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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72EFF6 it is the complementary color #8D1009. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72EFF6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72EFF6 shade: #77EFF1, #88FFFF, #99FFFF, #AAFFFF and #BBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72EFF6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72EFF6 shade: #72EFF6, #61DDE3, #50CBD0, #3FB9BD and #2EA7AA

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72EFF6 shade: #74EFF6, #74CCF6, #74A9F6, #7486F6 and #8574F6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72EFF6 shade: #74EFF6, #74CCF6, #74A9F6, #7486F6 and #7474F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72EFF6 shade matches the following richer shades: #74EFF6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72EFF6 shade: #74EFF6, #80E5EA, #8CDADE, #98CFD2 and #A4C4C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72EFF6 shade: #74F6B7, #74F6DA, #74F0F6, #74CDF6 and #74AAF6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72EFF6 shade: #26E6F1, #4DEBF4, #74EFF6, #9BF4F9 and #C2F8FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72EFF6 shade: #72EFF6, #9574F6 and #F6C974

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72EFF6 shade: #72EFF6, #F674F0 and #F0F674

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72EFF6 shade: #72EFF6, #9574F6, #F67A74 and #D6F674

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72EFF6 shade: #72EFF6, #BC74F6, #F67A74 and #AFF674

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 3 / 0 / 4

HEX #72EFF6

RGB 114 239 246

HSL 183.18, 0.88%, 0.71%

LAB 87.95, -32.83, -14.01

 

Complementary color

CMYK 0 / 89 / 94 / 45

HEX #8D1009

RGB 141 16 9

HSL 3.18, 0.88%, 0.29%

LAB 29.55, 48.95, 38.99

 

CMYK 51 / 1 / 0 / 5

HEX #77EFF1

RGB 119 239 241

HSL 180.98, 0.81%, 0.71%

LAB 87.97, -33.14, -11.35

 

CMYK 47 / 0 / 0 / 0

HEX #88FFFF

RGB 136 255 255

HSL 180, 1%, 0.77%

LAB 93.44, -33.56, -10.43

 

CMYK 40 / 0 / 0 / 0

HEX #99FFFF

RGB 153 255 255

HSL 180, 1%, 0.8%

LAB 94.1, -29.71, -9.37

 

CMYK 33 / 0 / 0 / 0

HEX #AAFFFF

RGB 170 255 255

HSL 180, 1%, 0.83%

LAB 94.86, -25.48, -8.16

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 54 / 3 / 0 / 4

HEX #72EFF6

RGB 114 239 246

HSL 183.18, 0.88%, 0.71%

LAB 87.95, -32.83, -14.01

 

CMYK 57 / 3 / 0 / 11

HEX #61DDE3

RGB 97 221 227

HSL 182.77, 0.7%, 0.64%

LAB 81.73, -32.56, -13.36

 

CMYK 62 / 2 / 0 / 18

HEX #50CBD0

RGB 80 203 208

HSL 182.34, 0.58%, 0.56%

LAB 75.43, -32.18, -12.66

 

CMYK 67 / 2 / 0 / 26

HEX #3FB9BD

RGB 63 185 189

HSL 181.9, 0.5%, 0.49%

LAB 69.06, -31.65, -11.9

 

CMYK 73 / 2 / 0 / 33

HEX #2EA7AA

RGB 46 167 170

HSL 181.45, 0.57%, 0.42%

LAB 62.61, -30.91, -11.05

 

CMYK 53 / 3 / 0 / 4

HEX #74EFF6

RGB 116 239 246

HSL 183.23, 0.88%, 0.71%

LAB 88.02, -32.44, -13.91

 

CMYK 53 / 17 / 0 / 4

HEX #74CCF6

RGB 116 204 246

HSL 199.38, 0.88%, 0.71%

LAB 78.2, -15.1, -28.78

 

CMYK 53 / 31 / 0 / 4

HEX #74A9F6

RGB 116 169 246

HSL 215.54, 0.88%, 0.71%

LAB 68.56, 3.92, -43.73

 

CMYK 53 / 46 / 0 / 4

HEX #7486F6

RGB 116 134 246

HSL 231.69, 0.88%, 0.71%

LAB 59.36, 24.32, -58.31

 

CMYK 46 / 53 / 0 / 4

HEX #8574F6

RGB 133 116 246

HSL 247.85, 0.88%, 0.71%

LAB 56.22, 38.54, -63.27

 

CMYK 53 / 3 / 0 / 4

HEX #74EFF6

RGB 116 239 246

HSL 183.23, 0.88%, 0.71%

LAB 88.02, -32.44, -13.91

 

CMYK 53 / 17 / 0 / 4

HEX #74CCF6

RGB 116 204 246

HSL 199.38, 0.88%, 0.71%

LAB 78.2, -15.1, -28.78

 

CMYK 53 / 31 / 0 / 4

HEX #74A9F6

RGB 116 169 246

HSL 215.54, 0.88%, 0.71%

LAB 68.56, 3.92, -43.73

 

CMYK 53 / 46 / 0 / 4

HEX #7486F6

RGB 116 134 246

HSL 231.69, 0.88%, 0.71%

LAB 59.36, 24.32, -58.31

 

CMYK 53 / 53 / 0 / 4

HEX #7474F6

RGB 116 116 246

HSL 240, 0.88%, 0.71%

LAB 54.93, 35.03, -65.42

 

CMYK 53 / 3 / 0 / 4

HEX #74EFF6

RGB 116 239 246

HSL 183.23, 0.88%, 0.71%

LAB 88.02, -32.44, -13.91

 

CMYK 53 / 3 / 0 / 4

HEX #74EFF6

RGB 116 239 246

HSL 183.23, 0.88%, 0.71%

LAB 88.02, -32.44, -13.91

 

