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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72C50A it is the complementary color #8D3AF5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72C50A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72C50A shade: #77C505, #88D718, #99E92B, #AAFB3E and #BBFF51

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72C50A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72C50A shade: #72C50A, #61B300, #50A100, #3F8F00 and #2E7D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72C50A shade: #73C70A, #A6C70A, #C7B50A, #C7820A and #C74F0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72C50A shade: #73C70A, #40C70A, #0EC70A, #0AC73A and #0AC76D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72C50A shade matches the following richer shades: #73C70A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72C50A shade: #73C70A, #71B61B, #6FA52C, #6D943D and #6C834E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72C50A shade: #C7B40A, #A7C70A, #75C70A, #43C70A and #11C70A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72C50A shade: #467806, #5C9F08, #73C70A, #8AEE0D and #9DF430

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72C50A shade: #72C50A, #0AC782 and #C70AC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72C50A shade: #72C50A, #0A75C7 and #C70A75

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72C50A shade: #72C50A, #0AC782, #5C0AC7 and #C70A4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72C50A shade: #72C50A, #0AC7BA, #5C0AC7 and #C70A17

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 0 / 95 / 23

HEX #72C50A

RGB 114 197 10

HSL 86.63, 0.9%, 0.41%

LAB 71.91, -50.42, 70.44

 

Complementary color

CMYK 42 / 76 / 0 / 4

HEX #8D3AF5

RGB 141 58 245

HSL 266.63, 0.9%, 0.59%

LAB 46.02, 69.21, -79.23

 

CMYK 40 / 0 / 97 / 23

HEX #77C505

RGB 119 197 5

HSL 84.38, 0.95%, 0.4%

LAB 72.14, -48.8, 71.25

 

CMYK 37 / 0 / 89 / 16

HEX #88D718

RGB 136 215 24

HSL 84.82, 0.8%, 0.47%

LAB 78.4, -49.84, 74.24

 

CMYK 34 / 0 / 82 / 9

HEX #99E92B

RGB 153 233 43

HSL 85.26, 0.81%, 0.54%

LAB 84.6, -50.64, 75.92

 

CMYK 32 / 0 / 75 / 2

HEX #AAFB3E

RGB 170 251 62

HSL 85.71, 0.96%, 0.61%

LAB 90.73, -51.25, 76.63

 

CMYK 27 / 0 / 68 / 0

HEX #BBFF51

RGB 187 255 81

HSL 83.45, 1%, 0.66%

LAB 92.87, -45.82, 72.71

 

CMYK 42 / 0 / 95 / 23

HEX #72C50A

RGB 114 197 10

HSL 86.63, 0.9%, 0.41%

LAB 71.91, -50.42, 70.44

 

CMYK 46 / 0 / 100 / 30

HEX #61B300

RGB 97 179 0

HSL 87.49, 1%, 0.35%

LAB 65.58, -49.12, 66.26

 

CMYK 50 / 0 / 100 / 37

HEX #50A100

RGB 80 161 0

HSL 90.19, 1%, 0.32%

LAB 59.15, -47.56, 60.93

 

CMYK 56 / 0 / 100 / 44

HEX #3F8F00

RGB 63 143 0

HSL 93.57, 1%, 0.28%

LAB 52.62, -45.84, 55.52

 

CMYK 63 / 0 / 100 / 51

HEX #2E7D00

RGB 46 125 0

HSL 97.92, 1%, 0.25%

LAB 45.97, -43.87, 50.02

 

CMYK 42 / 0 / 95 / 22

HEX #73C70A

RGB 115 199 10

HSL 86.67, 0.9%, 0.41%

LAB 72.57, -50.87, 70.99

 

CMYK 17 / 0 / 95 / 22

HEX #A6C70A

RGB 166 199 10

HSL 70.48, 0.9%, 0.41%

LAB 75.44, -31.68, 74.47

 

CMYK 0 / 9 / 95 / 22

HEX #C7B50A

RGB 199 181 10

HSL 54.29, 0.9%, 0.41%

LAB 73.03, -8.65, 73.77

 

CMYK 0 / 35 / 95 / 22

HEX #C7820A

RGB 199 130 10

HSL 38.1, 0.9%, 0.41%

LAB 60.01, 18.74, 64.27

 

CMYK 0 / 60 / 95 / 22

HEX #C74F0A

RGB 199 79 10

HSL 21.9, 0.9%, 0.41%

LAB 49.2, 45.22, 56.94

 

CMYK 42 / 0 / 95 / 22

HEX #73C70A

RGB 115 199 10

HSL 86.67, 0.9%, 0.41%

LAB 72.57, -50.87, 70.99

 

CMYK 68 / 0 / 95 / 22

HEX #40C70A

RGB 64 199 10

HSL 102.86, 0.9%, 0.41%

LAB 70.84, -64.59, 68.87

 

CMYK 93 / 0 / 95 / 22

HEX #0EC70A

RGB 14 199 10

HSL 118.73, 0.9%, 0.41%

LAB 70.15, -70.71, 68.02

 

CMYK 95 / 0 / 71 / 22

HEX #0AC73A

RGB 10 199 58

HSL 135.24, 0.9%, 0.41%

LAB 70.33, -68.34, 56.16

 

CMYK 95 / 0 / 45 / 22

HEX #0AC76D

RGB 10 199 109

HSL 151.43, 0.9%, 0.41%

LAB 70.88, -61.52, 33.61

 

CMYK 42 / 0 / 95 / 22

HEX #73C70A

RGB 115 199 10

HSL 86.67, 0.9%, 0.41%

LAB 72.57, -50.87, 70.99

 

CMYK 42 / 0 / 95 / 22

HEX #73C70A

RGB 115 199 10

HSL 86.67, 0.9%, 0.41%

LAB 72.57, -50.87, 70.99

 

