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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72EE3E it is the complementary color #8D11C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72EE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72EE3E shade: #77EE39, #88FF4C, #99FF5F, #AAFF72 and #BBFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72EE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72EE3E shade: #72EE3E, #61DC2B, #50CA18, #3FB805 and #2EA600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72EE3E shade: #72EE3E, #A1EE3E, #D1EE3E, #EEDB3E and #EEAC3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72EE3E shade: #72EE3E, #43EE3E, #3EEE69, #3EEE98 and #3EEEC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72EE3E shade matches the following richer shades: #72EE3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72EE3E shade: #72EE3E, #79DD4F, #80CC60, #87BB71 and #8EAA82

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72EE3E shade: #D0EE3E, #A2EE3E, #73EE3E, #44EE3E and #3EEE67

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72EE3E shade: #47C811, #56EA18, #72EE3E, #8EF164 and #A9F48A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72EE3E shade: #72EE3E, #3EEEDC and #EE3EB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72EE3E shade: #72EE3E, #3E73EE and #EE3E73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72EE3E shade: #72EE3E, #3EEEDC, #B93EEE and #EE3E50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72EE3E shade: #72EE3E, #3ECBEE, #B93EEE and #EE613E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 74 / 7

HEX #72EE3E

RGB 114 238 62

HSL 102.27, 0.84%, 0.59%

LAB 84.52, -63.71, 69.8

 

Complementary color

CMYK 27 / 91 / 0 / 24

HEX #8D11C1

RGB 141 17 193

HSL 282.27, 0.84%, 0.41%

LAB 37.69, 69.95, -63.03

 

CMYK 50 / 0 / 76 / 7

HEX #77EE39

RGB 119 238 57

HSL 99.45, 0.84%, 0.58%

LAB 84.67, -62.64, 71.59

 

CMYK 47 / 0 / 70 / 0

HEX #88FF4C

RGB 136 255 76

HSL 99.89, 1%, 0.65%

LAB 90.45, -62.83, 71.25

 

CMYK 40 / 0 / 63 / 0

HEX #99FF5F

RGB 153 255 95

HSL 98.25, 1%, 0.69%

LAB 91.29, -56.25, 65.16

 

CMYK 33 / 0 / 55 / 0

HEX #AAFF72

RGB 170 255 114

HSL 96.17, 1%, 0.72%

LAB 92.26, -49.02, 58.43

 

CMYK 27 / 0 / 48 / 0

HEX #BBFF85

RGB 187 255 133

HSL 93.44, 1%, 0.76%

LAB 93.35, -41.28, 51.31

 

CMYK 52 / 0 / 74 / 7

HEX #72EE3E

RGB 114 238 62

HSL 102.27, 0.84%, 0.59%

LAB 84.52, -63.71, 69.8

 

CMYK 56 / 0 / 80 / 14

HEX #61DC2B

RGB 97 220 43

HSL 101.69, 0.72%, 0.52%

LAB 78.4, -62.89, 69.46

 

CMYK 60 / 0 / 88 / 21

HEX #50CA18

RGB 80 202 24

HSL 101.12, 0.79%, 0.44%

LAB 72.24, -61.72, 68.15

 

CMYK 66 / 0 / 97 / 28

HEX #3FB805

RGB 63 184 5

HSL 100.56, 0.95%, 0.37%

LAB 66.02, -60.06, 65.5

 

CMYK 72 / 0 / 100 / 35

HEX #2EA600

RGB 46 166 0

HSL 103.37, 1%, 0.33%

LAB 59.76, -57.76, 60.97

 

CMYK 52 / 0 / 74 / 7

HEX #72EE3E

RGB 114 238 62

HSL 102.27, 0.84%, 0.59%

LAB 84.52, -63.71, 69.8

 

CMYK 32 / 0 / 74 / 7

HEX #A1EE3E

RGB 161 238 62

HSL 86.25, 0.84%, 0.59%

LAB 86.54, -49.02, 72.46

 

