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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72F4C6 it is the complementary color #8D0B39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72F4C6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72F4C6 shade: #77F4C1, #88FFD4, #99FFE7, #AAFFFA and #BBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72F4C6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72F4C6 shade: #72F4C6, #61E2B3, #50D0A0, #3FBE8D and #2EAC7A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72F4C6 shade: #71F4C6, #71F4A2, #71F47F, #86F471 and #AAF471

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72F4C6 shade: #71F4C6, #71F4E9, #71DCF4, #71B8F4 and #7195F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72F4C6 shade matches the following richer shades: #71F4C6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72F4C6 shade: #71F4C6, #7DE8C2, #89DCBE, #96CFBB and #A2C3B7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72F4C6 shade: #71F47E, #71F4A1, #71F4C4, #71F4E7 and #71DEF4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72F4C6 shade: #24EFA7, #4AF1B6, #71F4C6, #97F7D5 and #BDFAE5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72F4C6 shade: #72F4C6, #7187F4 and #F48F71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72F4C6 shade: #72F4C6, #C471F4 and #F4C471

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72F4C6 shade: #72F4C6, #7187F4, #F471A1 and #F4DE71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72F4C6 shade: #72F4C6, #8271F4, #F471A1 and #E3F471

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 0 / 19 / 4

HEX #72F4C6

RGB 114 244 198

HSL 158.77, 0.86%, 0.7%

LAB 88.14, -46.65, 11.34

 

Complementary color

CMYK 0 / 92 / 60 / 45

HEX #8D0B39

RGB 141 11 57

HSL 338.77, 0.86%, 0.3%

LAB 29.91, 51.86, 10.29

 

CMYK 51 / 0 / 21 / 4

HEX #77F4C1

RGB 119 244 193

HSL 155.52, 0.85%, 0.71%

LAB 88.2, -46.62, 14.03

 

CMYK 47 / 0 / 17 / 0

HEX #88FFD4

RGB 136 255 212

HSL 158.32, 1%, 0.77%

LAB 92.36, -43.45, 10.21

 

CMYK 40 / 0 / 9 / 0

HEX #99FFE7

RGB 153 255 231

HSL 165.88, 1%, 0.8%

LAB 93.48, -35.2, 2.11

 

CMYK 33 / 0 / 2 / 0

HEX #AAFFFA

RGB 170 255 250

HSL 176.47, 1%, 0.83%

LAB 94.72, -26.61, -5.78

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 53 / 0 / 19 / 4

HEX #72F4C6

RGB 114 244 198

HSL 158.77, 0.86%, 0.7%

LAB 88.14, -46.65, 11.34

 

CMYK 57 / 0 / 21 / 11

HEX #61E2B3

RGB 97 226 179

HSL 158.14, 0.69%, 0.63%

LAB 81.94, -46.64, 12.39

 

CMYK 62 / 0 / 23 / 18

HEX #50D0A0

RGB 80 208 160

HSL 157.5, 0.58%, 0.56%

LAB 75.67, -46.55, 13.53

 

CMYK 67 / 0 / 26 / 25

HEX #3FBE8D

RGB 63 190 141

HSL 156.85, 0.5%, 0.5%

LAB 69.33, -46.3, 14.78

 

CMYK 73 / 0 / 29 / 33

HEX #2EAC7A

RGB 46 172 122

HSL 156.19, 0.58%, 0.43%

LAB 62.92, -45.82, 16.15

 

CMYK 54 / 0 / 19 / 4

HEX #71F4C6

RGB 113 244 198

HSL 158.93, 0.86%, 0.7%

LAB 88.11, -46.86, 11.29

 

CMYK 54 / 0 / 34 / 4

HEX #71F4A2

RGB 113 244 162

HSL 142.44, 0.86%, 0.7%

LAB 87.4, -54.02, 28.81

 

CMYK 54 / 0 / 48 / 4

HEX #71F47F

RGB 113 244 127

HSL 126.41, 0.86%, 0.7%

LAB 86.87, -59.6, 45.4

 

CMYK 45 / 0 / 54 / 4

HEX #86F471

RGB 134 244 113

HSL 110.38, 0.86%, 0.7%

LAB 87.47, -55.81, 52.83

 

CMYK 30 / 0 / 54 / 4

HEX #AAF471

RGB 170 244 113

HSL 93.89, 0.86%, 0.7%

LAB 89.13, -44.45, 55.21

 

CMYK 54 / 0 / 19 / 4

HEX #71F4C6

RGB 113 244 198

HSL 158.93, 0.86%, 0.7%

LAB 88.11, -46.86, 11.29

 

CMYK 54 / 0 / 5 / 4

HEX #71F4E9

RGB 113 244 233

HSL 174.96, 0.86%, 0.7%

LAB 88.97, -38.67, -5.71

 

CMYK 54 / 10 / 0 / 4

HEX #71DCF4

RGB 113 220 244

HSL 190.99, 0.86%, 0.7%

LAB 82.5, -24.39, -21.17

 

CMYK 54 / 25 / 0 / 4

HEX #71B8F4

RGB 113 184 244

HSL 207.48, 0.86%, 0.7%

LAB 72.44, -5.66, -36.6

 

CMYK 54 / 39 / 0 / 4

HEX #7195F4

RGB 113 149 244

HSL 223.51, 0.86%, 0.7%

LAB 62.96, 14.2, -51.48

 

CMYK 54 / 0 / 19 / 4

HEX #71F4C6

RGB 113 244 198

HSL 158.93, 0.86%, 0.7%

LAB 88.11, -46.86, 11.29

 

CMYK 54 / 0 / 19 / 4

HEX #71F4C6

RGB 113 244 198

HSL 158.93, 0.86%, 0.7%

LAB 88.11, -46.86, 11.29

 

