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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72B2F94C it is the complementary color #8D4D064C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72B2F94C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72B2F94C shade: #77B2F44C, #88C4FF4C, #99D6FF4C, #AAE8FF4C and #BBFAFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72B2F94C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72B2F94C shade: #72B2F94C, #61A0E64C, #508ED34C, #3F7CC04C and #2E6AAD4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72B2F94C shade: #71B2F9, #718DF9, #7A71F9, #9F71F9 and #C371F9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72B2F94C shade: #71B2F9, #718DF9 and #7171F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72B2F94C shade matches the following richer shades: #71B2F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72B2F94C shade: #71B2F9, #7DB2ED, #89B3E1, #95B3D5 and #A1B4C9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72B2F94C shade: #71F9F7, #71D7F9, #71B3F9, #718EF9 and #7871F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72B2F94C shade: #2286F6, #499CF7, #71B2F9, #99C7FB and #C0DDFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72B2F94C shade: #72B2F9, #D371F9 and #E9F971

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72B2F94C shade: #72B2F9, #F971B3 and #B3F971

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72B2F94C shade: #72B2F9, #D371F9, #F9B771 and #98F971

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72B2F94C shade: #72B2F9, #F971F7, #F9B771 and #71F973

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 9 / 0 / 1

HEX #72B2F94C

RGBA 114 178 249 0.3

HSLA 211.56, 0.92%, 0.71%, 0.3

LABA 71.05, -0.64, -41.48, 0.3

 

Complementary color

CMYK 0 / 14 / 29 / 13

HEX #8D4D064C

RGBA 141 77 6 0.3

HSLA 31.56, 0.92%, 0.29%, 0.3

LABA 39.55, 22.52, 47.08, 0.3

 

CMYK 15 / 8 / 0 / 1

HEX #77B2F44C

RGBA 119 178 244 0.3

HSLA 211.68, 0.85%, 0.71%, 0.3

LABA 71.07, -1.07, -38.71, 0.3

 

CMYK 14 / 7 / 0 / 0

HEX #88C4FF4C

RGBA 136 196 255 0.3

HSLA 209.75, 1%, 0.77%, 0.3

LABA 77.24, -3.89, -35, 0.3

 

CMYK 12 / 5 / 0 / 0

HEX #99D6FF4C

RGBA 153 214 255 0.3

HSLA 204.12, 1%, 0.8%, 0.3

LABA 82.96, -9.3, -26.14, 0.3

 

CMYK 10 / 3 / 0 / 0

HEX #AAE8FF4C

RGBA 170 232 255 0.3

HSLA 196.24, 1%, 0.83%, 0.3

LABA 88.68, -14.12, -17.4, 0.3

 

CMYK 8 / 1 / 0 / 0

HEX #BBFAFF4C

RGBA 187 250 255 0.3

HSLA 184.41, 1%, 0.87%, 0.3

LABA 94.38, -18.44, -8.78, 0.3

 

CMYK 16 / 9 / 0 / 1

HEX #72B2F94C

RGBA 114 178 249 0.3

HSLA 211.56, 0.92%, 0.71%, 0.3

LABA 71.05, -0.64, -41.48, 0.3

 

CMYK 17 / 9 / 0 / 3

HEX #61A0E64C

RGBA 97 160 230 0.3

HSLA 211.58, 0.73%, 0.64%, 0.3

LABA 64.48, 0.15, -41.44, 0.3

 

CMYK 19 / 10 / 0 / 5

HEX #508ED34C

RGBA 80 142 211 0.3

HSLA 211.6, 0.6%, 0.57%, 0.3

LABA 57.8, 1.12, -41.41, 0.3

 

CMYK 20 / 11 / 0 / 7

HEX #3F7CC04C

RGBA 63 124 192 0.3

HSLA 211.63, 0.51%, 0.5%, 0.3

LABA 51.01, 2.34, -41.39, 0.3

 

