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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72C3FE it is the complementary color #8D3C01. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72C3FE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72C3FE shade: #77C3F9, #88D5FF, #99E7FF, #AAF9FF and #BBFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72C3FE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72C3FE shade: #72C3FE, #61B1EB, #509FD8, #3F8DC5 and #2E7BB2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72C3FE shade: #71C3FE, #719DFE, #7176FE, #9271FE and #B871FE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72C3FE shade: #71C3FE, #719DFE, #7176FE and #7171FE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72C3FE shade matches the following richer shades: #71C3FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72C3FE shade: #71C3FE, #7CC1F3, #88BFE7, #94BDDC and #9FBBD0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72C3FE shade: #71FEEE, #71E9FE, #71C3FE, #719EFE and #7178FE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72C3FE shade: #1FA0FE, #48B1FE, #71C3FE, #9AD4FE and #C3E6FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72C3FE shade: #72C3FE, #C871FE and #FCFE71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72C3FE shade: #72C3FE, #FE71C3 and #C3FE71

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72C3FE shade: #72C3FE, #C871FE, #FEAC71 and #A7FE71

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72C3FE shade: #72C3FE, #F371FE, #FEAC71 and #7DFE71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 55 / 23 / 0 / 0

HEX #72C3FE

RGB 114 195 254

HSL 205.29, 0.99%, 0.72%

LAB 75.92, -8.43, -36.58

 

Complementary color

CMYK 0 / 57 / 99 / 45

HEX #8D3C01

RGB 141 60 1

HSL 25.29, 0.99%, 0.28%

LAB 35.78, 31.78, 46.29

 

CMYK 52 / 22 / 0 / 2

HEX #77C3F9

RGB 119 195 249

HSL 204.92, 0.92%, 0.72%

LAB 75.94, -8.86, -33.86

 

CMYK 47 / 16 / 0 / 0

HEX #88D5FF

RGB 136 213 255

HSL 201.18, 1%, 0.77%

LAB 81.86, -12.88, -27.89

 

CMYK 40 / 9 / 0 / 0

HEX #99E7FF

RGB 153 231 255

HSL 194.12, 1%, 0.8%

LAB 87.55, -18.01, -19.17

 

CMYK 33 / 2 / 0 / 0

HEX #AAF9FF

RGB 170 249 255

HSL 184.24, 1%, 0.83%

LAB 93.24, -22.57, -10.57

 

CMYK 27 / 0 / 0 / 0

HEX #BBFFFF

RGB 187 255 255

HSL 180, 1%, 0.87%

LAB 95.71, -20.9, -6.81

 

CMYK 55 / 23 / 0 / 0

HEX #72C3FE

RGB 114 195 254

HSL 205.29, 0.99%, 0.72%

LAB 75.92, -8.43, -36.58

 

CMYK 59 / 25 / 0 / 8

HEX #61B1EB

RGB 97 177 235

HSL 205.22, 0.78%, 0.65%

LAB 69.46, -7.78, -36.41

 

CMYK 63 / 26 / 0 / 15

HEX #509FD8

RGB 80 159 216

HSL 205.15, 0.64%, 0.58%

LAB 62.89, -6.97, -36.23

 

CMYK 68 / 28 / 0 / 23

HEX #3F8DC5

RGB 63 141 197

HSL 205.07, 0.54%, 0.51%

LAB 56.23, -5.94, -36.04

 

CMYK 74 / 31 / 0 / 30

HEX #2E7BB2

RGB 46 123 178

HSL 205, 0.59%, 0.44%

LAB 49.45, -4.63, -35.83

 

CMYK 56 / 23 / 0 / 0

HEX #71C3FE

RGB 113 195 254

HSL 205.11, 0.99%, 0.72%

LAB 75.88, -8.63, -36.65

 

CMYK 56 / 38 / 0 / 0

HEX #719DFE

RGB 113 157 254

HSL 221.28, 0.99%, 0.72%

LAB 65.58, 12.65, -52.81

 

CMYK 56 / 54 / 0 / 0

HEX #7176FE

RGB 113 118 254

HSL 237.87, 0.99%, 0.72%

LAB 55.71, 35.74, -68.6

 

CMYK 43 / 56 / 0 / 0

HEX #9271FE

RGB 146 113 254

HSL 254.04, 0.99%, 0.72%

LAB 57.15, 45.28, -66.14

 

CMYK 28 / 56 / 0 / 0

HEX #B871FE

RGB 184 113 254

HSL 270.21, 0.99%, 0.72%

LAB 60.92, 53.95, -59.89

 

CMYK 56 / 23 / 0 / 0

HEX #71C3FE

RGB 113 195 254

HSL 205.11, 0.99%, 0.72%

LAB 75.88, -8.63, -36.65

 

CMYK 56 / 38 / 0 / 0

HEX #719DFE

RGB 113 157 254

HSL 221.28, 0.99%, 0.72%

LAB 65.58, 12.65, -52.81

 

CMYK 56 / 54 / 0 / 0

HEX #7176FE

RGB 113 118 254

HSL 237.87, 0.99%, 0.72%

LAB 55.71, 35.74, -68.6

 

CMYK 56 / 56 / 0 / 0

HEX #7171FE

RGB 113 113 254

HSL 240, 0.99%, 0.72%

LAB 54.53, 38.7, -70.5

 

CMYK 56 / 23 / 0 / 0

HEX #71C3FE

RGB 113 195 254

HSL 205.11, 0.99%, 0.72%

LAB 75.88, -8.63, -36.65

 

CMYK 56 / 23 / 0 / 0

HEX #71C3FE

RGB 113 195 254

HSL 205.11, 0.99%, 0.72%

LAB 75.88, -8.63, -36.65

 

