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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72E315 it is the complementary color #8D1CEA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72E315. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72E315 shade: #77E310, #88F523, #99FF36, #AAFF49 and #BBFF5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72E315. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72E315 shade: #72E315, #61D102, #50BF00, #3FAD00 and #2E9B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72E315 shade: #73E515, #ABE515, #E3E515, #E5AF15 and #E57715

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72E315 shade: #73E515, #3BE515, #15E527, #15E55F and #15E597

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72E315 shade matches the following richer shades: #73E515 and #71F901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72E315 shade: #73E515, #75D029, #77BC3E, #79A852 and #7B9466

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72E315 shade: #E5E515, #ADE515, #76E515, #3FE515 and #15E523

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72E315 shade: #4D990E, #60BF12, #73E515, #89EC37 and #9FF05D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72E315 shade: #72E315, #15E5AD and #E515C9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72E315 shade: #72E315, #1576E5 and #E51576

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72E315 shade: #72E315, #15E5AD, #8415E5 and #E5154D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72E315 shade: #72E315, #15DEE5, #8415E5 and #E51C15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 91 / 11

HEX #72E315

RGB 114 227 21

HSL 92.91, 0.83%, 0.49%

LAB 81.05, -61.52, 76.52

 

Complementary color

CMYK 40 / 88 / 0 / 8

HEX #8D1CEA

RGB 141 28 234

HSL 272.91, 0.83%, 0.51%

LAB 41.9, 76.06, -79.79

 

CMYK 48 / 0 / 93 / 11

HEX #77E310

RGB 119 227 16

HSL 90.71, 0.87%, 0.48%

LAB 81.24, -60.15, 77.4

 

CMYK 44 / 0 / 86 / 4

HEX #88F523

RGB 136 245 35

HSL 91.14, 0.91%, 0.55%

LAB 87.32, -61.18, 79.76

 

CMYK 40 / 0 / 79 / 0

HEX #99FF36

RGB 153 255 54

HSL 90.45, 1%, 0.61%

LAB 91.03, -58.91, 78.91

 

CMYK 33 / 0 / 71 / 0

HEX #AAFF49

RGB 170 255 73

HSL 88.02, 1%, 0.64%

LAB 91.93, -52.28, 74.27

 

CMYK 27 / 0 / 64 / 0

HEX #BBFF5C

RGB 187 255 92

HSL 85.03, 1%, 0.68%

LAB 92.95, -45.07, 68.65

 

CMYK 50 / 0 / 91 / 11

HEX #72E315

RGB 114 227 21

HSL 92.91, 0.83%, 0.49%

LAB 81.05, -61.52, 76.52

 

CMYK 54 / 0 / 99 / 18

HEX #61D102

RGB 97 209 2

HSL 92.46, 0.98%, 0.41%

LAB 74.92, -60.22, 73.38

 

CMYK 58 / 0 / 100 / 25

HEX #50BF00

RGB 80 191 0

HSL 94.87, 1%, 0.37%

LAB 68.73, -58.49, 68.46

 

CMYK 64 / 0 / 100 / 32

HEX #3FAD00

RGB 63 173 0

HSL 98.15, 1%, 0.34%

LAB 62.46, -56.51, 63.29

 

CMYK 70 / 0 / 100 / 39

HEX #2E9B00

RGB 46 155 0

HSL 102.19, 1%, 0.3%

LAB 56.11, -54.22, 58.07

 

CMYK 50 / 0 / 91 / 10

HEX #73E515

RGB 115 229 21

HSL 92.88, 0.83%, 0.49%

LAB 81.7, -61.95, 77.07

 

CMYK 25 / 0 / 91 / 10

HEX #ABE515

RGB 171 229 21

HSL 76.73, 0.83%, 0.49%

LAB 84.36, -43.01, 80.34

 

CMYK 1 / 0 / 91 / 10

HEX #E3E515

RGB 227 229 21

HSL 60.58, 0.83%, 0.49%

LAB 88.17, -20.5, 84.97

 

CMYK 0 / 24 / 91 / 10

HEX #E5AF15

RGB 229 175 21

HSL 44.42, 0.83%, 0.49%

LAB 74.43, 7.79, 74.53

 

CMYK 0 / 48 / 91 / 10

HEX #E57715

RGB 229 119 21

HSL 28.27, 0.83%, 0.49%

LAB 61.57, 37.32, 64.99

 

CMYK 50 / 0 / 91 / 10

HEX #73E515

RGB 115 229 21

HSL 92.88, 0.83%, 0.49%

LAB 81.7, -61.95, 77.07

 

CMYK 74 / 0 / 91 / 10

HEX #3BE515

RGB 59 229 21

HSL 109.04, 0.83%, 0.49%

LAB 80.19, -74.35, 75.2

 

CMYK 91 / 0 / 83 / 10

HEX #15E527

RGB 21 229 39

HSL 125.19, 0.83%, 0.49%

LAB 79.81, -77.55, 71.25

 

CMYK 91 / 0 / 59 / 10

HEX #15E55F

RGB 21 229 95

HSL 141.35, 0.83%, 0.49%

LAB 80.19, -72.71, 51.72

 

CMYK 91 / 0 / 34 / 10

HEX #15E597

RGB 21 229 151

HSL 157.5, 0.83%, 0.49%

LAB 80.98, -63.37, 25.45

 

CMYK 50 / 0 / 91 / 10

HEX #73E515

RGB 115 229 21

HSL 92.88, 0.83%, 0.49%

LAB 81.7, -61.95, 77.07

 

CMYK 55 / 0 / 100 / 2

HEX #71F901

RGB 113 249 1

HSL 92.9, 0.99%, 0.49%

LAB 87.61, -69.77, 83.72

 

