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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72D2BD it is the complementary color #8D2D42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72D2BD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72D2BD shade: #77D2B8, #88E4CB, #99F6DE, #AAFFF1 and #BBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72D2BD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72D2BD shade: #72D2BD, #61C0AA, #50AE97, #3F9C84 and #2E8A71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72D2BD shade: #73D3BE, #73D3A4, #73D38B, #76D373 and #90D373

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72D2BD shade: #73D3BE, #73CED3, #73B4D3, #739BD3 and #7381D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72D2BD shade matches the following richer shades: #73D3BE, #65E2C6 and #56F1CF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72D2BD shade: #73D3BE, #82C4B6, #91B5AD, #A0A6A5 and #AF989D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72D2BD shade: #73D38A, #73D3A3, #73D3BD, #73D0D3 and #73B6D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72D2BD shade: #3BB99E, #54C9AF, #73D3BE, #93DDCD and #B2E7DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72D2BD shade: #72D2BD, #7377D3 and #D39673

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72D2BD shade: #72D2BD, #BD73D3 and #D3BD73

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72D2BD shade: #72D2BD, #7377D3, #D3738A and #D3D073

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72D2BD shade: #72D2BD, #8D73D3, #D3738A and #B9D373

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 46 / 0 / 10 / 18

HEX #72D2BD

RGB 114 210 189

HSL 166.88, 0.52%, 0.64%

LAB 78.08, -33.42, 1.61

 

Complementary color

CMYK 0 / 68 / 53 / 45

HEX #8D2D42

RGB 141 45 66

HSL 346.88, 0.52%, 0.36%

LAB 33.84, 42.16, 9.81

 

CMYK 43 / 0 / 12 / 18

HEX #77D2B8

RGB 119 210 184

HSL 162.86, 0.5%, 0.65%

LAB 78.16, -33.33, 4.42

 

CMYK 40 / 0 / 11 / 11

HEX #88E4CB

RGB 136 228 203

HSL 163.7, 0.63%, 0.71%

LAB 84.5, -33.16, 3.6

 

CMYK 38 / 0 / 10 / 4

HEX #99F6DE

RGB 153 246 222

HSL 164.52, 0.84%, 0.78%

LAB 90.76, -32.99, 2.83

 

CMYK 33 / 0 / 5 / 0

HEX #AAFFF1

RGB 170 255 241

HSL 170.12, 1%, 0.83%

LAB 94.49, -28.59, -1.48

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 46 / 0 / 10 / 18

HEX #72D2BD

RGB 114 210 189

HSL 166.88, 0.52%, 0.64%

LAB 78.08, -33.42, 1.61

 

CMYK 49 / 0 / 11 / 25

HEX #61C0AA

RGB 97 192 170

HSL 166.11, 0.43%, 0.57%

LAB 71.65, -33.51, 2.46

 

CMYK 54 / 0 / 13 / 32

HEX #50AE97

RGB 80 174 151

HSL 165.32, 0.37%, 0.5%

LAB 65.13, -33.54, 3.38

 

CMYK 60 / 0 / 15 / 39

HEX #3F9C84

RGB 63 156 132

HSL 164.52, 0.42%, 0.43%

LAB 58.51, -33.48, 4.4

 

CMYK 67 / 0 / 18 / 46

HEX #2E8A71

RGB 46 138 113

HSL 163.7, 0.5%, 0.36%

LAB 51.78, -33.26, 5.54

 

CMYK 45 / 0 / 10 / 17

HEX #73D3BE

RGB 115 211 190

HSL 166.88, 0.52%, 0.64%

LAB 78.43, -33.41, 1.59

 

CMYK 45 / 0 / 22 / 17

HEX #73D3A4

RGB 115 211 164

HSL 150.63, 0.52%, 0.64%

LAB 77.82, -39.12, 14.6

 

CMYK 45 / 0 / 34 / 17

HEX #73D38B

RGB 115 211 139

HSL 135, 0.52%, 0.64%

LAB 77.34, -43.86, 27.08

 

