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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72DA55 it is the complementary color #8D25AA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72DA55. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72DA55 shade: #77DA50, #88EC63, #99FE76, #AAFF89 and #BBFF9C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72DA55. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72DA55 shade: #72DA55, #61C842, #50B62F, #3FA41C and #2E9209

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72DA55 shade: #71D954, #95D954, #B9D954, #D9D654 and #D9B254

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72DA55 shade: #71D954, #54D95A, #54D97F, #54D9A3 and #54D9C7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72DA55 shade matches the following richer shades: #71D954, #67EA43 and #5EFB32

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72DA55 shade: #71D954, #7AC864, #84B875, #8DA786 and #979697

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72DA55 shade: #BAD954, #96D954, #73D954, #54D958 and #54D97C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72DA55 shade: #46B327, #55D232, #71D954, #8DE175 and #A9E897

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72DA55 shade: #72DA55, #54D9D5 and #D954A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72DA55 shade: #72DA55, #5473D9 and #D95473

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72DA55 shade: #72DA55, #54D9D5, #BA54D9 and #D95458

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72DA55 shade: #72DA55, #54B6D9, #BA54D9 and #D97754

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 61 / 15

HEX #72DA55

RGB 114 218 85

HSL 106.92, 0.64%, 0.59%

LAB 78.68, -54.39, 54.88

 

Complementary color

CMYK 17 / 78 / 0 / 33

HEX #8D25AA

RGB 141 37 170

HSL 286.92, 0.64%, 0.41%

LAB 37.64, 60.64, -49.48

 

CMYK 45 / 0 / 63 / 15

HEX #77DA50

RGB 119 218 80

HSL 103.04, 0.65%, 0.58%

LAB 78.84, -53.4, 57.23

 

CMYK 42 / 0 / 58 / 7

HEX #88EC63

RGB 136 236 99

HSL 103.8, 0.78%, 0.66%

LAB 85.06, -53.56, 56.29

 

CMYK 40 / 0 / 54 / 0

HEX #99FE76

RGB 153 254 118

HSL 104.56, 0.99%, 0.73%

LAB 91.22, -53.6, 55.23

 

CMYK 33 / 0 / 46 / 0

HEX #AAFF89

RGB 170 255 137

HSL 103.22, 1%, 0.77%

LAB 92.52, -46.47, 48.2

 

CMYK 27 / 0 / 39 / 0

HEX #BBFF9C

RGB 187 255 156

HSL 101.21, 1%, 0.81%

LAB 93.66, -38.45, 40.67

 

CMYK 48 / 0 / 61 / 15

HEX #72DA55

RGB 114 218 85

HSL 106.92, 0.64%, 0.59%

LAB 78.68, -54.39, 54.88

 

CMYK 52 / 0 / 67 / 22

HEX #61C842

RGB 97 200 66

HSL 106.12, 0.55%, 0.52%

LAB 72.39, -54.08, 55.73

 

CMYK 56 / 0 / 74 / 29

HEX #50B62F

RGB 80 182 47

HSL 105.33, 0.59%, 0.45%

LAB 66.03, -53.5, 56.19

 

CMYK 62 / 0 / 83 / 36

HEX #3FA41C

RGB 63 164 28

HSL 104.56, 0.71%, 0.38%

LAB 59.61, -52.52, 55.87

 

CMYK 68 / 0 / 94 / 43

HEX #2E9209

RGB 46 146 9

HSL 103.8, 0.88%, 0.3%

LAB 53.12, -50.97, 54.17

 

CMYK 48 / 0 / 61 / 15

HEX #71D954

RGB 113 217 84

HSL 106.92, 0.64%, 0.59%

LAB 78.33, -54.39, 54.91

 

CMYK 31 / 0 / 61 / 15

HEX #95D954

RGB 149 217 84

HSL 90.68, 0.64%, 0.59%

LAB 79.99, -42.8, 57.21

 

