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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #72ABC3 it is the complementary color #8D543C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #72ABC3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #72ABC3 shade: #77ABBE, #88BDD1, #99CFE4, #AAE1F7 and #BBF3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #72ABC3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #72ABC3 shade: #72ABC3, #6199B0, #50879D, #3F758A and #2E6377

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #72ABC3 shade: #74ACC3, #7496C3, #7481C3, #7C74C3 and #9274C3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #72ABC3 shade: #74ACC3, #7496C3, #7481C3 and #7474C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #72ABC3 shade matches the following richer shades: #74ACC3, #64B2D3, #54B9E4 and #43BFF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #72ABC3 shade: #74ACC3, #84A5B3, #949FA3, #A49893 and #B49283

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #72ABC3 shade: #74C3AF, #74C2C3, #74ADC3, #7498C3 and #7482C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #72ABC3 shade: #4585A0, #579AB7, #74ACC3, #91BDD0 and #AECEDC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #72ABC3 shade: #72ABC3, #9A74C3 and #C3BA74

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #72ABC3 shade: #72ABC3, #C374AD and #ADC374

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #72ABC3 shade: #72ABC3, #9A74C3, #C38A74 and #9DC374

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #72ABC3 shade: #72ABC3, #B274C3, #C38A74 and #85C374

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 12 / 0 / 24

HEX #72ABC3

RGB 114 171 195

HSL 197.78, 0.4%, 0.61%

LAB 67.01, -12.32, -18.12

 

Complementary color

CMYK 0 / 40 / 57 / 45

HEX #8D543C

RGB 141 84 60

HSL 17.78, 0.4%, 0.39%

LAB 41.74, 21.16, 24.01

 

CMYK 37 / 10 / 0 / 25

HEX #77ABBE

RGB 119 171 190

HSL 196.06, 0.35%, 0.61%

LAB 67.1, -12.31, -15.18

 

CMYK 35 / 10 / 0 / 18

HEX #88BDD1

RGB 136 189 209

HSL 196.44, 0.44%, 0.68%

LAB 73.7, -12.37, -15.59

 

CMYK 33 / 9 / 0 / 11

HEX #99CFE4

RGB 153 207 228

HSL 196.8, 0.58%, 0.75%

LAB 80.18, -12.41, -15.98

 

CMYK 31 / 9 / 0 / 3

HEX #AAE1F7

RGB 170 225 247

HSL 197.14, 0.83%, 0.82%

LAB 86.56, -12.46, -16.38

 

CMYK 27 / 5 / 0 / 0

HEX #BBF3FF

RGB 187 243 255

HSL 190.59, 1%, 0.87%

LAB 92.52, -14.97, -11.54

 

CMYK 42 / 12 / 0 / 24

HEX #72ABC3

RGB 114 171 195

HSL 197.78, 0.4%, 0.61%

LAB 67.01, -12.32, -18.12

 

CMYK 45 / 13 / 0 / 31

HEX #6199B0

RGB 97 153 176

HSL 197.47, 0.33%, 0.54%

LAB 60.3, -12.16, -17.75

 

CMYK 49 / 14 / 0 / 38

HEX #50879D

RGB 80 135 157

HSL 197.14, 0.32%, 0.46%

LAB 53.46, -11.95, -17.37

 

CMYK 54 / 15 / 0 / 46

HEX #3F758A

RGB 63 117 138

HSL 196.8, 0.37%, 0.39%

LAB 46.46, -11.64, -16.97

 

CMYK 61 / 17 / 0 / 53

HEX #2E6377

RGB 46 99 119

HSL 196.44, 0.44%, 0.32%

LAB 39.3, -11.17, -16.56

 

CMYK 41 / 12 / 0 / 24

HEX #74ACC3

RGB 116 172 195

HSL 197.47, 0.4%, 0.61%

LAB 67.4, -12.33, -17.52

 

CMYK 41 / 23 / 0 / 24

HEX #7496C3

RGB 116 150 195

HSL 214.18, 0.4%, 0.61%

LAB 61.19, -0.19, -27

 

