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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72BE0F it is the complementary color #8D41F0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72BE0F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72BE0F shade: #77BE0A, #88D01D, #99E230, #AAF443 and #BBFF56

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72BE0F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72BE0F shade: #72BE0F, #61AC00, #509A00, #3F8800 and #2E7600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72BE0F shade: #71BD0F, #A0BD0F, #BDAA0F, #BD7C0F and #BD4D0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72BE0F shade: #71BD0F, #43BD0F, #14BD0F, #0FBD39 and #0FBD68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72BE0F shade matches the following richer shades: #71BD0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72BE0F shade: #71BD0F, #6FAC20, #6D9C30, #6B8B41 and #697B51

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72BE0F shade: #BDAB0F, #A0BD0F, #72BD0F, #43BD0F and #15BD0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72BE0F shade: #447009, #5A970C, #71BD0F, #88E312 and #9CEE30

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72BE0F shade: #72BE0F, #0FBD7D and #BD0FB7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72BE0F shade: #72BE0F, #0F72BD and #BD0F72

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72BE0F shade: #72BE0F, #0FBD7D, #5A0FBD and #BD0F4F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72BE0F shade: #72BE0F, #0FBDB1, #5A0FBD and #BD0F1B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 40 / 0 / 92 / 25

HEX #72BE0F

RGB 114 190 15

HSL 86.06, 0.85%, 0.4%

LAB 69.78, -47.52, 68.1

 

Complementary color

CMYK 41 / 73 / 0 / 6

HEX #8D41F0

RGB 141 65 240

HSL 266.06, 0.85%, 0.6%

LAB 46.62, 65.13, -75.43

 

CMYK 37 / 0 / 95 / 25

HEX #77BE0A

RGB 119 190 10

HSL 83.67, 0.9%, 0.39%

LAB 70.02, -45.86, 69.02

 

CMYK 35 / 0 / 86 / 18

HEX #88D01D

RGB 136 208 29

HSL 84.13, 0.76%, 0.46%

LAB 76.34, -46.82, 71.56

 

CMYK 32 / 0 / 79 / 11

HEX #99E230

RGB 153 226 48

HSL 84.61, 0.75%, 0.54%

LAB 82.58, -47.54, 72.79

 

CMYK 30 / 0 / 73 / 4

HEX #AAF443

RGB 170 244 67

HSL 85.08, 0.89%, 0.61%

LAB 88.76, -48.07, 73.15

 

CMYK 27 / 0 / 66 / 0

HEX #BBFF56

RGB 187 255 86

HSL 84.14, 1%, 0.67%

LAB 92.91, -45.49, 70.91

 

CMYK 40 / 0 / 92 / 25

HEX #72BE0F

RGB 114 190 15

HSL 86.06, 0.85%, 0.4%

LAB 69.78, -47.52, 68.1

 

CMYK 44 / 0 / 100 / 33

HEX #61AC00

RGB 97 172 0

HSL 86.16, 1%, 0.34%

LAB 63.38, -46.35, 64.54

 

CMYK 48 / 0 / 100 / 40

HEX #509A00

RGB 80 154 0

HSL 88.83, 1%, 0.3%

LAB 56.9, -44.83, 59.16

 

CMYK 54 / 0 / 100 / 47

HEX #3F8800

RGB 63 136 0

HSL 92.21, 1%, 0.27%

LAB 50.29, -43.17, 53.69

 

CMYK 61 / 0 / 100 / 54

HEX #2E7600

RGB 46 118 0

HSL 96.61, 1%, 0.23%

LAB 43.56, -41.28, 48.12

 

CMYK 40 / 0 / 92 / 26

HEX #71BD0F

RGB 113 189 15

HSL 86.21, 0.85%, 0.4%

LAB 69.43, -47.46, 67.79

 

CMYK 15 / 0 / 92 / 26

HEX #A0BD0F

RGB 160 189 15

HSL 70, 0.85%, 0.4%

LAB 72.16, -29.37, 71.14

 