CMYK 46 / 0 / 16 / 9

HEX #7DE8C2

RGB 125 232 194

HSL 158.69, 0.7%, 0.7%

LAB 84.98, -39.73, 8.97

 

CMYK 38 / 0 / 14 / 14

HEX #89DCBE

RGB 137 220 190

HSL 158.31, 0.54%, 0.7%

LAB 81.96, -31.95, 6.81

 

CMYK 28 / 0 / 10 / 19

HEX #96CFBB

RGB 150 207 187

HSL 158.95, 0.37%, 0.7%

LAB 78.87, -22.53, 4.03

 

CMYK 17 / 0 / 6 / 24

HEX #A2C3B7

RGB 162 195 183

HSL 158.18, 0.22%, 0.7%

LAB 76.15, -13.47, 2.34

 

CMYK 54 / 0 / 48 / 4

HEX #71F47E

RGB 113 244 126

HSL 125.95, 0.86%, 0.7%

LAB 86.86, -59.74, 45.86

 

CMYK 54 / 0 / 34 / 4

HEX #71F4A1

RGB 113 244 161

HSL 141.98, 0.86%, 0.7%

LAB 87.38, -54.2, 29.29

 

CMYK 54 / 0 / 20 / 4

HEX #71F4C4

RGB 113 244 196

HSL 158.02, 0.86%, 0.7%

LAB 88.06, -47.29, 12.26

 

CMYK 54 / 0 / 5 / 4

HEX #71F4E7

RGB 113 244 231

HSL 174.05, 0.86%, 0.7%

LAB 88.91, -39.16, -4.74

 

CMYK 54 / 9 / 0 / 4

HEX #71DEF4

RGB 113 222 244

HSL 190.08, 0.86%, 0.7%

LAB 83.06, -25.38, -20.32

 

CMYK 85 / 0 / 30 / 6

HEX #24EFA7

RGB 36 239 167

HSL 158.72, 0.86%, 0.54%

LAB 84.43, -62.72, 21.95

 

CMYK 69 / 0 / 24 / 5

HEX #4AF1B6

RGB 74 241 182

HSL 158.8, 0.86%, 0.62%

LAB 85.88, -56.12, 16.29

 

CMYK 54 / 0 / 19 / 4

HEX #71F4C6

RGB 113 244 198

HSL 158.93, 0.86%, 0.7%

LAB 88.11, -46.86, 11.29

 

CMYK 39 / 0 / 14 / 3

HEX #97F7D5

RGB 151 247 213

HSL 158.75, 0.86%, 0.78%

LAB 90.74, -35.89, 7.45

 

CMYK 24 / 0 / 8 / 2

HEX #BDFAE5

RGB 189 250 229

HSL 159.34, 0.86%, 0.86%

LAB 93.82, -23.29, 3.86

 

CMYK 53 / 0 / 19 / 4

HEX #72F4C6

RGB 114 244 198

HSL 158.77, 0.86%, 0.7%

LAB 88.14, -46.65, 11.34

 

CMYK 54 / 45 / 0 / 4

HEX #7187F4

RGB 113 135 244

HSL 229.92, 0.86%, 0.7%

LAB 59.32, 22.48, -57.28

 

CMYK 0 / 41 / 54 / 4

HEX #F48F71

RGB 244 143 113

HSL 13.74, 0.86%, 0.7%

LAB 69.52, 35.31, 32.42

 

CMYK 53 / 0 / 19 / 4

HEX #72F4C6

RGB 114 244 198

HSL 158.77, 0.86%, 0.7%

LAB 88.14, -46.65, 11.34

 

CMYK 20 / 54 / 0 / 4

HEX #C471F4

RGB 196 113 244

HSL 278.02, 0.86%, 0.7%

LAB 61.72, 54.69, -53.01

 

CMYK 0 / 20 / 54 / 4

HEX #F4C471

RGB 244 196 113

HSL 38.02, 0.86%, 0.7%

LAB 81.79, 7.49, 47.75

 

CMYK 53 / 0 / 19 / 4

HEX #72F4C6

RGB 114 244 198

HSL 158.77, 0.86%, 0.7%

LAB 88.14, -46.65, 11.34

 

CMYK 54 / 45 / 0 / 4

HEX #7187F4

RGB 113 135 244

HSL 229.92, 0.86%, 0.7%

LAB 59.32, 22.48, -57.28

 

CMYK 0 / 54 / 34 / 4

HEX #F471A1

RGB 244 113 161

HSL 338.02, 0.86%, 0.7%

LAB 64.66, 55.01, -1.24

 

CMYK 0 / 9 / 54 / 4

HEX #F4DE71

RGB 244 222 113

HSL 49.92, 0.86%, 0.7%

LAB 88.29, -5.84, 55.49

 

CMYK 53 / 0 / 19 / 4

HEX #72F4C6

RGB 114 244 198

HSL 158.77, 0.86%, 0.7%

LAB 88.14, -46.65, 11.34

 

CMYK 47 / 54 / 0 / 4

HEX #8271F4

RGB 130 113 244

HSL 247.79, 0.86%, 0.7%

LAB 55.16, 39.06, -63.88

 

CMYK 0 / 54 / 34 / 4

HEX #F471A1

RGB 244 113 161

HSL 338.02, 0.86%, 0.7%

LAB 64.66, 55.01, -1.24

 

CMYK 7 / 0 / 54 / 4

HEX #E3F471

RGB 227 244 113

HSL 67.79, 0.86%, 0.7%

LAB 92.67, -23.41, 60.24

 

Description

Color code: HEX #72F4C6 | qconv.com Color code: HEX #72F4C6 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 244 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 244 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, none magenta, 19 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 0% 19% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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