CMYK 44 / 0 / 45 / 17

HEX #76D373

RGB 118 211 115

HSL 118.13, 0.52%, 0.64%

LAB 77.09, -46.79, 39

 

CMYK 32 / 0 / 45 / 17

HEX #90D373

RGB 144 211 115

HSL 101.88, 0.52%, 0.64%

LAB 78.32, -38.56, 40.81

 

CMYK 45 / 0 / 10 / 17

HEX #73D3BE

RGB 115 211 190

HSL 166.88, 0.52%, 0.64%

LAB 78.43, -33.41, 1.59

 

CMYK 45 / 2 / 0 / 17

HEX #73CED3

RGB 115 206 211

HSL 183.13, 0.52%, 0.64%

LAB 77.57, -25.85, -10.95

 

CMYK 45 / 15 / 0 / 17

HEX #73B4D3

RGB 115 180 211

HSL 199.38, 0.52%, 0.64%

LAB 70.17, -12.53, -22.12

 

CMYK 45 / 27 / 0 / 17

HEX #739BD3

RGB 115 155 211

HSL 215, 0.52%, 0.64%

LAB 63.17, 1.25, -32.89

 

CMYK 45 / 39 / 0 / 17

HEX #7381D3

RGB 115 129 211

HSL 231.25, 0.52%, 0.64%

LAB 56.14, 16.44, -43.91

 

CMYK 45 / 0 / 10 / 17

HEX #73D3BE

RGB 115 211 190

HSL 166.88, 0.52%, 0.64%

LAB 78.43, -33.41, 1.59

 

CMYK 55 / 0 / 12 / 11

HEX #65E2C6

RGB 101 226 198

HSL 166.56, 0.68%, 0.64%

LAB 82.51, -41.48, 3.19

 

CMYK 64 / 0 / 14 / 5

HEX #56F1CF

RGB 86 241 207

HSL 166.84, 0.85%, 0.64%

LAB 86.7, -48.53, 4.48

 

CMYK 45 / 0 / 10 / 17

HEX #73D3BE

RGB 115 211 190

HSL 166.88, 0.52%, 0.64%

LAB 78.43, -33.41, 1.59

 

CMYK 34 / 0 / 7 / 23

HEX #82C4B6

RGB 130 196 182

HSL 167.27, 0.36%, 0.64%

LAB 74.57, -24.05, 0.36

 

CMYK 20 / 0 / 4 / 29

HEX #91B5AD

RGB 145 181 173

HSL 166.67, 0.2%, 0.64%

LAB 70.93, -13.79, 0.05

 

CMYK 4 / 0 / 1 / 35

HEX #A0A6A5

RGB 160 166 165

HSL 170, 0.03%, 0.64%

LAB 67.62, -2.32, -0.23

 

CMYK 0 / 13 / 10 / 31

HEX #AF989D

RGB 175 152 157

HSL 346.96, 0.13%, 0.64%

LAB 64.97, 9.37, 0.51

 

CMYK 45 / 0 / 35 / 17

HEX #73D38A

RGB 115 211 138

HSL 134.38, 0.52%, 0.64%

LAB 77.32, -44.03, 27.58

 

CMYK 45 / 0 / 23 / 17

HEX #73D3A3

RGB 115 211 163

HSL 150, 0.52%, 0.64%

LAB 77.8, -39.32, 15.1

 

CMYK 45 / 0 / 10 / 17

HEX #73D3BD

RGB 115 211 189

HSL 166.25, 0.52%, 0.64%

LAB 78.41, -33.65, 2.09

 

CMYK 45 / 1 / 0 / 17

HEX #73D0D3

RGB 115 208 211

HSL 181.88, 0.52%, 0.64%

LAB 78.15, -26.83, -10.1

 

CMYK 45 / 14 / 0 / 17

HEX #73B6D3

RGB 115 182 211

HSL 198.13, 0.52%, 0.64%

LAB 70.74, -13.59, -21.26

 

