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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72D6B3 it is the complementary color #8D294C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72D6B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72D6B3 shade: #77D6AE, #88E8C1, #99FAD4, #AAFFE7 and #BBFFFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72D6B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72D6B3 shade: #72D6B3, #61C4A0, #50B28D, #3FA07A and #2E8E67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72D6B3 shade: #71D6B2, #71D697, #71D67C, #81D671 and #9CD671

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72D6B3 shade: #71D6B2, #71D6CE, #71C3D6, #71A7D6 and #718CD6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72D6B3 shade matches the following richer shades: #71D6B2, #62E5B7 and #53F3BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72D6B3 shade: #71D6B2, #80C7AE, #8EB8A9, #9DA9A5 and #AC9AA1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72D6B3 shade: #71D67C, #71D697, #71D6B2, #71D6CD and #71C3D6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72D6B3 shade: #37BD8E, #51CCA1, #71D6B2, #91DFC4 and #B1E8D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72D6B3 shade: #72D6B3, #7180D6 and #D68A71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72D6B3 shade: #72D6B3, #B271D6 and #D6B271

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72D6B3 shade: #72D6B3, #7180D6, #D67194 and #D6C771

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72D6B3 shade: #72D6B3, #8071D6, #D67194 and #C7D671

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 16 / 16

HEX #72D6B3

RGB 114 214 179

HSL 159, 0.55%, 0.64%

LAB 79, -37.54, 8.28

 

Complementary color

CMYK 0 / 71 / 46 / 45

HEX #8D294C

RGB 141 41 76

HSL 339, 0.55%, 0.36%

LAB 33.5, 44.79, 2.83

 

CMYK 44 / 0 / 19 / 16

HEX #77D6AE

RGB 119 214 174

HSL 154.74, 0.54%, 0.65%

LAB 79.08, -37.36, 11.09

 

CMYK 41 / 0 / 17 / 9

HEX #88E8C1

RGB 136 232 193

HSL 155.63, 0.68%, 0.72%

LAB 85.4, -37.15, 10.15

 

CMYK 39 / 0 / 15 / 2

HEX #99FAD4

RGB 153 250 212

HSL 156.49, 0.91%, 0.79%

LAB 91.64, -36.94, 9.28

 

CMYK 33 / 0 / 9 / 0

HEX #AAFFE7

RGB 170 255 231

HSL 163.06, 1%, 0.83%

LAB 94.24, -30.72, 3.32

 

CMYK 27 / 0 / 2 / 0

HEX #BBFFFA

RGB 187 255 250

HSL 175.59, 1%, 0.87%

LAB 95.57, -21.97, -4.43

 

CMYK 47 / 0 / 16 / 16

HEX #72D6B3

RGB 114 214 179

HSL 159, 0.55%, 0.64%

LAB 79, -37.54, 8.28

 

CMYK 51 / 0 / 18 / 23

HEX #61C4A0

RGB 97 196 160

HSL 158.18, 0.46%, 0.57%

LAB 72.6, -37.67, 9.25

 

CMYK 55 / 0 / 21 / 30

HEX #50B28D

RGB 80 178 141

HSL 157.35, 0.39%, 0.51%

LAB 66.11, -37.74, 10.31

 

CMYK 61 / 0 / 24 / 37

HEX #3FA07A

RGB 63 160 122

HSL 156.49, 0.43%, 0.44%

LAB 59.53, -37.72, 11.48

 

CMYK 68 / 0 / 27 / 44

HEX #2E8E67

RGB 46 142 103

HSL 155.63, 0.51%, 0.37%

LAB 52.85, -37.51, 12.79

 

CMYK 47 / 0 / 17 / 16

HEX #71D6B2

RGB 113 214 178

HSL 158.61, 0.55%, 0.64%

LAB 78.94, -38, 8.72

 

CMYK 47 / 0 / 29 / 16

HEX #71D697

RGB 113 214 151

HSL 142.57, 0.55%, 0.64%

LAB 78.37, -43.52, 22.2

 