CMYK 12 / 0 / 74 / 7

HEX #D1EE3E

RGB 209 238 62

HSL 69.89, 0.84%, 0.59%

LAB 89.42, -30.93, 76.21

 

CMYK 0 / 8 / 74 / 7

HEX #EEDB3E

RGB 238 219 62

HSL 53.52, 0.84%, 0.59%

LAB 86.6, -9.86, 74.35

 

CMYK 0 / 28 / 74 / 7

HEX #EEAC3E

RGB 238 172 62

HSL 37.5, 0.84%, 0.59%

LAB 74.84, 14.42, 63.07

 

CMYK 52 / 0 / 74 / 7

HEX #72EE3E

RGB 114 238 62

HSL 102.27, 0.84%, 0.59%

LAB 84.52, -63.71, 69.8

 

CMYK 72 / 0 / 74 / 7

HEX #43EE3E

RGB 67 238 62

HSL 118.3, 0.84%, 0.59%

LAB 83.28, -73.83, 68.16

 

CMYK 74 / 0 / 56 / 7

HEX #3EEE69

RGB 62 238 105

HSL 134.66, 0.84%, 0.59%

LAB 83.54, -70.31, 51.3

 

CMYK 74 / 0 / 36 / 7

HEX #3EEE98

RGB 62 238 152

HSL 150.68, 0.84%, 0.59%

LAB 84.19, -62.79, 29.36

 

CMYK 74 / 0 / 16 / 7

HEX #3EEEC8

RGB 62 238 200

HSL 167.05, 0.84%, 0.59%

LAB 85.17, -52.29, 5.87

 

CMYK 52 / 0 / 74 / 7

HEX #72EE3E

RGB 114 238 62

HSL 102.27, 0.84%, 0.59%

LAB 84.52, -63.71, 69.8

 

CMYK 52 / 0 / 74 / 7

HEX #72EE3E

RGB 114 238 62

HSL 102.27, 0.84%, 0.59%

LAB 84.52, -63.71, 69.8

 

CMYK 45 / 0 / 64 / 13

HEX #79DD4F

RGB 121 221 79

HSL 102.25, 0.68%, 0.59%

LAB 79.81, -54.06, 58.73

 

CMYK 37 / 0 / 53 / 20

HEX #80CC60

RGB 128 204 96

HSL 102.22, 0.51%, 0.59%

LAB 75.21, -43.15, 46.03

 

CMYK 28 / 0 / 40 / 27

HEX #87BB71

RGB 135 187 113

HSL 102.16, 0.35%, 0.59%

LAB 70.79, -30.88, 32.13

 

CMYK 16 / 0 / 24 / 33

HEX #8EAA82

RGB 142 170 130

HSL 102, 0.19%, 0.59%

LAB 66.61, -17.3, 17.5

 

CMYK 13 / 0 / 74 / 7

HEX #D0EE3E

RGB 208 238 62

HSL 70.23, 0.84%, 0.59%

LAB 89.35, -31.32, 76.12

 

CMYK 32 / 0 / 74 / 7

HEX #A2EE3E

RGB 162 238 62

HSL 85.91, 0.84%, 0.59%

LAB 86.59, -48.67, 72.53

 

CMYK 52 / 0 / 74 / 7

HEX #73EE3E

RGB 115 238 62

HSL 101.93, 0.84%, 0.59%

LAB 84.56, -63.44, 69.85

 

CMYK 71 / 0 / 74 / 7

HEX #44EE3E

RGB 68 238 62

HSL 117.95, 0.84%, 0.59%

LAB 83.3, -73.67, 68.18

 

CMYK 74 / 0 / 57 / 7

HEX #3EEE67

RGB 62 238 103

HSL 133.98, 0.84%, 0.59%

LAB 83.52, -70.56, 52.18

 

