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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72EB49 it is the complementary color #8D14B6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72EB49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72EB49 shade: #77EB44, #88FD57, #99FF6A, #AAFF7D and #BBFF90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72EB49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72EB49 shade: #72EB49, #61D936, #50C723, #3FB510 and #2EA300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72EB49 shade: #71EB47, #9DEB47, #C9EB47, #EBE047 and #EBB447

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72EB49 shade: #71EB47, #47EB4A, #47EB76, #47EBA2 and #47EBCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72EB49 shade matches the following richer shades: #71EB47 and #69FB37

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72EB49 shade: #71EB47, #79DA58, #81CA68, #89B979 and #91A989

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72EB49 shade: #CAEB47, #9EEB47, #73EB47, #47EB47 and #47EB73

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72EB49 shade: #44C916, #54E622, #71EB47, #8DEF6D and #AAF392

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72EB49 shade: #72EB49, #47EBE0 and #EB47B4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72EB49 shade: #72EB49, #4773EB and #EB4773

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72EB49 shade: #72EB49, #47EBE0, #BF47EB and #EB4752

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72EB49 shade: #72EB49, #47C5EB, #BF47EB and #EB6D47

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 51 / 0 / 69 / 8

HEX #72EB49

RGB 114 235 73

HSL 104.81, 0.8%, 0.6%

LAB 83.69, -61.85, 65.12

 

Complementary color

CMYK 23 / 89 / 0 / 29

HEX #8D14B6

RGB 141 20 182

HSL 284.81, 0.8%, 0.4%

LAB 37, 67.32, -57.65

 

CMYK 49 / 0 / 71 / 8

HEX #77EB44

RGB 119 235 68

HSL 101.68, 0.81%, 0.59%

LAB 83.84, -60.84, 67.14

 

CMYK 46 / 0 / 66 / 1

HEX #88FD57

RGB 136 253 87

HSL 102.29, 0.98%, 0.67%

LAB 89.94, -61.25, 66.66

 

CMYK 40 / 0 / 58 / 0

HEX #99FF6A

RGB 153 255 106

HSL 101.07, 1%, 0.71%

LAB 91.38, -55.25, 60.69

 

CMYK 33 / 0 / 51 / 0

HEX #AAFF7D

RGB 170 255 125

HSL 99.23, 1%, 0.75%

LAB 92.37, -47.87, 53.62

 

CMYK 27 / 0 / 44 / 0

HEX #BBFF90

RGB 187 255 144

HSL 96.76, 1%, 0.78%

LAB 93.49, -39.99, 46.28

 

CMYK 51 / 0 / 69 / 8

HEX #72EB49

RGB 114 235 73

HSL 104.81, 0.8%, 0.6%

LAB 83.69, -61.85, 65.12

 

CMYK 55 / 0 / 75 / 15

HEX #61D936

RGB 97 217 54

HSL 104.17, 0.68%, 0.53%

LAB 77.54, -61.22, 65.36

 

CMYK 60 / 0 / 82 / 22

HEX #50C723

RGB 80 199 35

HSL 103.54, 0.7%, 0.46%

LAB 71.33, -60.25, 64.9

 

CMYK 65 / 0 / 91 / 29

HEX #3FB510

RGB 63 181 16

HSL 102.91, 0.84%, 0.39%

LAB 65.08, -58.82, 63.27

 

CMYK 72 / 0 / 100 / 36

HEX #2EA300

RGB 46 163 0

HSL 103.07, 1%, 0.32%

LAB 58.77, -56.81, 60.18

 

CMYK 52 / 0 / 70 / 8

HEX #71EB47

RGB 113 235 71

HSL 104.63, 0.8%, 0.6%

LAB 83.64, -62.27, 65.8

 

CMYK 33 / 0 / 70 / 8

HEX #9DEB47

RGB 157 235 71

HSL 88.54, 0.8%, 0.6%

LAB 85.52, -48.63, 68.32

 