CMYK 49 / 21 / 0 / 5

HEX #7CC1F3

RGB 124 193 243

HSL 205.21, 0.83%, 0.72%

LAB 75.39, -8.41, -31.47

 

CMYK 41 / 17 / 0 / 9

HEX #88BFE7

RGB 136 191 231

HSL 205.26, 0.66%, 0.72%

LAB 74.99, -7.75, -25.55

 

CMYK 33 / 14 / 0 / 14

HEX #94BDDC

RGB 148 189 220

HSL 205.83, 0.51%, 0.72%

LAB 74.74, -6.29, -19.93

 

CMYK 24 / 10 / 0 / 18

HEX #9FBBD0

RGB 159 187 208

HSL 205.71, 0.34%, 0.72%

LAB 74.49, -4.85, -13.72

 

CMYK 56 / 0 / 6 / 0

HEX #71FEEE

RGB 113 254 238

HSL 173.19, 0.99%, 0.72%

LAB 91.94, -41.93, -3.93

 

CMYK 56 / 8 / 0 / 0

HEX #71E9FE

RGB 113 233 254

HSL 188.94, 0.99%, 0.72%

LAB 86.48, -28.01, -20.43

 

CMYK 56 / 23 / 0 / 0

HEX #71C3FE

RGB 113 195 254

HSL 205.11, 0.99%, 0.72%

LAB 75.88, -8.63, -36.65

 

CMYK 56 / 38 / 0 / 0

HEX #719EFE

RGB 113 158 254

HSL 220.85, 0.99%, 0.72%

LAB 65.84, 12.07, -52.39

 

CMYK 56 / 53 / 0 / 0

HEX #7178FE

RGB 113 120 254

HSL 237.02, 0.99%, 0.72%

LAB 56.19, 34.55, -67.82

 

CMYK 88 / 37 / 0 / 0

HEX #1FA0FE

RGB 31 160 254

HSL 205.29, 0.99%, 0.56%

LAB 63.83, 0.19, -55.75

 

CMYK 72 / 30 / 0 / 0

HEX #48B1FE

RGB 72 177 254

HSL 205.38, 0.99%, 0.64%

LAB 69.45, -5.62, -46.79

 

CMYK 56 / 23 / 0 / 0

HEX #71C3FE

RGB 113 195 254

HSL 205.11, 0.99%, 0.72%

LAB 75.88, -8.63, -36.65

 

CMYK 39 / 17 / 0 / 0

HEX #9AD4FE

RGB 154 212 254

HSL 205.2, 0.98%, 0.8%

LAB 82.44, -8.26, -26.4

 

CMYK 24 / 10 / 0 / 0

HEX #C3E6FF

RGB 195 230 255

HSL 205, 1%, 0.88%

LAB 89.59, -6.07, -15.88

 

CMYK 55 / 23 / 0 / 0

HEX #72C3FE

RGB 114 195 254

HSL 205.29, 0.99%, 0.72%

LAB 75.92, -8.43, -36.58

 

CMYK 21 / 56 / 0 / 0

HEX #C871FE

RGB 200 113 254

HSL 277.02, 0.99%, 0.72%

LAB 62.71, 57.82, -56.92

 

CMYK 1 / 0 / 56 / 0

HEX #FCFE71

RGB 252 254 113

HSL 60.85, 0.99%, 0.72%

LAB 97.13, -18.4, 65.81

 

CMYK 55 / 23 / 0 / 0

HEX #72C3FE

RGB 114 195 254

HSL 205.29, 0.99%, 0.72%

LAB 75.92, -8.43, -36.58

 

CMYK 0 / 56 / 23 / 0

HEX #FE71C3

RGB 254 113 195

HSL 325.11, 0.99%, 0.72%

LAB 67.14, 62.36, -16.65

 

CMYK 23 / 0 / 56 / 0

HEX #C3FE71

RGB 195 254 113

HSL 85.11, 0.99%, 0.72%

LAB 93.31, -40.05, 60.44

 

CMYK 55 / 23 / 0 / 0

HEX #72C3FE

RGB 114 195 254

HSL 205.29, 0.99%, 0.72%

LAB 75.92, -8.43, -36.58

 

CMYK 21 / 56 / 0 / 0

HEX #C871FE

RGB 200 113 254

HSL 277.02, 0.99%, 0.72%

LAB 62.71, 57.82, -56.92

 

CMYK 0 / 32 / 56 / 0

HEX #FEAC71

RGB 254 172 113

HSL 25.11, 0.99%, 0.72%

LAB 77.14, 24.1, 42.3

 

CMYK 34 / 0 / 56 / 0

HEX #A7FE71

RGB 167 254 113

HSL 97.02, 0.99%, 0.72%

LAB 91.82, -49.69, 58.32

 

CMYK 55 / 23 / 0 / 0

HEX #72C3FE

RGB 114 195 254

HSL 205.29, 0.99%, 0.72%

LAB 75.92, -8.43, -36.58

 

CMYK 4 / 56 / 0 / 0

HEX #F371FE

RGB 243 113 254

HSL 295.32, 0.99%, 0.72%

LAB 68.04, 68.49, -48.15

 

CMYK 0 / 32 / 56 / 0

HEX #FEAC71

RGB 254 172 113

HSL 25.11, 0.99%, 0.72%

LAB 77.14, 24.1, 42.3

 

CMYK 51 / 0 / 56 / 0

HEX #7DFE71

RGB 125 254 113

HSL 114.89, 0.99%, 0.72%

LAB 90.06, -62.11, 55.82

 

Description

Color code: HEX #72C3FE | qconv.com Color code: HEX #72C3FE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 195 green and 254 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 195 254 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 55 cyan, 23 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
55% 23% 0% 0% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - RedList - Réseau soc...
Link: http://www.redlist-ultimate.be

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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