CMYK 41 / 34 / 0 / 24

HEX #7481C3

RGB 116 129 195

HSL 230.13, 0.4%, 0.61%

LAB 55.43, 12.04, -35.95

 

CMYK 36 / 41 / 0 / 24

HEX #7C74C3

RGB 124 116 195

HSL 246.08, 0.4%, 0.61%

LAB 52.64, 21.96, -40.3

 

CMYK 25 / 41 / 0 / 24

HEX #9274C3

RGB 146 116 195

HSL 262.78, 0.4%, 0.61%

LAB 54.6, 28.19, -37.08

 

CMYK 41 / 12 / 0 / 24

HEX #74ACC3

RGB 116 172 195

HSL 197.47, 0.4%, 0.61%

LAB 67.4, -12.33, -17.52

 

CMYK 41 / 23 / 0 / 24

HEX #7496C3

RGB 116 150 195

HSL 214.18, 0.4%, 0.61%

LAB 61.19, -0.19, -27

 

CMYK 41 / 34 / 0 / 24

HEX #7481C3

RGB 116 129 195

HSL 230.13, 0.4%, 0.61%

LAB 55.43, 12.04, -35.95

 

CMYK 41 / 41 / 0 / 24

HEX #7474C3

RGB 116 116 195

HSL 240, 0.4%, 0.61%

LAB 52, 19.82, -41.35

 

CMYK 41 / 12 / 0 / 24

HEX #74ACC3

RGB 116 172 195

HSL 197.47, 0.4%, 0.61%

LAB 67.4, -12.33, -17.52

 

CMYK 53 / 16 / 0 / 17

HEX #64B2D3

RGB 100 178 211

HSL 197.84, 0.56%, 0.61%

LAB 68.93, -14.91, -24.07

 

CMYK 63 / 19 / 0 / 11

HEX #54B9E4

RGB 84 185 228

HSL 197.92, 0.73%, 0.61%

LAB 71, -16.58, -30.25

 

CMYK 73 / 22 / 0 / 4

HEX #43BFF4

RGB 67 191 244

HSL 197.97, 0.89%, 0.61%

LAB 72.88, -17.13, -36.04

 

CMYK 41 / 12 / 0 / 24

HEX #74ACC3

RGB 116 172 195

HSL 197.47, 0.4%, 0.61%

LAB 67.4, -12.33, -17.52

 

CMYK 26 / 8 / 0 / 30

HEX #84A5B3

RGB 132 165 179

HSL 197.87, 0.24%, 0.61%

LAB 65.8, -8.03, -10.94

 

CMYK 9 / 2 / 0 / 36

HEX #949FA3

RGB 148 159 163

HSL 196, 0.08%, 0.61%

LAB 64.75, -3.08, -3.43

 

CMYK 0 / 7 / 10 / 36

HEX #A49893

RGB 164 152 147

HSL 17.65, 0.09%, 0.61%

LAB 63.72, 3.52, 4.21

 

CMYK 0 / 19 / 27 / 29

HEX #B49283

RGB 180 146 131

HSL 18.37, 0.25%, 0.61%

LAB 63.26, 10.49, 12.77

 

CMYK 41 / 0 / 10 / 24

HEX #74C3AF

RGB 116 195 175

HSL 164.81, 0.4%, 0.61%

LAB 73.44, -29.01, 2.43

 

CMYK 41 / 1 / 0 / 24

HEX #74C2C3

RGB 116 194 195

HSL 180.76, 0.4%, 0.61%

LAB 73.7, -23.72, -8.07

 

CMYK 41 / 11 / 0 / 24

HEX #74ADC3

RGB 116 173 195

HSL 196.71, 0.4%, 0.61%

LAB 67.68, -12.87, -17.09

 

CMYK 41 / 22 / 0 / 24

HEX #7498C3

RGB 116 152 195

HSL 212.66, 0.4%, 0.61%

LAB 61.75, -1.32, -26.14

 

