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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72E6BF it is the complementary color #8D1940. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72E6BF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72E6BF shade: #77E6BA, #88F8CD, #99FFE0, #AAFFF3 and #BBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72E6BF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72E6BF shade: #72E6BF, #61D4AC, #50C299, #3FB086 and #2E9E73

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72E6BF shade: #70E6BE, #70E69E, #70E67F, #81E670 and #A1E670

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72E6BF shade: #70E6BE, #70E6DE, #70CEE6, #70AEE6 and #708EE6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72E6BF shade matches the following richer shades: #70E6BE and #62F3C3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72E6BF shade: #70E6BE, #7ED8BA, #8BCBB5, #99BDB1 and #A6AFAC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72E6BF shade: #70E67E, #70E69D, #70E6BD, #70E6DC and #70D0E6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72E6BF shade: #2AD99E, #4DE0AE, #70E6BE, #93ECCE and #B6F2DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72E6BF shade: #72E6BF, #7082E6 and #E68D70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72E6BF shade: #72E6BF, #BD70E6 and #E6BD70

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72E6BF shade: #72E6BF, #7082E6, #E67099 and #E6D470

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72E6BF shade: #72E6BF, #8270E6, #E67099 and #D4E670

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 17 / 10

HEX #72E6BF

RGB 114 230 191

HSL 159.83, 0.7%, 0.67%

LAB 83.93, -42.08, 8.99

 

Complementary color

CMYK 0 / 82 / 55 / 45

HEX #8D1940

RGB 141 25 64

HSL 339.83, 0.7%, 0.33%

LAB 31.18, 49.25, 7.4

 

CMYK 48 / 0 / 19 / 10

HEX #77E6BA

RGB 119 230 186

HSL 156.22, 0.69%, 0.68%

LAB 84, -42, 11.73

 

CMYK 45 / 0 / 17 / 3

HEX #88F8CD

RGB 136 248 205

HSL 156.96, 0.89%, 0.75%

LAB 90.22, -41.84, 10.78

 

CMYK 40 / 0 / 12 / 0

HEX #99FFE0

RGB 153 255 224

HSL 161.76, 1%, 0.8%

LAB 93.31, -36.71, 5.48

 

CMYK 33 / 0 / 5 / 0

HEX #AAFFF3

RGB 170 255 243

HSL 171.53, 1%, 0.83%

LAB 94.54, -28.15, -2.44

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 50 / 0 / 17 / 10

HEX #72E6BF

RGB 114 230 191

HSL 159.83, 0.7%, 0.67%

LAB 83.93, -42.08, 8.99

 

CMYK 54 / 0 / 19 / 17

HEX #61D4AC

RGB 97 212 172

HSL 159.13, 0.57%, 0.61%

LAB 77.64, -42.14, 9.99

 

CMYK 59 / 0 / 21 / 24

HEX #50C299

RGB 80 194 153

HSL 158.42, 0.48%, 0.54%

LAB 71.28, -42.11, 11.08

 

CMYK 64 / 0 / 24 / 31

HEX #3FB086

RGB 63 176 134

HSL 157.7, 0.47%, 0.47%

LAB 64.83, -41.96, 12.28

 

CMYK 71 / 0 / 27 / 38

HEX #2E9E73

RGB 46 158 115

HSL 156.96, 0.55%, 0.4%

LAB 58.29, -41.6, 13.61

 

CMYK 51 / 0 / 17 / 10

HEX #70E6BE

RGB 112 230 190

HSL 159.66, 0.7%, 0.67%

LAB 83.84, -42.75, 9.37

 

CMYK 51 / 0 / 31 / 10

HEX #70E69E

RGB 112 230 158

HSL 143.39, 0.7%, 0.67%

LAB 83.18, -49.26, 25.13

 

CMYK 51 / 0 / 45 / 10

HEX #70E67F

RGB 112 230 127

HSL 127.63, 0.7%, 0.67%

LAB 82.68, -54.42, 40.12

 

CMYK 44 / 0 / 51 / 10

HEX #81E670

RGB 129 230 112

HSL 111.36, 0.7%, 0.67%

LAB 83.14, -51.79, 48.05

 

CMYK 30 / 0 / 51 / 10

HEX #A1E670

RGB 161 230 112

HSL 95.08, 0.7%, 0.67%

LAB 84.66, -41.54, 50.24

 

CMYK 51 / 0 / 17 / 10

HEX #70E6BE

RGB 112 230 190

HSL 159.66, 0.7%, 0.67%

LAB 83.84, -42.75, 9.37

 

CMYK 51 / 0 / 3 / 10

HEX #70E6DE

RGB 112 230 222

HSL 175.93, 0.7%, 0.67%

LAB 84.64, -35.19, -6.32

 

CMYK 51 / 10 / 0 / 10

HEX #70CEE6

RGB 112 206 230

HSL 192.2, 0.7%, 0.67%

LAB 78.05, -21.45, -20.45

 

CMYK 51 / 24 / 0 / 10

HEX #70AEE6

RGB 112 174 230

HSL 208.47, 0.7%, 0.67%

LAB 69.06, -4.54, -34.24

 

CMYK 51 / 38 / 0 / 10

HEX #708EE6

RGB 112 142 230

HSL 224.75, 0.7%, 0.67%

LAB 60.34, 13.77, -47.9

 

CMYK 51 / 0 / 17 / 10

HEX #70E6BE

RGB 112 230 190

HSL 159.66, 0.7%, 0.67%

LAB 83.84, -42.75, 9.37

 

CMYK 60 / 0 / 20 / 5

HEX #62F3C3

RGB 98 243 195

HSL 160.14, 0.86%, 0.67%

LAB 87.31, -50.08, 11.65

 

