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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72DA2A it is the complementary color #8D25D5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72DA2A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72DA2A shade: #77DA25, #88EC38, #99FE4B, #AAFF5E and #BBFF71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72DA2A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72DA2A shade: #72DA2A, #61C817, #50B604, #3FA400 and #2E9200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72DA2A shade: #72DA2B, #A1DA2B, #D1DA2B, #DAB32B and #DA842B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72DA2A shade: #72DA2B, #43DA2B, #2BDA41, #2BDA71 and #2BDAA0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72DA2A shade matches the following richer shades: #72DA2B and #6EEE16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72DA2A shade: #72DA2B, #76C53F, #7AB153, #7D9D67 and #81897B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72DA2A shade: #D1DA2B, #A2DA2B, #73DA2B, #45DA2B and #2BDA3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72DA2A shade: #4D971B, #60BA21, #72DA2B, #89E04E and #A1E671

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72DA2A shade: #72DA2A, #2BDAB4 and #DA2BB9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72DA2A shade: #72DA2A, #2B73DA and #DA2B73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72DA2A shade: #72DA2A, #2BDAB4, #912BDA and #DA2B50

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72DA2A shade: #72DA2A, #2BCBDA, #912BDA and #DA392B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 81 / 15

HEX #72DA2A

RGB 114 218 42

HSL 95.45, 0.7%, 0.51%

LAB 78.4, -57.5, 69.94

 

Complementary color

CMYK 34 / 83 / 0 / 16

HEX #8D25D5

RGB 141 37 213

HSL 275.45, 0.7%, 0.49%

LAB 40.88, 69.34, -69.45

 

CMYK 45 / 0 / 83 / 15

HEX #77DA25

RGB 119 218 37

HSL 92.82, 0.71%, 0.5%

LAB 78.58, -56.19, 71.43

 

CMYK 42 / 0 / 76 / 7

HEX #88EC38

RGB 136 236 56

HSL 93.33, 0.83%, 0.57%

LAB 84.75, -56.88, 72.2

 

CMYK 40 / 0 / 70 / 0

HEX #99FE4B

RGB 153 254 75

HSL 93.85, 0.99%, 0.65%

LAB 90.85, -57.36, 72.24

 

CMYK 33 / 0 / 63 / 0

HEX #AAFF5E

RGB 170 255 94

HSL 91.68, 1%, 0.68%

LAB 92.08, -50.81, 66.65

 

CMYK 27 / 0 / 56 / 0

HEX #BBFF71

RGB 187 255 113

HSL 88.73, 1%, 0.72%

LAB 93.14, -43.33, 60.12

 

CMYK 48 / 0 / 81 / 15

HEX #72DA2A

RGB 114 218 42

HSL 95.45, 0.7%, 0.51%

LAB 78.4, -57.5, 69.94

 

CMYK 52 / 0 / 89 / 22

HEX #61C817

RGB 97 200 23

HSL 94.92, 0.79%, 0.44%

LAB 72.17, -56.56, 68.49

 

CMYK 56 / 0 / 98 / 29

HEX #50B604

RGB 80 182 4

HSL 94.38, 0.96%, 0.36%

LAB 65.88, -55.25, 65.72

 

CMYK 62 / 0 / 100 / 36

HEX #3FA400

RGB 63 164 0

HSL 96.95, 1%, 0.32%

LAB 59.53, -53.43, 60.97

 

CMYK 68 / 0 / 100 / 43

HEX #2E9200

RGB 46 146 0

HSL 101.1, 1%, 0.29%

LAB 53.1, -51.23, 55.68

 

CMYK 48 / 0 / 80 / 15

HEX #72DA2B

RGB 114 218 43

HSL 95.66, 0.7%, 0.51%

LAB 78.4, -57.45, 69.67

 

CMYK 26 / 0 / 80 / 15

HEX #A1DA2B

RGB 161 218 43

HSL 79.54, 0.7%, 0.51%

LAB 80.68, -41.39, 72.59

 