CMYK 47 / 0 / 42 / 16

HEX #71D67C

RGB 113 214 124

HSL 126.53, 0.55%, 0.64%

LAB 77.91, -48.13, 35.5

 

CMYK 40 / 0 / 47 / 16

HEX #81D671

RGB 129 214 113

HSL 110.5, 0.55%, 0.64%

LAB 78.43, -45.01, 41.78

 

CMYK 27 / 0 / 47 / 16

HEX #9CD671

RGB 156 214 113

HSL 94.46, 0.55%, 0.64%

LAB 79.81, -36.01, 43.79

 

CMYK 47 / 0 / 17 / 16

HEX #71D6B2

RGB 113 214 178

HSL 158.61, 0.55%, 0.64%

LAB 78.94, -38, 8.72

 

CMYK 47 / 0 / 4 / 16

HEX #71D6CE

RGB 113 214 206

HSL 175.25, 0.55%, 0.64%

LAB 79.65, -31.45, -5.2

 

CMYK 47 / 9 / 0 / 16

HEX #71C3D6

RGB 113 195 214

HSL 191.29, 0.55%, 0.64%

LAB 74.44, -20.01, -17.28

 

CMYK 47 / 22 / 0 / 16

HEX #71A7D6

RGB 113 167 214

HSL 207.92, 0.55%, 0.64%

LAB 66.52, -5.11, -29.38

 

CMYK 47 / 35 / 0 / 16

HEX #718CD6

RGB 113 140 214

HSL 223.96, 0.55%, 0.64%

LAB 59.09, 10.33, -40.96

 

CMYK 47 / 0 / 17 / 16

HEX #71D6B2

RGB 113 214 178

HSL 158.61, 0.55%, 0.64%

LAB 78.94, -38, 8.72

 

CMYK 57 / 0 / 20 / 10

HEX #62E5B7

RGB 98 229 183

HSL 158.93, 0.72%, 0.64%

LAB 82.94, -46.84, 11.71

 

CMYK 66 / 0 / 23 / 5

HEX #53F3BB

RGB 83 243 187

HSL 159, 0.87%, 0.64%

LAB 86.76, -54.45, 14.98

 

CMYK 47 / 0 / 17 / 16

HEX #71D6B2

RGB 113 214 178

HSL 158.61, 0.55%, 0.64%

LAB 78.94, -38, 8.72

 

CMYK 36 / 0 / 13 / 22

HEX #80C7AE

RGB 128 199 174

HSL 158.87, 0.39%, 0.64%

LAB 75.13, -27.85, 5.49

 

CMYK 23 / 0 / 8 / 28

HEX #8EB8A9

RGB 142 184 169

HSL 158.57, 0.23%, 0.64%

LAB 71.48, -17.15, 3.03

 

CMYK 7 / 0 / 2 / 34

HEX #9DA9A5

RGB 157 169 165

HSL 160, 0.07%, 0.64%

LAB 68.21, -5, 0.6

 

CMYK 0 / 10 / 6 / 33

HEX #AC9AA1

RGB 172 154 161

HSL 336.67, 0.1%, 0.64%

LAB 65.32, 7.86, -1.24

 

CMYK 47 / 0 / 42 / 16

HEX #71D67C

RGB 113 214 124

HSL 126.53, 0.55%, 0.64%

LAB 77.91, -48.13, 35.5

 

CMYK 47 / 0 / 29 / 16

HEX #71D697

RGB 113 214 151

HSL 142.57, 0.55%, 0.64%

LAB 78.37, -43.52, 22.2

 

CMYK 47 / 0 / 17 / 16

HEX #71D6B2

RGB 113 214 178

HSL 158.61, 0.55%, 0.64%

LAB 78.94, -38, 8.72

 

CMYK 47 / 0 / 4 / 16

HEX #71D6CD

RGB 113 214 205

HSL 174.65, 0.55%, 0.64%

LAB 79.62, -31.69, -4.71

 