CMYK 0 / 10 / 92 / 26

HEX #BDAA0F

RGB 189 170 15

HSL 53.45, 0.85%, 0.4%

LAB 69.19, -7.28, 69.81

 

CMYK 0 / 34 / 92 / 26

HEX #BD7C0F

RGB 189 124 15

HSL 37.59, 0.85%, 0.4%

LAB 57.34, 17.69, 60.86

 

CMYK 0 / 59 / 92 / 26

HEX #BD4D0F

RGB 189 77 15

HSL 21.38, 0.85%, 0.4%

LAB 47.19, 42.47, 53.49

 

CMYK 40 / 0 / 92 / 26

HEX #71BD0F

RGB 113 189 15

HSL 86.21, 0.85%, 0.4%

LAB 69.43, -47.46, 67.79

 

CMYK 65 / 0 / 92 / 26

HEX #43BD0F

RGB 67 189 15

HSL 102.07, 0.85%, 0.4%

LAB 67.74, -60.62, 65.71

 

CMYK 89 / 0 / 92 / 26

HEX #14BD0F

RGB 20 189 15

HSL 118.28, 0.85%, 0.4%

LAB 66.96, -67.44, 64.73

 

CMYK 92 / 0 / 70 / 26

HEX #0FBD39

RGB 15 189 57

HSL 134.48, 0.85%, 0.4%

LAB 67.12, -65.24, 53.18

 

CMYK 92 / 0 / 45 / 26

HEX #0FBD68

RGB 15 189 104

HSL 150.69, 0.85%, 0.4%

LAB 67.65, -58.79, 32

 

CMYK 40 / 0 / 92 / 26

HEX #71BD0F

RGB 113 189 15

HSL 86.21, 0.85%, 0.4%

LAB 69.43, -47.46, 67.79

 

CMYK 40 / 0 / 92 / 26

HEX #71BD0F

RGB 113 189 15

HSL 86.21, 0.85%, 0.4%

LAB 69.43, -47.46, 67.79

 

CMYK 35 / 0 / 81 / 33

HEX #6FAC20

RGB 111 172 32

HSL 86.14, 0.69%, 0.4%

LAB 64.15, -40.51, 59.64

 

CMYK 30 / 0 / 69 / 39

HEX #6D9C30

RGB 109 156 48

HSL 86.11, 0.53%, 0.4%

LAB 59.2, -33.17, 49.27

 

CMYK 23 / 0 / 53 / 45

HEX #6B8B41

RGB 107 139 65

HSL 85.95, 0.36%, 0.4%

LAB 54, -24.21, 35.59

 

CMYK 15 / 0 / 34 / 52

HEX #697B51

RGB 105 123 81

HSL 85.71, 0.21%, 0.4%

LAB 49.21, -14.56, 20.84

 

CMYK 0 / 10 / 92 / 26

HEX #BDAB0F

RGB 189 171 15

HSL 53.79, 0.85%, 0.4%

LAB 69.45, -7.8, 70.02

 

CMYK 15 / 0 / 92 / 26

HEX #A0BD0F

RGB 160 189 15

HSL 70, 0.85%, 0.4%

LAB 72.16, -29.37, 71.14

 

CMYK 40 / 0 / 92 / 26

HEX #72BD0F

RGB 114 189 15

HSL 85.86, 0.85%, 0.4%

LAB 69.47, -47.11, 67.85

 

CMYK 65 / 0 / 92 / 26

HEX #43BD0F

RGB 67 189 15

HSL 102.07, 0.85%, 0.4%

LAB 67.74, -60.62, 65.71

 

CMYK 89 / 0 / 92 / 26

HEX #15BD0F

RGB 21 189 15

HSL 117.93, 0.85%, 0.4%

LAB 66.97, -67.37, 64.74

 