CMYK 4 / 0 / 80 / 15

HEX #D1DA2B

RGB 209 218 43

HSL 63.09, 0.7%, 0.51%

LAB 83.9, -22.18, 76.66

 

CMYK 0 / 18 / 80 / 15

HEX #DAB32B

RGB 218 179 43

HSL 46.63, 0.7%, 0.51%

LAB 74.39, 1.42, 68.66

 

CMYK 0 / 39 / 80 / 15

HEX #DA842B

RGB 218 132 43

HSL 30.51, 0.7%, 0.51%

LAB 63, 26.55, 58.44

 

CMYK 48 / 0 / 80 / 15

HEX #72DA2B

RGB 114 218 43

HSL 95.66, 0.7%, 0.51%

LAB 78.4, -57.45, 69.67

 

CMYK 69 / 0 / 80 / 15

HEX #43DA2B

RGB 67 218 43

HSL 111.77, 0.7%, 0.51%

LAB 76.99, -68.82, 67.85

 

CMYK 80 / 0 / 70 / 15

HEX #2BDA41

RGB 43 218 65

HSL 127.54, 0.7%, 0.51%

LAB 76.7, -70.81, 60.28

 

CMYK 80 / 0 / 48 / 15

HEX #2BDA71

RGB 43 218 113

HSL 144, 0.7%, 0.51%

LAB 77.19, -64.89, 39.69

 

CMYK 80 / 0 / 27 / 15

HEX #2BDAA0

RGB 43 218 160

HSL 160.11, 0.7%, 0.51%

LAB 77.99, -55.8, 16.67

 

CMYK 48 / 0 / 80 / 15

HEX #72DA2B

RGB 114 218 43

HSL 95.66, 0.7%, 0.51%

LAB 78.4, -57.45, 69.67

 

CMYK 54 / 0 / 91 / 7

HEX #6EEE16

RGB 110 238 22

HSL 95.56, 0.86%, 0.51%

LAB 84.24, -66.48, 78.96

 

CMYK 48 / 0 / 80 / 15

HEX #72DA2B

RGB 114 218 43

HSL 95.66, 0.7%, 0.51%

LAB 78.4, -57.45, 69.67

 

CMYK 40 / 0 / 68 / 23

HEX #76C53F

RGB 118 197 63

HSL 95.37, 0.54%, 0.51%

LAB 72.32, -46.69, 57.12

 

CMYK 31 / 0 / 53 / 31

HEX #7AB153

RGB 122 177 83

HSL 95.11, 0.38%, 0.51%

LAB 66.68, -34.69, 41.99

 

CMYK 20 / 0 / 34 / 38

HEX #7D9D67

RGB 125 157 103

HSL 95.56, 0.22%, 0.51%

LAB 61.18, -21.26, 24.73

 

CMYK 6 / 0 / 10 / 46

HEX #81897B

RGB 129 137 123

HSL 94.29, 0.06%, 0.51%

LAB 56.08, -5.67, 6.5

 

CMYK 4 / 0 / 80 / 15

HEX #D1DA2B

RGB 209 218 43

HSL 63.09, 0.7%, 0.51%

LAB 83.9, -22.18, 76.66

 

CMYK 26 / 0 / 80 / 15

HEX #A2DA2B

RGB 162 218 43

HSL 79.2, 0.7%, 0.51%

LAB 80.74, -41.01, 72.66

 

CMYK 47 / 0 / 80 / 15

HEX #73DA2B

RGB 115 218 43

HSL 95.31, 0.7%, 0.51%

LAB 78.44, -57.15, 69.72

 

CMYK 68 / 0 / 80 / 15

HEX #45DA2B

RGB 69 218 43

HSL 111.09, 0.7%, 0.51%

LAB 77.03, -68.45, 67.91

 

CMYK 80 / 0 / 71 / 15

HEX #2BDA3F

RGB 43 218 63

HSL 126.86, 0.7%, 0.51%

LAB 76.69, -70.98, 61

 