CMYK 51 / 0 / 17 / 10

HEX #70E6BE

RGB 112 230 190

HSL 159.66, 0.7%, 0.67%

LAB 83.84, -42.75, 9.37

 

CMYK 42 / 0 / 14 / 15

HEX #7ED8BA

RGB 126 216 186

HSL 160, 0.54%, 0.67%

LAB 80.23, -33.88, 6.39

 

CMYK 32 / 0 / 11 / 20

HEX #8BCBB5

RGB 139 203 181

HSL 159.38, 0.38%, 0.67%

LAB 77, -25.11, 4.48

 

CMYK 19 / 0 / 6 / 26

HEX #99BDB1

RGB 153 189 177

HSL 160, 0.21%, 0.67%

LAB 73.77, -14.52, 2.06

 

CMYK 5 / 0 / 2 / 31

HEX #A6AFAC

RGB 166 175 172

HSL 160, 0.05%, 0.67%

LAB 70.7, -3.73, 0.43

 

CMYK 51 / 0 / 45 / 10

HEX #70E67E

RGB 112 230 126

HSL 127.12, 0.7%, 0.67%

LAB 82.67, -54.57, 40.6

 

CMYK 51 / 0 / 32 / 10

HEX #70E69D

RGB 112 230 157

HSL 142.88, 0.7%, 0.67%

LAB 83.16, -49.44, 25.62

 

CMYK 51 / 0 / 18 / 10

HEX #70E6BD

RGB 112 230 189

HSL 159.15, 0.7%, 0.67%

LAB 83.82, -42.97, 9.86

 

CMYK 51 / 0 / 4 / 10

HEX #70E6DC

RGB 112 230 220

HSL 174.92, 0.7%, 0.67%

LAB 84.59, -35.69, -5.35

 

CMYK 51 / 10 / 0 / 10

HEX #70D0E6

RGB 112 208 230

HSL 191.19, 0.7%, 0.67%

LAB 78.62, -22.46, -19.6

 

CMYK 81 / 0 / 27 / 15

HEX #2AD99E

RGB 42 217 158

HSL 159.77, 0.7%, 0.51%

LAB 77.63, -55.96, 17.23

 

CMYK 66 / 0 / 22 / 12

HEX #4DE0AE

RGB 77 224 174

HSL 159.59, 0.7%, 0.59%

LAB 80.71, -50.6, 13.2

 

CMYK 51 / 0 / 17 / 10

HEX #70E6BE

RGB 112 230 190

HSL 159.66, 0.7%, 0.67%

LAB 83.84, -42.75, 9.37

 

CMYK 38 / 0 / 13 / 7

HEX #93ECCE

RGB 147 236 206

HSL 159.78, 0.7%, 0.75%

LAB 87.31, -33.34, 6.15

 

CMYK 25 / 0 / 8 / 5

HEX #B6F2DE

RGB 182 242 222

HSL 160, 0.7%, 0.83%

LAB 91.11, -22.91, 3.51

 

CMYK 50 / 0 / 17 / 10

HEX #72E6BF

RGB 114 230 191

HSL 159.83, 0.7%, 0.67%

LAB 83.93, -42.08, 8.99

 

CMYK 51 / 43 / 0 / 10

HEX #7082E6

RGB 112 130 230

HSL 230.85, 0.7%, 0.67%

LAB 57.2, 20.91, -52.9

 

CMYK 0 / 39 / 51 / 10

HEX #E68D70

RGB 230 141 112

HSL 14.75, 0.7%, 0.67%

LAB 67.31, 30.85, 29.75

 

CMYK 50 / 0 / 17 / 10

HEX #72E6BF

RGB 114 230 191

HSL 159.83, 0.7%, 0.67%

LAB 83.93, -42.08, 8.99

 

CMYK 18 / 51 / 0 / 10

HEX #BD70E6

RGB 189 112 230

HSL 279.15, 0.7%, 0.67%

LAB 60, 50.41, -48.02

 

CMYK 0 / 18 / 51 / 10

HEX #E6BD70

RGB 230 189 112

HSL 39.15, 0.7%, 0.67%

LAB 78.69, 5.35, 44.15

 

CMYK 50 / 0 / 17 / 10

HEX #72E6BF

RGB 114 230 191

HSL 159.83, 0.7%, 0.67%

LAB 83.93, -42.08, 8.99

 

CMYK 51 / 43 / 0 / 10

HEX #7082E6

RGB 112 130 230

HSL 230.85, 0.7%, 0.67%

LAB 57.2, 20.91, -52.9

 

CMYK 0 / 51 / 33 / 10

HEX #E67099

RGB 230 112 153

HSL 339.15, 0.7%, 0.67%

LAB 62.26, 49.97, -0.4

 

CMYK 0 / 8 / 51 / 10

HEX #E6D470

RGB 230 212 112

HSL 50.85, 0.7%, 0.67%

LAB 84.52, -6.53, 51.22

 

CMYK 50 / 0 / 17 / 10

HEX #72E6BF

RGB 114 230 191

HSL 159.83, 0.7%, 0.67%

LAB 83.93, -42.08, 8.99

 

CMYK 43 / 51 / 0 / 10

HEX #8270E6

RGB 130 112 230

HSL 249.15, 0.7%, 0.67%

LAB 54.08, 35.64, -57.81

 

CMYK 0 / 51 / 33 / 10

HEX #E67099

RGB 230 112 153

HSL 339.15, 0.7%, 0.67%

LAB 62.26, 49.97, -0.4

 

CMYK 8 / 0 / 51 / 10

HEX #D4E670

RGB 212 230 112

HSL 69.15, 0.7%, 0.67%

LAB 87.85, -22.64, 54.81

 

Description

Color code: HEX #72E6BF | qconv.com Color code: HEX #72E6BF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 230 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 230 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 17 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 17% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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