CMYK 14 / 0 / 70 / 8

HEX #C9EB47

RGB 201 235 71

HSL 72.44, 0.8%, 0.6%

LAB 88.11, -32.25, 71.76

 

CMYK 0 / 5 / 70 / 8

HEX #EBE047

RGB 235 224 71

HSL 55.98, 0.8%, 0.6%

LAB 87.69, -13.19, 72.2

 

CMYK 0 / 23 / 70 / 8

HEX #EBB447

RGB 235 180 71

HSL 39.88, 0.8%, 0.6%

LAB 76.53, 9.35, 60.97

 

CMYK 52 / 0 / 70 / 8

HEX #71EB47

RGB 113 235 71

HSL 104.63, 0.8%, 0.6%

LAB 83.64, -62.27, 65.8

 

CMYK 70 / 0 / 69 / 8

HEX #47EB4A

RGB 71 235 74

HSL 121.1, 0.8%, 0.6%

LAB 82.51, -71.29, 63.15

 

CMYK 70 / 0 / 50 / 8

HEX #47EB76

RGB 71 235 118

HSL 137.2, 0.8%, 0.6%

LAB 82.95, -66.16, 44.57

 

CMYK 70 / 0 / 31 / 8

HEX #47EBA2

RGB 71 235 162

HSL 153.29, 0.8%, 0.6%

LAB 83.63, -58.46, 23.51

 

CMYK 70 / 0 / 12 / 8

HEX #47EBCE

RGB 71 235 206

HSL 169.39, 0.8%, 0.6%

LAB 84.59, -48.43, 1.91

 

CMYK 52 / 0 / 70 / 8

HEX #71EB47

RGB 113 235 71

HSL 104.63, 0.8%, 0.6%

LAB 83.64, -62.27, 65.8

 

CMYK 58 / 0 / 78 / 2

HEX #69FB37

RGB 105 251 55

HSL 104.69, 0.96%, 0.6%

LAB 88.1, -70.88, 75.27

 

CMYK 52 / 0 / 70 / 8

HEX #71EB47

RGB 113 235 71

HSL 104.63, 0.8%, 0.6%

LAB 83.64, -62.27, 65.8

 

CMYK 44 / 0 / 60 / 15

HEX #79DA58

RGB 121 218 88

HSL 104.77, 0.64%, 0.6%

LAB 78.99, -52.03, 54.01

 

CMYK 36 / 0 / 49 / 21

HEX #81CA68

RGB 129 202 104

HSL 104.69, 0.48%, 0.6%

LAB 74.77, -40.98, 41.64

 

CMYK 26 / 0 / 35 / 27

HEX #89B979

RGB 137 185 121

HSL 105, 0.31%, 0.6%

LAB 70.45, -28.04, 27.51

 

CMYK 14 / 0 / 19 / 34

HEX #91A989

RGB 145 169 137

HSL 105, 0.16%, 0.6%

LAB 66.67, -14.49, 13.78

 

CMYK 14 / 0 / 70 / 8

HEX #CAEB47

RGB 202 235 71

HSL 72.07, 0.8%, 0.6%

LAB 88.17, -31.86, 71.85

 

CMYK 33 / 0 / 70 / 8

HEX #9EEB47

RGB 158 235 71

HSL 88.17, 0.8%, 0.6%

LAB 85.57, -48.28, 68.39

 

CMYK 51 / 0 / 70 / 8

HEX #73EB47

RGB 115 235 71

HSL 103.9, 0.8%, 0.6%

LAB 83.71, -61.73, 65.89

 

CMYK 70 / 0 / 70 / 8

HEX #47EB47

RGB 71 235 71

HSL 120, 0.8%, 0.6%

LAB 82.49, -71.54, 64.24

 

CMYK 70 / 0 / 51 / 8

HEX #47EB73

RGB 71 235 115

HSL 136.1, 0.8%, 0.6%

LAB 82.91, -66.59, 45.95

 