CMYK 65 / 0 / 92 / 22

HEX #47C811

RGB 71 200 17

HSL 102.3, 0.84%, 0.43%

LAB 71.34, -63.31, 68.46

 

CMYK 63 / 0 / 90 / 8

HEX #56EA18

RGB 86 234 24

HSL 102.29, 0.83%, 0.51%

LAB 82.32, -70.87, 76.78

 

CMYK 52 / 0 / 74 / 7

HEX #72EE3E

RGB 114 238 62

HSL 102.27, 0.84%, 0.59%

LAB 84.52, -63.71, 69.8

 

CMYK 41 / 0 / 59 / 5

HEX #8EF164

RGB 142 241 100

HSL 102.13, 0.83%, 0.67%

LAB 86.79, -53.63, 57.91

 

CMYK 31 / 0 / 43 / 4

HEX #A9F48A

RGB 169 244 138

HSL 102.45, 0.83%, 0.75%

LAB 89.38, -41.9, 43.77

 

CMYK 52 / 0 / 74 / 7

HEX #72EE3E

RGB 114 238 62

HSL 102.27, 0.84%, 0.59%

LAB 84.52, -63.71, 69.8

 

CMYK 74 / 0 / 8 / 7

HEX #3EEEDC

RGB 62 238 220

HSL 173.86, 0.84%, 0.59%

LAB 85.68, -47.18, -3.89

 

CMYK 0 / 74 / 22 / 7

HEX #EE3EB9

RGB 238 62 185

HSL 318.07, 0.84%, 0.59%

LAB 57.2, 76.32, -26.37

 

CMYK 52 / 0 / 74 / 7

HEX #72EE3E

RGB 114 238 62

HSL 102.27, 0.84%, 0.59%

LAB 84.52, -63.71, 69.8

 

CMYK 74 / 52 / 0 / 7

HEX #3E73EE

RGB 62 115 238

HSL 221.93, 0.84%, 0.59%

LAB 51.22, 24.3, -67.1

 

CMYK 0 / 74 / 52 / 7

HEX #EE3E73

RGB 238 62 115

HSL 341.93, 0.84%, 0.59%

LAB 54.93, 69.21, 11.48

 

CMYK 52 / 0 / 74 / 7

HEX #72EE3E

RGB 114 238 62

HSL 102.27, 0.84%, 0.59%

LAB 84.52, -63.71, 69.8

 

CMYK 74 / 0 / 8 / 7

HEX #3EEEDC

RGB 62 238 220

HSL 173.86, 0.84%, 0.59%

LAB 85.68, -47.18, -3.89

 

CMYK 22 / 74 / 0 / 7

HEX #B93EEE

RGB 185 62 238

HSL 281.93, 0.84%, 0.59%

LAB 51.76, 73.54, -65.71

 

CMYK 0 / 74 / 66 / 7

HEX #EE3E50

RGB 238 62 80

HSL 353.86, 0.84%, 0.59%

LAB 54.24, 66.97, 31.32

 

CMYK 52 / 0 / 74 / 7

HEX #72EE3E

RGB 114 238 62

HSL 102.27, 0.84%, 0.59%

LAB 84.52, -63.71, 69.8

 

CMYK 74 / 15 / 0 / 7

HEX #3ECBEE

RGB 62 203 238

HSL 191.93, 0.84%, 0.59%

LAB 76.01, -25.78, -27.99

 

CMYK 22 / 74 / 0 / 7

HEX #B93EEE

RGB 185 62 238

HSL 281.93, 0.84%, 0.59%

LAB 51.76, 73.54, -65.71

 

CMYK 0 / 59 / 74 / 7

HEX #EE613E

RGB 238 97 62

HSL 11.93, 0.84%, 0.59%

LAB 59.04, 52.49, 46.84

 

Description

Color code: HEX #72EE3E | qconv.com Color code: HEX #72EE3E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 238 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 238 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 74 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 74% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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