CMYK 22 / 12 / 0 / 10

HEX #2E6AAD4C

RGBA 46 106 173 0.3

HSLA 211.65, 0.58%, 0.43%, 0.3

LABA 44.1, 3.9, -41.38, 0.3

 

CMYK 55 / 29 / 0 / 2

HEX #71B2F9

RGB 113 178 249

HSL 211.32, 0.92%, 0.71%

LAB 71, -0.85, -41.55

 

CMYK 55 / 43 / 0 / 2

HEX #718DF9

RGB 113 141 249

HSL 227.65, 0.92%, 0.71%

LAB 61.13, 20.48, -57.14

 

CMYK 51 / 55 / 0 / 2

HEX #7A71F9

RGB 122 113 249

HSL 243.97, 0.92%, 0.71%

LAB 54.85, 38.89, -67.18

 

CMYK 36 / 55 / 0 / 2

HEX #9F71F9

RGB 159 113 249

HSL 260.29, 0.92%, 0.71%

LAB 58.06, 46.86, -61.86

 

CMYK 22 / 55 / 0 / 2

HEX #C371F9

RGB 195 113 249

HSL 276.18, 0.92%, 0.71%

LAB 61.87, 55.51, -55.54

 

CMYK 55 / 29 / 0 / 2

HEX #71B2F9

RGB 113 178 249

HSL 211.32, 0.92%, 0.71%

LAB 71, -0.85, -41.55

 

CMYK 55 / 43 / 0 / 2

HEX #718DF9

RGB 113 141 249

HSL 227.65, 0.92%, 0.71%

LAB 61.13, 20.48, -57.14

 

CMYK 55 / 55 / 0 / 2

HEX #7171F9

RGB 113 113 249

HSL 240, 0.92%, 0.71%

LAB 54.2, 37.15, -68.27

 

CMYK 55 / 29 / 0 / 2

HEX #71B2F9

RGB 113 178 249

HSL 211.32, 0.92%, 0.71%

LAB 71, -0.85, -41.55

 

CMYK 55 / 29 / 0 / 2

HEX #71B2F9

RGB 113 178 249

HSL 211.32, 0.92%, 0.71%

LAB 71, -0.85, -41.55

 

CMYK 47 / 25 / 0 / 7

HEX #7DB2ED

RGB 125 178 237

HSL 211.61, 0.76%, 0.71%

LAB 71.09, -1.74, -34.86

 

CMYK 39 / 20 / 0 / 12

HEX #89B3E1

RGB 137 179 225

HSL 211.36, 0.59%, 0.71%

LAB 71.55, -2.6, -27.56

 

CMYK 30 / 16 / 0 / 16

HEX #95B3D5

RGB 149 179 213

HSL 211.88, 0.43%, 0.71%

LAB 71.85, -2.33, -20.49

 

CMYK 20 / 10 / 0 / 21

HEX #A1B4C9

RGB 161 180 201

HSL 211.5, 0.27%, 0.71%

LAB 72.52, -2.04, -12.83

 

CMYK 55 / 0 / 1 / 2

HEX #71F9F7

RGB 113 249 247

HSL 179.12, 0.92%, 0.71%

LAB 90.77, -37.4, -10.33

 

CMYK 55 / 14 / 0 / 2

HEX #71D7F9

RGB 113 215 249

HSL 195, 0.92%, 0.71%

LAB 81.26, -20.49, -25.71

 

CMYK 55 / 28 / 0 / 2

HEX #71B3F9

RGB 113 179 249

HSL 210.88, 0.92%, 0.71%

LAB 71.28, -1.41, -41.13

 

CMYK 55 / 43 / 0 / 2

HEX #718EF9

RGB 113 142 249

HSL 227.21, 0.92%, 0.71%

LAB 61.39, 19.89, -56.72

 

CMYK 52 / 55 / 0 / 2

HEX #7871F9

RGB 120 113 249

HSL 243.09, 0.92%, 0.71%

LAB 54.7, 38.49, -67.43

 