CMYK 66 / 0 / 89 / 21

HEX #44C916

RGB 68 201 22

HSL 104.58, 0.8%, 0.44%

LAB 71.6, -64.13, 67.84

 

CMYK 63 / 0 / 85 / 10

HEX #54E622

RGB 84 230 34

HSL 104.69, 0.8%, 0.52%

LAB 81.07, -69.69, 73.86

 

CMYK 52 / 0 / 70 / 8

HEX #71EB47

RGB 113 235 71

HSL 104.63, 0.8%, 0.6%

LAB 83.64, -62.27, 65.8

 

CMYK 41 / 0 / 54 / 6

HEX #8DEF6D

RGB 141 239 109

HSL 105.23, 0.8%, 0.68%

LAB 86.26, -52.19, 53.28

 

CMYK 30 / 0 / 40 / 5

HEX #AAF392

RGB 170 243 146

HSL 105.15, 0.8%, 0.76%

LAB 89.26, -40.07, 39.72

 

CMYK 51 / 0 / 69 / 8

HEX #72EB49

RGB 114 235 73

HSL 104.81, 0.8%, 0.6%

LAB 83.69, -61.85, 65.12

 

CMYK 70 / 0 / 5 / 8

HEX #47EBE0

RGB 71 235 224

HSL 175.98, 0.8%, 0.6%

LAB 85.07, -43.75, -6.87

 

CMYK 0 / 70 / 23 / 8

HEX #EB47B4

RGB 235 71 180

HSL 320.12, 0.8%, 0.6%

LAB 57.52, 72.07, -23.02

 

CMYK 51 / 0 / 69 / 8

HEX #72EB49

RGB 114 235 73

HSL 104.81, 0.8%, 0.6%

LAB 83.69, -61.85, 65.12

 

CMYK 70 / 51 / 0 / 8

HEX #4773EB

RGB 71 115 235

HSL 223.9, 0.8%, 0.6%

LAB 51.38, 24.38, -65.14

 

CMYK 0 / 70 / 51 / 8

HEX #EB4773

RGB 235 71 115

HSL 343.9, 0.8%, 0.6%

LAB 55.49, 65.33, 12.18

 

CMYK 51 / 0 / 69 / 8

HEX #72EB49

RGB 114 235 73

HSL 104.81, 0.8%, 0.6%

LAB 83.69, -61.85, 65.12

 

CMYK 70 / 0 / 5 / 8

HEX #47EBE0

RGB 71 235 224

HSL 175.98, 0.8%, 0.6%

LAB 85.07, -43.75, -6.87

 

CMYK 19 / 70 / 0 / 8

HEX #BF47EB

RGB 191 71 235

HSL 283.9, 0.8%, 0.6%

LAB 53.58, 70.79, -61.05

 

CMYK 0 / 70 / 65 / 8

HEX #EB4752

RGB 235 71 82

HSL 355.98, 0.8%, 0.6%

LAB 54.84, 63.11, 30.79

 

CMYK 51 / 0 / 69 / 8

HEX #72EB49

RGB 114 235 73

HSL 104.81, 0.8%, 0.6%

LAB 83.69, -61.85, 65.12

 

CMYK 70 / 16 / 0 / 8

HEX #47C5EB

RGB 71 197 235

HSL 193.9, 0.8%, 0.6%

LAB 74.36, -22.58, -28.89

 

CMYK 19 / 70 / 0 / 8

HEX #BF47EB

RGB 191 71 235

HSL 283.9, 0.8%, 0.6%

LAB 53.58, 70.79, -61.05

 

CMYK 0 / 54 / 70 / 8

HEX #EB6D47

RGB 235 109 71

HSL 13.9, 0.8%, 0.6%

LAB 60.83, 46.22, 44.02

 

Description

Color code: HEX #72EB49 | qconv.com Color code: HEX #72EB49 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 235 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 235 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 51 cyan, none magenta, 69 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
51% 0% 69% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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