CMYK 50 / 0 / 91 / 10

HEX #73E515

RGB 115 229 21

HSL 92.88, 0.83%, 0.49%

LAB 81.7, -61.95, 77.07

 

CMYK 44 / 0 / 80 / 18

HEX #75D029

RGB 117 208 41

HSL 92.69, 0.67%, 0.49%

LAB 75.48, -52.8, 67.59

 

CMYK 37 / 0 / 67 / 26

HEX #77BC3E

RGB 119 188 62

HSL 92.86, 0.5%, 0.49%

LAB 69.64, -42.65, 54.7

 

CMYK 28 / 0 / 51 / 34

HEX #79A852

RGB 121 168 82

HSL 92.79, 0.34%, 0.49%

LAB 63.9, -30.98, 39.13

 

CMYK 17 / 0 / 31 / 42

HEX #7B9466

RGB 123 148 102

HSL 92.61, 0.18%, 0.49%

LAB 58.37, -17.53, 21.5

 

CMYK 0 / 0 / 91 / 10

HEX #E5E515

RGB 229 229 21

HSL 60, 0.83%, 0.49%

LAB 88.33, -19.66, 85.16

 

CMYK 24 / 0 / 91 / 10

HEX #ADE515

RGB 173 229 21

HSL 76.15, 0.83%, 0.49%

LAB 84.47, -42.25, 80.48

 

CMYK 48 / 0 / 91 / 10

HEX #76E515

RGB 118 229 21

HSL 92.02, 0.83%, 0.49%

LAB 81.81, -61.08, 77.21

 

CMYK 72 / 0 / 91 / 10

HEX #3FE515

RGB 63 229 21

HSL 107.88, 0.83%, 0.49%

LAB 80.26, -73.72, 75.29

 

CMYK 91 / 0 / 85 / 10

HEX #15E523

RGB 21 229 35

HSL 124.04, 0.83%, 0.49%

LAB 79.8, -77.73, 72.15

 

CMYK 50 / 0 / 91 / 40

HEX #4D990E

RGB 77 153 14

HSL 92.81, 0.83%, 0.33%

LAB 56.48, -45.05, 56.55

 

CMYK 50 / 0 / 91 / 25

HEX #60BF12

RGB 96 191 18

HSL 92.95, 0.83%, 0.41%

LAB 69.32, -53.66, 66.94

 

CMYK 50 / 0 / 91 / 10

HEX #73E515

RGB 115 229 21

HSL 92.88, 0.83%, 0.49%

LAB 81.7, -61.95, 77.07

 

CMYK 42 / 0 / 77 / 7

HEX #89EC37

RGB 137 236 55

HSL 92.82, 0.83%, 0.57%

LAB 84.78, -56.62, 72.55

 

CMYK 34 / 0 / 61 / 6

HEX #9FF05D

RGB 159 240 93

HSL 93.06, 0.83%, 0.65%

LAB 87.23, -48.37, 61.6

 

CMYK 50 / 0 / 91 / 11

HEX #72E315

RGB 114 227 21

HSL 92.91, 0.83%, 0.49%

LAB 81.05, -61.52, 76.52

 

CMYK 91 / 0 / 24 / 10

HEX #15E5AD

RGB 21 229 173

HSL 163.85, 0.83%, 0.49%

LAB 81.41, -58.54, 14.61

 

CMYK 0 / 91 / 12 / 10

HEX #E515C9

RGB 229 21 201

HSL 308.08, 0.83%, 0.49%

LAB 53.4, 85.08, -41.65

 

CMYK 50 / 0 / 91 / 11

HEX #72E315

RGB 114 227 21

HSL 92.91, 0.83%, 0.49%

LAB 81.05, -61.52, 76.52

 

CMYK 91 / 48 / 0 / 10

HEX #1576E5

RGB 21 118 229

HSL 212.02, 0.83%, 0.49%

LAB 50.42, 15.64, -63.4

 

CMYK 0 / 91 / 48 / 10

HEX #E51576

RGB 229 21 118

HSL 332.02, 0.83%, 0.49%

LAB 50.1, 76.35, 2.55

 

CMYK 50 / 0 / 91 / 11

HEX #72E315

RGB 114 227 21

HSL 92.91, 0.83%, 0.49%

LAB 81.05, -61.52, 76.52

 

CMYK 91 / 0 / 24 / 10

HEX #15E5AD

RGB 21 229 173

HSL 163.85, 0.83%, 0.49%

LAB 81.41, -58.54, 14.61

 

CMYK 42 / 91 / 0 / 10

HEX #8415E5

RGB 132 21 229

HSL 272.02, 0.83%, 0.49%

LAB 39.75, 75.42, -80.52

 

CMYK 0 / 91 / 66 / 10

HEX #E5154D

RGB 229 21 77

HSL 343.85, 0.83%, 0.49%

LAB 49.17, 73.77, 26.36

 

CMYK 50 / 0 / 91 / 11

HEX #72E315

RGB 114 227 21

HSL 92.91, 0.83%, 0.49%

LAB 81.05, -61.52, 76.52

 

CMYK 91 / 3 / 0 / 10

HEX #15DEE5

RGB 21 222 229

HSL 182.02, 0.83%, 0.49%

LAB 80.77, -40.64, -16

 

CMYK 42 / 91 / 0 / 10

HEX #8415E5

RGB 132 21 229

HSL 272.02, 0.83%, 0.49%

LAB 39.75, 75.42, -80.52

 

CMYK 0 / 88 / 91 / 10

HEX #E51C15

RGB 229 28 21

HSL 2.02, 0.83%, 0.49%

LAB 48.94, 71.04, 56.17

 

Description

Color code: HEX #72E315 | qconv.com Color code: HEX #72E315 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 227 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 227 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 91 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 91% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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