CMYK 15 / 0 / 61 / 15

HEX #B9D954

RGB 185 217 84

HSL 74.44, 0.64%, 0.59%

LAB 82.15, -29.31, 60.21

 

CMYK 0 / 1 / 61 / 15

HEX #D9D654

RGB 217 214 84

HSL 58.65, 0.64%, 0.59%

LAB 83.7, -14.94, 62.57

 

CMYK 0 / 18 / 61 / 15

HEX #D9B254

RGB 217 178 84

HSL 42.41, 0.64%, 0.59%

LAB 74.34, 3.56, 52.3

 

CMYK 48 / 0 / 61 / 15

HEX #71D954

RGB 113 217 84

HSL 106.92, 0.64%, 0.59%

LAB 78.33, -54.39, 54.91

 

CMYK 61 / 0 / 59 / 15

HEX #54D95A

RGB 84 217 90

HSL 122.71, 0.64%, 0.59%

LAB 77.43, -61.09, 50.99

 

CMYK 61 / 0 / 41 / 15

HEX #54D97F

RGB 84 217 127

HSL 139.4, 0.64%, 0.59%

LAB 77.9, -55.82, 33.79

 

CMYK 61 / 0 / 25 / 15

HEX #54D9A3

RGB 84 217 163

HSL 155.64, 0.64%, 0.59%

LAB 78.55, -48.9, 16

 

CMYK 61 / 0 / 8 / 15

HEX #54D9C7

RGB 84 217 199

HSL 171.88, 0.64%, 0.59%

LAB 79.41, -40.39, -1.92

 

CMYK 48 / 0 / 61 / 15

HEX #71D954

RGB 113 217 84

HSL 106.92, 0.64%, 0.59%

LAB 78.33, -54.39, 54.91

 

CMYK 56 / 0 / 71 / 8

HEX #67EA43

RGB 103 234 67

HSL 107.07, 0.8%, 0.59%

LAB 82.98, -64.8, 66.45

 

CMYK 63 / 0 / 80 / 2

HEX #5EFB32

RGB 94 251 50

HSL 106.87, 0.96%, 0.59%

LAB 87.78, -73.6, 76.22

 

CMYK 48 / 0 / 61 / 15

HEX #71D954

RGB 113 217 84

HSL 106.92, 0.64%, 0.59%

LAB 78.33, -54.39, 54.91

 

CMYK 39 / 0 / 50 / 22

HEX #7AC864

RGB 122 200 100

HSL 106.8, 0.48%, 0.59%

LAB 73.78, -42.89, 42.31

 

CMYK 28 / 0 / 36 / 28

HEX #84B875

RGB 132 184 117

HSL 106.57, 0.32%, 0.59%

LAB 69.8, -29.91, 28.71

 

CMYK 16 / 0 / 20 / 35

HEX #8DA786

RGB 141 167 134

HSL 107.27, 0.16%, 0.59%

LAB 65.77, -15.42, 14.13

 

CMYK 0 / 1 / 0 / 41

HEX #979697

RGB 151 150 151

HSL 300, 0%, 0.59%

LAB 62.19, 0.56, -0.4

 

CMYK 14 / 0 / 61 / 15

HEX #BAD954

RGB 186 217 84

HSL 73.98, 0.64%, 0.59%

LAB 82.22, -28.92, 60.3

 

CMYK 31 / 0 / 61 / 15

HEX #96D954

RGB 150 217 84

HSL 90.23, 0.64%, 0.59%

LAB 80.04, -42.44, 57.29

 

CMYK 47 / 0 / 61 / 15

HEX #73D954

RGB 115 217 84

HSL 106.02, 0.64%, 0.59%

LAB 78.41, -53.81, 55.02

 

CMYK 61 / 0 / 59 / 15

HEX #54D958

RGB 84 217 88

HSL 121.8, 0.64%, 0.59%

LAB 77.41, -61.32, 51.86

 

CMYK 61 / 0 / 43 / 15

HEX #54D97C

RGB 84 217 124

HSL 138.05, 0.64%, 0.59%

LAB 77.85, -56.32, 35.24

 

