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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72D625 it is the complementary color #8D29DA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72D625. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72D625 shade: #77D620, #88E833, #99FA46, #AAFF59 and #BBFF6C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72D625. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72D625 shade: #72D625, #61C412, #50B200, #3FA000 and #2E8E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72D625 shade: #71D624, #A1D624, #D1D624, #D6AA24 and #D67B24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72D625 shade: #71D624, #42D624, #24D637, #24D667 and #24D696

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72D625 shade matches the following richer shades: #71D624 and #6FEA10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72D625 shade: #71D624, #74C138, #77AD4D, #799961 and #7C8575

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72D625 shade: #D3D624, #A3D624, #74D624, #45D624 and #24D633

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72D625 shade: #4C8F18, #5FB21E, #71D624, #87DF44 and #9EE567

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72D625 shade: #72D625, #24D6A9 and #D624BB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72D625 shade: #72D625, #2474D6 and #D62474

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72D625 shade: #72D625, #24D6A9, #8624D6 and #D62451

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72D625 shade: #72D625, #24CDD6, #8624D6 and #D62D24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 83 / 16

HEX #72D625

RGB 114 214 37

HSL 93.9, 0.71%, 0.49%

LAB 77.16, -56.21, 70.1

 

Complementary color

CMYK 35 / 81 / 0 / 15

HEX #8D29DA

RGB 141 41 218

HSL 273.9, 0.71%, 0.51%

LAB 41.71, 69.19, -70.97

 

CMYK 44 / 0 / 85 / 16

HEX #77D620

RGB 119 214 32

HSL 91.32, 0.74%, 0.48%

LAB 77.35, -54.85, 71.49

 

CMYK 41 / 0 / 78 / 9

HEX #88E833

RGB 136 232 51

HSL 91.82, 0.8%, 0.55%

LAB 83.54, -55.59, 72.54

 

CMYK 39 / 0 / 72 / 2

HEX #99FA46

RGB 153 250 70

HSL 92.33, 0.95%, 0.63%

LAB 89.67, -56.11, 72.76

 

CMYK 33 / 0 / 65 / 0

HEX #AAFF59

RGB 170 255 89

HSL 90.72, 1%, 0.67%

LAB 92.04, -51.2, 68.57

 

CMYK 27 / 0 / 58 / 0

HEX #BBFF6C

RGB 187 255 108

HSL 87.76, 1%, 0.71%

LAB 93.09, -43.78, 62.23

 

CMYK 47 / 0 / 83 / 16

HEX #72D625

RGB 114 214 37

HSL 93.9, 0.71%, 0.49%

LAB 77.16, -56.21, 70.1

 

CMYK 51 / 0 / 91 / 23

HEX #61C412

RGB 97 196 18

HSL 93.37, 0.83%, 0.42%

LAB 70.92, -55.22, 68.29

 

CMYK 55 / 0 / 100 / 30

HEX #50B200

RGB 80 178 0

HSL 93.03, 1%, 0.35%

LAB 64.6, -53.9, 65.21

 

CMYK 61 / 0 / 100 / 37

HEX #3FA000

RGB 63 160 0

HSL 96.38, 1%, 0.31%

LAB 58.22, -52.03, 59.94

 

CMYK 68 / 0 / 100 / 44

HEX #2E8E00

RGB 46 142 0

HSL 100.56, 1%, 0.28%

LAB 51.75, -49.87, 54.61

 

CMYK 47 / 0 / 83 / 16

HEX #71D624

RGB 113 214 36

HSL 94.04, 0.71%, 0.49%

LAB 77.12, -56.56, 70.28

 

CMYK 25 / 0 / 83 / 16

HEX #A1D624

RGB 161 214 36

HSL 77.87, 0.71%, 0.49%

LAB 79.5, -39.89, 73.29

 

CMYK 2 / 0 / 83 / 16

HEX #D1D624

RGB 209 214 36

HSL 61.69, 0.71%, 0.49%

LAB 82.79, -20.44, 77.4

 

CMYK 0 / 21 / 83 / 16

HEX #D6AA24

RGB 214 170 36

HSL 45.17, 0.71%, 0.49%

LAB 71.67, 4.22, 68.22

 

CMYK 0 / 43 / 83 / 16

HEX #D67B24

RGB 214 123 36

HSL 29.33, 0.71%, 0.49%

LAB 60.42, 29.45, 58.57

 

CMYK 47 / 0 / 83 / 16

HEX #71D624

RGB 113 214 36

HSL 94.04, 0.71%, 0.49%

LAB 77.12, -56.56, 70.28

 

CMYK 69 / 0 / 83 / 16

HEX #42D624

RGB 66 214 36

HSL 109.89, 0.71%, 0.49%

LAB 75.69, -68.1, 68.46

 

CMYK 83 / 0 / 74 / 16

HEX #24D637

RGB 36 214 55

HSL 126.4, 0.71%, 0.49%

LAB 75.29, -71.17, 62.37

 

CMYK 83 / 0 / 52 / 16

HEX #24D667

RGB 36 214 103

HSL 142.58, 0.71%, 0.49%

LAB 75.73, -65.8, 42.71

 

CMYK 83 / 0 / 30 / 16

HEX #24D696

RGB 36 214 150

HSL 158.43, 0.71%, 0.49%

LAB 76.48, -57.13, 19.83

 

CMYK 47 / 0 / 83 / 16

HEX #71D624

RGB 113 214 36

HSL 94.04, 0.71%, 0.49%

LAB 77.12, -56.56, 70.28

 

CMYK 53 / 0 / 93 / 8

HEX #6FEA10

RGB 111 234 16

HSL 93.85, 0.87%, 0.49%

LAB 83.05, -64.95, 78.76

 