CMYK 45 / 2 / 0 / 8

HEX #80E5EA

RGB 128 229 234

HSL 182.83, 0.72%, 0.71%

LAB 85.29, -28.23, -11.64

 

CMYK 37 / 2 / 0 / 13

HEX #8CDADE

RGB 140 218 222

HSL 182.93, 0.55%, 0.71%

LAB 82.37, -22.92, -9.57

 

CMYK 28 / 1 / 0 / 18

HEX #98CFD2

RGB 152 207 210

HSL 183.1, 0.39%, 0.71%

LAB 79.59, -16.92, -7.23

 

CMYK 17 / 1 / 0 / 22

HEX #A4C4C6

RGB 164 196 198

HSL 183.53, 0.23%, 0.71%

LAB 76.95, -10.25, -4.59

 

CMYK 53 / 0 / 26 / 4

HEX #74F6B7

RGB 116 246 183

HSL 150.92, 0.88%, 0.71%

LAB 88.47, -50.18, 19.56

 

CMYK 53 / 0 / 11 / 4

HEX #74F6DA

RGB 116 246 218

HSL 167.08, 0.88%, 0.71%

LAB 89.25, -42.59, 2.53

 

CMYK 53 / 2 / 0 / 4

HEX #74F0F6

RGB 116 240 246

HSL 182.77, 0.88%, 0.71%

LAB 88.3, -32.91, -13.49

 

CMYK 53 / 17 / 0 / 4

HEX #74CDF6

RGB 116 205 246

HSL 198.92, 0.88%, 0.71%

LAB 78.48, -15.62, -28.36

 

CMYK 53 / 31 / 0 / 4

HEX #74AAF6

RGB 116 170 246

HSL 215.08, 0.88%, 0.71%

LAB 68.84, 3.36, -43.3

 

CMYK 84 / 5 / 0 / 5

HEX #26E6F1

RGB 38 230 241

HSL 183.25, 0.88%, 0.55%

LAB 83.63, -39.82, -18.04

 

CMYK 68 / 4 / 0 / 4

HEX #4DEBF4

RGB 77 235 244

HSL 183.23, 0.88%, 0.63%

LAB 85.77, -37.47, -16.34

 

CMYK 53 / 3 / 0 / 4

HEX #74EFF6

RGB 116 239 246

HSL 183.23, 0.88%, 0.71%

LAB 88.02, -32.44, -13.91

 

CMYK 38 / 2 / 0 / 2

HEX #9BF4F9

RGB 155 244 249

HSL 183.19, 0.89%, 0.79%

LAB 91.01, -25.38, -10.84

 

CMYK 23 / 1 / 0 / 2

HEX #C2F8FB

RGB 194 248 251

HSL 183.16, 0.88%, 0.87%

LAB 94.13, -16.32, -7.04

 

CMYK 54 / 3 / 0 / 4

HEX #72EFF6

RGB 114 239 246

HSL 183.18, 0.88%, 0.71%

LAB 87.95, -32.83, -14.01

 

CMYK 39 / 53 / 0 / 4

HEX #9574F6

RGB 149 116 246

HSL 255.23, 0.88%, 0.71%

LAB 57.59, 42.11, -60.99

 

CMYK 0 / 18 / 53 / 4

HEX #F6C974

RGB 246 201 116

HSL 39.23, 0.88%, 0.71%

LAB 83.25, 5.95, 48.09

 

CMYK 54 / 3 / 0 / 4

HEX #72EFF6

RGB 114 239 246

HSL 183.18, 0.88%, 0.71%

LAB 87.95, -32.83, -14.01

 

CMYK 0 / 53 / 2 / 4

HEX #F674F0

RGB 246 116 240

HSL 302.77, 0.88%, 0.71%

LAB 68.3, 65.52, -40.02

 

CMYK 2 / 0 / 53 / 4

HEX #F0F674

RGB 240 246 116

HSL 62.77, 0.88%, 0.71%

LAB 94.18, -19.04, 60.9

 

CMYK 54 / 3 / 0 / 4

HEX #72EFF6

RGB 114 239 246

HSL 183.18, 0.88%, 0.71%

LAB 87.95, -32.83, -14.01

 

CMYK 39 / 53 / 0 / 4

HEX #9574F6

RGB 149 116 246

HSL 255.23, 0.88%, 0.71%

LAB 57.59, 42.11, -60.99

 

CMYK 0 / 50 / 53 / 4

HEX #F67A74

RGB 246 122 116

HSL 2.77, 0.88%, 0.71%

LAB 65.57, 46.9, 25.64

 

CMYK 13 / 0 / 53 / 4

HEX #D6F674

RGB 214 246 116

HSL 74.77, 0.88%, 0.71%

LAB 92.34, -29.1, 58.29

 

CMYK 54 / 3 / 0 / 4

HEX #72EFF6

RGB 114 239 246

HSL 183.18, 0.88%, 0.71%

LAB 87.95, -32.83, -14.01

 

CMYK 24 / 53 / 0 / 4

HEX #BC74F6

RGB 188 116 246

HSL 273.23, 0.88%, 0.71%

LAB 61.51, 51.56, -54.5

 

CMYK 0 / 50 / 53 / 4

HEX #F67A74

RGB 246 122 116

HSL 2.77, 0.88%, 0.71%

LAB 65.57, 46.9, 25.64

 

CMYK 29 / 0 / 53 / 4

HEX #AFF674

RGB 175 246 116

HSL 92.77, 0.88%, 0.71%

LAB 89.99, -43.29, 54.94

 

Description

Color code: HEX #72EFF6 | qconv.com Color code: HEX #72EFF6 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 239 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 239 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 3 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 3% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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