CMYK 61 / 0 / 78 / 30

HEX #46B327

RGB 70 179 39

HSL 106.71, 0.64%, 0.43%

LAB 64.71, -55.49, 57.47

 

CMYK 60 / 0 / 76 / 18

HEX #55D232

RGB 85 210 50

HSL 106.88, 0.64%, 0.51%

LAB 74.99, -62.01, 64.04

 

CMYK 48 / 0 / 61 / 15

HEX #71D954

RGB 113 217 84

HSL 106.92, 0.64%, 0.59%

LAB 78.33, -54.39, 54.91

 

CMYK 37 / 0 / 48 / 12

HEX #8DE175

RGB 141 225 117

HSL 106.67, 0.64%, 0.67%

LAB 82.27, -45.42, 44.72

 

CMYK 27 / 0 / 35 / 9

HEX #A9E897

RGB 169 232 151

HSL 106.67, 0.64%, 0.75%

LAB 86.2, -34.72, 33.2

 

CMYK 48 / 0 / 61 / 15

HEX #72DA55

RGB 114 218 85

HSL 106.92, 0.64%, 0.59%

LAB 78.68, -54.39, 54.88

 

CMYK 61 / 0 / 2 / 15

HEX #54D9D5

RGB 84 217 213

HSL 178.2, 0.64%, 0.59%

LAB 79.79, -36.71, -8.83

 

CMYK 0 / 61 / 23 / 15

HEX #D954A8

RGB 217 84 168

HSL 322.11, 0.64%, 0.59%

LAB 56.01, 60.7, -18.63

 

CMYK 48 / 0 / 61 / 15

HEX #72DA55

RGB 114 218 85

HSL 106.92, 0.64%, 0.59%

LAB 78.68, -54.39, 54.88

 

CMYK 61 / 47 / 0 / 15

HEX #5473D9

RGB 84 115 217

HSL 226.02, 0.64%, 0.59%

LAB 50.87, 20.21, -55.8

 

CMYK 0 / 61 / 47 / 15

HEX #D95473

RGB 217 84 115

HSL 346.02, 0.64%, 0.59%

LAB 54.38, 54.63, 10.18

 

CMYK 48 / 0 / 61 / 15

HEX #72DA55

RGB 114 218 85

HSL 106.92, 0.64%, 0.59%

LAB 78.68, -54.39, 54.88

 

CMYK 61 / 0 / 2 / 15

HEX #54D9D5

RGB 84 217 213

HSL 178.2, 0.64%, 0.59%

LAB 79.79, -36.71, -8.83

 

CMYK 14 / 61 / 0 / 15

HEX #BA54D9

RGB 186 84 217

HSL 286.02, 0.64%, 0.59%

LAB 53.8, 60.7, -50.57

 

CMYK 0 / 61 / 59 / 15

HEX #D95458

RGB 217 84 88

HSL 358.2, 0.64%, 0.59%

LAB 53.81, 52.44, 25.36

 

CMYK 48 / 0 / 61 / 15

HEX #72DA55

RGB 114 218 85

HSL 106.92, 0.64%, 0.59%

LAB 78.68, -54.39, 54.88

 

CMYK 61 / 16 / 0 / 15

HEX #54B6D9

RGB 84 182 217

HSL 195.79, 0.64%, 0.59%

LAB 69.72, -18.38, -26.21

 

CMYK 14 / 61 / 0 / 15

HEX #BA54D9

RGB 186 84 217

HSL 286.02, 0.64%, 0.59%

LAB 53.8, 60.7, -50.57

 

CMYK 0 / 45 / 61 / 15

HEX #D97754

RGB 217 119 84

HSL 15.79, 0.64%, 0.59%

LAB 60.41, 35.09, 35.95

 

Description

Color code: HEX #72DA55 | qconv.com Color code: HEX #72DA55 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 218 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 218 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 61 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 61% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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