CMYK 41 / 33 / 0 / 24

HEX #7482C3

RGB 116 130 195

HSL 229.37, 0.4%, 0.61%

LAB 55.7, 11.44, -35.53

 

CMYK 57 / 17 / 0 / 37

HEX #4585A0

RGB 69 133 160

HSL 197.8, 0.4%, 0.45%

LAB 52.48, -12.45, -20.63

 

CMYK 52 / 16 / 0 / 28

HEX #579AB7

RGB 87 154 183

HSL 198.13, 0.4%, 0.53%

LAB 60.39, -13.08, -21.61

 

CMYK 41 / 12 / 0 / 24

HEX #74ACC3

RGB 116 172 195

HSL 197.47, 0.4%, 0.61%

LAB 67.4, -12.33, -17.52

 

CMYK 30 / 9 / 0 / 18

HEX #91BDD0

RGB 145 189 208

HSL 198.1, 0.4%, 0.69%

LAB 74.17, -10.08, -14.28

 

CMYK 21 / 6 / 0 / 14

HEX #AECEDC

RGB 174 206 220

HSL 198.26, 0.4%, 0.77%

LAB 80.91, -7.61, -10.48

 

CMYK 42 / 12 / 0 / 24

HEX #72ABC3

RGB 114 171 195

HSL 197.78, 0.4%, 0.61%

LAB 67.01, -12.32, -18.12

 

CMYK 21 / 41 / 0 / 24

HEX #9A74C3

RGB 154 116 195

HSL 268.86, 0.4%, 0.61%

LAB 55.38, 30.56, -35.8

 

CMYK 0 / 5 / 41 / 24

HEX #C3BA74

RGB 195 186 116

HSL 53.16, 0.4%, 0.61%

LAB 74.81, -6.95, 36.59

 

CMYK 42 / 12 / 0 / 24

HEX #72ABC3

RGB 114 171 195

HSL 197.78, 0.4%, 0.61%

LAB 67.01, -12.32, -18.12

 

CMYK 0 / 41 / 11 / 24

HEX #C374AD

RGB 195 116 173

HSL 316.71, 0.4%, 0.61%

LAB 59.08, 39.14, -17.13

 

CMYK 11 / 0 / 41 / 24

HEX #ADC374

RGB 173 195 116

HSL 76.71, 0.4%, 0.61%

LAB 75.56, -20.27, 37.2

 

CMYK 42 / 12 / 0 / 24

HEX #72ABC3

RGB 114 171 195

HSL 197.78, 0.4%, 0.61%

LAB 67.01, -12.32, -18.12

 

CMYK 21 / 41 / 0 / 24

HEX #9A74C3

RGB 154 116 195

HSL 268.86, 0.4%, 0.61%

LAB 55.38, 30.56, -35.8

 

CMYK 0 / 29 / 41 / 24

HEX #C38A74

RGB 195 138 116

HSL 16.71, 0.4%, 0.61%

LAB 62.54, 18.97, 20.45

 

CMYK 19 / 0 / 41 / 24

HEX #9DC374

RGB 157 195 116

HSL 88.86, 0.4%, 0.61%

LAB 74.48, -26.34, 35.6

 

CMYK 42 / 12 / 0 / 24

HEX #72ABC3

RGB 114 171 195

HSL 197.78, 0.4%, 0.61%

LAB 67.01, -12.32, -18.12

 

CMYK 9 / 41 / 0 / 24

HEX #B274C3

RGB 178 116 195

HSL 287.09, 0.4%, 0.61%

LAB 57.94, 37.82, -31.62

 

CMYK 0 / 29 / 41 / 24

HEX #C38A74

RGB 195 138 116

HSL 16.71, 0.4%, 0.61%

LAB 62.54, 18.97, 20.45

 

CMYK 32 / 0 / 41 / 24

HEX #85C374

RGB 133 195 116

HSL 107.09, 0.4%, 0.61%

LAB 73.07, -34.88, 33.51

 

Description

Color code: HEX #72ABC3 | qconv.com Color code: HEX #72ABC3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 171 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 171 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 12 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 12% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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