CMYK 68 / 0 / 15 / 27

HEX #3BB99E

RGB 59 185 158

HSL 167.14, 0.52%, 0.48%

LAB 68.09, -40.73, 3.72

 

CMYK 58 / 0 / 13 / 21

HEX #54C9AF

RGB 84 201 175

HSL 166.67, 0.52%, 0.56%

LAB 74.03, -39.22, 3.14

 

CMYK 45 / 0 / 10 / 17

HEX #73D3BE

RGB 115 211 190

HSL 166.88, 0.52%, 0.64%

LAB 78.43, -33.41, 1.59

 

CMYK 33 / 0 / 7 / 13

HEX #93DDCD

RGB 147 221 205

HSL 167.03, 0.52%, 0.72%

LAB 83.09, -26.42, 0.55

 

CMYK 23 / 0 / 5 / 9

HEX #B2E7DB

RGB 178 231 219

HSL 166.42, 0.52%, 0.8%

LAB 87.84, -19.33, 0.3

 

CMYK 46 / 0 / 10 / 18

HEX #72D2BD

RGB 114 210 189

HSL 166.88, 0.52%, 0.64%

LAB 78.08, -33.42, 1.61

 

CMYK 45 / 44 / 0 / 17

HEX #7377D3

RGB 115 119 211

HSL 237.5, 0.52%, 0.64%

LAB 53.54, 22.43, -48.03

 

CMYK 0 / 29 / 45 / 17

HEX #D39673

RGB 211 150 115

HSL 21.88, 0.52%, 0.64%

LAB 67.2, 18.75, 27.55

 

CMYK 46 / 0 / 10 / 18

HEX #72D2BD

RGB 114 210 189

HSL 166.88, 0.52%, 0.64%

LAB 78.08, -33.42, 1.61

 

CMYK 10 / 45 / 0 / 17

HEX #BD73D3

RGB 189 115 211

HSL 286.25, 0.52%, 0.64%

LAB 59.69, 44.89, -37.85

 

CMYK 0 / 10 / 45 / 17

HEX #D3BD73

RGB 211 189 115

HSL 46.25, 0.52%, 0.64%

LAB 76.97, -2.13, 40.12

 

CMYK 46 / 0 / 10 / 18

HEX #72D2BD

RGB 114 210 189

HSL 166.88, 0.52%, 0.64%

LAB 78.08, -33.42, 1.61

 

CMYK 45 / 44 / 0 / 17

HEX #7377D3

RGB 115 119 211

HSL 237.5, 0.52%, 0.64%

LAB 53.54, 22.43, -48.03

 

CMYK 0 / 45 / 35 / 17

HEX #D3738A

RGB 211 115 138

HSL 345.63, 0.52%, 0.64%

LAB 59.84, 40.09, 4.4

 

CMYK 0 / 1 / 45 / 17

HEX #D3D073

RGB 211 208 115

HSL 58.13, 0.52%, 0.64%

LAB 81.95, -11.9, 46.29

 

CMYK 46 / 0 / 10 / 18

HEX #72D2BD

RGB 114 210 189

HSL 166.88, 0.52%, 0.64%

LAB 78.08, -33.42, 1.61

 

CMYK 33 / 45 / 0 / 17

HEX #8D73D3

RGB 141 115 211

HSL 256.25, 0.52%, 0.64%

LAB 54.69, 31.43, -46.07

 

CMYK 0 / 45 / 35 / 17

HEX #D3738A

RGB 211 115 138

HSL 345.63, 0.52%, 0.64%

LAB 59.84, 40.09, 4.4

 

CMYK 12 / 0 / 45 / 17

HEX #B9D373

RGB 185 211 115

HSL 76.25, 0.52%, 0.64%

LAB 80.82, -23.63, 44.46

 

Description

Color code: HEX #72D2BD | qconv.com Color code: HEX #72D2BD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 210 green and 189 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 210 189 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 46 cyan, none magenta, 10 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
46% 0% 10% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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