CMYK 47 / 9 / 0 / 16

HEX #71C3D6

RGB 113 195 214

HSL 191.29, 0.55%, 0.64%

LAB 74.44, -20.01, -17.28

 

CMYK 71 / 0 / 25 / 26

HEX #37BD8E

RGB 55 189 142

HSL 158.96, 0.55%, 0.48%

LAB 68.87, -46.93, 13.56

 

CMYK 60 / 0 / 21 / 20

HEX #51CCA1

RGB 81 204 161

HSL 159.02, 0.55%, 0.56%

LAB 74.51, -44.43, 11.36

 

CMYK 47 / 0 / 17 / 16

HEX #71D6B2

RGB 113 214 178

HSL 158.61, 0.55%, 0.64%

LAB 78.94, -38, 8.72

 

CMYK 35 / 0 / 12 / 13

HEX #91DFC4

RGB 145 223 196

HSL 159.23, 0.55%, 0.72%

LAB 83.33, -29.88, 5.65

 

CMYK 24 / 0 / 8 / 9

HEX #B1E8D5

RGB 177 232 213

HSL 159.27, 0.54%, 0.8%

LAB 87.9, -21.34, 3.53

 

CMYK 47 / 0 / 16 / 16

HEX #72D6B3

RGB 114 214 179

HSL 159, 0.55%, 0.64%

LAB 79, -37.54, 8.28

 

CMYK 47 / 40 / 0 / 16

HEX #7180D6

RGB 113 128 214

HSL 231.09, 0.55%, 0.64%

LAB 55.89, 17.45, -46

 

CMYK 0 / 36 / 47 / 16

HEX #D68A71

RGB 214 138 113

HSL 14.85, 0.55%, 0.64%

LAB 64.7, 26.24, 25.4

 

CMYK 47 / 0 / 16 / 16

HEX #72D6B3

RGB 114 214 179

HSL 159, 0.55%, 0.64%

LAB 79, -37.54, 8.28

 

CMYK 17 / 47 / 0 / 16

HEX #B271D6

RGB 178 113 214

HSL 278.61, 0.55%, 0.64%

LAB 58.16, 43.45, -42.03

 

CMYK 0 / 17 / 47 / 16

HEX #D6B271

RGB 214 178 113

HSL 38.61, 0.55%, 0.64%

LAB 74.4, 4.7, 37.97

 

CMYK 47 / 0 / 16 / 16

HEX #72D6B3

RGB 114 214 179

HSL 159, 0.55%, 0.64%

LAB 79, -37.54, 8.28

 

CMYK 47 / 40 / 0 / 16

HEX #7180D6

RGB 113 128 214

HSL 231.09, 0.55%, 0.64%

LAB 55.89, 17.45, -46

 

CMYK 0 / 47 / 31 / 16

HEX #D67194

RGB 214 113 148

HSL 339.21, 0.55%, 0.64%

LAB 60.11, 43.43, -0.93

 

CMYK 0 / 7 / 47 / 16

HEX #D6C771

RGB 214 199 113

HSL 51.09, 0.55%, 0.64%

LAB 79.8, -6.29, 44.7

 

CMYK 47 / 0 / 16 / 16

HEX #72D6B3

RGB 114 214 179

HSL 159, 0.55%, 0.64%

LAB 79, -37.54, 8.28

 

CMYK 40 / 47 / 0 / 16

HEX #8071D6

RGB 128 113 214

HSL 248.91, 0.55%, 0.64%

LAB 53.23, 30.07, -50.16

 

CMYK 0 / 47 / 31 / 16

HEX #D67194

RGB 214 113 148

HSL 339.21, 0.55%, 0.64%

LAB 60.11, 43.43, -0.93

 

CMYK 7 / 0 / 47 / 16

HEX #C7D671

RGB 199 214 113

HSL 68.91, 0.55%, 0.64%

LAB 82.61, -19.85, 47.85

 

Description

Color code: HEX #72D6B3 | qconv.com Color code: HEX #72D6B3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 214 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 214 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 16 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 16% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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