CMYK 86 / 46 / 0 / 4

HEX #2286F6

RGB 34 134 246

HSL 211.7, 0.92%, 0.55%

LAB 56.13, 12.91, -63.66

 

CMYK 70 / 37 / 0 / 3

HEX #499CF7

RGB 73 156 247

HSL 211.38, 0.92%, 0.63%

LAB 63.27, 4.07, -52.75

 

CMYK 55 / 29 / 0 / 2

HEX #71B2F9

RGB 113 178 249

HSL 211.32, 0.92%, 0.71%

LAB 71, -0.85, -41.55

 

CMYK 39 / 21 / 0 / 2

HEX #99C7FB

RGB 153 199 251

HSL 211.84, 0.92%, 0.79%

LAB 78.8, -2.4, -30.38

 

CMYK 24 / 12 / 0 / 1

HEX #C0DDFC

RGB 192 221 252

HSL 211, 0.91%, 0.87%

LAB 86.97, -2.95, -18.26

 

CMYK 54 / 29 / 0 / 2

HEX #72B2F9

RGB 114 178 249

HSL 211.56, 0.92%, 0.71%

LAB 71.05, -0.64, -41.48

 

CMYK 15 / 55 / 0 / 2

HEX #D371F9

RGB 211 113 249

HSL 283.24, 0.92%, 0.71%

LAB 63.75, 59.51, -52.44

 

CMYK 6 / 0 / 55 / 2

HEX #E9F971

RGB 233 249 113

HSL 67.06, 0.92%, 0.71%

LAB 94.43, -23.45, 62.36

 

CMYK 54 / 29 / 0 / 2

HEX #72B2F9

RGB 114 178 249

HSL 211.56, 0.92%, 0.71%

LAB 71.05, -0.64, -41.48

 

CMYK 0 / 55 / 28 / 2

HEX #F971B3

RGB 249 113 179

HSL 330.88, 0.92%, 0.71%

LAB 65.91, 58.77, -9.55

 

CMYK 28 / 0 / 55 / 2

HEX #B3F971

RGB 179 249 113

HSL 90.88, 0.92%, 0.71%

LAB 91.02, -43.51, 57.55

 

CMYK 54 / 29 / 0 / 2

HEX #72B2F9

RGB 114 178 249

HSL 211.56, 0.92%, 0.71%

LAB 71.05, -0.64, -41.48

 

CMYK 15 / 55 / 0 / 2

HEX #D371F9

RGB 211 113 249

HSL 283.24, 0.92%, 0.71%

LAB 63.75, 59.51, -52.44

 

CMYK 0 / 27 / 55 / 2

HEX #F9B771

RGB 249 183 113

HSL 30.88, 0.92%, 0.71%

LAB 79.16, 16.32, 44.66

 

CMYK 39 / 0 / 55 / 2

HEX #98F971

RGB 152 249 113

HSL 102.79, 0.92%, 0.71%

LAB 89.68, -52.42, 55.65

 

CMYK 54 / 29 / 0 / 2

HEX #72B2F9

RGB 114 178 249

HSL 211.56, 0.92%, 0.71%

LAB 71.05, -0.64, -41.48

 

CMYK 0 / 55 / 1 / 2

HEX #F971F7

RGB 249 113 247

HSL 300.88, 0.92%, 0.71%

LAB 68.51, 68.81, -43.51

 

CMYK 0 / 27 / 55 / 2

HEX #F9B771

RGB 249 183 113

HSL 30.88, 0.92%, 0.71%

LAB 79.16, 16.32, 44.66

 

CMYK 55 / 0 / 54 / 2

HEX #71F973

RGB 113 249 115

HSL 120.88, 0.92%, 0.71%

LAB 88.21, -63.03, 52.63

 

Description

Color code: HEX #72B2F94C | qconv.com Color code: HEX #72B2F94C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 178 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 178 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 9 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 9% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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