CMYK 47 / 0 / 83 / 16

HEX #71D624

RGB 113 214 36

HSL 94.04, 0.71%, 0.49%

LAB 77.12, -56.56, 70.28

 

CMYK 40 / 0 / 71 / 24

HEX #74C138

RGB 116 193 56

HSL 93.72, 0.55%, 0.49%

LAB 70.97, -46.23, 58.37

 

CMYK 31 / 0 / 55 / 32

HEX #77AD4D

RGB 119 173 77

HSL 93.75, 0.38%, 0.49%

LAB 65.24, -34.6, 43.14

 

CMYK 21 / 0 / 37 / 40

HEX #799961

RGB 121 153 97

HSL 94.29, 0.22%, 0.49%

LAB 59.63, -21.64, 25.9

 

CMYK 7 / 0 / 12 / 48

HEX #7C8575

RGB 124 133 117

HSL 93.75, 0.06%, 0.49%

LAB 54.39, -6.46, 7.5

 

CMYK 1 / 0 / 83 / 16

HEX #D3D624

RGB 211 214 36

HSL 61.01, 0.71%, 0.49%

LAB 82.95, -19.6, 77.6

 

CMYK 24 / 0 / 83 / 16

HEX #A3D624

RGB 163 214 36

HSL 77.19, 0.71%, 0.49%

LAB 79.62, -39.12, 73.44

 

CMYK 46 / 0 / 83 / 16

HEX #74D624

RGB 116 214 36

HSL 93.03, 0.71%, 0.49%

LAB 77.24, -55.64, 70.44

 

CMYK 68 / 0 / 83 / 16

HEX #45D624

RGB 69 214 36

HSL 108.88, 0.71%, 0.49%

LAB 75.75, -67.54, 68.54

 

CMYK 83 / 0 / 76 / 16

HEX #24D633

RGB 36 214 51

HSL 125.06, 0.71%, 0.49%

LAB 75.27, -71.46, 63.66

 

CMYK 47 / 0 / 83 / 44

HEX #4C8F18

RGB 76 143 24

HSL 93.78, 0.71%, 0.33%

LAB 53.22, -40.96, 51.33

 

CMYK 47 / 0 / 83 / 30

HEX #5FB21E

RGB 95 178 30

HSL 93.65, 0.71%, 0.41%

LAB 65.25, -48.56, 60.89

 

CMYK 47 / 0 / 83 / 16

HEX #71D624

RGB 113 214 36

HSL 94.04, 0.71%, 0.49%

LAB 77.12, -56.56, 70.28

 

CMYK 39 / 0 / 70 / 13

HEX #87DF44

RGB 135 223 68

HSL 94.06, 0.71%, 0.57%

LAB 80.93, -51.33, 64.38

 

CMYK 31 / 0 / 55 / 10

HEX #9EE567

RGB 158 229 103

HSL 93.81, 0.71%, 0.65%

LAB 84.11, -43.08, 53.69

 

CMYK 47 / 0 / 83 / 16

HEX #72D625

RGB 114 214 37

HSL 93.9, 0.71%, 0.49%

LAB 77.16, -56.21, 70.1

 

CMYK 83 / 0 / 21 / 16

HEX #24D6A9

RGB 36 214 169

HSL 164.83, 0.71%, 0.49%

LAB 76.88, -52.74, 10.33

 

CMYK 0 / 83 / 13 / 16

HEX #D624BB

RGB 214 36 187

HSL 309.1, 0.71%, 0.49%

LAB 50.86, 77.99, -37.72

 

CMYK 47 / 0 / 83 / 16

HEX #72D625

RGB 114 214 37

HSL 93.9, 0.71%, 0.49%

LAB 77.16, -56.21, 70.1

 

CMYK 83 / 46 / 0 / 16

HEX #2474D6

RGB 36 116 214

HSL 213.03, 0.71%, 0.49%

LAB 49.16, 12.08, -56.95

 

CMYK 0 / 83 / 46 / 16

HEX #D62474

RGB 214 36 116

HSL 333.03, 0.71%, 0.49%

LAB 48.03, 70.07, 0.41

 

CMYK 47 / 0 / 83 / 16

HEX #72D625

RGB 114 214 37

HSL 93.9, 0.71%, 0.49%

LAB 77.16, -56.21, 70.1

 

CMYK 83 / 0 / 21 / 16

HEX #24D6A9

RGB 36 214 169

HSL 164.83, 0.71%, 0.49%

LAB 76.88, -52.74, 10.33

 

CMYK 37 / 83 / 0 / 16

HEX #8624D6

RGB 134 36 214

HSL 273.03, 0.71%, 0.49%

LAB 39.89, 68.85, -71.68

 

CMYK 0 / 83 / 62 / 16

HEX #D62451

RGB 214 36 81

HSL 344.83, 0.71%, 0.49%

LAB 47.17, 67.56, 20.75

 

CMYK 47 / 0 / 83 / 16

HEX #72D625

RGB 114 214 37

HSL 93.9, 0.71%, 0.49%

LAB 77.16, -56.21, 70.1

 

CMYK 83 / 4 / 0 / 16

HEX #24CDD6

RGB 36 205 214

HSL 183.03, 0.71%, 0.49%

LAB 75.38, -36.56, -16.06

 

CMYK 37 / 83 / 0 / 16

HEX #8624D6

RGB 134 36 214

HSL 273.03, 0.71%, 0.49%

LAB 39.89, 68.85, -71.68

 

CMYK 0 / 79 / 83 / 16

HEX #D62D24

RGB 214 45 36

HSL 3.03, 0.71%, 0.49%

LAB 47.37, 63.43, 46.97

 

Description

Color code: HEX #72D625 | qconv.com Color code: HEX #72D625 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 214 green and 37 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 214 37 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 83 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 83% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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