CMYK 39 / 0 / 92 / 56

HEX #447009

RGB 68 112 9

HSL 85.63, 0.85%, 0.24%

LAB 42.52, -31.05, 45.58

 

CMYK 40 / 0 / 92 / 41

HEX #5A970C

RGB 90 151 12

HSL 86.33, 0.85%, 0.32%

LAB 56.42, -39.87, 57.1

 

CMYK 40 / 0 / 92 / 26

HEX #71BD0F

RGB 113 189 15

HSL 86.21, 0.85%, 0.4%

LAB 69.43, -47.46, 67.79

 

CMYK 40 / 0 / 92 / 11

HEX #88E312

RGB 136 227 18

HSL 86.12, 0.85%, 0.48%

LAB 81.96, -54.75, 78.04

 

CMYK 34 / 0 / 80 / 7

HEX #9CEE30

RGB 156 238 48

HSL 85.89, 0.85%, 0.56%

LAB 86.22, -51.44, 76.16

 

CMYK 40 / 0 / 92 / 25

HEX #72BE0F

RGB 114 190 15

HSL 86.06, 0.85%, 0.4%

LAB 69.78, -47.52, 68.1

 

CMYK 92 / 0 / 34 / 26

HEX #0FBD7D

RGB 15 189 125

HSL 157.93, 0.85%, 0.4%

LAB 68, -54.64, 21.45

 

CMYK 0 / 92 / 3 / 26

HEX #BD0FB7

RGB 189 15 183

HSL 302.07, 0.85%, 0.4%

LAB 45.05, 76.15, -44.86

 

CMYK 40 / 0 / 92 / 25

HEX #72BE0F

RGB 114 190 15

HSL 86.06, 0.85%, 0.4%

LAB 69.78, -47.52, 68.1

 

CMYK 92 / 40 / 0 / 26

HEX #0F72BD

RGB 15 114 189

HSL 205.86, 0.85%, 0.4%

LAB 46.72, 2.22, -46.55

 

CMYK 0 / 92 / 40 / 26

HEX #BD0F72

RGB 189 15 114

HSL 325.86, 0.85%, 0.4%

LAB 41.81, 67.71, -8.1

 

CMYK 40 / 0 / 92 / 25

HEX #72BE0F

RGB 114 190 15

HSL 86.06, 0.85%, 0.4%

LAB 69.78, -47.52, 68.1

 

CMYK 92 / 0 / 34 / 26

HEX #0FBD7D

RGB 15 189 125

HSL 157.93, 0.85%, 0.4%

LAB 68, -54.64, 21.45

 

CMYK 52 / 92 / 0 / 26

HEX #5A0FBD

RGB 90 15 189

HSL 265.86, 0.85%, 0.4%

LAB 29.89, 63.56, -73.76

 

CMYK 0 / 92 / 58 / 26

HEX #BD0F4F

RGB 189 15 79

HSL 337.93, 0.85%, 0.4%

LAB 40.78, 64.89, 12.51

 

CMYK 40 / 0 / 92 / 25

HEX #72BE0F

RGB 114 190 15

HSL 86.06, 0.85%, 0.4%

LAB 69.78, -47.52, 68.1

 

CMYK 92 / 0 / 6 / 26

HEX #0FBDB1

RGB 15 189 177

HSL 175.86, 0.85%, 0.4%

LAB 69.23, -41.45, -5.12

 

CMYK 52 / 92 / 0 / 26

HEX #5A0FBD

RGB 90 15 189

HSL 265.86, 0.85%, 0.4%

LAB 29.89, 63.56, -73.76

 

CMYK 0 / 92 / 86 / 26

HEX #BD0F1B

RGB 189 15 27

HSL 355.86, 0.85%, 0.4%

LAB 39.98, 62.67, 43.05

 

Description

Color code: HEX #72BE0F | qconv.com Color code: HEX #72BE0F | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 190 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 190 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 40 cyan, none magenta, 92 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
40% 0% 92% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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