4

HEX #72F5DF

RGB 114 245 223

HSL 169.92, 0.87%, 0.7%

LAB 89.02, -41.37, -0.41

 

CMYK 10 / 54 / 0 / 4

HEX #DD70F5

RGB 221 112 245

HSL 289.17, 0.87%, 0.7%

LAB 64.61, 61.75, -48.8

 

CMYK 0 / 10 / 54 / 4

HEX #F5DD70

RGB 245 221 112

HSL 49.17, 0.87%, 0.7%

LAB 88.11, -5.01, 55.77

 

CMYK 53 / 0 / 9 / 4

HEX #72F5DF

RGB 114 245 223

HSL 169.92, 0.87%, 0.7%

LAB 89.02, -41.37, -0.41

 

CMYK 53 / 54 / 0 / 4

HEX #7270F5

RGB 114 112 245

HSL 240.9, 0.87%, 0.7%

LAB 53.77, 36.71, -66.74

 

CMYK 0 / 54 / 44 / 4

HEX #F57088

RGB 245 112 136

HSL 349.17, 0.87%, 0.7%

LAB 63.98, 53.13, 12.1

 

CMYK 1 / 0 / 54 / 4

HEX #F3F570

RGB 243 245 112

HSL 60.9, 0.87%, 0.7%

LAB 94.11, -17.69, 62.64

 

CMYK 53 / 0 / 9 / 4

HEX #72F5DF

RGB 114 245 223

HSL 169.92, 0.87%, 0.7%

LAB 89.02, -41.37, -0.41

 

CMYK 37 / 54 / 0 / 4

HEX #9A70F5

RGB 154 112 245

HSL 258.95, 0.87%, 0.7%

LAB 57.13, 45.23, -61.16

 

CMYK 0 / 54 / 44 / 4

HEX #F57088

RGB 245 112 136

HSL 349.17, 0.87%, 0.7%

LAB 63.98, 53.13, 12.1

 

CMYK 17 / 0 / 54 / 4

HEX #CBF570

RGB 203 245 112

HSL 78.95, 0.87%, 0.7%

LAB 91.31, -33.14, 58.69

 

Description

Color code: HEX #72F5DF | qconv.com Color code: HEX #72F5DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 245 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 245 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 9 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 9% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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