CMYK 49 / 0 / 82 / 41

HEX #4D971B

RGB 77 151 27

HSL 95.81, 0.7%, 0.35%

LAB 55.88, -43.73, 52.91

 

CMYK 48 / 0 / 82 / 27

HEX #60BA21

RGB 96 186 33

HSL 95.29, 0.7%, 0.43%

LAB 67.81, -51.23, 62.43

 

CMYK 48 / 0 / 80 / 15

HEX #72DA2B

RGB 114 218 43

HSL 95.66, 0.7%, 0.51%

LAB 78.4, -57.45, 69.67

 

CMYK 39 / 0 / 65 / 12

HEX #89E04E

RGB 137 224 78

HSL 95.75, 0.7%, 0.59%

LAB 81.39, -50.32, 61.05

 

CMYK 30 / 0 / 51 / 10

HEX #A1E671

RGB 161 230 113

HSL 95.38, 0.7%, 0.67%

LAB 84.67, -41.43, 49.78

 

CMYK 48 / 0 / 81 / 15

HEX #72DA2A

RGB 114 218 42

HSL 95.45, 0.7%, 0.51%

LAB 78.4, -57.5, 69.94

 

CMYK 80 / 0 / 17 / 15

HEX #2BDAB4

RGB 43 218 180

HSL 166.97, 0.7%, 0.51%

LAB 78.43, -51.04, 6.7

 

CMYK 0 / 80 / 15 / 15

HEX #DA2BB9

RGB 218 43 185

HSL 311.31, 0.7%, 0.51%

LAB 51.99, 77, -34.73

 

CMYK 48 / 0 / 81 / 15

HEX #72DA2A

RGB 114 218 42

HSL 95.45, 0.7%, 0.51%

LAB 78.4, -57.5, 69.94

 

CMYK 80 / 47 / 0 / 15

HEX #2B73DA

RGB 43 115 218

HSL 215.31, 0.7%, 0.51%

LAB 49.3, 14.85, -58.98

 

CMYK 0 / 80 / 47 / 15

HEX #DA2B73

RGB 218 43 115

HSL 335.31, 0.7%, 0.51%

LAB 49.34, 69.33, 3.02

 

CMYK 48 / 0 / 81 / 15

HEX #72DA2A

RGB 114 218 42

HSL 95.45, 0.7%, 0.51%

LAB 78.4, -57.5, 69.94

 

CMYK 80 / 0 / 17 / 15

HEX #2BDAB4

RGB 43 218 180

HSL 166.97, 0.7%, 0.51%

LAB 78.43, -51.04, 6.7

 

CMYK 33 / 80 / 0 / 15

HEX #912BDA

RGB 145 43 218

HSL 274.97, 0.7%, 0.51%

LAB 42.47, 69.15, -69.69

 

CMYK 0 / 80 / 63 / 15

HEX #DA2B50

RGB 218 43 80

HSL 347.31, 0.7%, 0.51%

LAB 48.53, 66.87, 23.28

 

CMYK 48 / 0 / 81 / 15

HEX #72DA2A

RGB 114 218 42

HSL 95.45, 0.7%, 0.51%

LAB 78.4, -57.5, 69.94

 

CMYK 80 / 7 / 0 / 15

HEX #2BCBDA

RGB 43 203 218

HSL 185.14, 0.7%, 0.51%

LAB 75.01, -33.86, -18.78

 

CMYK 33 / 80 / 0 / 15

HEX #912BDA

RGB 145 43 218

HSL 274.97, 0.7%, 0.51%

LAB 42.47, 69.15, -69.69

 

CMYK 0 / 74 / 80 / 15

HEX #DA392B

RGB 218 57 43

HSL 4.8, 0.7%, 0.51%

LAB 49.5, 61.14, 45.7

 

Description

Color code: HEX #72DA2A | qconv.com Color code: HEX #72DA2A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 218 green and 42 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 218 42 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 81 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 81% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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