CMYK 38 / 0 / 85 / 29

HEX #71B61B

RGB 113 182 27

HSL 86.71, 0.74%, 0.41%

LAB 67.31, -44.23, 63.76

 

CMYK 33 / 0 / 73 / 35

HEX #6FA52C

RGB 111 165 44

HSL 86.78, 0.58%, 0.41%

LAB 62.06, -36.78, 53.76

 

CMYK 26 / 0 / 59 / 42

HEX #6D943D

RGB 109 148 61

HSL 86.9, 0.42%, 0.41%

LAB 56.85, -28.27, 40.93

 

CMYK 18 / 0 / 40 / 49

HEX #6C834E

RGB 108 131 78

HSL 86.04, 0.25%, 0.41%

LAB 51.8, -18.06, 25.96

 

CMYK 0 / 10 / 95 / 22

HEX #C7B40A

RGB 199 180 10

HSL 53.97, 0.9%, 0.41%

LAB 72.76, -8.13, 73.57

 

CMYK 16 / 0 / 95 / 22

HEX #A7C70A

RGB 167 199 10

HSL 70.16, 0.9%, 0.41%

LAB 75.5, -31.27, 74.55

 

CMYK 41 / 0 / 95 / 22

HEX #75C70A

RGB 117 199 10

HSL 86.03, 0.9%, 0.41%

LAB 72.66, -50.21, 71.1

 

CMYK 66 / 0 / 95 / 22

HEX #43C70A

RGB 67 199 10

HSL 101.9, 0.9%, 0.41%

LAB 70.91, -63.99, 68.96

 

CMYK 91 / 0 / 95 / 22

HEX #11C70A

RGB 17 199 10

HSL 117.78, 0.9%, 0.41%

LAB 70.17, -70.54, 68.04

 

CMYK 42 / 0 / 95 / 53

HEX #467806

RGB 70 120 6

HSL 86.32, 0.9%, 0.25%

LAB 45.29, -33.97, 48.6

 

CMYK 42 / 0 / 95 / 38

HEX #5C9F08

RGB 92 159 8

HSL 86.62, 0.9%, 0.33%

LAB 59.06, -42.61, 59.9

 

CMYK 42 / 0 / 95 / 22

HEX #73C70A

RGB 115 199 10

HSL 86.67, 0.9%, 0.41%

LAB 72.57, -50.87, 70.99

 

CMYK 42 / 0 / 95 / 7

HEX #8AEE0D

RGB 138 238 13

HSL 86.67, 0.9%, 0.49%

LAB 85.29, -58.42, 81.31

 

CMYK 36 / 0 / 80 / 4

HEX #9DF430

RGB 157 244 48

HSL 86.63, 0.9%, 0.57%

LAB 88.01, -53.52, 77.8

 

CMYK 42 / 0 / 95 / 23

HEX #72C50A

RGB 114 197 10

HSL 86.63, 0.9%, 0.41%

LAB 71.91, -50.42, 70.44

 

CMYK 95 / 0 / 35 / 22

HEX #0AC782

RGB 10 199 130

HSL 158.1, 0.9%, 0.41%

LAB 71.23, -57.45, 23.17

 

CMYK 0 / 95 / 4 / 22

HEX #C70AC0

RGB 199 10 192

HSL 302.22, 0.9%, 0.41%

LAB 47.19, 79.67, -46.62

 

CMYK 42 / 0 / 95 / 23

HEX #72C50A

RGB 114 197 10

HSL 86.63, 0.9%, 0.41%

LAB 71.91, -50.42, 70.44

 

CMYK 95 / 41 / 0 / 22

HEX #0A75C7

RGB 10 117 199

HSL 206.03, 0.9%, 0.41%

LAB 48.15, 4.08, -50.03

 

CMYK 0 / 95 / 41 / 22

HEX #C70A75

RGB 199 10 117

HSL 326.03, 0.9%, 0.41%

LAB 43.72, 70.76, -6.9

 

CMYK 42 / 0 / 95 / 23

HEX #72C50A

RGB 114 197 10

HSL 86.63, 0.9%, 0.41%

LAB 71.91, -50.42, 70.44

 

CMYK 95 / 0 / 35 / 22

HEX #0AC782

RGB 10 199 130

HSL 158.1, 0.9%, 0.41%

LAB 71.23, -57.45, 23.17

 

CMYK 54 / 95 / 0 / 22

HEX #5C0AC7

RGB 92 10 199

HSL 266.03, 0.9%, 0.41%

LAB 30.92, 66.96, -77.93

 

CMYK 0 / 95 / 60 / 22

HEX #C70A4F

RGB 199 10 79

HSL 338.1, 0.9%, 0.41%

LAB 42.65, 67.88, 15.41

 

CMYK 42 / 0 / 95 / 23

HEX #72C50A

RGB 114 197 10

HSL 86.63, 0.9%, 0.41%

LAB 71.91, -50.42, 70.44

 

CMYK 95 / 0 / 7 / 22

HEX #0AC7BA

RGB 10 199 186

HSL 175.87, 0.9%, 0.41%

LAB 72.53, -43.41, -5.16

 

CMYK 54 / 95 / 0 / 22

HEX #5C0AC7

RGB 92 10 199

HSL 266.03, 0.9%, 0.41%

LAB 30.92, 66.96, -77.93

 

CMYK 0 / 95 / 88 / 22

HEX #C70A17

RGB 199 10 23

HSL 355.87, 0.9%, 0.41%

LAB 41.88, 65.75, 47.44

 

Description

Color code: HEX #72C50A | qconv.com Color code: HEX #72C50A | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 197 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 197 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, none magenta, 95 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 0% 95% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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